View allAll Photos Tagged Value
A Value-Oriented Youth Awareness Programme by Ramakrishna Mission, Jalpaiguri, in collaboration with Ramakrishna Math (Yogodyan), Kankurgachhi, from 15 - 25 May 2018
A visit to Burford House Gardens, which also included a visit to Burford House Restaurant and Burford House Garden Store.
Burford House Garden Centre in Tenbury Wells, part of the British Garden Centres Group since 2019, is your comprehensive garden and home destination. Offering quality and value, it has everything you need for your interior and outdoor space. The on-site restaurant provides daily specials, delicious meals, snacks, and afternoon teas. Explore the historical estate and stunning gardens with our annual pass. Home to the National Clematis Collections, the gardens feature 100 varieties of clematis. Laid out by John Treasure in 1952, they surround an elegant Georgian House overlooking the picturesque River Teme. Enjoy a first-class shopping experience at Burford with a knowledgeable team ready to assist in this picturesque setting.
St Mary's Church in Burford near the gardens.
Details
BURFORD
SO56NE Church of St Mary 582-1/8/23 12/11/54
GV I
Church. C12 chancel, C14 nave and tower, extensively restored 1889 by Sir Aston Webb. MATERIALS: generally stone rubble with ashlar dressings, with ashlar tower. Plain-tile roofs with ashlar-coped gables and battlemented parapets with corner pinnacles. PLAN: chancel with north vestry, nave with south porch, and west tower. EXTERIOR: crenellated cornice to nave and chancel with twin cusped niches and carved panel over each merlon including east wall return of chancel. String course at eaves level with carved figurative and armorial bosses on underside corresponding to each embrasure. 3 bay chancel with short shallow buttresses and clasping buttress to north-east. Restored arched 3-light east window with Perpendicular tracery, and hoodmould with king and queen label stops. South wall has 2 C19 flat-headed mullion windows with cusped ogee and mouchette tracery with hoodmould over, flanking chancel door: flat-headed doorway with recess and cross-boarded door. To left is restored window of twin cusped lancets with Perpendicular tracery over. North wall partly masked by C19 north vestry. Nave: mostly restored 3 bays of buttresses with gabled offsets with cusped niches and pinnacles rising and piercing battlemented parapets. Window in each bay of twin cusped lancets and Perpendicular foiled tracery over and hoodmoulds with label stops. West bay of nave has south door with ogee arch with double-ovolo arch chamfer and plain chamfered jambs. Tower: angle buttresses with ashlar offsets. Late C19 west door and window over with Perpendicular-style moulding and tracery. Slit windows in north face. Upper stage with late C19 work by Sir Aston Webb: each face with 2 arched openings, each incorporating twin cusped lancets with louvres flanked by 2 tiers of cusped niches. Cusped arcaded battlemented parapet. Angle buttresses terminated with gablets with crockets. INTERIOR: chancel with late C19 decorative barrel vault featuring angels. C19 pointed chancel arch. Angle piscina on south window jamb. Nave: C14 restored trussed rafter roof. Tall tower arch with chamfered and hollow-chamfered reveals. C14 font: octagonal with recessed panels with raised carvings over stem with lancet arcading. Holy water stoup set in wall to right of south door. Wrought-iron candelabrum and lamps by Webb. C14 or C15 octagonal font with flower pattern carvings on the panel faces, supported on an octagonal stem with blind niches. Remarkable series of medieval, C16 and C17 monuments to Cornewall family, restored by Prof. EW Tristam 1938, all with the shields of the family: Heart of Edmund Cornewall d.1436; arched recess over stone tomb with trefoil arcading below, possibly a re-sited altar. Life-size painted wooden recumbent effigy of Edmund Cornewall 1508. Life-size painted stone recumbent effigy of Elizabeth, daughter of John of Gaunt, under enriched ogival canopy, d.1426. Immense wooden tryptych, 3.45 metres high by 3.05 metres wide, to Richard Cornewall d.1568 and Janet his wife d.1547, and son Edmund d.1585. Frame with fluted Ionic pilasters, inscribed fascia and pedimented head with painted tympanum; interior has 3 painted full-figure portraits in upper section and a 2.21 metre tall cadaver of Edmund Cornewall is depicted in lower section; the wings are painted inside and outside with figures and armorial shields. Paintings are signed by Melchior Salabossh, 1588. Early C17 wall monument with 2 kneeling figures of Sir Thomas and Anne Cornewall 1630 (`now living, he aged 58 and she 55'). Similar monument to Thomas and Katherine Cornewall also 1630. Baroque wall tablet to Elizabeth, wife of Thomas Cornewall d.1675. Monuments to Rushout family of 1822 and 1827 both by Richard Westmacott R.A. of London and of 1852 by Charles Geerts of Louvain. Monument to Thomas Morres d.1752 and wife Elizabeth d.1742 by Richard Squire of Worcester. (The Buildings of England: Pevsner N: Shropshire: Harmondsworth, Middlesex: 1958-: 91).
Listing NGR: SO5833468030
Stables
Stable Block 40 Metres North of Burford House
Grade II listed building
Details
BURFORD
SO56NE Stable block 40 metres north of 582-1/8/21 Burford House
GV II
Stable block now garden museum and store. C18. Brick. Plain-tiled roofs. Plan of 2-storey square central block with pyramid roof and gabled single-storey flanking wings. EXTERIOR: central lantern consisting of clockface to north on square projecting tower surmounted by octagonal round-arched arcade with ogival leaded roof and weather-vane. North front with C20 multi-pane casements, and 2 French windows at ground floor. C20 casements flanked by plain boarded doors to ground level of right return side with C19 casement over. INTERIOR: not inspected.
Listing NGR: SO5823468010
Although I wish my subject could have been more isolated, a backlit palm worked nicely representing different and contrasting value within a photo.
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I thought that this picture best fit the value element because of the reflection of the windows on the table.
1. The element that this image investigates is value. This image consists of different shades of black and white from the highest value to the lowest value. For instance, the sky and the water are shades of white and the chair and trees represent shades of black.
2. The subject matter of this photograph could vary depending on what the viewer sees first. For example, the subject matter could be the chair, however, another viewer might say it is the water.
1) This photo incorporates value, the background goes from a light blueish yellow to a dark deep blue in the top right.
2) The photo was taken downtown and the photo include four large buildings and a beautiful clear sky.
3) I really enjoy that the background is very calming, it is clear and goes from light to dark.
4) If I could take the photo again, I would try to focus on only one building so that the photo is less busy.
I have so many pictures of these family values people. This is my first post for this new group.
Republican Senator John Ensign admitted having a mistress, the same guy who said Clinton should resign for what he did. The same man who said he would not even get in a cab alone with another women. The same man who claims to be a Christian and against Gay marriage you know to protect the sancitity of marriage. How about just keep your marriage vows and not cheat on your wife. Family Values Bull Shit
When I put my WIP's into BW mode they were AWFUL! ICK ICK ICK. So I did some changes in photoshop. Now all I have to do is fiture out what colors to use to make the values "work." IMG_7515-bw-adj-w
Rags to riches...companies like Value Village make a large amount of money shipping rags to the Third World, where they are actually used for clothing. This makes huge profits for the middle men who buy from charities and , unfortunately, this often puts indigenous fabric and clothing makers out of business. This article will give you a small idea of the scope of this business:
community.seattletimes.nwsource.com/archive/?date=1997081...
My bed spread shows lightness and darkness of a color. All though it's not gradual you can still see the value.
Inspired by the values of identity, this photo-documentary series of Matthew Wells’ transformation shows how an alter-ego has the power to create and destroy.
Displaying the photographs in reverse order correlates to the idea of Matthew’s Persona, here you can see the outcome (MATTC***) which everyone is familiar with; but also have the rare chance to witness the metamorphosis from the beginning.