View allAll Photos Tagged ViewFinder
He taught me how to see through eye viewfinder, how to focus and when to click, how to load the film, how to use this machine called camera. I started photography with his camera and learned a lot from him.
Dedicated to my Uncle who passed away last night while fighting with cancer.
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For people like me who have not previously used a Twin Lens Reflex (TLR) camera the viewfinder can be both very cool and extremely disorientating. It’s cool seeing a framed up shot and makes composition easier. The disorientation comes from the left and right being inverted. What I’m trying to say is if you move and point the camera to the right in the viewfinder it appears to move to the left.
So in this photo my hand in the real world was coming in from the right.
Kodak Duaflex II
Last night I put four butterflies into a make-shift sauna for the night. Today their wings are pliable and ready for pinning.
My new bag from Corrie - Melody Miller's Viewfinder Reels fabric combined with the Go Anywhere Bag pattern from Anna at Noodlehead. This also shows all the other fun goodies she included. Love it all! Thanks so much!
blogged at www.moderncozy.com
My Olympus E-PM2 with Zuiko 17mm, 2.8 and the original viewfinder. A small, thankfully underrated and therefore very affordable combination for a truly excellent "always-with-you" camera.
Daily Shoot assignment: Use a window or a door as a frame for your subject today in a photograph.
For this image I made a viewfinder graphic and printed it onto a transparency sheet. I held the transparency in front of a painting and took the shot. It is my interpretation of a window. The painting is by Bryce Hammond.
A Japanese 35mm viewfinder from 1953. I like the unique looking and the small size. The entire lens/shutter assembly can be easily taken off by unscrewing the four exposed screws -- no need to peel off any of the leatherette. The shutter is very simple, supporting three speeds --1/25, 1/50, 1/100 -- all by varying the tension of a main spring. Shutter speed tests show that all the speeds are actually within 1/40-1/60, even after some attempts to adjust the spring. Better just treat it as a single speed 1/50. Since the aperture goes up to f/26, it should easily handle ASA 100 or 200 films.
This is a secondary viewfinder. Outside dimensions are 5.5" x 6" (12.7 cm x 16.5 cm) and the inside dimensions are 3" x 4.5" (7.5 cm x 11.5 cm).
The inside dimension gives me an aspect ratio of 1.5:1, similar to aspect ratio of 35mm film. Not that 1.5:1 is the only format, but it makes a good starting point, and is something convenient and familiar when working outside.
I use the two punched holes that you see on the right side to isolate specific colors or values in my subject matter; for example, isolating the greens for a line of trees, or the specific blues in various parts of the sky.
I attached a sheet of clear acetate with Scotch tape, and drew on the gridlines with a permanent marker (Sharpie or similar), which you can see in this view of the viewfinder's back.
Like watercolors? Check out my blog at:
This is s total mystery to me. It is obviously a viewfinder made by Yashica but I've never seen one like it before. Designed for use with a 13.5cm Super Yashinon lens (presumably) what is truly unusual is the mechanism to raise or lower the angle of the finder. It also has a focusing ring that moves between 3ft (0.9m) and infinity. Weird or what...?
A basic autofocus/auto exposure 35mm point-and-shoot from 1993. 32mm f3.5 3 element lens. CR123 battery. Made in Taiwan.
Bought from a very organised stall at boot sale - they'd stuck prices on everything - and most of it was very cheap, so I thought I'd leave the label there for the photo. I bought it partly so I could reuse the case for the PowerShot SX120 IS.
Sure Shot M in the Canon Camera Museum.
A lamp through the mirror and viewfinder of an EOS 50 film SLR. Taken for FGR2: Throught the Looking Glass