View allAll Photos Tagged Visual,
Cliente: Visual Wave
Foto: Diego Castanha
Model: Leonardo Agra
Beauty: Joaquim Júnior
Produção: Patricia Cox
For those who never saw the Visual Graphix releases from the 90`s....You can watch vol.2,4 & 5 here...Be sure to check the Brighton sections...
Vol.2 - www.youtube.com/watch?v=aQmto0PqB68
As many of you, I am a very visual person, so these kind of images wake my senses up!!
Somehow, these colours feel good to my eyes.
Hope you like it too =)
I did many versons of this. But I will only post two. this and the next one. I felt that this looked like a big eye. I really am liking the look here.
Mike
Michael and Albert (AJ) Patnode - Artist Statement
Father and son collaboration
Our photographic art is a kinetic motion study, from the results of interacting with my son A.J and his toys.
He was born severely handicapped much like a quadriplegic. On December 17,1998. Our family’s goal has always been to help A.J. use his mind, even though he has minimal use of his body.
A.J. likes to watch lights and movement. One of the few things he can do for himself is to operate a switch that sets in motion lights and various shiny, colorful streamers and toys that swirl above his bed.
One day I took a picture of A.J. with his toys flying out from the big mobile near his bed like swings on a carnival ride. I liked the way the swirling objects and colors looked in the photo.
I wanted to study the motion more and photograph the whirling objects in an artful way, I wanted my son A.J. to be a part of it. After all, he’s the one who inspires me. When A.J. and I work together on our motion artwork, A.J. starts his streamers and objects twirling, I take the photographs.
Activating a tiny switch might not seem like much to some, but it’s all A.J. can do. He controls the direction the mobile will spin, as well as when it starts and stops. The shutter speeds are long, and sometimes, I move the camera and other times I hold it still.
I begin our creation with a Nikon digital camera. Then I use my computer with Photoshop to alter the images into what I feel might be an artistic way. Working with Photoshop, I find the best parts from several images and combine them into the final composite photograph. I consider the finished work to be fine art. The computer is just the vehicle that helps my expressions grow.
I take the photographs and A.J. adds the magic. It’s something this father and son do together. After I’ve taken a few shots, I show him the photos in the back of the camera. When the images are completed, I show him from a laptop. He just looks. He can’t tell me whether or not he likes the images, but he’s always ready to work with me again.
It offers me my only glance into A.J.’s secret world. We’ve built a large collection of images and I hope the motion and color move you as much as they do me.
A.J. inspires me to work harder to understand my life in the areas of art, photography, people, spirituality, and so much more. He truly sets my mind in motion and helps me find the beauty in everyday things.
AJ Patnode - A Journey of Hope (documentary):
www.youtube.com/watch?v=OR7m8QFcmRM
AJ'S blog:
Abstract set:
www.flickr.com/photos/patnode-rainbowman/sets/72157602269...
On the playground with the grandchildren in Vestre Plantage near Holstebro, Denmark - February 21, 2017.
Noro Striped Scarf by Jared Flood
Jared Flood is a New York based photographer and knit designer. He designs his own patterns, knits all the projects for his books and does all of the photography, graphics and descriptions! He recently launched his own line of yarn, Shelter. Check out his website and flickr pages.
www.floodphotography.com/portfolio.html
www.flickr.com/photos/68971937@N00/
OUR DAILY TOPIC - LINES
346/365
Visual Defects posters/wheat paste 2011/2012.
Please press L to view on black.
Life is short so fuck shit up!
será bajo la primera luminiscencia introspectiva que desvelaré mis primeros pasos inconscientes, difusas zancadas para revueltas gigantes. y en el momento oportuno ahuyentaré el ruido interno; atrevido y benévolo.
I hope you see it. If not, take another look.
I saw the potential for visual humour and quickly composed the shot to line up the hand sign with his arm. A moment later, he looked away, and the overall effect was lost. You see it, or you don’t. A moment that made me smile.
Many of my images have little elements like this, for those who look, to discover.
Nishiki Market in downtown Kyoto, Japan.