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cargocollective.com/stefanodalessio
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ɔːˈrɒbɔrəs
audio/visual installation
Stefano D’Alessio, Martina Menegon, Enrico Zago
2014
ɔːˈrɒbɔrəs (Uroboros) is an audio-visual installation consisting of a round plate standing in the center of a darkroom, filled with liquid. A feedback system is created by a camera filming a reflection of its own projected live image. The reflection issues from the liquid surface, which is constantly transformed by sonic vibrations. Thus, different visual patterns are created according to the development of the sound, which is in turn influenced by the mutating characteristics of the visual current. The outcome is a self-driven loop; an audio-visual reflection that behaves chaotically and unpredictably.
cargocollective.com/stefanodalessio
martinamenegon.tumblr.com
ɔːˈrɒbɔrəs
audio/visual installation
Stefano D’Alessio, Martina Menegon, Enrico Zago
2014
ɔːˈrɒbɔrəs (Uroboros) is an audio-visual installation consisting of a round plate standing in the center of a darkroom, filled with liquid. A feedback system is created by a camera filming a reflection of its own projected live image. The reflection issues from the liquid surface, which is constantly transformed by sonic vibrations. Thus, different visual patterns are created according to the development of the sound, which is in turn influenced by the mutating characteristics of the visual current. The outcome is a self-driven loop; an audio-visual reflection that behaves chaotically and unpredictably.
cargocollective.com/stefanodalessio
martinamenegon.tumblr.com
ɔːˈrɒbɔrəs
audio/visual installation
Stefano D’Alessio, Martina Menegon, Enrico Zago
2014
ɔːˈrɒbɔrəs (Uroboros) is an audio-visual installation consisting of a round plate standing in the center of a darkroom, filled with liquid. A feedback system is created by a camera filming a reflection of its own projected live image. The reflection issues from the liquid surface, which is constantly transformed by sonic vibrations. Thus, different visual patterns are created according to the development of the sound, which is in turn influenced by the mutating characteristics of the visual current. The outcome is a self-driven loop; an audio-visual reflection that behaves chaotically and unpredictably.
AVA offers superior audio/visual equipment rentals, staging and event coverage, multimedia design and post production services.
For More information, go to www.avactions.com
> 7000000000
Interactive installation
Stefano D'Alessio | Martina Menegon
2013
Every 400 milliseconds a new human being is born, at the same rate a new projected “human” appears in the space, filling it dramatically fast. As the space is restricted, humans start to hit each other trying to find their own space. When the door near by the projection is open, it starts to attract humans, sucking them off and letting them disappear. This loss generate more room of those who are still in the space.
TECHNICAL DETAILS
SOFTWARE
Realized in Max/MSP Jitter.
A variable amount of 3d, toilette stylized men and women are rendered in the virtual space projected over the toilet doors, all of them have physical body simulations and so are able to bump in to each other and against walls.
Every 400 milliseconds a new human being appears in the space so that after some time the situation gets crowded. On the bottom of the virtual space there are two invisible gates positioned exactly over the real toilet doors standing under the projection. Under this virtual gates, inside the doors frames, two virtual attractors are positioned, still not applying any force on the 3d humans.
Datas from the sensors are read by serial communication with Arduino, when one toilet door is opened, the correspondent virtual gate imitates it, opening as much as the real door, the attractor does the same applying more or less force, starting to ‘suck’ the humans inside the toilet and making them disappear. Dependently from which door is open a different sex is sucked in to the toilet, the men toilet attracts men and the women one attracts women, of course because the humans has physical bodies, there is the possibility that when the space is crowded and people start to move in mass others are accidentally dragged with them. Every time a human appears in the space or crosses the gates vanishing in the toilet, a click sound is generated. The sound is panned between left and right speaker depending from the position of the triggering event and each time its pitch, attack and delay are slightly randomized to make it more natural.
HARDWARE
All devices are connected to an apple computer.
A fullHD video projector is facing the wall over the toilet doors, hanging from the ceiling or standing on an adequate support. Two small speakers are standing on the ground at the external sides of the toilet doors. Two proximity sensors are connected to an Arduino, and positioned inside each toilet, facing the door aperture.
AVA offers superior audio/visual equipment rentals, staging and event coverage, multimedia design and post production services.
For More information, go to www.avactions.com
cargocollective.com/stefanodalessio
martinamenegon.tumblr.com
ɔːˈrɒbɔrəs
audio/visual installation
Stefano D’Alessio, Martina Menegon, Enrico Zago
2014
ɔːˈrɒbɔrəs (Uroboros) is an audio-visual installation consisting of a round plate standing in the center of a darkroom, filled with liquid. A feedback system is created by a camera filming a reflection of its own projected live image. The reflection issues from the liquid surface, which is constantly transformed by sonic vibrations. Thus, different visual patterns are created according to the development of the sound, which is in turn influenced by the mutating characteristics of the visual current. The outcome is a self-driven loop; an audio-visual reflection that behaves chaotically and unpredictably.
AVA offers superior audio/visual equipment rentals, staging and event coverage, multimedia design and post production services.
For More information, go to www.avactions.com
cargocollective.com/stefanodalessio
martinamenegon.tumblr.com
ɔːˈrɒbɔrəs
audio/visual installation
Stefano D’Alessio, Martina Menegon, Enrico Zago
2014
ɔːˈrɒbɔrəs (Uroboros) is an audio-visual installation consisting of a round plate standing in the center of a darkroom, filled with liquid. A feedback system is created by a camera filming a reflection of its own projected live image. The reflection issues from the liquid surface, which is constantly transformed by sonic vibrations. Thus, different visual patterns are created according to the development of the sound, which is in turn influenced by the mutating characteristics of the visual current. The outcome is a self-driven loop; an audio-visual reflection that behaves chaotically and unpredictably.
AVA offers superior audio/visual equipment rentals, staging and event coverage, multimedia design and post production services.
For More information, go to www.avactions.com
cargocollective.com/stefanodalessio
martinamenegon.tumblr.com
ɔːˈrɒbɔrəs
audio/visual installation
Stefano D’Alessio, Martina Menegon, Enrico Zago
2014
ɔːˈrɒbɔrəs (Uroboros) is an audio-visual installation consisting of a round plate standing in the center of a darkroom, filled with liquid. A feedback system is created by a camera filming a reflection of its own projected live image. The reflection issues from the liquid surface, which is constantly transformed by sonic vibrations. Thus, different visual patterns are created according to the development of the sound, which is in turn influenced by the mutating characteristics of the visual current. The outcome is a self-driven loop; an audio-visual reflection that behaves chaotically and unpredictably.
AVA offers superior audio/visual equipment rentals, staging and event coverage, multimedia design and post production services.
For More information, go to www.avactions.com
cargocollective.com/stefanodalessio
martinamenegon.tumblr.com
ɔːˈrɒbɔrəs
audio/visual installation
Stefano D’Alessio, Martina Menegon, Enrico Zago
2014
ɔːˈrɒbɔrəs (Uroboros) is an audio-visual installation consisting of a round plate standing in the center of a darkroom, filled with liquid. A feedback system is created by a camera filming a reflection of its own projected live image. The reflection issues from the liquid surface, which is constantly transformed by sonic vibrations. Thus, different visual patterns are created according to the development of the sound, which is in turn influenced by the mutating characteristics of the visual current. The outcome is a self-driven loop; an audio-visual reflection that behaves chaotically and unpredictably.
AVA offers superior audio/visual equipment rentals, staging and event coverage, multimedia design and post production services.
For More information, go to www.avactions.com
Three closed-circuit television cameras, tripods, custommade video booster amplifier, video projector and cathoderay tube monitor
The three CCTV cameras are each connected to the three primary colours of a video signal: red, blue and green. These are transmitted separately, splitting the live camera feed into overlapping coloured silhouettes. The resulting images are seen simultaneously on the monitor and projected on the wall in real time. Paik had made earlier works called Participation TV where the image was distorted or modulated in real time by audio signals, such as sounds picked up by a microphone.
[Tate Modern]
Nam June Paik
(October 2019 – February 2020)
The visionary artist who embraced mass media and new technology
Nam June Paik’s experimental, innovative, yet playful work has had a profound influence on today’s art and culture. He pioneered the use of TV and video in art and coined the phrase ‘electronic superhighway’ to predict the future of communication in the internet age.
This major exhibition is a mesmerising riot of sights and sounds. It brings together over 200 works from throughout his five-decade career – from robots made from old TV screens, to his innovative video works and all-encompassing room-sized installations such as the dazzling Sistine Chapel 1993.
Born in South Korea in 1932, but living and working in Japan, Germany and the US, Paik developed a collaborative artistic practice that crossed borders and disciplines. The exhibition looks at his close collaboration with cellist Charlotte Moorman. It also highlights partnerships with other avant-garde artists, musicians, choreographers and poets, including John Cage, Merce Cunningham and Joseph Beuys.
[Tate Modern]
cargocollective.com/stefanodalessio
martinamenegon.tumblr.com
ɔːˈrɒbɔrəs
audio/visual installation
Stefano D’Alessio, Martina Menegon, Enrico Zago
2014
ɔːˈrɒbɔrəs (Uroboros) is an audio-visual installation consisting of a round plate standing in the center of a darkroom, filled with liquid. A feedback system is created by a camera filming a reflection of its own projected live image. The reflection issues from the liquid surface, which is constantly transformed by sonic vibrations. Thus, different visual patterns are created according to the development of the sound, which is in turn influenced by the mutating characteristics of the visual current. The outcome is a self-driven loop; an audio-visual reflection that behaves chaotically and unpredictably.
AVA offers superior audio/visual equipment rentals, staging and event coverage, multimedia design and post production services.
For More information, go to www.avactions.com
cargocollective.com/stefanodalessio
martinamenegon.tumblr.com
ɔːˈrɒbɔrəs
audio/visual installation
Stefano D’Alessio, Martina Menegon, Enrico Zago
2014
ɔːˈrɒbɔrəs (Uroboros) is an audio-visual installation consisting of a round plate standing in the center of a darkroom, filled with liquid. A feedback system is created by a camera filming a reflection of its own projected live image. The reflection issues from the liquid surface, which is constantly transformed by sonic vibrations. Thus, different visual patterns are created according to the development of the sound, which is in turn influenced by the mutating characteristics of the visual current. The outcome is a self-driven loop; an audio-visual reflection that behaves chaotically and unpredictably.
Three closed-circuit television cameras, tripods, custommade video booster amplifier, video projector and cathoderay tube monitor
The three CCTV cameras are each connected to the three primary colours of a video signal: red, blue and green. These are transmitted separately, splitting the live camera feed into overlapping coloured silhouettes. The resulting images are seen simultaneously on the monitor and projected on the wall in real time. Paik had made earlier works called Participation TV where the image was distorted or modulated in real time by audio signals, such as sounds picked up by a microphone.
[Tate Modern]
Nam June Paik
(October 2019 – February 2020)
The visionary artist who embraced mass media and new technology
Nam June Paik’s experimental, innovative, yet playful work has had a profound influence on today’s art and culture. He pioneered the use of TV and video in art and coined the phrase ‘electronic superhighway’ to predict the future of communication in the internet age.
This major exhibition is a mesmerising riot of sights and sounds. It brings together over 200 works from throughout his five-decade career – from robots made from old TV screens, to his innovative video works and all-encompassing room-sized installations such as the dazzling Sistine Chapel 1993.
Born in South Korea in 1932, but living and working in Japan, Germany and the US, Paik developed a collaborative artistic practice that crossed borders and disciplines. The exhibition looks at his close collaboration with cellist Charlotte Moorman. It also highlights partnerships with other avant-garde artists, musicians, choreographers and poets, including John Cage, Merce Cunningham and Joseph Beuys.
[Tate Modern]
AVA offers superior audio/visual equipment rentals, staging and event coverage, multimedia design and post production services.
For More information, go to www.avactions.com
Source: livinghistories.newcastle.edu.au/nodes/view/52635
This image was scanned from a photograph in the University's historical photographic collection held by Cultural Collections at the University of Newcastle, NSW, Australia.
If you have any information about this photograph, or would like a higher resolution copy, please contact us.
AVA offers superior audio/visual equipment rentals, staging and event coverage, multimedia design and post production services.
For More information, go to www.avactions.com
AVA offers superior audio/visual equipment rentals, staging and event coverage, multimedia design and post production services.
For More information, go to www.avactions.com
Source: livinghistories.newcastle.edu.au/nodes/view/52672
This image was scanned from a photograph in the University's historical photographic collection held by Cultural Collections at the University of Newcastle, NSW, Australia.
If you have any information about this photograph, or would like a higher resolution copy, please contact us.
The Carosello Mall in Milan Carugate chose PROIETTA to illuminate the Christmas and promote the SALE of 2014. A videomapping has been projected with a fixed istallation of 4 videoprojectors on the main facade and dynamic projections have illuminated the rest of the building. The installation has been designed and realized by the PROIETTA staff.
AVA offers superior audio/visual equipment rentals, staging and event coverage, multimedia design and post production services.
For More information, go to www.avactions.com
AVA offers superior audio/visual equipment rentals, staging and event coverage, multimedia design and post production services.
For More information, go to www.avactions.com
...in homage to Duke Ellington and his composition Mood Indigo. Following King Britt's multumedia presentation on the work of New Orlean's folk artist Sister Gertrude Morgan at the Whitney Museum, the video projector was still on and audience members "basked" in its indigo glow... I love this blue effect and what it does to skin tones!
Whitney Museum; New York City
AVA offers superior audio/visual equipment rentals, staging and event coverage, multimedia design and post production services.
For More information, go to www.avactions.com
AVA offers superior audio/visual equipment rentals, staging and event coverage, multimedia design and post production services.
For More information, go to www.avactions.com
AVA offers superior audio/visual equipment rentals, staging and event coverage, multimedia design and post production services.
For More information, go to www.avactions.com
Playing in my friends birthday party. It has been very fun and exiting to combine two passions in my life: music and astrohphotograping. I have made videos to our music and used lot of my astro pictures in them.
Avant de travailler avec un dispositif numérique à partir de Puredata, d'un webcam et d'un vidéoprojecteur, il y a eu deux tentatives pour utiliser un rétroprojecteur.
Le manque de possibilité d'agrandissement était trop limitant. D'autre part le manque de définition des images et de leurs couleurs n'aidait pas.
Before working with a digital setup with Puredata, a webcam and a videoprojector, I tried using an overhead proector.
The enlargement of the pictures was limited. And the quality of the pictures and their colours did not help either.
Photo : B. Devos - 2008
AVA offers superior audio/visual equipment rentals, staging and event coverage, multimedia design and post production services.
For More information, go to www.avactions.com
Three closed-circuit television cameras, tripods, custommade video booster amplifier, video projector and cathoderay tube monitor
The three CCTV cameras are each connected to the three primary colours of a video signal: red, blue and green. These are transmitted separately, splitting the live camera feed into overlapping coloured silhouettes. The resulting images are seen simultaneously on the monitor and projected on the wall in real time. Paik had made earlier works called Participation TV where the image was distorted or modulated in real time by audio signals, such as sounds picked up by a microphone.
[Tate Modern]
Nam June Paik
(October 2019 – February 2020)
The visionary artist who embraced mass media and new technology
Nam June Paik’s experimental, innovative, yet playful work has had a profound influence on today’s art and culture. He pioneered the use of TV and video in art and coined the phrase ‘electronic superhighway’ to predict the future of communication in the internet age.
This major exhibition is a mesmerising riot of sights and sounds. It brings together over 200 works from throughout his five-decade career – from robots made from old TV screens, to his innovative video works and all-encompassing room-sized installations such as the dazzling Sistine Chapel 1993.
Born in South Korea in 1932, but living and working in Japan, Germany and the US, Paik developed a collaborative artistic practice that crossed borders and disciplines. The exhibition looks at his close collaboration with cellist Charlotte Moorman. It also highlights partnerships with other avant-garde artists, musicians, choreographers and poets, including John Cage, Merce Cunningham and Joseph Beuys.
[Tate Modern]
Avant de travailler avec un dispositif numérique à partir de Puredata, d'un webcam et d'un vidéoprojecteur, il y a eu deux tentatives pour utiliser un rétroprojecteur.
Le manque de possibilité d'agrandissement était trop limitant. D'autre part le manque de définition des images et de leurs couleurs n'aidait pas.
Before working with a digital setup with Puredata, a webcam and a videoprojector, I tried using an overhead proector.
The enlargement of the pictures was limited. And the quality of the pictures and their colours did not help either.
Photo : B. Devos - 2008
cargocollective.com/stefanodalessio
martinamenegon.tumblr.com
ɔːˈrɒbɔrəs
audio/visual installation
Stefano D’Alessio, Martina Menegon, Enrico Zago
2014
ɔːˈrɒbɔrəs (Uroboros) is an audio-visual installation consisting of a round plate standing in the center of a darkroom, filled with liquid. A feedback system is created by a camera filming a reflection of its own projected live image. The reflection issues from the liquid surface, which is constantly transformed by sonic vibrations. Thus, different visual patterns are created according to the development of the sound, which is in turn influenced by the mutating characteristics of the visual current. The outcome is a self-driven loop; an audio-visual reflection that behaves chaotically and unpredictably.
Playing in my friends birthday party. It has been very fun and exiting to combine two passions in my life: music and astrohphotograping. I have made videos to our music and used lot of my astro pictures in them.
The most recent art installation by The New Gallery, yes there is a video playing above my head...
Photos from First Thursday, an evening of cultural goodness and such in downtown Calgary, every first Thursday of the month, www.firstthursdays.ca
AVA offers superior audio/visual equipment rentals, staging and event coverage, multimedia design and post production services.
For More information, go to www.avactions.com
Three closed-circuit television cameras, tripods, custommade video booster amplifier, video projector and cathoderay tube monitor
The three CCTV cameras are each connected to the three primary colours of a video signal: red, blue and green. These are transmitted separately, splitting the live camera feed into overlapping coloured silhouettes. The resulting images are seen simultaneously on the monitor and projected on the wall in real time. Paik had made earlier works called Participation TV where the image was distorted or modulated in real time by audio signals, such as sounds picked up by a microphone.
[Tate Modern]
Nam June Paik
(October 2019 – February 2020)
The visionary artist who embraced mass media and new technology
Nam June Paik’s experimental, innovative, yet playful work has had a profound influence on today’s art and culture. He pioneered the use of TV and video in art and coined the phrase ‘electronic superhighway’ to predict the future of communication in the internet age.
This major exhibition is a mesmerising riot of sights and sounds. It brings together over 200 works from throughout his five-decade career – from robots made from old TV screens, to his innovative video works and all-encompassing room-sized installations such as the dazzling Sistine Chapel 1993.
Born in South Korea in 1932, but living and working in Japan, Germany and the US, Paik developed a collaborative artistic practice that crossed borders and disciplines. The exhibition looks at his close collaboration with cellist Charlotte Moorman. It also highlights partnerships with other avant-garde artists, musicians, choreographers and poets, including John Cage, Merce Cunningham and Joseph Beuys.
[Tate Modern]