View allAll Photos Tagged Visualize
Visualization of various internet stats from the Design and the Elastic Mind exhibit at MoMA. I was attracted to this partly because of the massive hanging screen, which, if you went round, showed the mirror image on the back.
www.bioteams.com/2007/04/30/visualizing_complex_networks....
The site is run by Manuel Lima who is an interaction designer, information architect and design researcher. Manuels website is www.mslima.com/myhome.cfm
David Cook, Chief Clinical and Operating Officer, Jiahui Health, People’s Republic of China capture during the Session: "Visualizing Disease" at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China 2017. Copyright by World Economic Forum / Sikarin Fon Thanachaiary
Richard Nieman, Global Medical Officer; Senior Vice-President, Teva Pharmaceutical, USA capture during the Session: "Visualizing Disease" at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China 2017. Copyright by World Economic Forum / Sikarin Fon Thanachaiary
@ Long Nguyen & Thu Nguyen
Architecture - Interior Design & 3D Visualization
0979 962 864, Ho Chi Minh City
advlongnguyen@gmail.com
Sprinklr's Command Center solution powered data visualizations and real-time content curation for Samsung during SXSW Interactive 2014 at the Samsung Blogger Lounge.
All photos by Kris Krug.
Visualizations from the IdeasLab at the Annual Meeting of the New Champions in Tianjin, People's Republic of China 2018. Copyright by World Economic Forum / Faruk Pinjo
This is for a University Data Visualization assignment.
I do not own the images seen hear, they are the property of Wizards of the Coast.
David Cook, Chief Clinical and Operating Officer, Jiahui Health, People’s Republic of China capture during the Session: "Visualizing Disease" at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China 2017. Copyright by World Economic Forum / Sikarin Fon Thanachaiary
U – Silk City
Project information
Location: Le Van Luong Road, Van Khe Ward, Ha Dong district, Hanoi
Type: Residential Building
Investor: Song Da – Thang Long Joint Stock Company
Total area: 9.2 hectares
Total investment: 10,000 billion VND
Building start date: November 2008
Building finish date: December 2013
Product by E5:
- Ariel visualization.
- Interior visualization.
- 3D Floor Plan
- Brand Identity Package.
- Catalog
- Signage Design for Model House
The 3D project completed in June 2010.
A very hot day a couple of years ago near Cadier en Keer in the most southern part of the Netherlands.
Not much time lately for new pictures, so I'm taking a look in my archives.....
David Cook, Chief Clinical and Operating Officer, Jiahui Health, People’s Republic of China capture during the Session: "Visualizing Disease" at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China 2017. Copyright by World Economic Forum / Sikarin Fon Thanachaiary
DCO Modeling and Visualization Workshop: Toward a 4D Planetary Carbon Circulation Model
photo credit: Josh Wood
quick fluxus script visualizing email data flow for the hungarian freedom not fear 2008 event against the eu data retention directive.
wiki.vorratsdatenspeicherung.de/Freedom_Not_Fear_2008/Bud...
A visualization of 1 million Manga images on 287 megapixel HIPerSpace on supervisualization system at Calit2, San Diego.
This photo: Jeremy Douglass (Post-doctoral researcher, Software Studies Initiative) and Florian Wiencek (Jacobs-University, Bremen)
iSGTW story | Image courtesy of Paul Thompson, Laboratory of Neuro Imaging, University of California.
Using a grid computing testbed, researchers can visualize the progressive brain tissue loss (pink) in schizophrenia patients.
The Visualization of Noise
Angel Audio/Video RMX (2002) by Philipp Geist
Viola Fissek/Philipp Geist
A self-taught artist based in Berlin since 1999, Philipp Geist (VIDEOGEIST) works internationally through the media of video, performance, photography, and painting. In 2008, he projected his video installation Time Fades across the Piazzetta open space of the Kulturforum in Berlin. In 2007, he screened his video installation Time Lines on the facade of the museum for contemporary art Palazzo delle Esposizioni in the center of Rome. His projects are characterized by a complex integration of space, sound, and moving images. Time plays an important conceptual role in his work, in which this apparently fixed and constant variable is repeatedly subjected to variations.
Music and sound are central elements of Philipp Geist’s work. He enters into a dialogue with music in many of his creations, and this influences the speed, the intensity of the effects, the degree of abstraction, the colorfulness, and also the content of his images. In the course of this process, visual configurations can emerge that do not necessarily accompany the music, but instead challenge it. The moving image is not given a subordinate role to the music, rather, the two media enjoy equal status. In this way, Geist seeks to overcome the dependency of image on music frequently found in the genre of concert and club visuals.
Angel Audio/Video RMX also transcends traditional audiovisual conventions, especially those of the music video. The work is an experimental and new artistic interpretation of a concert performed by Angel, a musical pairing of Ilpo Väisänen (Pan Sonic) and Dirk Dresselhaus (SchneiderTM). Their noise project combines guitar vibrations with electronic sounds, distorted and transformed by means of feedback and deep, long-drawn-out drones. Angel played the duo concert that Geist would work with as part of the Z2000 exhibition in 2000, performing at a factory floor in Berlin. The concert featured monitors showing a video especially created for the music by Geist (Ill. 1).
The material point of departure for Angel AudioVideo RMX was a recording of this concert with a handheld camera. Geist cut this footage up into tiny video frames, so that the sound was also fragmented and reassembled. This type of rearrangement is often used in the electronic music scene when doing a remix: artists interpret and transform the work of other musicians in order to create something new. Angel Audio/Video RMX is characterized by a distinctive type of interaction between image and sound, unlike the traditional process of creation for a music video, in which appropriate images are chosen to accompany the piece of music. It is true that in this kind of audiovisual remix, the sequence of sounds is determined by the video editing, but the procedure is nonetheless based on an equivalent status for image and sound—since each editorial decision was based on both the audio and the video tracks.
The remix, not unlike Angel’s sound, has an arc of tension that gradually rises, often remains constant for a prolonged phase, and in some parts varies only very slightly. Continuous acceleration and increase in intensity are followed by a pause, and then another escalation, and now the more rapid and increasingly brief segments in black-and-white contrast are joined by the complementary colors red and green. The musicians are shown in different positions, variously sitting or standing. The video track is played backward and forward, and the frames alternate between positive and negative.
The drone set is characterized by long notes, humming, and constant buzzing. The occasionally aggressive volume, the perpetual buzzing, and the shrill notes of the noise project are transformed into an intense, almost corporeal visuality capable of producing dizziness or even headaches in the viewer. Geist translates the acute stimulation of the auditory sense into visual irritation. He achieves this not only through a rapid succession of images, in which the eye searches for something to grasp on, but also because the images quiver and the red flickering light becomes more and more intense.
Time and space are central to the concept of the remix. The films shown at the concert as visuals, as well as the walls of the old factory and an adjoining installation featured in the exhibition, are all incorporated into the video. So are the spectators: a recording of their applause is cut up and becomes another component of the new chain of sound events. The boundaries between documentation, citation, interpretation, and new composition dissolve both in the visual and in the auditory realms. In addition to the spatial dimension, the temporal dimension is also shifted: the spectators are still applauding one work, but have long become part of another.
Angel Audio/Video RMX thus represents a space-time distortion. The real-time duration of the performance is altered in that it is chopped up and compressed, which means it is accelerated, but at the same time it is also slowed down and prolonged by looping short passages, and it is extended, because the concert space is audiovisually integrated.
What is special here about the role of Philipp Geist is that he moves from his initial function as a mere supplier of images at the concert to someone who takes possession of the audio track during the remix so as to create a new and genuinely audiovisual composition whose music is determined by the rhythm of the images and whose image sequences are determined by sounds. It is difficult to imagine a closer dovetailing of the two media in the audiovisual production process.
This is a frame from a video. You can watch it on Vimeo.
Map view of national airline shortest path tree, showing shortest path from Seattle to some point Puerto Rico
Jeffrey M. Drazen, Editor-in-Chief, New England Journal of Medicine, USA capture during the Session: "Visualizing Disease" at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China 2017. Copyright by World Economic Forum / Sikarin Fon Thanachaiary
Mike Moradi, Founder and Chief Executive Officer, Sensulin, USA; Young Global Leader capture during the Session: "Visualizing Disease" at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China 2017. Copyright by World Economic Forum / Sikarin Fon Thanachaiary
3D Visualisation Studio specialising in photorealsitic 3D visualisation for products, Interactive product viewers and creative CG imagery.
Snapshot of Tiger Woods stats from pgatour.com, specifically, www.pgatour.com/players/00/87/93/, as at 2008/2/5 08:30:00 GMT. Preserved against change...
COPYRIGHT 2009 by Jim Frazier All Rights Reserved. This may NOT be used for ANY reason without consent. See Flickr profile for more information.
Lighting: SB600 camera left into reflecting umbrella at full power, bare SB600 camera right at 1/32 power (to fill in some shadows), fired by CLS from SB800.
Part of the Peas Project
www.flickr.com/photos/jimfrazier/albums/72157621916521505
frazier-jim-090807e-nef90-019a-wb
Screenshot of Attensity Analyze for German tool “Visual CT”: Visualization of the parse tree generated by Natural Language Processing (NLP) technology from a German sentence.
Note: This tool is not shipped to and used by customers but by knowledge engineers to define and test the knowledge solutions.
++++++++
Screenshot des Attensity Analyze for German Tools „Visual CT“: Visualisierung des Parse-Baums für einem deutschen Satz. Der Baum wurde durch Natural Language Processing (NLP) Technologie generiert.
Hinweis: Dieses Tool wird nicht an Kunden ausgeliefert, sondern von Wissensingenieuren genutzt, um Wissenslösungen zu definieren und zu testen.