View allAll Photos Tagged VueScan
Inside the Church San Girolamo, Reggio Emilia, Italy.
Leica M7, 35mm Summicron, Provia 100F pro-lab developed. scanned with Nkon LS5000 and vuescan (linux + darktable.
Rolleiflex Planar 80mm f2.8; Fuji PRO 400H ±0, Developed at Photo Ueno, Shibuya, Tokyo; Driver: VueScan 9(DNG duplication); Scanner: Epson GTX980; Raw Editor: Capture One Pro 20(positive conversion and retouch); Browser: Photo Mechanic 6(selection, management and uploading)
Test scan, using acrylic sheet as ANR "glass" in Canoscan 8800f film guide. Pentax 645n, Ultrafine Extreme 400 at EI 800, Kodak HC110, dilution E, scanned at 1600 dpi with Vuescan and post processed with Photoshop Elements.
Cam: Minolta XD7
Lens: Minolta MD 1:1.7/50mm
Film: Unknown traffic surveillance black and white negative hand rolled by Film Photography Project USA (FPP)
Process: Kodak D-76 (7.5') + Ilford Rapidfixer (2.5')
Scan: Vuescan + Epson Perfection V330
Edit: Lightroom CC2015
Leica M3 + Leitz Wetzlar Summicron 50mm f/2 DR + B+W ND 4x + Kodak Portra 400
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Testing my Daughter's HP Envy 5540 Scanner with my Vuescan . I did darkroom Prints on Kentmere Grade 1 Glossy Bromide processed in Home-Made Ilford PQ Print formula 1+9 with my Durst M305 + 50mm f2.8 El-Nikkor lens. The Film came out dense as I found there is a 'sticky aperture' and it is slow to Stop Down. Film was KB200 processed in ID11 1+1 for 11 mins.
St Thomas of Canterbury Churchyard @ f2.8
Mamiya 645 super
Sekor C 55mm lens
Ektar 100
Sunny 16 rule
Plustek opticfilm 120
Vuescan (ektar100 2nd gen colour grading)
Camera: Minolta Maxxum 7
Lens:
Film: Kodak Portra
Scanner: Minolta Dimage Scan Elite F-2900
Software: Vuescan
Rolleiflex 2.8E Planar 80mm ; Echtachrome E100 ±0 , Developed at Photographers' Laboratory, Tokyo; Driver: VueScan 9 (DNG duplication); Scanner: Epson GTX-980; Raw Editor: Capture One Pro 20 (positive conversion and retouch); Browser: Photo Mechanic 6 (selection, management and uploading)
Quedlinburg, one of the old cities in the former DDR has been, and still is, being, renovated. It has received a UNESCO world heritage status for it's beauty and historical importance. I read that Germany was actually founded there. We had a very nice time strolling through the old and narrow streets....
Here a view down from the castle, which thrones high above the city.
Bronica ETRS-I + Zenzanon MC 150mm F3,5
Filmdata: Fujifilm Reala 100 (I love those rich colours) scanned on Epson Perfection 4990 with Vuescan Professional, colourprocessing with Colorperfect 2.1
Leica M3 + Leitz Wetzlar Summicron 50mm f/2 DR + B+W ND 4x + Kodak Portra 400
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Leica M3 + Leitz Wetzlar Summicron 50mm f/2 DR + B+W ND 4x + Kodak Portra 400
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Leica M3 + Leitz Wetzlar Summicron 50mm f/2 DR + B+W ND 4x + Kodak Portra 400
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Summer bokeh! Here, some garden utensils in the backyard of my parent's house hiding in a bokeh. Late June 2018.
Taken with Contax 167MT camera and Yashica DSB 28mm F2.8 lens on Agfa Vista Plus 200 film. 28mm, 1/1400, wide-open at ƒ/2.8, 200 ASA. Scanned with Plustek OpticFilm 8100 scanner via VueScan 9.5.
just a street photography.
Holga 120CFN
/ Kodak Tri-X
- selfdeveloping Rodinal 40C 5min30sec / vuescan
Holga is nice to shoot so called street photography as well as Leica.
Holgaはゾーンフォーカスやし、いい加減さがストリートにはよく合うような気がします。
Kiev, Flexaretはじっくり向き合うのにいいのかな。
HolgaはLeica同様、散歩に向くように思いますよー。
Olympus Trip 35
Agfa VistaPlus 200
Canon CanoScan 8600F
VueScan
Photo Blog:
tumblr:
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Makina 670 + Nikkor 80mm f/2.8 + Kodak Portra 160
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
This photo taken with an Agfa Super Isolette circa 1953 and FujiPro 160 film. Scanned on the Epson V700 at 198 Megapixels using VueScan. The original TIFF file was 1.57 GB and the resulting JPG only 98MB. Pixel Peepers enjoy!
It's been hot day in August, so my father and I postponed work in our vineyard till the last moment - at the dusk.
I had my yet untested Minolta MD Zoom lenses and a roll of cheap film, and here are the results - not bad for inexpensive, old zoom lenses and cheap film.
Taken with Minolta XD7 camera and Minolta MD Zoom 70–210mm F4 lens on DM Paradies Universal 200 film. Scanned with Canon CanoScan 8800F scanner, using VueScan 9.
Leica M3 + Leica Summicron 50mm f/2 DR + Kodak Pro Image 100
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Digging through the archive: I've completely forgotten about this film, it was developed back in the last decade, scanned a year ago and left that way. Until now.
Here, remnants of a forest, copse actively being reduced to nothing.
Taken with Hasselblad 500c/m medium format film camera and Carl Zeiss Distagon T* 50mm F4 wide-angle lens, on Kodak T-Max 100 TMX film developed in Kodak Xtol.
Scanned with Canon CanoScan 8800F flatbed scanner, using VueScan.
Finally, the first summer weekend of this season.
Here, a 14 meters tall monument dedicated to the creation of the first organized unit against Nazi occupiers in World War II Croatia, on 22nd of June 1941.
Taken with Pentax MZ-S autofocus film camera, with smc Pentax-FA 28mm F2.8 AL wide-angle lens, on a roll of brand-new Wolfen Color NC500 colour negative film.
Scanned with Plustek OpticFilm 8100 scanner using VueScan.
Leica M3 + Leica Summicron 50mm f/2 DR + Kodak Pro Image 100
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Leica M3 + Leitz Wetzlar Summicron 50mm f/2 DR + B+W ND 4x + Kodak Portra 400
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Sapporo, Hokkaido.Canon AV-1,NFD 28mm F2.8, Fujiflm Minicopy HR2, exposed as ISO 40, developed with H&W control ( 20 Deg.C. 14 minutes ), scanned with Plustek OpticFilm8100 + VueScan at 7200 dpi, edited with GIMP.
Bigger sizes: www.flickr.com/photos/threepinner/53592666461/sizes/ , the original 10142 × 6783 pixels compatible. Learn DIY development and upgrade to film !
Leica M3 + Nikkor-H.C 5cm f/2 + Kodak Tmax 100 + Zeiss red filter
Digitised using Plustek OpticFilm 120 + Vuescan
Mamiya RZ67 Pro II, Sekor C 110mm f/2.8. Shot on HP5+ 1/90 @ f/11. Developed normally in DD-X (9:00 @ 68 degrees) and scanned using Vuescan Professional at 6400dpi on an Epson V600.
Taken around 7:30am crossing the Chicago River just past the Merchandise Mart...I first noticed the beautiful pink/orange glint on the buildings "behind" this viewpoint, and turned around to see what was left of the sunrise. Normally, I'd try to cross the bridge to remove the bridge supports obstructing my view but for some reason I thought they would really work in B&W...
IT MAY SOUND AS IF I PROCESSED THIS IMAGE TO DEATH, BUT IN FACT I STROVE TO ONLY REMOVE ARTIFACTS AND ERRORS FROM THE SCANNING PROCESS!!!
I burned the sky in just a touch (about 1/3 stop) and worked both local and global contrast a little bit (dodging the beams, burning the sky and some buildings, tweaking "clarity" in LR) along with several runs of very subtle sharpening since I got an oddly high amount of scanner noise on this image, I was forced to be very careful. Multi-Exposure and/or Multi-Pass scans were attempted and discarded due to losing so much fine detail to positional errors.
UPDATE: on May 10th I uploaded a new version via "replace"..I was forced to rebuild my computer and didn't realize that all of my monitor profiles were gone and thus the images were extremely flat and dark to the rest of the world even though they looked great in my home....so, I recreated the profiles and cooked this image up again from a raw scan for your viewing.
Hope you enjoy.
That's rail tracks overpass in the making. Section of the road was obliterated, a new one is being built, there'll be no more waiting for a train to pass.
One of my MXes got resurrected, this was the first roll in that camera after quite a lot of time.
Taken with Pentax MX camera, smc Pentax-M 50mm F1.4 lens on Agfa Vista Plus 200 film. Scanned with Canon CanoScan 8800F and VueScan 9.
Leica M3 + Nikkor-H.C 5cm f/2 + Kodak Tmax 100 + Zeiss yellow filter
Digitised using Plustek OpticFilm 120 + Vuescan
Landscape on Film (Portra 400), with Contax T2 out of a driving car.
Contax T2
Kodak Portra 400
Scan from negative film,
Reflecta RPS7200, VueScan-RAW,
converted with ColorNeg;
© Thomas Seidl Photography 2014
Homepage: thomasseidl-photography.smugmug.com
Facebook: www.facebook.com/pages/Thomas-Seidl/157771240957091
Rolleiflex Planar 80mm f2.8; PRO 400H ±0, Developed at Photo Ueno, Shibuya, Tokyo; Driver: VueScan 9(DNG duplication); Scanner: Epson GTX980; Raw Editor: Capture One Pro 20(positive conversion and retouch); Browser: Photo Mechanic 6(selection, management and uploading)
Olympus XA + F-Zuiko 35mm f/2.8 + Kodak Pro Image 100
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
"Bessemer" "AL"
"Canon 7"
"CV 35/2.5 Color-Skopar"
"Fuji" "Acros"
"Thorntons Two Bath"
"Plustek 8100"
"Vuescan"
"Gimp"
Makina 670 + Nikkor 80mm f/2.8 + Kodak Portra 160
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Sunderland - Roker
Ilford FP4+ film shot at 50 ASA developed in Caffenol-C-L for 42 mins at 20'C.
Recepie used: Anhydrous Washing Soda - 8.5g, Vitamin C powder - 5g, Potassium Bromide - 2.5g, Maxwell House Instant Coffee Powder - 19g, dissolved in 500mL deionised water.
Scanned using a Kodak RFS-2035 Plus film scanner using Vuescan software.
Exakta EXA 1a, Domiplan 50mm / 2.8, Agfaphoto Vista 200 Plus, TETENAL Colortec C-41, Reflecta CrystalScan 3600, Vuescan, GIMP
Leica M3 + Leitz Wetzlar Summicron 50mm f/2 DR + B+W ND 4x + Kodak Portra 400
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Makina 670 + Nikkor 80mm f/2.8 + Kodak Portra 160
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
"Muscoda School"
"Bessemer" "AL"
"Canon 7"
"CV 35/2.5 Color-Skopar"
"Arista Premium 400" "expired"
"Thorntons Two Bath"
"Plustek 8100"
"Vuescan"
"Darktable"
Olympus XA + F-Zuiko 35mm f/2.8 + Kodak Pro Image 100
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Sport the photographer, hiding in the remnants of once pretty dense forest.
Severe storm leveled much of that forest in the late 2013., and then the snow and ice rain finished the trees. Now, much of that forest is cleared.
Taken 15. 03. 2014.
Taken with Pentax MZ-S camera, Tamron Adaptall-2 24mm F2.5 wide-angle lens, 1/180s, F4.5, at 200ASA, on new stock of DM Paradies Universal 200 film.
Not bad, visibly better than previous stock - no more violet shadows. Also, this new film is visibly sharper, too...
Scanned with Canon CanoScan 8800F, with VueScan 9.2.
Nikon F3HP
Nikon 35mm F/2 AI
Ilford HP5 Plus pushed to iso 800
Ilford HC 1:31 9:30@68 degrees
Ilfostop
Ilford Rapid Fixer
Ilford wash method
Scanned on Primefilm XE with Vuescan
Leica M3 + Leica Summicron 50mm f/2 DR + Kodak Pro Image 100
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Foggy BT Tower
Ilford FP4+ film shot at 50 ASA developed in Caffenol-C-L for 42 mins at 20'C.
Recepie used: Anhydrous Washing Soda - 8.5g, Vitamin C powder - 5g, Potassium Bromide - 2.5g, Maxwell House Instant Coffee Powder - 19g, dissolved in 500mL deionised water.
Scanned using a Kodak RFS-2035 Plus film scanner using Vuescan software.