View allAll Photos Tagged Visualisation
image showing screenshot from ad hoc networking visualisation of crossbow motes. each circle is a sensor node and the lines between them show the routing path - a live display shows the lines jumping around.
Fotolog series
Rue Ernestine, Paris 18e, June 2010
A Walk with and without John Perivolaris, in the context of his Cardographer project: "A Journey in Postcards from Manchester to the Maghreb" (part of the exhibition New Cartographies: Algeria-France-UK to be held in Manchester, UK, during 15 April – 12 June 2011, one of the major outputs of the research project France – Algeria: Visualising a (Post-) Colonial Relationship)
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Few regeneration projects have attracted as much anticipation and interest as the Barnsley Civic. The regeneration of the former theatre is one of the most dramatic regeneration projects to be undertaken within the town centre.
Offering a unique combination of managed workspace, a new performance and exhibition spaces, the Civic will offer a legacy that not only celebrates the important contribution the building has made to promoting the creative industries within the borough.
Daysi Garcia for OSPAAAL
Visualising Liberation
Visual communication was a powerful tool in the journey to independence. Posters, t-shirts and pamphlets celebrated new national autonomy and promoted the cause of African liberation worldwide. Pan-African and international collectives, including the Organisation of African Unity, stood together against colonialism and imperialism.
The Organisation of Solidarity with the Peoples of African, Asia and Latin America (OSPAAAL) was born out of the Tricontinental Conference held in Cuba in 1956. OSPAAAL sought to promote cooperation between socialist countries adn anti-imperial liberation movements, and to stern interference from former colonisers and capitalist powers.
[V&A]
Taken in the Exhibition
Africa Fashion
(July 2022 to April 2023)
The irresistible creativity, ingenuity and unstoppable global impact of contemporary African fashions are celebrated in an extensive display of garments, textiles, personal testimonies, photographs, sketches, film and catwalk footage in this exhibition. Many of the garments on show hail from the archives of iconic mid-twentieth century African designers – Shade Thomas-Fahm, Chris Seydou, Kofi Ansah and Alphadi. Alongside these are personal insights from influential contemporary African fashion creatives, including Imane Ayissi, IAMISIGO, Moshions, Thebe Magugu and Sindiso Khumalo, as well as highlights from fashion trends of the day, which are on display for the first time.
Foregrounding individual African voices and perspectives, the exhibition presents African fashions as a self-defining art form that reveals the richness and diversity of African histories and cultures. Africa Fashion celebrates the vitality and innovation of a selection of fashion creatives from over 20 countries, exploring the work of the vanguard in the twentieth century and the creatives at the heart of this eclectic and cosmopolitan scene today.
Across contemporary couture, ready-to-wear, made-to-order and adornment, the exhibition seeks to offer a close-up look at the new generation of ground-breaking designers, collectives, stylists and fashion photographers working in Africa today. It explores how the digital world accelerated the expansion of the industry, irreversibly transforming global fashions as we know them.
[V&A]
renders I did for dredging international, Deme. they illustrate different dredging vessels, and some book illustrations about the salvation of the Tricolor Wreck.
Architectural Visualisation / 3D Render showing a 3D Floor Plan.
These images are produced from a 3D Model and the images are generated on a computer. 3D Floor plans are used to allow people to see a space before its built. See Architectural Visualisation for more details.
Based on the book I capture the castle, an image depicting the scene where Rose and Cassandra build a giant fire but then feel guilty because their late mother never let them build it big. To represent this I have used the mother image from my sketchbook and made her into the smoke coming from the fire. Almost as Cassandra's vision when she starts the feel guilty.
All the rage at the moment... a graph of www.gyford.com/ generated by www.aharef.info/static/htmlgraph/
It would be really good if the applet could tell you what pages each part of the diagram represented.
A word cloud of Alistair Darling's 2009 Budget speech delivered to the House of Commons on 22nd April 2009.
Created with wordle.net