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This is mon petit contribution to israeli design students and type lovers worldwide. iv'e scanned (in high resolution) this vintage type specimen called "Hebrew Artistic Type" by l.p. toby, circa 1955.
it's probably one of the earliest type specimen booklet printed in israel (i may be wrong), and is a stunning artifact to find. it's the ultimate example of creation that comes out of a certain void. unlike the rich tradition of the western/eastern type, there weren't many hebrew types, and there was a great demand.
Icographic was a magazine on visual communication founded by John Halas in 1971 and designed and edited by Patrick Wallis Burke. The magazine was designed on a 4 column grid with the titles and headings set in Helvetica and the body copy set in Univers Medium.
COCA-COLA SIDE OF LIFE ART REMIX
The Coca-Cola iconic artworks serve as a blueprint and inspiration for new design impulses. The creative potential of the Remix project aims to draw out the hidden child in all of us. Elements from early-day-visuals are picked out, cut and pasted into a new visual.
The combination of the iconic footage with the contemporary Photoshop / Illustrator styles gives the opportunity to rediscover these images anew. The visuals are recognizable as vintage Coca-Cola but yet have a fresh feel.
The work of the Remix artists reflects various styles, personalities and cultures and the project shows how vibrantly creative the collaboration of a design network can be.
The diverse backgrounds of the contributing artists have resulted in a multifaceted world of imagery that draws its freshness from the mixture of approaches. Their mission is to spread an optimistic look at the world and help people realize how contagious happiness is. By combining iconic Coca-Cola images with up-to-date illustration techniques and styles, the artists have given rise to a progressive style of visual expression.
THE REMIX ARTISTS
For the Coke Side of Life Remix Art Gallery, “RockAndRoll Agency” creatively managed 15 artists/agencies/collectives from around the world: 013a, Romania, Europe * Adhemas, Brazil, South America * Büro Destruct, Swiss, Europe * CaosCC, Spain, Europe * Creative XL, India, Asia * DJ Spinbalon, Venezuale, South America * Extraverage / Drezign, Hungary, Europe * Fung Wee Lim, Canada, North America * Idokungfoo, Japan, Asia * Imny, USA, North America * Pixecute, Indonesia, Asia * Rex, South Africa, Africa * Serge Mienandi, Senegal, Africa * The Designers Republic, UK, Europe * Vault 49, USA, North America
PROJECT TEAM COCA-COLA
Peter Schelstraete, Global Brand Manager
Craig * Christenson, Senior Brand Manager * Marc Mathieu, Senior Vice-President Global Brand Marketing & Creative Excellence * Special Thanks to Phil Mooney, Ted Ryan & Jamal Booker, Collections Development/Archives Department
PROJECT TEAM ROCKANDROLL AGENCY
Wouter De Coster, Creative Director * Jean-Philippe Noterman, Managing Director * Fred Feyfer, Art Director * Contact: info@rockandrollagency.com
ABOUT ROCKANDROLL AGENCY
RockAndRoll Agency (RRA) is a full-cycle communication agency offering marketing services, strategic development and art direction. RRA was founded in 2003 in Brussels by Jean-Philippe Noterman and Wouter De Coster.
Jean-Philippe studied philosophy/anthropology, Wouter has a background as fashion designer. Before starting RRA, they worked together for 5 years in the publishing and communication business. Their work has earned them a lot of industry recognition.
RockAndRoll Agency has worked for clients as various as The Coca-Cola Group, Procter & Gamble, Motorola, W Hotels, Levi’s, Tommy Hilfiger, Fratini Group, Schott NYC, Pepe Jeans London, Nokia, Colombus Communications…
Blog: www.coca-cola-art.com
Coca-Cola Art Website: www.coke-art.com
YouTube Channel: www.youtube.com/cocacola86artgallery
Icographic was a magazine on visual communication founded by John Halas in 1971 and designed and edited by Patrick Wallis Burke. The magazine was designed on a 4 column grid with the titles and headings set in Helvetica and the body copy set in Univers Medium.
Herbert Bayer, painter, designer, architect
Reinhold Publishing Corporation - New York, 1967
couverture: design by herbert Bayer
this is my latest assingment in typography cours in my school.
the brief consisted of taking a poem, and convert our impression of it to a graphic concept that will allow me to pass the impression by graphic means. the format is A3, and the poster is typographical only, meaning pictures are not allowed.
i chose a poem by a female israely poet called "Yona Wallach" (poem name is "shir"="song").
------------ (cut the crap, this is the important part)----------------------
i wanted to convey this poet's mental complexity and entanglement. for that i designed a maze using the letters and words from the song. below i added the end of the song as the "consequence" waiting on the other side of the maze. this allows us to understand that the maze is made out from half readable letters.
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making your own letters instead of using existing fonts is much more fun.
(and tedious!).
type specimen of the "redis" face. probably influenced by the "grotesque" type.
This is mon petit contribution to israeli design students and type lovers worldwide. iv'e scanned (in high resolution) this vintage type specimen called "Hebrew Artistic Type" by l.p. toby, circa 1955.
it's probably one of the earliest type specimen booklet printed in israel (i may be wrong), and is a stunning artifact to find. it's the ultimate example of creation that comes out of a certain void. unlike the rich tradition of the western/eastern type, there weren't many hebrew types, and there was a great demand
This is mon petit contribution to israeli design students and type lovers worldwide. iv'e scanned (in high resolution) this vintage type specimen called "Hebrew Artistic Type" by l.p. toby, circa 1955.
it's probably one of the earliest type specimen booklet printed in israel (i may be wrong), and is a stunning artifact to find. it's the ultimate example of creation that comes out of a certain void. unlike the rich tradition of the western/eastern type, there weren't many hebrew types, and there was a great demand.
Estampa desenvolvida pela aluna Claudia Macan na disciplina de Computação Gráfica I, curso técnico em Comunicação Visual/SATC 2010-2
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T-shirt design developed by student Claudia Macan in the discipline of Computer Graphics I, technical course in Visual Communication / SATC 2010-2
"Rolit" face, designed with a very eastern feel.
This is mon petit contribution to israeli design students and type lovers worldwide. iv'e scanned (in high resolution) this vintage type specimen called "Hebrew Artistic Type" by l.p. toby, circa 1955.
it's probably one of the earliest type specimen booklet printed in israel (i may be wrong), and is a stunning artifact to find. it's the ultimate example of creation that comes out of a certain void. unlike the rich tradition of the western/eastern type, there weren't many hebrew types, and there was a great demand.
I never had braces. Sometimes I don't smile for long periods of time. That's when it doesn't bother me.
agent provocateur spring summer 2012 hotspot: rizzo suspender, bra, brief, daena gown, baby suspender, bra, brief.
The work showcases the Exhibition work by L3 Visual Communication Students at Kirklees College - Wheelwright Centre #cdi
COCA-COLA SIDE OF LIFE ART REMIX
Since its early days, Coca-Cola has played an eminent role in the visual culture of several generations.
By continually challenging artists and agencies to create images for its wide range of communication, Coca-Cola also functioned as a catalyst for creative expressions, right ideas at the right time…
The original Coca-Cola illustrations were drawn by masters as Haddon Sundblom or Gil Elvgren with their loving, magical touch. Some of the early Coke images are playful, romantic, cartoony, imaginative; others are trendy and stylized but they are always signs of their times.
The concept of the Remix project is simple. Every selected artist makes a “Coke Side of Life” Remix of historic Coca-Cola visuals and creates a new visual inspired by the brand and its soul, a thematic interpretation.
THE REMIX ARTISTS
013a, Romania, Europe * Adhemas, Brazil, South America * Büro Destruct, Swiss, Europe * CaosCC, Spain, Europe * Creative XL, India, Asia * DJ Spinbalon, Venezuale, South America * Extraverage / Drezign, Hungary, Europe * Fung Wee Lim, Canada, North America * Idokungfoo, Japan, Asia * Imny, USA, North America * Pixecute, Indonesia, Asia * Rex, South Africa, Africa * Serge Mienandi, Senegal, Africa * The Designers Republic, UK, Europe * Vault 49, USA, North America
PROJECT TEAM COCA-COLA
Peter Schelstraete, Global Brand Manager
Craig * Christenson, Senior Brand Manager * Marc Mathieu, Senior Vice-President Global Brand Marketing & Creative Excellence * Special Thanks to Phil Mooney, Ted Ryan & Jamal Booker, Collections Development/Archives Department
PROJECT TEAM ROCKANDROLL AGENCY
Wouter De Coster, Creative Director * Jean-Philippe Noterman, Managing Director * Fred Feyfer, Art Director * Contact: info@rockandrollagency.com
ABOUT ROCKANDROLL AGENCY
RockAndRoll Agency (RRA) is a full-cycle communication agency offering marketing services, strategic development and art direction. RRA was founded in 2003 in Brussels by Jean-Philippe Noterman and Wouter De Coster.
Jean-Philippe studied philosophy/anthropology, Wouter has a background as fashion designer. Before starting RRA, they worked together for 5 years in the publishing and communication business. Their work has earned them a lot of industry recognition.
RockAndRoll Agency has worked for clients as various as The Coca-Cola Group, Procter & Gamble, Motorola, W Hotels, Levi’s, Tommy Hilfiger, Fratini Group, Schott NYC, Pepe Jeans London, Nokia, Colombus Communications…
For the Coke Side of Life Remix Art Gallery, RockAndRoll Agency creatively managed 15 artists/agencies/collectives from around the world.
Blog: www.coca-cola-art.com
Coca-Cola Art Website: www.coke-art.com
YouTube Channel: www.youtube.com/cocacola86artgallery
COCA-COLA SIDE OF LIFE ART REMIX
The Coca-Cola iconic artworks serve as a blueprint and inspiration for new design impulses. The creative potential of the Remix project aims to draw out the hidden child in all of us. Elements from early-day-visuals are picked out, cut and pasted into a new visual.
The combination of the iconic footage with the contemporary Photoshop / Illustrator styles gives the opportunity to rediscover these images anew. The visuals are recognizable as vintage Coca-Cola but yet have a fresh feel.
The work of the Remix artists reflects various styles, personalities and cultures and the project shows how vibrantly creative the collaboration of a design network can be.
The diverse backgrounds of the contributing artists have resulted in a multifaceted world of imagery that draws its freshness from the mixture of approaches. Their mission is to spread an optimistic look at the world and help people realize how contagious happiness is. By combining iconic Coca-Cola images with up-to-date illustration techniques and styles, the artists have given rise to a progressive style of visual expression.
THE REMIX ARTISTS
For the Coke Side of Life Remix Art Gallery, “RockAndRoll Agency” creatively managed 15 artists/agencies/collectives from around the world: 013a, Romania, Europe * Adhemas, Brazil, South America * Büro Destruct, Swiss, Europe * CaosCC, Spain, Europe * Creative XL, India, Asia * DJ Spinbalon, Venezuale, South America * Extraverage / Drezign, Hungary, Europe * Fung Wee Lim, Canada, North America * Idokungfoo, Japan, Asia * Imny, USA, North America * Pixecute, Indonesia, Asia * Rex, South Africa, Africa * Serge Mienandi, Senegal, Africa * The Designers Republic, UK, Europe * Vault 49, USA, North America
PROJECT TEAM COCA-COLA
Peter Schelstraete, Global Brand Manager
Craig * Christenson, Senior Brand Manager * Marc Mathieu, Senior Vice-President Global Brand Marketing & Creative Excellence * Special Thanks to Phil Mooney, Ted Ryan & Jamal Booker, Collections Development/Archives Department
PROJECT TEAM ROCKANDROLL AGENCY
Wouter De Coster, Creative Director * Jean-Philippe Noterman, Managing Director * Fred Feyfer, Art Director * Contact: info@rockandrollagency.com
ABOUT ROCKANDROLL AGENCY
RockAndRoll Agency (RRA) is a full-cycle communication agency offering marketing services, strategic development and art direction. RRA was founded in 2003 in Brussels by Jean-Philippe Noterman and Wouter De Coster.
Jean-Philippe studied philosophy/anthropology, Wouter has a background as fashion designer. Before starting RRA, they worked together for 5 years in the publishing and communication business. Their work has earned them a lot of industry recognition.
RockAndRoll Agency has worked for clients as various as The Coca-Cola Group, Procter & Gamble, Motorola, W Hotels, Levi’s, Tommy Hilfiger, Fratini Group, Schott NYC, Pepe Jeans London, Nokia, Colombus Communications…
Blog: www.coca-cola-art.com
Coca-Cola Art Website: www.coke-art.com
YouTube Channel: www.youtube.com/cocacola86artgallery
this is the second of the two designs for kytes in last year's "original thinking" class at my visual communications school.
the brief was to design kytes that were designated to be flown all along israel and palestine, as a symbol of dicssion between the two nations.
i chose to make symbols, rather than a designed poster on this subject, because i felt that these icons will be seen on a flying kyte only if they are catchy.
in this symbol i was inspired by the "Shamir Bros" illustration for early israely milk advert. i turned the old milk glass from the advert, into a "plastic cup" with a string attached, symbolizing a symple yet coherant communication method used by kids.
Someone said to me: "those collages have been done".
Well, It hasn't yet been done by me. I don't know why so many people are afraid of doing things that "we've seen already"... in my opinion it's a great starting place to things we haven't seen yet.
A sketch for a poster Avigail and Me had done yesterday.
photos of a book i designed, titled "the loser"* by Thomas Bernhard , as a part of the "book design & typography" class in my college (taught by Ankati).
* the book's title in hebrew is "Hatovea" - "the drowner".
photos of a book i designed, titled "the loser"* by Thomas Bernhard , as a part of the "book design & typography" class in my college (taught by Ankati).
* the book's title in hebrew is "Hatovea" - "the drowner".
type specimen using the "Rolit" face.
iv'e managed to work with this font, and it's terrible, every letter screams out for a space of it's own and i can't recommend this face when using a really short headline.
This is mon petit contribution to israeli design students and type lovers worldwide. iv'e scanned (in high resolution) this vintage type specimen called "Hebrew Artistic Type" by l.p. toby, circa 1955.
it's probably one of the earliest type specimen booklet printed in israel (i may be wrong), and is a stunning artifact to find. it's the ultimate example of creation that comes out of a certain void. unlike the rich tradition of the western/eastern type, there weren't many hebrew types, and there was a great demand.
Wonderful Tonight | Eric Clapton
- But... baby?
- I' can't leave you. I just can't wait for six months...
- Shut up and kiss me!
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