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Projected gas pressure in massive galaxy cluster in formation at z=4.5 simulated with hydrodynamical massively-parallel code RAMSES. This image was featured during during Zurich Film Festival 2017 at the exhibition "[Framing Science]".

 

Full resolution (400 Mpx) image available upon the request.

This is a chart of Goldman Sachs vs BlackRock from Dec 2000 to Dec 2010.

 

What is it supposed to show???

That BlackRock (black) has performed slightly better than Goldman Sachs (orange) over 10 years?

 

There is a favorable bias toward Goldman Sachs - you want to see which one has performed the best,

read my post about this data visualisation

 

Chart from www.businessweek.com/magazine/content/10_51/b420806060169...

Flickr ☆ If you would like to use this photo, contact

www.sebastien-duhamel.com/contact/

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Reportages Tournages... www.flickr.com/photos/sebastienduhamel/collections/721576...

 

Albums et projets de Comédiens www.flickr.com/photos/sebastienduhamel/collections/721576...

 

Albums et projets de Musiciens www.flickr.com/photos/sebastienduhamel/collections/721576...

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Puy du Fou fr.wikipedia.org/wiki/Puy_du_Fou

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Une websérie réalisée par François Desagnat

fr.wikipedia.org/wiki/François_Desagnat

 

Avec

 

Sophie Mounicot fr.wikipedia.org/wiki/Sophie_Mounicot

 

Pierre-François Martin-Laval fr.wikipedia.org/wiki/Pierre-François_Martin-Laval

 

Arnaud Ducret fr.wikipedia.org/wiki/Arnaud_Ducret

 

Candice Charles et Stylane Lecaille

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Une Websérie que j’ai filmé (Camera B + Steadicam)

 

Épisode 1 www.youtube.com/watch?v=aw0OGDgzciY&feature=player_em...

 

Épisode 2 www.youtube.com/watch?v=CiR8bwsYtBI&feature=player_em...

 

Épisode 3 www.youtube.com/watch?v=nQEeTaT1NXE&feature=youtu.be

 

Épisode 4 www.youtube.com/watch?v=6xb1mjN6xgg

 

Épisode 5 www.youtube.com/watch?v=jn2HmlcLLKo&feature=share&...

 

Épisode 6 www.youtube.com/watch?v=yJAtVdg62vw&feature=player_em...

 

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Photographie de Sébastien Duhamel, professionnel de l’image

www.sebastien-duhamel.com/présentation-références/

 

Derniers reportages photos www.flickr.com/photos/sebastienduhamel/collections/721576...

 

Classeurs photos www.flickr.com/photos/sebastienduhamel/collections

 

Albums photos www.flickr.com/photos/sebastienduhamel/sets/

 

Tournages vimeo.com/137495739

 

www.dailymotion.com/user/Sebastien_Duhamel/1

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Photo / Conditions www.sebastien-duhamel.com/conditions-tarifs/

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© Aucune publication sans la permission de l’auteur

 

© No publication without permission from the author

Photographing carpet mock up installations can be an expensive exercise. By utilising design visualisation technologies (Adobe Photoshop and Sketchup) in combination with small inexpensive samples of carpet, cost savings can be made and photo realistic in situ product imagery can be generated for product design and promotional purposes. This is a stock photograph (not my photography) which I have utilised to insert a different carpet designs. The inserted textures, which were smaller than a square metre, were post processed with Adobe Photoshop to make them a seamless repeat pattern. Photoshop's off-set and high pass filters combined with content aware fill and the clone tool are essentials for this type of post processing. I then used Google Sketchup (now Trimble) to locate the perspective vanishing points in the interior image and to generate a floor plane of the carpet texture repeating into perspective. I also used the existing interior image carpet's shadow and highlight data to make the new carpet textures more photo realistic. I then combined the Sketchup generated imagery and interior photograph in Adobe Photoshop.

The controller for my lightstrip.

The microphone listens to the music and sends the signal through an LM386 amplifier. This then goes to the ATtiny13 which analyses the signal. It determines a running average volume, and lights the LEDs if the current volume exeeds this by a certain scaler. As a result, the LEDs always flash with the peaks and are off normally, no matter how high the volume (until the amplifier starts clipping, anyway!).

 

Check the video of it in action at www.youtube.com/watch?v=6ihIaNN9UBY

lindt-blockhausbau.de

Ever wondered where all your IP packets are going when you look up a website? No, probably not! However, it can still be interesting to find out!

 

www.yougetsignal.com is an interesting tool that does a tracert, looks up geo coordinates and maps them on a google map for you.

 

It feels kind of odd to me, to discover that a lookup between London and York quickly jumps over to Los Angeles and Montréal! To travel the distance by land would be over 11,000 miles!

See ‘Visual systems of life and death’ on the Eye website, an animated appendix to ‘The pandemic that launched a thousand visualisations’ – both articles by Paul Kahn.

Here's just how long an off-peak Lothian Buses No. 26 service spends above 20mph between Meadowbank and Princes Street. The answer is not very long!

 

The service speed "performance" is remarkably consistant with that of the No. 22 through Leith [http://www.flickr.com/photos/kaputniq/9941474895/]

 

Lothian Buses maintain that a 20mph limit would be ruinous to their business.

 

Data by Ross C. Brown

citycyclingedinburgh.info/bbpress/topic.php?id=11160&...

Visualisation © Ito World Ltd 2010

Road Data © Navteq 2009

Bus Service Information Crown Copyright 2010

visualising how many people in Glasgow get to work by Train. Using data from the 2011 census.

 

Starts facing North and does a full circle clockwise. The biggest peak is around Hyndland, with another cluster around the Cathcart Circle line (especially Mount Florida). The white lines are railways, the dotted orange line is the Subway.

 

Used Orthographic projection, to remove the foreshortening effects that you'd get with Perspective projection.

 

Prepped in QGIS, rendered in Blender and cut to video using ffmpeg.

 

Uses data copyright OpenStreetMap and its contributors.

Here is an example to showcase some graphic techniques which could be used to better communicate stories within complex networks. Illustrated here are the personal networks of the most and least connected people within the employment categories 'Retired', 'Other' and 'Unemployed'. A magnification also offers more detail into the most connected retired persons personal network. Finally the personal network of the most connectected person within the entire network is displayed (the Postman). Click on the image to enlarge.

All Ted Talks from 2005, graphed speakers, summary and ted url to talk.

Created with NodeBox with graph plugin, go datasets :)

London JS: Data Visualisation at Poke London

 

3D Cities and Data Visualisation with WebGL presented by Robin Hawkes

 

Using D3.js to visualise your analytics data presented by Edd Sowden

 

10 things you didn't know about D3.js presented by Anna Powell-Smith

 

Lanyrd: lanyrd.com/2013/londonjs-25/

Data visualisation

Flickr → If you want the HD file of this photo, contact

sip-images-production@orange.fr

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28 aout. Acte 8 : Place de la Bourse (Quartier Vivienne), à la place du Palais-Royal. Prise de Parole de Carlos Alberto Brussa (Réaction 19) et de Francis Lalanne www.flickr.com/photos/sebastienduhamel/51419075060/in/pho...

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Reportages “Mobilisations à Paris” www.flickr.com/photos/sebastienduhamel/collections/721577...

 

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Passeport sanitaire fr.wikipedia.org/wiki/Passeport_sanitaire

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Photographie de Sébastien Duhamel www.sebastien-duhamel.com

 

Galerie www.flickr.com/photos/sebastienduhamel

 

Classeur www.flickr.com/photos/sebastienduhamel/collections

 

Album www.flickr.com/photos/sebastienduhamel/sets

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..the pendant is now able to record EEG visualisations and play them back, for extra mayhem! More info here: rainycatz.wordpress.com/2013/05/27/eeg-data-visualising-p...

..the pendant is now able to record EEG visualisations and play them back, for extra mayhem! More info here: rainycatz.wordpress.com/2013/05/27/eeg-data-visualising-p...

using a live feed of bus GPS positions to visualise choke points in the Edinburgh bus network.

 

The white and yellow hotspots show where buses spent the most time.

 

This is usually down to clusters of bus stops. Edinburgh has two large malls very close together. I'm guessing that this accounts for the usual gridlock at the Balmoral.

 

Darker colours mean either a lower volume of buses, or faster moving buses.

 

There doesn't seem to be much of an effect where the buses and trams share a route.. This was a problem when the trams started, but it looks as if buses and trams have reached a truce :)

 

Hotspots :

 

- outside Princes Mall and the Apple Store

- Leith Road outside the St James centre

- Nicolson Street opposite Lidl

- Princes Street from the Scott Monument to the Mound.

 

From personal experience, this sounds about right :) The brightest peaks represent about 500 buses/hour - or 4 buses a minute each side of the road.

 

Outside of the city centre, the 'knots' are generally major road junctions. The isolated 'Blobs' around the outside are terminuses where buses rest for a few minutes - if they're ahead of schedule - before changing direction to go back into town.

 

Uses data copyright OpenStreetMap contributors. Bus location data was via the Transport for Edinburgh App json endpoint, sampled every 30 secs.

 

Used QGIS heatmap styling for the points layer.

 

Data visualisation

3D Structure visualisation of human 1HRY protein involved in sex determination created with Ambrosia, part of Utopia which will give you a full 3D interactive model of this 2D picture.

  

way cool tool Twitter Friends Browser screen capture by Neuro Productions www.neuroproductions.be/twitter_friends_network_browser/

Personal visualisation project based on the Minimum House by Scheidt Kasprusch Architekten.

 

Interpretation of the design and interior, plus all modelling/rendering/post by James Lawley (some stock objects used...)

 

Rendered in V-ray 2.0 with post-production in Photoshop CS5 and a touch in Lightroom.

Made in cooperation with Alexander Savelyev

Furniture: Minotti

Project: i360 Brighton

Visualisation:F10 Studios

Client: Marks Barfield

Photography: clickclickjim.com

Lighting study

Design: Jacek Slotala

Tom placing some gear on Impulse (24), Frog Buttress

Graphic visualisation of how the illegal aerial, nautical and land-based military siege on the Gaza strip by the State of Israel, affects the literacy [and thus, the educational and subsequent, professional development] of a civilian population twice the size of Washington DC, 53% of whom are aged 18 years and under.

 

United Nations | Latest Report | Gaza Crossing Database | Archive

 

Amnesty International | Latest Report | Archive

 

Human Rights Watch | Latest Report | Archive

 

ICRC [International Committee of the Red Cross] | Latest Report | Archive

*VISUALISATION OF UNIVERSAL SOUND, Meta_Signal Sonar System*

  

RECEPTILIUM is a Hi-Tech audio-visual interactive project and performance act in which the human body and emotions are used as a communication medium, or a musical instrument that produces audio content – music when performing an analogue visual artwork, drawing visualisation of universal sound. Visitors have the opportunity to experience and attend to the creation of a visual artwork while listening to audio content as a result of the creation process. During the production of an analogue visual artwork, brain waves followed by EEG and physical motion data from hands are transmitted and converted into sounds that together form an ambient audio record connected to real-time generative visual projected on the wall. The purpose of this act is, to present the oldest language of our existence – the blueprint of the stardust; to seduce the audience with meditative movements and sounds that poetically reflects the surface of the Moon.

 

First demo version of the performance RECEPTILIUM lasted 4 hours at Sounded Bodies Festival on 12th October 2018. The presentation concept is in development and will be setup differently for upcoming events.

  

Project concept: MOON Martina Zelenika

Music and sound concept: MOON Martina Zelenika

Technology lead and development: Ivan Vican

Technology advisor: Slavko Radman

Music consultant: Lovro Livajić

Sound designer: Mihael Vrbanić

Generative visual: MOON Martina Zelenika

 

Production and funding: MOON Studio, 2018

Co-production: Sounded Bodies Festival / Domino Project

Supports: NAGON interdiscipliary laboratory of arts & Zagreb Dance Center

 

Data visualisation

Comic created on the iPad with Comic Book and Paper53

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