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More images www.behance.net/gallery/4-Blogs/1908251
Fashion's growing relevance in pop culture, our own growing fascination with the industry and its personalities, the rise and dominance of instant shopping gratification on the web—all these things, coupled with our deepest, darkest, most superficial materialistic desires and an uncontrollable, existential compulsion to know everything right-now-immediately-this-minute, bring us here to Dead Stocker.
#AmberCase at #SXSWi. GREAT talk about geolocation and the future of user interface by the original cyborg anthropologist.
NASA Spacesuit User Interface Technologies (SUITS) Testing 2. Photo Date: May 24, 2018. Location: Building 29 - HIVE. Photographer: Robert Markowitz
N.B. See my profile for usage guidelines.
First Place, Creative, Intermediate, Berkeley Camera Club, 11/20/12
[BCC_CMP:CREA 11/20/12]
NASA Spacesuit User Interface Technologies (SUITS) Testing 2. Photo Date: May 24, 2018. Location: Building 29 - HIVE. Photographer: Robert Markowitz
'Dive Into User-Interface Design and UX' workshop, eighth edition. Powered by NASSCOM 10000Startups. Conducted by Niyam Bhushan at 91SpringBoard, in Gurgaon, Haryana. More details at bit.ly/niyam
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'Dive Into User-Interface Design and UX' workshop, ninth edition. Powered by NASSCOM 10000Startups. Conducted by Niyam Bhushan at 91SpringBoard, in Gurgaon, Haryana. More details at bit.ly/niyam
First prototype of EXPERIFACE, a minimalist graphic user interface for mobile phones with a capacitive touchscreen.
This is the CONTEXTUAL PANE, activated by pressing on the BOTTOM BAR of each PANE and APP. The CONTEXTUAL PANE is consistent throughout all the interface, and provide access to PREFERENCES and important shortcut functionalities.
Hard Rock Café uses a zoomable user interface (ZUI) to allow its memorabilia collection to be viewed online
Designing Web Interfaces, by Bill Scott and Theresa Neil, Copyright 2009 Bill Scott and Theresa Neil, 978-0-596-51625-3
'Dive Into User-Interface Design and UX' workshop, eighth edition. Powered by NASSCOM 10000Startups. Conducted by Niyam Bhushan at 91SpringBoard, in Gurgaon, Haryana. More details at bit.ly/niyam
Tenth edition of the Dive Into User-Interface Design and UX workshop, in New Delhi. Conducted by Niyam Bhushan. Powered by NASSCOM 10,000Startups. On 26-27 Feb 2015. Venue kindly hosted by cks.in
Tenth edition of the Dive Into User-Interface Design and UX workshop, in New Delhi. Conducted by Niyam Bhushan. Powered by NASSCOM 10,000Startups. On 26-27 Feb 2015. Venue kindly hosted by cks.in
Juan Pablo Ugarte: "Rich custom user interfaces with Glade and CSS"
Guadec 2013
GUADEC is the annual conference of the GNOME community, held in Europe since 2000. GUADEC 2013 will be held in Brno, Czech Republic, a city which has played host to several other successful GNOME-related hackfests in the past.
Brno, Czech Republic from August 1st to 8th 2013
'Dive Into User-Interface Design and UX' workshop, ninth edition. Powered by NASSCOM 10000Startups. Conducted by Niyam Bhushan at 91SpringBoard, in Gurgaon, Haryana. More details at bit.ly/niyam
'Dive Into User-Interface Design and UX' workshop, eighth edition. Powered by NASSCOM 10000Startups. Conducted by Niyam Bhushan at 91SpringBoard, in Gurgaon, Haryana. More details at bit.ly/niyam
Colorful pencils to sketch your first ideas on paper.
'Dive Into User-Interface Design' Workshop 01 with Niyam Bhushan. At 91Springboard Delhi, India, on 26 - 27 September 2014. More details at bit.ly/niyam
Hands on.
'Dive Into User-Interface Design' Workshop 01 with Niyam Bhushan. At 91Springboard Delhi, India, on 26 - 27 September 2014. More details at bit.ly/niyam
My little review of having had this for a couple of days.
OVF/EVF -- awesome. Changes the way you see, and eliminates holding the camera at arms length.
The menu system and user interface is nowhere as bad as the reviewers would have you believe it to be. It's a bit convoluted, but I haven't even read the manual, and I've pretty much got it working the way I want.
Image quality -- this is the interesting thing. Today, film no longer is the 'look'. It's the sensor that gives the 'look'. This looks like Fuji film. Seriously. I used to shoot Fuji all the time, and my shots look like they were shot on Fuji film. I like the way this camera renders. It's totally different that anything else I have.
Compared to the Olympus E-P1, the handling is - well, rangefinder like, so it's a totally different tool. It's stealthy, and the inability to change lenses makes you see things in a way you otherwise may not have.
Distortion, lens quality -- it's all good. I'm not a big pixel peeper. Macro, however, is a joke. Useless. Manual focus is no better. (I stand corrected on the macro -- it's fine -- at f2.0, it has a focus point of pretty much zero, but the autofocus has a mind of its own. You want to do macros -- get a DSLR with a macro lens)
What's really great about this? This reminds me of a camera my dad gave me when I was 13 or 14. A Konica III. Only it's digital. I'm rethinking how I shoot, and I zoom more with my feet. The image quality is good, nice colour, good lens as I said, soft at times, sharp as you stop down the lens. The bokeh is actually rather nice on this camera also. At f2.0 it's nice, soft -- and dare I say it -- a little Leica like in it's character and the creaminess of the areas as they fall off the plane of focus. It's pin point sharp at f2.8 in the centre, and as for being soft at the edges -- I don't see it.
What's really bad about this? The price. It's about the only thing that gives me pause, because it's pretty lousy value. But it's the only thing like it in the market, and it's in short supply. Obviously the price isn't enough of a deterrent to a lot of people. The autofocus is a bit wonky, and it's not the speediest camera. On the other hand, you want fast, you want great perfect autofocus, get a DSLR. And if you want cheaper, you can also get a DSLR. And that is the value proposition.
We'll see if I'm still as taken with it over the next few days, and we'll see what is going to get onto Craigslist....
Addendum -- it's all about size. Or size matters. This is one of the largest sensors amongst the cameras I have. The biggest is the one in a Canon 1D, which is larger than this APS-C sensor. The next one down is a Micro 4/3, and down from that, the one in a Leica D-Lux 4. The bigger the sensor, the better the image quality. It's pretty much that simple. We can worry about resolution -- my 1D is 8.2MP -- it's still better than both the D-Lux 4 (10MP) and the X100 (12.3MP) in the dynamic range, as well as a certain je ne sais quoi in the final images.
Also, at the end, it's really all about the conversion of how the colour, dynamic range is all managed. Every camera is just a little different.
But size matters.
The last update:
I've now had this camera for a few days. It's a keeper. I now just have to figure out what it is that I'm going to put up on the block. The new firmware has addressed some of the criticisms that I had of it, and has made some of the user interface that much better. Getting to understand the camera has also moved me along.
At the end, it's all about what you get out of the camera, and does it do what you want. The answer to the first question is that this probably won't hold many of you back. You're not going to get action shots, great head and shoulders portraits, but as a fixed lens camera, it does what it's supposed to do superbly. Does it do what you want? Not entirely. This is a camera with limits as I said. So, it's just another tool in the box.
It's light, small, produces outstanding images, has a good (if not great lens), and is a compliment to anyone with a more versatile camera. It can produce images that rival that of a DSLR, in a package not much bigger than P&S.
It's biggest advantage -- the rangefinder. It's exceptional, because it's the first OVF I've had in years, and the EVF/OVF option in a package this small is -- well -- unique, and makes this camera worth it.
If you're just getting started in photography, this probably isn't the camera for you. There are lots of other cameras that are less money, more versatile, and produce amazing quality images. If, on the other hand, you've got a bunch of gear, and you're looking for something just a bit more raw, a bit more reduced, and a bit more limiting -- this may be your wagon.
Tenth edition of the Dive Into User-Interface Design and UX workshop, in New Delhi. Conducted by Niyam Bhushan. Powered by NASSCOM 10,000Startups. On 26-27 Feb 2015. Venue kindly hosted by cks.in
Tenth edition of the Dive Into User-Interface Design and UX workshop, in New Delhi. Conducted by Niyam Bhushan. Powered by NASSCOM 10,000Startups. On 26-27 Feb 2015. Venue kindly hosted by cks.in
SolidWorks 2014 is available and it is packed with new features and enhancements. This update training course is here to help users to get started and explore changes and enhancements to the user interface, assemblies, drawings, features and much more!
So you think my trackpad is that small?
It's about the user interface. When you actually sees the black area for hand writing, you will recognize your actual workspace is in that size. So end up you will be limiting your writing on small portion of your trackpad.
However, you can't write anything good in such small area. You can't even press the virtual buttons correctly.
Also, I don't understand why is it Control-Shift-Space to activate the handwriting. Control-Shift just reminds me Windows. For years we had been using Command-Space for changing keyboard layout (Until the stupid Spotlight grabs it)
Apple developers, you sit on your brain in the office?
Description: Worked with graphic design. This project represents high quality skills in User Interface and icons Graphic Design.
Responsibilities: Artwork created by 1 professional artist within 3 week of work.
Learn more: ramotionblog.com
Customer enhancements, customization/UI: Many user interface improvements boost productivity and make Solid Edge easier to deploy. Menu are easily customized to suite your preferences. Settings can be saved in an XML file making it easy to copy around several systems or transfer to newer versions of Solid Edge.