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In this article, I would give you information about what makes a Feature Film “CREATIVE” in Pakistan.
In 2013 two films were made.
1- Waar.
2- I am Shahid Afridi.
These two indie movies changed the cinema and the culture of Pakistani Film Industry. Both films were produced & distributed dom...
The Visual Amalgam Art Show offers the public a rare opportunity to see a collection of personal artwork created by film industry professionals behind some of the biggest motion pictures at one of the premier art venues in the Los Angeles area. For more information, visit www.visualamalgam.com
Autodesk Flame Premium 2014 with newest GenArts plugins!
GTalk:FlameVFX@gmail.com(English)
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It was a full house of SCAD students, faculty and community members in attendance for the panel with Rick Baker, Scott Farrar and Robert Legato, moderated by SCAD's Scott Ross.
"The Digital Made Analog"
an Installation Art Showcase
Thursday 21 October, 7-10pm
at the US Art Authority, 2906 Fruth Street, Austin, TX 78705 (map)
$7 online, $10 at the door
A selection of analog representations of digital theory by Austin-local artists including: "The Quest for the Dark Planet" miniatures by John P Funk, "Su-Tam Y K Siu" a fluxus card game by Ralph Barton, analog Facebook by Jeanne Stern, psychic collage fortune card readings by Clothi, and a projected life-painting series curated by Ryan Hovenweep. Music by Artificial Life Preserve and more.
Character: Predator
Movie: Predator
Model: Marky Zeros
Before and After:
www.flickr.com/photos/artninjaph/24202045010/in/datetaken...
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Esther Zhang is editing her illustrator project for the visual effect course in SE 14 building BCIT, and this will be a animation project for a fishery company. BCIT New Media, student life.
This semester we are exploring a new tool which is adobe after effects! This can be very useful for our projects and future jobs!
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Although unnecessary for these tests, the "lights" of the ship are rendered in a separate image because the lights on starship models are often photographed and composited separately so that they more realistically stand out and "light the ship" against the blackness of space. In 1979's "Star Trek: The Motion Picture," for example, this was done because Visual Effects master John Dykstra and his team determined that if there were a real starship Enterprise, then the ship would have only its own lights and perhaps the dim lighting of distant stars and suns to illuminate it in space.