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THE ANCIENT LANGUAGE OF SOUNDS AND SIGNS
April 27th, 2010
@ Mobius
725 Harrison Avenue, Suite One
Boston MA 02118
Dancers:
Olivier Besson
Ellen Godena www.mobius.org/user/27
Liz Roncka www.myspace.com/realtimeperformance
Musicians:
Haggai Cohen Milo (bass) www.myspace.com/jatul
Amir Milstein (flute)
Jamey Haddad (percussion) www.jameyhaddadmusic.com
A very special evening of improvised music and dance featuring musicians Haggai Cohen Milo (bass) and Amir Milstein (flute) and movement artists Olivier Besson, Ellen Godena and Liz Roncka.
ARTIST BIOS
Olivier Besson - Movement Artist - is an improvisational movement artist who hails from France and is based in Boston. In the period from 1980 until the mid 90's, Olivier studied Contact Improvisation with Robin Feld, Nancy Stark Smith, Lisa Nelson and Andrew Harwood, and Improvisation / Real Time composition with Daniel Lepkoff and Julyen Hamilton. During that time, he also practiced and performed Bugaku (Court dance from Japan) with Arawana Hayashi. Other training includes Butoh with Maureen Feming and Action Theater with Ruth Zaporah.
Most notably, Olivier’s work has been presented: *in the US - at Dance Theatre Workshop (NYC), Judson Church (NYC), New York Improvisation festival, Walker Art Centre (Minneapolis), Boston Dance Umbrella, Florida Dance Festival, Dance Place (Washington DC), The Boston Conservatory, Boston University, Radford University (Virginia), *and internationally - at the National Institute of the Arts (Taipei, Taiwan), Die Pratze (Tokyo), Art of Movement Festival (Yaroslav, Russia), Micadanses (Paris) and with Compagnie Vertige (Nice, France). He has collaborated with many individuals including Chris Aiken, Lisa Schmidt, Debra Bluth, Ming-Shen Ku, Pamela Newell, Toshiko Oiwa and musicians/composers Mike Vargas, Peter Jones, Jane Wang and Grant Smith. Locally, he has guest danced for Dawn Kramer, Micki Taylor-Pinney and Diane Noya. His ongoing performance projects involve collaborations with Liz Roncka in Boston and Emmanuelle Pepin in Nice (France) .
Olivier is currently on faculty at The Boston Conservatory (dance division). He has been on faculty at Canal Danse (Paris), the French National Circus School (CNAC), Bates Dance Festival, Emerson College and the School of Fine Arts at Boston Universtity. He has taught residencies at the National Institute of the Arts (Taipei, Taiwan), Le Centre Choregraphique de Danse / Daniel Larieu (Tours, France), the University of Minnesota, and Radford University (Virginia). He has also taught masterclasses for teen / pre-teen programs at Walnut Hill, Cambridge School of Weston, Jeanette Neil Dance Studios, Brookline High and Cambridge Rindge and Latin.
Haggai Cohen Milo - At the young age of 25, bass player and composer Haggai Cohen Milo is already a known name in the international music scene. Mr. Cohen Milo, currently operating from Berkeley, CA, brings exotic flavors to his music from his native middle east country, Israel. In both his compositions and in his playing, there is a contemporary mix of sound between East and West. His group the Secret Music Project, that features his personal musical sound and vision, has performed in some of the most important festivals around the world including the Aspen Music Festival, the Atlantic Jazz Festival (Canada), Boston First Night and many more.
Mr. Cohen-Milo first gained international recognition when he won the First Prize in the International Ensemble Competition in Belgium 2006. In the same year, Cohen Milo was also awarded the DownBeat Magazine Music Awards and the grand prize at the Fish Middleton Jazz Soloist Competition held in Washington, DC.
As a Composer, Cohen Milo has composed the score for two full enough feature films, Intimate Enemies (2008), by the internationally known Mexican director Fernando Sariñana and SPAM (2009) by the director Charlie Gore. Cohen Milo released his debut album in January 2007 under the prestigious record label “Fresh Sound - New Talent”. The album received enthusiastic reviews in the US and in Europe. Cohen Milo also recorded with different artists for Warner Music, Sunnyside Records and more.
With a fast growing touring career, Cohen Milo has already performed on some of the most important stages around the world, including Carnegie Hall and Birdland (New York), Getxo International Jazz Festival (Spain), The Jazz Station (Belgium) and Rome Music Festival (Italy), to name a few.
Cohen Milo graduated in 2009 from the prestigious New England Conservatory of Music in Boston where he studied with such masters as Danilo Perez, Bob Moses, Jamey Hadad and Jerry Bergonzi.
"... Haggai Cohen Milo revealed over a set of ridiculously infectious music that he's in the soul restoration business. Yessiree. He is!" (Graham Pilsworth, "The Coast", Canada)
Amir Milstein - Flutist and composer - is a graduate of the "Rubin Academy of Music" in Jerusalem (B.M. in jazz and classical flute), and the New England Conservatory (Masters degree in music performance, 2010) Amir established his career in the world-music scene founding acknowledged ensembles such as Bustan Abraham and Tucan Trio with which he has recorded and performed worldwide.
His musical background represents a variety of styles and cultures including classical, jazz, Mediterranean and Latin. He has collaborated with artists such as Zakir Hussein, Tito Puente, Ross Daly, Omar Farouk Tekbilek and Armando Macedo, among others and has participated in distinguished concert venues and festivals, both as a player and a composer.
He has collaborated with several choreographers, with whom he has composed for modern and flamenco dance groups and has composed and recorded several film scores. (His recent work on the documentary film "The Case for Israel- Democracy's Outpost" is currently presented at film festivals worldwide). Amir played in musical shows in the Israeli television and has collaborated and recorded numerous albums with Israel's leading artists, such as Matti Caspi, Shlomo Gronich, Gidi Gov, Miki Gavrielov, Leah Shabbat, and many others.
With over twenty years of experience teaching flute, recorders and music theory, Amir developed a unique musical education program and has instructed at the "Karev Music Educational Program" in Israel. He currently teaches at the New England Conservatory, Boston, and has lectured and presented workshops at music schools such as the Berklee College of music, Boston and Berkeley University, CA. Before moving to Boston, in 2004 Amir was also a faculty member at the "Hed College of Contemporary Music" in Tel Aviv, Israel. Amir presents an interactive workshop for schools and colleges called: "A World of Flutes"- Introducing the evolution of woodwinds through live music, stories, and a demonstration of over 80 musical instruments.
Ellen Godena - Movement Artist - is an experimental performer, choreographer, and Mobius Artists Group member. Her recent work has focused on the relationships between human, non-human (organic), and machine (non-organic) movement as a method for studying human development. Recent solo and collaborative works have been quests to define these relationships through the use of primitive, robotic entities in performance.
Ellen’s training, artistic influences and inspiration derive from the study of Japanese avant-garde movement and theater forms that have developed since the early 1960’s, primarily the butoh dances created by Japanese artists Kazuo Ohno and Tatsumi Hijikata, physical theater, and contemporary dance. Since 1998, she has performed solo, group, and ensemble work in Boston, Philadelphia, Providence, and New York City. She was a former dancer with the Boston-based Kitsune Dance Theater (2003-06) under the direction of Deborah Butler, and the NYC post-modern butoh troupe, the Vangeline Theater (2006-08) under the direction of Vangeline. She has performed with Master butoh artist Katsura Kan (Curious Fish, 2002, 2008), and has studied with internationally recognized artists such as Zack Fuller, Hiroko Tamano, Su-En, Diego Pinon, and Katsura Kan. Her primary, long-term training has been with American artists Deborah Butler, Vangeline, and Jennifer Hicks. Currently, Ellen is presenting solo robotics – movement projects in addition to performing regularly with Liz Roncka's Real-Time Performance Project in Boston, MA. She holds a Bachelor of Fine Arts degree from the Rhode Island School of Design in Studio Painting (1997), and a Master's degree in Human Development and Psychology from Harvard University (2005).
Liz Roncka - Movement Artist - is an avid practitioner of movement improvisation and contemporary dance. She is the director of lizroncka/Real-Time Performance Project,a Mobius Artists Group member and a collaborating artist with Emma Jupe, a Paris-based improvisation collective. Her work has been presented in Boston, NYC, San Francisco, Budapest and Paris.
Liz's early training was in the tradition of classical ballet at the School of the New Bedford Ballet. In college, Liz’s focus shifted toward contemporary dance and improvisation. She was a member of the Dance Collective of Boston from 1998-2005. Liz has had the pleasure of performing modern dance and improvisational work under the direction of: Ramelle Adams, Emily Beattie, Ruth Benson-Levin, Debra Bluth, Alissa Cardone, Sean Curran,Ellen Godena, Andrew Harwood, Michael Jahoda/White Box Project, Dawn Kramer, Light Motion, Karen Murphy-Fitch and Micki Taylor-Pinney.
Much of Liz's work is developed in deep collaboration with sound artists, most notably Jane Wang, Haggai Cohen Milo, Jessyka Luzzi, Sean Frenette and Akili Jamal Haynes. Current projects include an improvisational duo with Forbes Graham (trumpet) and an collaboration with Philippe Lejeune (visual artist) developing a movement piece within a glass installation exploring the intersection of reality and reflected images. For more information please see:
www.dailydanceproject.blogspot.com
This session will give participants the toolkit and skills required when conducting user research and testing with children and young people (under the age of 18).
We'll begin with an overview of the guiding principles, best practices and standards for conducting research and testing with minors. Then we'll take participants through practical examples and exercises of how to research and test throughout the stages of game design, as an example, with practical takeaways of tools and techniques that should be considered when designing research and testing projects with children.
From: www.connectedaction.net
Top Twitter users who recently tweeted the word kevin kelly OR kevin2kelly OR technium when queried on May 27, 2011, sorted by betweenness centrality.
A visualization of the network is here: www.flickr.com/photos/marc_smith/5768489596/sizes/o/
Top most between users:
@veen
@stop
@brainpicker
@gruber
@andybudd
@typekit
@gwenbell
@ffejmi
@juandoming
@thesocializers
Graph Metric: Value
Graph Type: Directed
Vertices: 310
Unique Edges: 598
Edges With Duplicates: 212
Total Edges: 810
Self-Loops: 0
Connected Components: 73
Single-Vertex Connected Components: 66
Maximum Vertices in a Connected Component: 230
Maximum Edges in a Connected Component: 794
Maximum Geodesic Distance (Diameter): 10
Average Geodesic Distance: 3.320954
Graph Density: 0.007328531
NodeXL Version: 1.0.1.169
More NodeXL network visualizations are here: www.flickr.com/photos/marc_smith/sets/72157622437066929/
NodeXL is free and open and available from www.codeplex.com/nodexl
NodeXL is developed by the Social Media Research Foundation (www.smrfoundation.org) - which is dedicated to open tools, open data, and open scholarship.
The book, Analyzing social media networks with NodeXL: Insights from a connected world, is available from Morgan Kaufmann and from Amazon.
Marc Smith on Twitter.
Comments from the IMDB.com message boards.
Go to the photoset for more like this one: www.flickr.com/photos/angusmcdiarmid/sets/72057594087388006/
Also, there's the Cameo website. Best screen in the country!
The observation sheet, with 12 columns for participants.
Validating Product Ideas Through Lean User Research, Sharon, Tomer, 2016. New York: Rosenfeld Media rosenfeldmedia.com/books/lean-user-research/
DETAILS FOR THIS VEHICLE.
Location : Three Bridges PAD Yard.
Date : 25/05/1987.
Type : Gas Oil Tank Transporter.
Weight : 39t GLW / 13.1t Tare.
IU Number : 083503.
Former Number : ADM 700710.
Builder : 19xx by LNER ? Works.
TOPS Code : ZRV.
ADDITIONAL NOTES.
When is an internal user tank wagon not a tank wagon.... when its on a Lowmac of course !
This cobbled together vehicle has an LMSR 25t capacity Trolley Flat Wagon fitted with a 22 ton capacity former TRO tank barrel on its original underframe. The LMSR designed Implement Truck as they were titled was from a batch built by the LNER to LMSR lot no.1342 from diagram 54A, they were later coded "Lowmac MO" by British Rail after nationalisation and had running numbers M 700700 to M 700729. The origin of the wagon mounted on the Lowmac is unknown but I very much suspect its a redundant departmental tank from the assortment of secondhand tanks in the low numbers of the DB 9990xx number range. It's use at Three Bridges Pre Assembly Depot was as a mobile fuelling facility for on track plant within the depot.
Sony Alpha users are everywhere. Taking photos downtown Indy and this photographer was doing the same. It was not till later when I was review shots that I noticed the Sony on the camera. Looks like a a77! Sony a77 and Sony AF 70-200mm F2.8 G
How to create and configure a MySQL user from the command line
If you would like to use this photo, be sure to place a proper attribution linking to Ask Xmodulo
Christophe Higy and Philipp Gutfreund from the Institut Laue-Langevin prepare a sample for research they’re conducting on beam line CG-2 at the High Flux Isotope Reactor, or the General-Purpose Small-Angle Neutron Scattering Diffractometer instrument. They are investigating conformation changes of polyelectrolyte chains in LbL-films upon absorption at solid interfaces. Image Credit: Genevieve Martin/ORNL.
A poster illustrating the user centred design process, methods and techniques. Drawing inspiration from the iceberg model and J. J. Garrett's five planes, this infographic aims to inform about the process below the surface of a good design.
URL: User Requirements with Lego, a methodology to elicit user requirements for online communication applications.
Developped at Università della Svizzera italiana.
Based on Lego Serious Play.
Further details at www.webatelier.net/url
Comments on Lars and the Real Girl only, since it's only a week or so since I posted the last picture in this series and it'll be ages before I feel able to face spending the required amount of time wading through the cesspool of the IMDB message boards again.
Frankii profile.myspace.com/index.cfm?fuseaction=user.viewprofile...
wearing fascinator by Doghead Accessories profile.myspace.com/index.cfm?fuseaction=user.viewprofile...
in Portugal
while Luca Lamorte, Oscar Rodriguez, Walter Goix, Marc Drewniok were close to each other.
September 23, 2014 - Ansley Nebraska US
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Visit my Photostream Archive (On Flickr) of Severe Weather
In September, Nebraska’s sunsets transform into breathtaking spectacles, amplified by the dramatic presence of thunderstorms and supercells. As summer’s heat begins to wane, the Great Plains remain a hotbed for dynamic weather, with warm, moist air clashing against cooler fronts to create vibrant, fiery skies. The sun dips below the horizon, painting the vast Nebraska landscape in hues of orange, pink, and purple, often intensified by towering cumulonimbus clouds. These clouds, illuminated by the fading light, glow with an ethereal quality, their edges tinged with gold as the sun’s rays refract through the atmosphere. The open plains offer an unobstructed view, making the interplay of light and storm clouds a daily masterpiece, where the sinking sun seems to set the sky ablaze against the silhouette of distant fields.
For those in rural areas, watching a September supercell at sunset is an unforgettable experience. The air grows heavy with the scent of rain, and the distant rumble of thunder provides a soundtrack to the visual spectacle. Farmers and storm chasers alike pause to witness the sky’s drama, knowing that these storms can bring both vital rain and potential destruction to the region’s corn and soybean fields. The fleeting moments when the sun’s last rays pierce through breaks in the storm clouds create a sense of timelessness, connecting the observer to the raw, untamed spirit of the Plains. In Nebraska, September sunsets paired with thunderstorms and supercells are not just weather events—they’re a vivid reminder of nature’s ability to inspire wonder and respect in equal measure.
*** Please NOTE and RESPECT the Copyright ***
Copyright 2014
Dale Kaminski @ NebraskaSC Photography
All Rights Reserved
This image may not be copied, reproduced, published or distributed in any medium without the expressed written permission of the copyright holder.
#ForeverChasing
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VULCAN user Lili Zheng, Hitachi America, Ltd., is studying deformation of martensitic steel. Image Credit: Genevieve Martin/ORNL.
An Overview Of The Significance Of User Experience Personalization
Blog: bit.ly/37JcO5u
#AppDevelopment #Webdevelopment #WebDesign #UIDesign #UXDesign #Technology #Reddensoft #Sevices #Blog
“The Life, Lessons & Rules for Success of Jeff Bezos” was purchased at Amazon on June 17, 2019. In order to purchase the book, Amazon forced the customer to go through 12 different interfaces made of large amounts of code. Overall, we were able to track 1307 different requests to all sorts of scripts which equaled 8724 pages of printed code and 87.33Mb of data. Amazon’s business model is based on “obsessive costumer focus,” which entails the continuous tracking of customer behavior in order to amplify the monetization of the user. Thus, the 87.33Mb of code responsible for tracking user activity that were involuntarily loaded by the customer through the browser, relentlessly put Amazon’s core money-making strategy to work. Moreover, all the energy needed to load all this data was effectively unloaded upon the customer, who ultimately assumed not just part of the economic costs of Amazon’s monetization processes, but also a portion of its environmental footprint. The piece narrates the journey of the customer within the labyrinth of interfaces and code that allowed them to buy Jeff Bezos’s book, while also revealing the rising energy costs that were unwittingly paid for by the Amazon customer.
Credit: Jürgen Grünwald
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