View allAll Photos Tagged Visualization

Project | Marco Island

Client | Private

Design | Nautical Lands Group

Location | Marco Island, Florida, USA

Rendering | Rahim Consulting

Website | www.intiaz.com/

Email | 3d@intiaz.com

 

#vray #3d #3dsmax #architecture #visualization #archviz #florida #rendering

Created using lastgraph.aeracode.org

 

(for some reason, even though I've been on Last.fm since 19 March 2009, LastGraph only did 2006-2009...)

First Hacks/Hackers Meetup held at Atherton Studio at HPR. Great presentations by Ben Trevino, Jared Kuroiwa and Misa Maruyama.

©Xosé Castro

All rights reserved. Reservados todos los derechos.

Prohibida la reproducción en ningún medio sin mi permiso previo.

You are not allowed to use any of these images in any media without my permission.

 

If you want to hire my services, send me a message to xosecastro@gmail.com

Si quieres contratar mis servicios, escribe a xosecastro@gmail.com

Coursework, HEAJ (Haute-École Albert Jacquard, Namur, Belgium).

 

HEAJ website :

www.infographie-sup.be/

architectural lighting concept | 3d visualization

A data-visualization of meteorite impact data etched into stone at different locations on the Earth. Using data provided by Peter Jenniskens at the SETI Institute, Kildall wrote custom algorithms that created files specific for a high-pressure waterjet cutting machine.

 

When a large asteroid enters the earths atmosphere, it does so at high velocity of approximately 30,000km/hour. Before impact, it breaks up into thousands of small fragments, which are meteorites. Usually when they hit our planet in the ocean or at remote locations. Only recently have scientists been able to use GPS technology to geolocate the spread patterns, called Strewn Fields.

 

Using this data, along with the mass of the meteorites, Kildall has transposed the patterns using custom algorithms into 2D space and the programmed the waterjet machine — a high-pressure CNC water-cutting device to etch the data into stone. The waterjet reflects the kinetic energy of the asteroid and the stone is that of the Earth. Each stone is selected to match the type of rock found at that impact site on Earth.

 

Part of the group exhibition Future Artifacts

 

Thanks to Leisure & Culture Dundee

 

About the Artist Scott Kildall is cross-disciplinary artist who writes algorithms that transform various datasets into 3D sculptures and installations. The resulting artworks often invite public participation through direct interaction. His work has been exhibited internationally at venues including the New York Hall of Science, Transmediale, the Venice Biennale and the San Jose Museum of Art.

 

He has received fellowships, awards and residencies from organizations including Impakt Works, Autodesk, Recology San Francisco, Turbulence.org, Eyebeam Art + Technology Center, Kala Art Institute and The Banff Centre for the Arts.

 

FUTURE ARTIFACTS

Gabriel Menotti, Scott Kildall, Roel Roscam Abbing, Thomson & Craighead, Nedyalka Panova

 

This intervention-exhibition presents artworks and installations across the galleries and public spaces of the McManus: Dundee’s Art Gallery & Museum, and the Mills Observatory. The works conjure up an image of future artifacts, questions ideas of what we leave behind and reveals the hidden material cultures of our technological age. The audience can choose to hunt for these artifacts or find them by chance; either way they will provide new conversations between museum objects and their audience.

Good friend of mine at the South Florida tattoo expo scouting the scene for his next shot.

This is an example of the processing done by my music visualizer for iTunes on the Mac

 

more at www.fraktus.com/exo/exo_flickr.php

 

Or download it at fraktus.com/exo/eXo_12.dmg

 

The picture processed is downloaded automaticaly from the Flickr web site and is not mine, so it's a collective piece of art :-)

 

This one is a 3D tunnel with blobs textured with a Flickr downloaded picture. The size of the blobs evolve with the spectrum of the music.

Electronic Arts museum, Basel, Switzerland

Mapa de color de las temperaturas medias anuales entre 1920 y 2010, en más de 100 estaciones meteorológicas españolas.

 

En el eje X se representan los años, desde 1920 a 2010. En el eje Y están las estaciones meteorológicas ordenadas por latitud. El color representa la media de temperaturas de cada año (se descartan los años con menos de 330 días registrados).

 

Proyecto Calima de AbreDatos 2011. Datos de AEMET.

Visualization of different chapters of " Zippy Ziggy"

by Korean artist Kim Eun-Jung

 

A particular chapter is selected and corresponding pages are highlighted in red

Last year I was 2:34 (plus a bogus two-minute penalty)at the St. Anthony's triathlon. This year my goal is to break 2:30, easy for you maybe, but for me a challenge.

Coming off the ankle injury will make this even more difficult, but with a little discipline and consistency I think I can do it.

So I put this on my display to remind me every day until then.

Visualization of a residential complex near Kyiv / Ukraine Yard_View

Photos by Lara McCormick

AIGA/NY Data Visualization: Methods & Madness

Tishman Auditorium

1/12/2011

Edward Tufte shows examples from a first edition book by Galileo Galilei at a lecture.

Toby gets his game-face on and is ready to rock this course. Jiro backs him up, in case the cart bucks from over-torque.

quick fluxus script visualizing email data flow for the hungarian freedom not fear 2008 event against the eu data retention directive.

 

wiki.vorratsdatenspeicherung.de/Freedom_Not_Fear_2008/Bud...

 

architectural visualization

Interactive data visualization of research 'Transport Network and Social Network: Motion and Emotion'

Moscow Urban Forum 2013

 

Research is the collaboration between Thomson Reuters, Mathrioshka and MegaFon

 

Сommissioned by the coordinator of complex research 'Archaeology of the periphery' consortium bureau Meganom and Institute Strelka

 

CURATOR

Alexei Novikov

 

RESEARCH GROUP

Ekaterina Serova, leader

Philipp Kats

Oleg Kiselev

Irina Maslova

Andrey Lukashenkov

Sergey Khristolyubov

 

DATA VISUALIZATION

Vadim Smakhtin

Eduard Haiman

Sergey Lyubashin

First Hacks/Hackers Meetup held at Atherton Studio at HPR. Great presentations by Ben Trevino, Jared Kuroiwa and Misa Maruyama.

Visualization of the complete text of Lev Tolstov's Anna Karenina.

Apparently Flickr was not able to create proper versions of the image at diffirent size, therefore:

 

TO SEE THE IMAGE, SELECT "ORIGINAL SIZE" and wait for the image download.

 

Stats: Words: 350,242.

Lines: 43,197.

 

Created by Software Studies Initiative, Calit2/UCSD (softwarestudies.com)

Visualizations from an experiment with del.icio.us. For full details visit mandalabrot.net/delicious

Visualizer which provides a representation of the Christmas light program. It's time to start programming this year's light show.

Comunicación Visualizar 08: "Madrid Zero: Distributed Urban Networks of Political Artefacts (Madrid Zero: redes urbanas distribuidas de artefactos políticos)"

This shot places the statue along one of the frame's thirds, therefore giving it a commanding presence and drawing the viewer's attention to it.

Blues and browns from West to East, reflections and patterns and repetition.

I used Perl and the GraphViz::Data::Grapher from CPAN to make some graphics out of the data structure that XML::Simple makes out of the RSS feeds from my website. I will post the code and a writeup elsewhere.

VISUALIZE IT!

 

A. Hoffman Awning Company in Baltimore Maryland, has been designing awnings and canopies for 100 years. This is an example of a rendering shown to customers and architects as to how their awning is actually going to look on their building or house. We design awnings and canopies and serve Maryland,

Northern Virginia, Washington D.C. and Pennsylvania. (York and Lancaster Pennsylvania)

 

ahoffmanawning.com/

 

Hoffman Awning Baltimore Maryland

5113 Belair Rd.

Baltimore, Maryland 21206

 

410-685-5687

E-mail: info@ahoffmanawning.com

5113 Belair Rd.

Baltimore, Md. 21206

 

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