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Icographic was a magazine on visual communication founded by John Halas in 1971 and designed and edited by Patrick Wallis Burke. The magazine was designed on a 4 column grid with the titles and headings set in Helvetica and the body copy set in Univers Medium.
This is mon petit contribution to israeli design students and type lovers worldwide. iv'e scanned (in high resolution) this vintage type specimen called "Hebrew Artistic Type" by l.p. toby, circa 1955.
it's probably one of the earliest type specimen booklet printed in israel (i may be wrong), and is a stunning artifact to find. it's the ultimate example of creation that comes out of a certain void. unlike the rich tradition of the western/eastern type, there weren't many hebrew types, and there was a great demand.
Icographic was a magazine on visual communication founded by John Halas in 1971 and designed and edited by Patrick Wallis Burke. The magazine was designed on a 4 column grid with the titles and headings set in Helvetica and the body copy set in Univers Medium.
type specimen of the redis face.
This is mon petit contribution to israeli design students and type lovers worldwide. iv'e scanned (in high resolution) this vintage type specimen called "Hebrew Artistic Type" by l.p. toby, circa 1955.
it's probably one of the earliest type specimen booklet printed in israel (i may be wrong), and is a stunning artifact to find. it's the ultimate example of creation that comes out of a certain void. unlike the rich tradition of the western/eastern type, there weren't many hebrew types, and there was a great demand.
COCA-COLA ART GALLERY
Is she a Victorian pin-up, a girl next-door, a movie star, a party hostess, a factory worker or a swimsuit beauty? Her demeanor is radiant, vivacious and breezy. She exudes youthful energy and appears picture perfect wherever she goes, dressed up in the latest fashion.
When ‘Coca-Cola’ started in the 1890s portraying these independent women, it was still a uncongenial time for a girl with big ideas. Women were discouraged from thinking beyond household drudgery, and derided if they distinguished themselves. From these early days, ‘Coca-Cola’ has used the girl portraits in unique ways, always running miles ahead of the times. ‘Coca-Cola’ encouraged and inspired women to live their lives to the fullest and share life experiences.
Far away from the proper etiquette, the ‘Coca-Cola’ girl spreads her wings, chooses hobbies of the modern age and makes a lot of fun. She is traveling, sporting, sunbathing, inviting her friends over, flirting…
From the portraits of cheerleaders at the soda fountain to the ones of iconic actresses and women in flight suits: as a symbol of women’s emancipation, it could hardly be bettered.
ROCKANDROLL AGENCY is a full-cycle communication agency offering marketing services, strategic development and art direction. RockAndRoll Agency was founded in 2003 by Jean-Philippe Noterman and Wouter De Coster. Jean-Philippe studied philosophy/anthropology, Wouter has a background as fashion designer. Before starting RockAndRoll Agency, they worked already together for 5 years in the publishing and communication business.
RockAndRoll Agency is dedicated to the production of visual identity design, graphic animation and websites. As art buyers and curators, RRA is always looking for artists with strong ideas and an individual voice. Contact: wdc@rockandrollagency.com
Blog: www.coca-cola-art.com
Official Website: www.coke-art.com
YouTube Channel: www.youtube.com/cocacola86artgallery
Icographic was a magazine on visual communication founded by John Halas in 1971 and designed and edited by Patrick Wallis Burke. The magazine was designed on a 4 column grid with the titles and headings set in Helvetica and the body copy set in Univers Medium.
Herbert Bayer, painter, designer, architect
Reinhold Publishing Corporation - New York, 1967
couverture: design by herbert Bayer
this is my latest assingment in typography cours in my school.
the brief consisted of taking a poem, and convert our impression of it to a graphic concept that will allow me to pass the impression by graphic means. the format is A3, and the poster is typographical only, meaning pictures are not allowed.
i chose a poem by a female israely poet called "Yona Wallach" (poem name is "shir"="song").
------------ (cut the crap, this is the important part)----------------------
i wanted to convey this poet's mental complexity and entanglement. for that i designed a maze using the letters and words from the song. below i added the end of the song as the "consequence" waiting on the other side of the maze. this allows us to understand that the maze is made out from half readable letters.
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making your own letters instead of using existing fonts is much more fun.
(and tedious!).
type specimen of the "redis" face. probably influenced by the "grotesque" type.
This is mon petit contribution to israeli design students and type lovers worldwide. iv'e scanned (in high resolution) this vintage type specimen called "Hebrew Artistic Type" by l.p. toby, circa 1955.
it's probably one of the earliest type specimen booklet printed in israel (i may be wrong), and is a stunning artifact to find. it's the ultimate example of creation that comes out of a certain void. unlike the rich tradition of the western/eastern type, there weren't many hebrew types, and there was a great demand
COCA-COLA ART GALLERY
Is she a Victorian pin-up, a girl next-door, a movie star, a party hostess, a factory worker or a swimsuit beauty? Her demeanor is radiant, vivacious and breezy. She exudes youthful energy and appears picture perfect wherever she goes, dressed up in the latest fashion.
When ‘Coca-Cola’ started in the 1890s portraying these independent women, it was still a uncongenial time for a girl with big ideas. Women were discouraged from thinking beyond household drudgery, and derided if they distinguished themselves. From these early days, ‘Coca-Cola’ has used the girl portraits in unique ways, always running miles ahead of the times. ‘Coca-Cola’ encouraged and inspired women to live their lives to the fullest and share life experiences.
Far away from the proper etiquette, the ‘Coca-Cola’ girl spreads her wings, chooses hobbies of the modern age and makes a lot of fun. She is traveling, sporting, sunbathing, inviting her friends over, flirting…
From the portraits of cheerleaders at the soda fountain to the ones of iconic actresses and women in flight suits: as a symbol of women’s emancipation, it could hardly be bettered.
ROCKANDROLL AGENCY is a full-cycle communication agency offering marketing services, strategic development and art direction. RockAndRoll Agency was founded in 2003 by Jean-Philippe Noterman and Wouter De Coster. Jean-Philippe studied philosophy/anthropology, Wouter has a background as fashion designer. Before starting RockAndRoll Agency, they worked already together for 5 years in the publishing and communication business.
RockAndRoll Agency is dedicated to the production of visual identity design, graphic animation and websites. As art buyers and curators, RRA is always looking for artists with strong ideas and an individual voice. Contact: wdc@rockandrollagency.com
Blog: www.coca-cola-art.com
Official Website: www.coke-art.com
YouTube Channel: www.youtube.com/cocacola86artgallery
Estampa desenvolvida pela aluna Claudia Macan na disciplina de Computação Gráfica I, curso técnico em Comunicação Visual/SATC 2010-2
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T-shirt design developed by student Claudia Macan in the discipline of Computer Graphics I, technical course in Visual Communication / SATC 2010-2
This is mon petit contribution to israeli design students and type lovers worldwide. iv'e scanned (in high resolution) this vintage type specimen called "Hebrew Artistic Type" by l.p. toby, circa 1955.
it's probably one of the earliest type specimen booklet printed in israel (i may be wrong), and is a stunning artifact to find. it's the ultimate example of creation that comes out of a certain void. unlike the rich tradition of the western/eastern type, there weren't many hebrew types, and there was a great demand.
A bold message confronts passersby against a backdrop of urban signage, echoing the tongue-in-cheek provocations of contemporary art and culture.
"Rolit" face, designed with a very eastern feel.
This is mon petit contribution to israeli design students and type lovers worldwide. iv'e scanned (in high resolution) this vintage type specimen called "Hebrew Artistic Type" by l.p. toby, circa 1955.
it's probably one of the earliest type specimen booklet printed in israel (i may be wrong), and is a stunning artifact to find. it's the ultimate example of creation that comes out of a certain void. unlike the rich tradition of the western/eastern type, there weren't many hebrew types, and there was a great demand.
I never had braces. Sometimes I don't smile for long periods of time. That's when it doesn't bother me.
agent provocateur spring summer 2012 hotspot: rizzo suspender, bra, brief, daena gown, baby suspender, bra, brief.
Someone said to me: "those collages have been done".
Well, It hasn't yet been done by me. I don't know why so many people are afraid of doing things that "we've seen already"... in my opinion it's a great starting place to things we haven't seen yet.
A sketch for a poster Avigail and Me had done yesterday.
this is the second of the two designs for kytes in last year's "original thinking" class at my visual communications school.
the brief was to design kytes that were designated to be flown all along israel and palestine, as a symbol of dicssion between the two nations.
i chose to make symbols, rather than a designed poster on this subject, because i felt that these icons will be seen on a flying kyte only if they are catchy.
in this symbol i was inspired by the "Shamir Bros" illustration for early israely milk advert. i turned the old milk glass from the advert, into a "plastic cup" with a string attached, symbolizing a symple yet coherant communication method used by kids.
photos of a book i designed, titled "the loser"* by Thomas Bernhard , as a part of the "book design & typography" class in my college (taught by Ankati).
* the book's title in hebrew is "Hatovea" - "the drowner".
The work showcases the Exhibition work by L3 Visual Communication Students at Kirklees College - Wheelwright Centre #cdi
type specimen using the "Rolit" face.
iv'e managed to work with this font, and it's terrible, every letter screams out for a space of it's own and i can't recommend this face when using a really short headline.
This is mon petit contribution to israeli design students and type lovers worldwide. iv'e scanned (in high resolution) this vintage type specimen called "Hebrew Artistic Type" by l.p. toby, circa 1955.
it's probably one of the earliest type specimen booklet printed in israel (i may be wrong), and is a stunning artifact to find. it's the ultimate example of creation that comes out of a certain void. unlike the rich tradition of the western/eastern type, there weren't many hebrew types, and there was a great demand.
photos of a book i designed, titled "the loser"* by Thomas Bernhard , as a part of the "book design & typography" class in my college (taught by Ankati).
* the book's title in hebrew is "Hatovea" - "the drowner".
Wonderful Tonight | Eric Clapton
- But... baby?
- I' can't leave you. I just can't wait for six months...
- Shut up and kiss me!
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