View allAll Photos Tagged Vasnetsov,
This is why we call Prince St Vladimir, "Equal-to-the-Apostles"! This is in the Cathedral of St Vladimir in Kiev (today, unfortunately, it has been stolen and occupied by squatters from the EP), and it was painted in honour of the 900th aniversary of the Baptism of Russia.
The State Tretyakov Gallery is an art gallery in Moscow, Russia, the foremost depository of Russian fine art in the world. The façade of the gallery building was designed by the painter Viktor Vasnetsov in a peculiar Russian fairy-tale style. It was built in 1902–04 to the south from the Moscow Kremlin. During the 20th century, the gallery expanded to several neighboring buildings, including the 17th-century church of St. Nicholas in Tolmachi.
The collection contains more than 130,000 exhibits, ranging from Theotokos of Vladimir and Andrei Rublev's Trinity to the monumental Composition VII by Wassily Kandinsky and the Black Square by Kazimir Malevich.
The State Tretyakov Gallery is a national art museum and one of the world’s greatest museums. The Gallery’s collection consists entirely of Russian art and artists who have made a contribution to the history of Russian art or been closely connected with it. Facade of the gallery's entrance was designed by Victor Vasnetsov in 1902-1904, which gave the Tretyakov Gallery its original appearance and to this day remains one of the Moscow’s most distinctive sights.
More info: Main Entrance to the Tretyakov Gallery
Photo #002 taken on September 10, 2009 with my Dear clients from Australia, Vanessa Cousins.
©2009 Moscow Guide & Driver Arthur Lookyanov
The Church contains over 7500 square metres of mosaics—according to its restorers, more than any other church in the world. This record may be surpassed by the Cathedral Basilica of St. Louis, which houses 7700 square meters of mosaics. The interior was designed by some of the most celebrated Russian artists of the day—including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (and Russian, despite his name). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
Holy Trinity Seminary - The banquet menu from the coronation of Nicholas II, 1896, by Viktor Vasnetsov; includes soup with pickles, borsch, stuffed pastries, ice cream, sterlet (a small sturgeon), lamb, pheasants, fruit in wine, fried chicken, salad, and asparagus
The Church contains over 7500 square metres of mosaics—according to its restorers, more than any other church in the world. This record may be surpassed by the Cathedral Basilica of St. Louis, which houses 7700 square meters of mosaics. The interior was designed by some of the most celebrated Russian artists of the day—including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (and Russian, despite his name). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
Inside The Church of Our Savior on the Spilled Blood, St. Petersburg, Russia.
This marvelous Russian-style church was built on the spot where Emperor Alexander II was assassinated in March 1881. After assuming power in 1855 in the wake of Russia’s disastrous defeat in the Crimean war against Britain, France and Turkey, Alexander II initiated a number of reforms. In 1861 he freed the Russian serfs (peasants, who were almost enslaved to their owners) from their ties to their masters and undertook a rigorous program of military, judicial and urban reforms, never before attempted in Russia. However, during the second half of his reign Alexander II grew wary of the dangers of his system of reforms, having only barely survived a series of attempts on his life, including an explosion in the Winter Palace and the derailment of a train. Alexander II was finally assassinated in 1881 by a group of revolutionaries, who threw a bomb at his royal carriage.
The decision was taken to build a church on the spot where the Emperor was mortally wounded. The church was built between 1883 and 1907 and was officially called the Resurrection of Christ Church (a.k.a. The Church of Our Savior on Spilled Blood ). The construction of the church was almost entirely funded by the Imperial family and thousands of private donators. Both the interior and exterior of the church is decorated with incredibly detailed mosaics, designed and created by the most prominent Russian artists of the day (V.M. Vasnetsov, M.V. Nesterov and M.A. Vrubel). Interestingly, despite the church’s very obviously Russian aspect, its principle architect, A. Parland, was not even Russian by birth.
Церковь Спаса Нерукотворного Образа (1881-1883, арх. П. М. Самарин по рисункам В. М. Васнецова и В. Д. Поленова) -
Manoir Abramtsevo. L'église d'Image d’Édesse (1881-1883, l'architecte Samarin selon les dessins de Vasnetsov et Polenov) -
Manor Abramtzevo. The church of Holy Mandylion of Edessa (1881-1883, the architect Samarin according to Vasnetsov's and Polenov's drawings)
Sketch on location - croquis sur place
Спас на крови
Both the interior and exterior of the church is decorated with incredibly detailed mosaics, designed and created by the most prominent Russian artists of the day (V.M. Vasnetsov, M.V. Nesterov and M.A. Vrubel). Interestingly, despite the church’s very obviously Russian aspect, its principle architect, A. Parland, was not even Russian by birth.
Спас на крови
Both the interior and exterior of the church is decorated with incredibly detailed mosaics, designed and created by the most prominent Russian artists of the day (V.M. Vasnetsov, M.V. Nesterov and M.A. Vrubel). Interestingly, despite the church’s very obviously Russian aspect, its principle architect, A. Parland, was not even Russian by birth.
Inside The Church of Our Savior on the Spilled Blood, St. Petersburg, Russia.
This marvelous Russian-style church was built on the spot where Emperor Alexander II was assassinated in March 1881. After assuming power in 1855 in the wake of Russia’s disastrous defeat in the Crimean war against Britain, France and Turkey, Alexander II initiated a number of reforms. In 1861 he freed the Russian serfs (peasants, who were almost enslaved to their owners) from their ties to their masters and undertook a rigorous program of military, judicial and urban reforms, never before attempted in Russia. However, during the second half of his reign Alexander II grew wary of the dangers of his system of reforms, having only barely survived a series of attempts on his life, including an explosion in the Winter Palace and the derailment of a train. Alexander II was finally assassinated in 1881 by a group of revolutionaries, who threw a bomb at his royal carriage.
The decision was taken to build a church on the spot where the Emperor was mortally wounded. The church was built between 1883 and 1907 and was officially called the Resurrection of Christ Church (a.k.a. The Church of Our Savior on Spilled Blood ). The construction of the church was almost entirely funded by the Imperial family and thousands of private donators. Both the interior and exterior of the church is decorated with incredibly detailed mosaics, designed and created by the most prominent Russian artists of the day (V.M. Vasnetsov, M.V. Nesterov and M.A. Vrubel). Interestingly, despite the church’s very obviously Russian aspect, its principle architect, A. Parland, was not even Russian by birth.
The Church contains over 7500 square metres of mosaics—according to its restorers, more than any other church in the world. This record may be surpassed by the Cathedral Basilica of St. Louis, which houses 7700 square meters of mosaics. The interior was designed by some of the most celebrated Russian artists of the day—including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (and Russian, despite his name). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
The Church contains over 7500 square metres of mosaics—according to its restorers, more than any other church in the world. This record may be surpassed by the Cathedral Basilica of St. Louis, which houses 7700 square meters of mosaics. The interior was designed by some of the most celebrated Russian artists of the day—including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (and Russian, despite his name). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
Можайский район, Исток Москвы-реки
Исток Москвы реки на Минском шоссе 148км (в районе деревни Поповка) от Москвы у урочища Старьково.
Часовня Божией Матери "Живоносный источник" 2003 год. Архитектор Николай Васнецов.
The Source of the Moscow river on the Minsk highway 148км from Moscow in the natural boundary Starkovo.
Chapel of the Mother of God "the life-giving source" of the year 2003. Architect Nikolai Vasnetsov.
The Church contains over 7500 square metres of mosaics—according to its restorers, more than any other church in the world. This record may be surpassed by the Cathedral Basilica of St. Louis, which houses 7700 square meters of mosaics. The interior was designed by some of the most celebrated Russian artists of the day—including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (and Russian, despite his name). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
The Church of the Savior on Spilled Blood (Храм Спаса на Крови) is one of the main Russian Orthodox churches of St. Petersburg, Russia. It is also variously called the Church on Spilt Blood and the Cathedral of the Resurrection of Christ (Собор Воскресения Христова), its official name. The name refers to the blood of the assassinated Alexander II of Russia, who was mortally wounded on that site on March 13, 1881 (Julian date: March 1). Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow. The Church contains over 7500 square metres of mosaics -- according to its restorers, more than any other church in the world.
Frescoes and mosaics in the interior.The interior was designed by some of the most celebrated Russian artists of the day - including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel - but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (and Russian, despite his name). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics - the main pictures being biblical scenes or figures - but with very fine patterned borders setting off each picture.
The State Tretyakov Gallery is an art gallery in Moscow, Russia, the foremost depository of Russian fine art in the world. The façade of the gallery building was designed by the painter Viktor Vasnetsov in a peculiar Russian fairy-tale style. It was built in 1902–04 to the south from the Moscow Kremlin. During the 20th century, the gallery expanded to several neighboring buildings, including the 17th-century church of St. Nicholas in Tolmachi.
The collection contains more than 130,000 exhibits, ranging from Theotokos of Vladimir and Andrei Rublev's Trinity to the monumental Composition VII by Wassily Kandinsky and the Black Square by Kazimir Malevich.
Спас на крови
Both the interior and exterior of the church is decorated with incredibly detailed mosaics, designed and created by the most prominent Russian artists of the day (V.M. Vasnetsov, M.V. Nesterov and M.A. Vrubel). Interestingly, despite the church’s very obviously Russian aspect, its principle architect, A. Parland, was not even Russian by birth.
Inside The Church of Our Savior on the Spilled Blood, St. Petersburg, Russia.
This marvelous Russian-style church was built on the spot where Emperor Alexander II was assassinated in March 1881. After assuming power in 1855 in the wake of Russia’s disastrous defeat in the Crimean war against Britain, France and Turkey, Alexander II initiated a number of reforms. In 1861 he freed the Russian serfs (peasants, who were almost enslaved to their owners) from their ties to their masters and undertook a rigorous program of military, judicial and urban reforms, never before attempted in Russia. However, during the second half of his reign Alexander II grew wary of the dangers of his system of reforms, having only barely survived a series of attempts on his life, including an explosion in the Winter Palace and the derailment of a train. Alexander II was finally assassinated in 1881 by a group of revolutionaries, who threw a bomb at his royal carriage.
The decision was taken to build a church on the spot where the Emperor was mortally wounded. The church was built between 1883 and 1907 and was officially called the Resurrection of Christ Church (a.k.a. The Church of Our Savior on Spilled Blood ). The construction of the church was almost entirely funded by the Imperial family and thousands of private donators. Both the interior and exterior of the church is decorated with incredibly detailed mosaics, designed and created by the most prominent Russian artists of the day (V.M. Vasnetsov, M.V. Nesterov and M.A. Vrubel). Interestingly, despite the church’s very obviously Russian aspect, its principle architect, A. Parland, was not even Russian by birth.
Спас на крови
Both the interior and exterior of the church is decorated with incredibly detailed mosaics, designed and created by the most prominent Russian artists of the day (V.M. Vasnetsov, M.V. Nesterov and M.A. Vrubel). Interestingly, despite the church’s very obviously Russian aspect, its principle architect, A. Parland, was not even Russian by birth.
Moscow. The facade of the State Tretyakov Gallery, Tretyakov Gallery is made to the design of V.Vasnetsov, Lavrushinsky Lane, 10 (1900-1906)
The Moscow Kremlin or simply the Kremlin is a fortified complex in Moscow, Russia. Located in the centre of the country's capital city, it is the best known of the kremlins (Russian citadels) and includes five palaces, four cathedrals, and the enclosing Kremlin Wall along with the Kremlin towers. Within the complex is the Grand Kremlin Palace, which served as the royal residence of the Emperor of Russia. It is now the official residence of the President of the Russian Federation. The Kremlin overlooks the Moskva River to the south, Saint Basil's Cathedral and Red Square to the east, and Alexander Garden to the west.
The name kremlin means 'fortress within a city' in Russian, and is often also used metonymically in international politics to refer to the Government of the Russian Federation. Likewise, during the Cold War, it referred to the Government of the Soviet Union, which operated out of the city in the erstwhile Russian SFSR. The term "Kremlinology" is related to the metonym and refers to the study of Soviet and Russian politics.
Largely open to the public, the Kremlin offers supervised tours; the accompanying Moscow Kremlin Museums reportedly attracted 1,024,610 visitors in 2023.
The State Historical Museum (Russian: Государственный исторический музей, ГИМ, romanized: Gosudarstvennyy istoricheskiy muzey, GIM) of Russia is a museum of Russian history located between Red Square and Manege Square in Moscow. The museum's exhibitions range from relics of prehistoric tribes that lived in the territory of present-day Russia, to priceless artworks acquired by members of the Romanov dynasty. The total number of objects in the museum's collection numbers in the millions.
The place where the museum now stands was formerly occupied by the Principal Medicine Store, built by order of Peter the Great in the Moscow Baroque style.
The museum was founded in 1872 by Ivan Zabelin, Aleksey Uvarov and several other Slavophiles interested in promoting Russian history and national self-awareness. The board of trustees, composed of Sergey Solovyov, Vasily Klyuchevsky, Uvarov, and other leading historians, presided over the construction of the museum building. After a prolonged competition, the project was handed over to Vladimir Osipovich Shervud (or Sherwood, 1833–97).
The present structure was built based on Sherwood's neo-Russian design between 1875 and 1881. The first 11 exhibit halls officially opened in 1883 during a visit from the tsar and his wife. Then in 1894, Tsar Alexander III became the honorary president of the museum and the following year, 1895, the museum was renamed the Tsar Alexander III Imperial Russian History Museum. Its interiors were intricately decorated in the Russian Revival style by such artists as Viktor Vasnetsov, Henryk Siemiradzki, and Ivan Aivazovsky. During the Soviet period, the murals were proclaimed gaudy and were plastered over.
The State Tretyakov Gallery is an art gallery in Moscow, Russia, the foremost depository of Russian fine art in the world.
The gallery's history starts in 1856 when the Moscow merchant Pavel Mikhailovich Tretyakov acquired works by Russian artists of his day with the aim of creating a collection, which might later grow into a museum of national art. In 1892, Tretyakov presented his already famous collection to the Russian nation.
The façade of the gallery building was designed by the painter Viktor Vasnetsov in a peculiar Russian fairy-tale style. It was built in 1902–04 to the south from the Moscow Kremlin. During the 20th century, the gallery expanded to several neighboring buildings, including the 17th-century church of St. Nicholas in Tolmachi.
The collection contains more than 130,000 exhibits, ranging from Theotokos of Vladimir and Andrei Rublev's Trinity to the monumental Composition VII by Wassily Kandinsky and the Black Square by Kazimir Malevich.
In 1977 the Gallery kept a significant part of the George Costakis collection.
Het Nationaal Historisch Museum van Rusland (Russisch: Государственный Исторический музей) is een aan de Russische geschiedenis gewijd museum aan het Rode Plein in Moskou. De collectie van het museum bestaat uit miljoenen objecten, variërend van voorwerpen gemaakt door prehistorische stammen die ooit het huidige Rusland bewoonden tot waardevolle kunstwerken uit het bezit van de tsarenfamilie Romanov.
Het museum werd gesticht in 1872 door Ivan Zabelin, Aleksej Oevarov en enkele andere slavofielen die het nationale bewustzijn van de Russen wilden vergroten door middel van kennis van hun geschiedenis. Er werd een prijsvraag voor het ontwerp van het museumgebouw uitgeschreven, die werd gewonnen door Vladimir Osipovitsj Sjervoed (Sherwood). De architect schiep een gebouw in neorussische stijl, dat verrees tussen 1875 en 1881. De officiële opening van het museum, verricht door tsaar Alexander III, volgde in 1894. Het interieur van het gebouw werd weelderig gedecoreerd door kunstenaars als Viktor Vasnetsov, Henryk Siemiradzki en Ivan Ajvazovski. In de Sovjetperiode verdween een groot deel van de muurschilderingen achter een laag pleister, maar tijdens een restauratie die tussen 1986 en 1997 plaatsvond herstelde men het museum in zijn oude glorie.
Tot de hoogtepunten uit de collectie behoren een aan de oever van de Wolga opgegraven sloep, Scythische gouden voorwerpen, berkenbastteksten uit Novgorod, zesde-eeuwse manuscripten en Russisch keramiek.
Een deel van de collectie wordt tentoongesteld in een ruimte in het nabijgelegen stadhuis van Moskou; daarnaast bevinden zich filialen van het museum in het Novodevitsji-klooster en de Pokrovkathedraal.
On this page I did research about a Russian artist, Victor Vasnetsov. And I also drew a sketch of Alkonost being inspired by his painting.
Спас на крови
Both the interior and exterior of the church is decorated with incredibly detailed mosaics, designed and created by the most prominent Russian artists of the day (V.M. Vasnetsov, M.V. Nesterov and M.A. Vrubel). Interestingly, despite the church’s very obviously Russian aspect, its principle architect, A. Parland, was not even Russian by birth.
Le tapis volant (1880, Musée des Beaux-Arts d'Etat de Nijni Novgorod, Nijni Novgorod) de Viktor Mikhaïlovitch Vasnetsov (1848-1926)
The Church contains over 7500 square metres of mosaics—according to its restorers, more than any other church in the world. This record may be surpassed by the Cathedral Basilica of St. Louis, which houses 7700 square meters of mosaics. The interior was designed by some of the most celebrated Russian artists of the day—including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (and Russian, despite his name). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
The State Tretyakov Gallery is an art gallery in Moscow, Russia, the foremost depository of Russian fine art in the world. The gallery's history starts in 1856 when the Moscow merchant Pavel Mikhailovich Tretyakov acquired works by Russian artists of his day with the aim of creating a collection, which might later grow into a museum of national art. In 1892, Tretyakov presented his already famous collection to the Russian nation.
The façade of the gallery building was designed by the painter Viktor Vasnetsov in a peculiar Russian fairy-tale style. It was built in 1902–04 to the south from the Moscow Kremlin. During the 20th century, the gallery expanded to several neighbouring buildings, including the 17th-century church of St. Nicholas in Tolmachi.
The collection contains more than 130,000 exhibits, ranging from Theotokos of Vladimir and Andrei Rublev's Trinity to the monumental Composition VII by Wassily Kandinsky and the Black Square by Kazimir Malevich. In 1977 the Gallery kept a significant part of the George Costakis collection.
The State Historical Museum of Russia[1] is a museum of Russian history wedged between Red Square and Manege Square in Moscow. Its exhibitions range from relics of the prehistoric tribes inhabiting present-day Russia, through priceless artworks acquired by members of the Romanov dynasty. The total number of objects in the museum's collection numbers in the millions.
The spot where the museum now stands was formerly occupied by the Principal Medicine Store, built on the order of Peter the Great in the Moscow baroque style. Several rooms in that building housed royal collections of antiquities. Other rooms were occupied by the Moscow University, founded by Mikhail Lomonosov in 1755.
The museum was founded in 1872 by Ivan Zabelin, Aleksey Uvarov and several other Slavophiles interested in promotion of Russian history and national self-awareness. The board of trustees, composed of Sergey Solovyov, Vasily Klyuchevsky, Uvarov and other leading historians, presided over construction of the museum building. After a prolonged competition the project was awarded to Vladimir Osipovich Shervud (or Sherwood, 1833–97).
The present structure was built to Sherwood's neo-Russian design between 1875 and 1881. The first eleven exhibit halls officially opened in 1883 during a visit from the Tsar and his wife.[2] Then in 1894 Tsar Alexander III became the honorary president of the museum and the following year, 1895, the museum was renamed the Tsar Alexander III Imperial Russian History Museum.[3] Its interiors were intricately decorated in the Russian Revival style by such artists as Viktor Vasnetsov, Henrik Semiradsky, and Ivan Aivazovsky. During the Soviet period the murals were proclaimed gaudy and were plastered over. The museum went through a painstaking restoration of its original appearance between 1986 and 1997.
Notable items include a longboat excavated from the banks of the Volga River, gold artifacts of the Scythians, birch-bark scrolls of Novgorod, manuscripts going back to the 6th century, Russian folk ceramics, and wooden objects. The library boasts the manuscripts of the Chludov Psalter (860s), Svyatoslav's Miscellanies (1073), Mstislav Gospel (1117), Yuriev Gospel (1119), and Halych Gospel (1144). The museum's coin collection alone includes 1.7 million coins, making it the largest in Russia. In 1996, the number of all articles in the museum's collection achieved 4,373,757.
A branch of the museum is housed in the Romanov Chambers is Zaryadye and Saint Basil's Cathedral. In 1934 The Museum of Women's Emancipation at the Novodevichy Convent became part of the State Historical Museum. Some of the churches and other monastic buildings are still affiliated with the State Historical Museum.
The Church of Our Savior on the Spilled Blood, St. Petersburg, Russia.
This marvelous Russian-style church was built on the spot where Emperor Alexander II was assassinated in March 1881. After assuming power in 1855 in the wake of Russia’s disastrous defeat in the Crimean war against Britain, France and Turkey, Alexander II initiated a number of reforms. In 1861 he freed the Russian serfs (peasants, who were almost enslaved to their owners) from their ties to their masters and undertook a rigorous program of military, judicial and urban reforms, never before attempted in Russia. However, during the second half of his reign Alexander II grew wary of the dangers of his system of reforms, having only barely survived a series of attempts on his life, including an explosion in the Winter Palace and the derailment of a train. Alexander II was finally assassinated in 1881 by a group of revolutionaries, who threw a bomb at his royal carriage.
The decision was taken to build a church on the spot where the Emperor was mortally wounded. The church was built between 1883 and 1907 and was officially called the Resurrection of Christ Church (a.k.a. The Church of Our Savior on Spilled Blood ). The construction of the church was almost entirely funded by the Imperial family and thousands of private donators. Both the interior and exterior of the church is decorated with incredibly detailed mosaics, designed and created by the most prominent Russian artists of the day (V.M. Vasnetsov, M.V. Nesterov and M.A. Vrubel). Interestingly, despite the church’s very obviously Russian aspect, its principle architect, A. Parland, was not even Russian by birth.
Most beautiful frescoes in the St. Vladimir's cathedral - Mother of God (in the center) and St. Olga (right) by famous Russian painter Victor Vasnetsov.
Спас на крови
Both the interior and exterior of the church is decorated with incredibly detailed mosaics, designed and created by the most prominent Russian artists of the day (V.M. Vasnetsov, M.V. Nesterov and M.A. Vrubel). Interestingly, despite the church’s very obviously Russian aspect, its principle architect, A. Parland, was not even Russian by birth.
The present structure was built based on Sherwood's neo-Russian design between 1875 and 1881. The first 11 exhibit halls officially opened in 1883 during a visit from the Tsar and his wife. Then in 1894 Tsar Alexander III became the honorary president of the museum and the following year, 1895, the museum was renamed the Tsar Alexander III Imperial Russian History Museum. Its interiors were intricately decorated in the Russian Revival style by such artists as Viktor Vasnetsov, Henrik Semiradsky, and Ivan Aivazovsky. During the Soviet period the murals were proclaimed gaudy and were plastered over. The museum went through a painstaking restoration of its original appearance between 1986 and 1997
Спас на крови
Both the interior and exterior of the church is decorated with incredibly detailed mosaics, designed and created by the most prominent Russian artists of the day (V.M. Vasnetsov, M.V. Nesterov and M.A. Vrubel). Interestingly, despite the church’s very obviously Russian aspect, its principle architect, A. Parland, was not even Russian by birth.