Flamingo Park | Looking Trough The Lens

Location: Perdana Putra, Putrajaya, Selangor, WP, Malaysia

Date: 12/10/2011 Time: 03:37AM

f/1.4|1/2500sec|ISO200|FL50mm

© One-handed Photography - All rights reserved

It was really cold at the Rainbow Gathering in Yorkshire, also on my upper lip.

- Always keep wool in your hair - for emergencies.

Photo: Sat

A captured Timber Wolf pauses on a mild Winter morning at the Colorado Wolf and Wildlife Center - Divide, CO

Understanding & Healing From Designer Dissociation: When The Unbelievable Becomes True from www.pinterest.com/pin/368310075760039226/

Cape Town, South Africa. July 2012.

South Africa hosted the second global Understanding Risk (UR) Forum in Cape Town from July 2-6, 2012. The Forum convened more than 500 thought leaders and decision-makers from 86 countries to exchange knowledge and share best practice in disaster risk assessment.

Photo: World Bank

Today was all about Nellie the Boston Terrier who is only 2yrs old but has gone through a lot for such a young dog. Socialised and trained from a very young age she was walking off lead and going everywhere with her owner Shelley with no issues.

www.caninecoaching.co.uk/understanding-nellie/

Memorandum Of Understanding

Read More At: allsurfacerenew.com/understanding-shower-repair-austin/

Understanding Your Insurance's RAPL Clause www.insurezero.com/understanding-your-insurances-rapl-cla...

Memorandum Of Understanding

Understanding the college seal.

Dr. William Judson

William Stone Images - Limited Edition Fine Art Prints

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f/9 ISO100

Understanding the college seal.

Dr. William Judson

"National Identity ?” responding to the Theme:

Think with the Senses – Feel with the Mind.

Art in the Present Tense

work by Biennalist (Art Format)http://www.emergencyrooms.org/formats.html

Around the national pavilions, the Biennalist measures the nationality of their participants the Biennalists approach several visitors asking them for the self-assessment of their national identity and for some of their hair. The hair samples and self-measurements are collected in small plastic bags and subsequently exhibited floating in the air across a Venetian street .

See film

youtu.be/hWDC9CK0WbY?si=_mK39xee6E2KikRF

52. Venice Biennial

10 June - 21 November 2007

Theme:

Think with the Senses – Feel with the Mind.

Art in the Present Tense

Director:

Robert Storr

From Plato onwards philosophers have divided and compartmentalized human consciousness more or less explicitly pitting one faculty against another; mind versus body, reason versus unreason, thought versus feeling, criticality versus intuition, the intellect versus the senses, the conceptual versus the perceptual. At best such dichotomies have served to sharpen our understanding of the different capac ities at our disposal for comprehending the world and making our place in it. At worst they have deprived us of some of those abilities by setting up false hierarchies that cause us to mistrust or disparage one for the sake of another, many for the sake a few.

Yet no matter how successfully philosophers and ideologues have persuaded people that such categories are not just analytically useful but inherently or historically true, the manifold challenges to understanding that reality poses and the actual f lux of existence exceed the power of systems, theories and definitions to contain them. The imagination is the catch basin into which this overflow spills and art cuts the channels that reconnect formerly isolated or segregated parts of consciousness to each other while flooding and replenishing the whole of it like a fertile river delta.

Think with the Senses - Feel with the Mind is predicated on the conviction that art is now, as it has always been, the means by which humans are made aware of the whole of their being. However, it does not assume that an enduring wholeness is the result, or that art is a magical solution for the conflicts in our nature or in and among differing cultures and societies . That is the domain of philosophy, the social sciences and politics. Nevertheless, to “make sense” of things in a given moment or circumstance is to grasp their full complexity intellectually, emotionally and perceptually. That effort does not promise that our grasp will hold for long, or even much more than the instant in which we awaken to the fact that such fleeting powers of concentration and transformation are ours. Incidentally, “making nonsense” of the world, as grotesque, Dada or absurdist art does, deploys those same powers through exaggerated disparity. By inverting order and logic the artifact created paradoxically holds fragmented consciousness in suspension so that its contradictions can be clearly apprehended.

Epiphanies happen but do not last. As James Joyce showed, one of the functions of art is to preserve the experience so that we may savor and study its many aspects. The history of art is a fabric of epiphanies woven by many hands at different speeds; the present tense of art is the outer edge of that work in progress. At any point the edge may be ragged and uneven and the pattern in formation disturbing or hard to discern, reflecting the difficulty of making art in troubled times. We are living in just such times. Rather that trim the edge or reweave the pattern to neaten it, this exhibition focuses on selected aspects of current production that hint at what the emerging patterns might be without presuming to map them entirely. No attempt has been made therefore to be programmatically “representative,” either in terms of styles, mediums, generations, nations or cultures. Instead certain qualities and concerns widely found in contemporary art have been used as magnetic poles for gathering work from all seven continents, in all media, in various styles and of all generations now active.

Between the poles to which some works have readily gravitated is a force field where many other works hover. The poles themselves have been used like tuning forks, such that the criterion for selection has been resonance or mood as much as subject matter or aesthetic methodology. Among these vibrating points of reference are the immediacy of sensation in relation to questioning the nature and meaning of that sensation, intimate affect in relation to engagement in public life, belonging and dislocation, th e fragility of society and culture in the face of conflict, the sustaining qualities of art in the face of death.

Since the early 20century the development of modern art has been world wide. However its general dissemination and reception have lagged f ar behind this far flung, simultaneous, and cross -pollinating growth. In recognition of that discrepancy this Biennale has, as in the past, counted to the national pavilions to close the gaps, but it has also incorporated one national pavilion, Turkey, plus a regional pavilion, Africa, within its core, pointing the way, it is hoped, to greater, more permanent inclusiveness in areas of the world and of art -making too long overlooked in the international exhibition circuit.

While this show looks forward it does not look back. No attempt is made to trace genealogies or construct a new canon - and none at all to compete with art fairs or handicap the market. With a handful of exceptions all the artists included are alive and active. Diverse in origin and in temporal vantage points, it is they who conjugate the present tense of art for each other – and for us. The only artists in the show who are not living, would be but for their premature or unexpected deaths; their work is included here because its abiding freshness and impact keeps them on the minds of their peers and the public.

www.labiennale.org

2007 Awards:

Golden Lion to an artist exhibited at the international exhibition to León Ferrari

Golden Lion to a young artist (under 40) to Emily Jacir

Golden Lion for best national participation to Hungary represented by Andreas Fogarasi

Honourable Mention to an artist to Nedko Solakov

Honourable Mention to a pavilion to the Lithuanian Pavilion represented by Nomeda & Gediminas Urbonas

Golden Lion to a critic or an art historian for his contribution to contemporary art to Benjamin Buchloh

Golden Lion for Lifetime Achievement to Malick Sidibé

Artists:

Rafael Lozano-Hemmer

Ignasi Aballí

Adel Abdessemed

Adel Abidin

Marina Abramovic

Vito Acconci

Nasser Naassan Agha

Tora Aghabeyova

Vincenzo Agnetti

Faig Ahmed

Vyacheslav Akhunov

Mounira Al-Solh

Rashad Alakbarov

Nikos Alexiou

Luciano de Almeida

Hüseyin Alptekin

David Altmejd

Narda Alvarado

Francis Alÿs

Ghada Amer

El Anatsui

Giovanni Anselmo

Dario Arcidiacono

Tatiana Arzamasova

Orkhan Aslanov

Said / Abilsaid Atabekov

Chingiz Babayev

Mrdjan Bajic'

Sonia Balassanian

Rubén Ramos Balsa

Oladélé Bamgboyé

Miquel Barceló

Yto Barrada

Andrei Bartenev

Georg Baselitz

Gabriele Basilico

Jean Michel Basquiat

Mónica Bengoa

Mario Benjamin

Joseph Beuys

Bili Bidjocka

Manon de Boer

Stefano Bombardieri

Boris Mikhailov

Zoulikha Bouabdellah

Louise Bourgeois

Herbert Brandl

Sergei Bratkov

Jan Christiaan Braun

Antonio Briceño

Patricia Bueno

Daniel Buren

Luca Buvoli

Christoph Büchel

Gerard Byrne

Sophie Calle

Paolo Canevari

Christian Capurro

Pablo Cardoso

Giovanni Carmine

Maríadolores Castellanos

Samba Chéri

Loulou Cherinet

Ali Cherri

Eteri Chkadua

Amrit Chusuwan

Vladimir Cybil

Bassem Dahdouh

Jacob Dahlgren

José Damasceno

Sahar Dergham

Angela Detanico

Felipe de Souza Dias

Paulo Vitor da Silva Dias

Ranieri Dias

Renato Figueiredo Dias

Gino De Dominicis

James Drake

Marlene Dumas

Eric Duyckaerts

Nataliya Dyu

Dzine

Rena Effendi

Jorge Eielson

Haiam Abd El-Baky

Tarek El-Komy

Aiman El-Semary

Fouad Elkoury

Tracey Emin

Haris Epaminonda

Lev Evzovich

Valie EXPORT

Steingrimur Eyfjörd

Nganguè Eyoum

Mounir Fatmi

Cao Fei

Eloy Feria

León Ferrari

ngela Ferreira

Marcus Viniciu Clemente Ferriera

George Fikry

Angelo Filomeno

Urs Fischer

Andreas Fogarasi

Francisco Bernd da Franca

Rene Francisco

Georgy Frangulyan

Ivana Franke

Vladimir Fridkes

Yukio Fujimoto

Gints Gabra-ns

Charles Gaines

Rainer Ganahl

Tomer Ganihar

Fabio Ferreira Gaviao

Isa Genzken

Alla Girik

Helidon Gjergji

Gent Gjokola

Shaun Gladwell

Felix Gmelin

Toril Goksøyr

José Luis Guerín

Dmitry Gutov

Alban Hajdinaj

Neil Hamon

Jonathan Harker

Lyle Ashton Harris

Ali Hasanov

Kiluanji Kia Henda

Christine Hill

Alexandre Hnilitsky

Jenny Holzer

Rebecca Horn

Marine Hugonnier

Mustafa Hulusi

Orkhan Huseynov

Pierre Huyghe

Lee Hyungkoo

Elshan Ibrahimov

Tamilla Ibrahimova

Ihosvanny

Pravdoliub Ivanov

Alfredo Jaar

Emily Jacir

Kim Jones

Lamia Joreige

Irena Ju*zová

Waltercio Caldas Junior

Andre Juste

Emilia Kabakov

Ilya Kabakov

Y.Z. Kami

Paulo Kapela

Izumi Kato

Ellsworth Kelly

Amal Kenawy

Kendell Geers

Raoul de Keyser

Rauf Khalilov

Jamshed Kholikov

Martin Kippenberger

Gaukhar Kiyekbayeva

Riyas Komu

Guillermo Kuitca

Tamara Kvesitadze

Rafael Lain

Rosemary Laing

Rafael Lamata

Maria Verónica León

Leonilson

Vincent Leow

Sol LeWitt

Jason Lim

Rosario López

Rafael Lozano-Hemmer

Armando Lulaj

Zulkifle Mahmod

Nalini Malani

Renato Mambor

Victor Man

Blagoja Manevski

Camilla Martens

Roman Maskalev

Steve McQueen

Xenía Mejia

Jill Mercedes

Arseny Mescheryakov

Aernout Mik

Paul D. Miller

Julia Milner

Santu Mofokeng

Andrei Monastyrski

Ronald Morán

Hiroharu Mori

Callum Morton

Joshua Mosley

Nástio Mosquito

Ivan Moudov

Rabih Mroué

Gulner Mukazhanova

Oscar Muñoz

Elizabeth Murray

Ndilo Mutima

Ingrid Mwangi

Marko Mäetamm

Sirous Namazi

Zoran Naskovski

Bruce Nauman

Hadil Nazmy

Yves Netzhammer

Alexander Nikolaev

Stefan Nikolaev

Susan Norrie

Thomas Nozkowski

Odili Donald Odita

Chris Ofili

Olu Oguibe

Melik Ohanian

Masao Okabe

Marco Antonio Oliveira

Maycon Souza de Oliveira

Nelcirlan Souza de Oliveira

Mario Opazo

Nipan Oranniwesna

Svetlana Ostapovici

William Paats

Paola Parcerisa

Philippe Parreno

Philippe Pastor

Heldi Pema

Giuseppe Penone

Jose Carlos da Silva Pereira

Dan Perjovschi

Rodrigo de Maceda Perpetuo

Raymond Pettibon

Donato Piccolo

Jorge Pineda

Cristi Pogacean

Sigmar Polke

Alexander Ponomarev

Concetto Pozzati

Wilfredo Prieto

Emily Prince

Morrinho Project

Tobias Putrih

Arnulf Rainer

Lars Ramberg

Alfredo Rapetti

José Alejandro Restrepo

Jason Rhoades

Manuela Ribadeneira

Gerhard Richter

David Riff

Ketty La Rocca

Ugo Rondinone

Tracey Rose

Susan Rothenberg

Aleksei Rumyantsev

Robert Ryman

Ruth Sacks

Walid Sadek

Ghassan Salhab

Ernesto Salmerón

Margaret Salmon

Fred Sandback

Iran do Espirito Santo

Yehudit Sasportas

Oksana Shatalova

Yinka Shonibare MBE

Malick Sidibe

Nedko Solakov

Monika Sosnowska

Cinthya Soto

Nancy Spero

Rania Stephan

Christine Streuli

Daniel von Sturmer

Evgeny Svyatsky

Tabaimo

Sophia Tabatadze

Da Wu Tang

Sam Taylor-Wood

Elaine Tedesco

Philippe Thomas

Mark Titchner

Faustin Titi

Felix Gonzalez Torres

Mario Garcia Torres

Jalal Toufic

Paula Trope

Tatiana Trouvé

Florin Tudor

Alexander Ugay

Gediminas Urbonas

Nomeda Urboniene

Vyacheslav (Yura) Useinov

Jamshed Usmanov

Aitegin Muratbek uulu

Jaime Vallare

Minnette Vàri

Mona Vatamanu

Emilio Vedova

Francesco Vezzoli

Alterazioni Video

Ernesto Vila

Manuel Vilariño

Françoise Vincent

Viteix

Kara Walker

Andy Warhol

Lawrence Weiner

Franz West

Sophie Whettnall

Maaria Wirkkala

Pavel Wolberg

Troels Wörsel

Yin Xiuzhen

Kan Xuan

Moico Yaker

Fudong Yang

Zhenzhong Yang

Yonamine

Tomoko Yoneda

Shen Yuan

Akram Zaatari

Maksim Zadarnovsky

Valeriy Zadarnovsky

Lesia Zaiats

Chen Zhen

Tags: Ignasi Aballí, Adel Abdessemed, Adel Abidin, Marina Abramović, Vito Acconci, Vincenzo Agnetti, Vyacheslav Akhunov, Rashad Alakbarov, Hüseyin Alptekin, David Altmejd, Francis Alÿs, Ghada Amer, El Anatsui, Giovanni Anselmo, Armando, Rubén Ramos Balsa, Miquel Barceló, Yto Barrada, Georg Baselitz, Gabriele Basilico, Jean-Michel Basquiat, Joseph Beuys, Bili Bidjocka, Manon de Boer, Zoulikha Bouabdellah, Louise Bourgeois, Herbert Brandl, Christoph Büchel, Daniel Buren, Gerard Byrne, Waltercio Caldas, Sophie Calle, Paolo Canevari, Po-i Chen, Ali Cherri, Jacob Dahlgren, José Damasceno, Gino de Dominicis, Marlene Dumas, Eric Duyckaerts, Dzine, Rena Effendi, Fouad Elkoury, Tracey Emin, Haris Epaminonda, Valie Export, Mounir Fatmi, Cao Fei, León Ferrari, ngela Ferreira, Angelo Filomeno, Urs Fischer, Andreas Fogarasi, René Francisco, Ivana Franke, Yukio Fujimoto, Charles Gaines, Rainer Ganahl, Kendell Geers, Isa Genzken, Shaun Gladwell, Felix Gmelin, Felix Gonzalez-Torres, Dmitry Gutov, Neil Hamon, Jonathan Harker, Lyle Ashton Harris, Kiluanji Kia Henda, Christine Hill, Jenny Holzer, Rebecca Horn, Marine Hugonnier, Mustafa Hulusi, Pierre Huyghe, Pravdoliub Ivanov, Alfredo Jaar, Emily Jacir, Kim Jones, Lamia Joreige, Ilya & Emilia Kabakov, Y.z. Kami, Ellsworth Kelly, Amal Kenawy, Raoul De Keyser, Martin Kippenberger, Guillermo Kuitca, Rosemary Laing, Leonilson, Sol LeWitt, H.H. Lim, Rosario López, Rafael Lozano-Hemmer, Armando Lulaj, Marko Mäetamm, Nalini Malani, Victor Man, Steve McQueen, Aernout Mik, Boris Mikhailov, Santu Mofokeng, Andrei Monastyrski, Callum Morton, Joshua Mosley, Nástio Mosquito, Ivan Moudov, Rabih Mrouè, Oscar Muñoz, Elizabeth Murray, Sirous Namazi, Bruce Nauman, Yves Netzhammer, Stefan Nikolaev, Susan Norrie, Thomas Nozkowski, Odili Donald Odita, Chris Ofili, Olu Oguibe, Melik Ohanian, Nipan Oranniwesna, Philippe Parreno, Giuseppe Penone, Dan Perjovschi, Raymond Pettibon, Cristi Pogacean, Sigmar Polke, Alexander Ponomarev, Concetto Pozzati, Wilfredo Prieto, Emily Prince, Tobias Putrih, Rainer Fetting, Arnulf Rainer, José Alejandro Restrepo, Jason Rhoades, Manuela Ribadeneira, Gerhard Richter, Ketty La Rocca, Ugo Rondinone, Tracey Rose, Susan Rothenberg, Robert Ryman, Margaret Salmon, Fred Sandback, Iran do Espírito Santo, Yehudit Sasportas, Yinka Shonibare, Malick Sidibé, Nedko Solakov, Mounira Al Solh, Monika Sosnowska, Nancy Spero, Christine Streuli, Daniel von Sturmer, Tabaimo, Al Taylor, Sam Taylor-Wood, Mark Titchner, Mario Garcia Torres, Tatiana Trouvé, Minnette Vari, Emilio Vedova, Francesco Vezzoli, Alterazioni Video, Kara Walker, Andy Warhol, Lawrence Weiner, Franz West, Sophie Whettnall, Pavel Wolberg, Troels Wörsel, Yin Xiuzhen, Kan Xuan, Yonamine, Tomoko Yoneda, Shen Yuan, Akram Zaatari, Chen Zhen, Yang Zhenzhong

------------about Venice Biennale history from wikipedia ---------

curators previous

* 1948 – Rodolfo Pallucchini

* 1966 – Gian Alberto Dell'Acqua

* 1968 – Maurizio Calvesi and Guido Ballo

* 1970 – Umbro Apollonio

* 1972 – Mario Penelope

* 1974 – Vittorio Gregotti

* 1978 – Luigi Scarpa

* 1980 – Luigi Carluccio

* 1982 – Sisto Dalla Palma

* 1984 – Maurizio Calvesi

* 1986 – Maurizio Calvesi

* 1988 – Giovanni Carandente

* 1990 – Giovanni Carandente

* 1993 – Achille Bonito Oliva

* 1995 – Jean Clair

* 1997 – Germano Celant

* 1999 – Harald Szeemann

* 2001 – Harald Szeemann

* 2003 – Francesco Bonami

* 2005 – María de Corral and Rosa Martinez

* 2007 – Robert Storr

* 2009 – Daniel Birnbaum

* 2011 – Bice Curiger

* 2013 – Massimiliano Gioni

* 2015 – Okwui Enwezor

* 2017 – Christine Macel[19]

* 2019 – Ralph Rugoff[20]

—-------------

#art #artist #artistic #artists #arte #artwork

#artcontemporain contemporary art Giardini Arsenal

venice Veneziako Venecija Venècia Venedig Venetië Veneetsia Venetsia Venise Venecia VenedigΒενετία( Venetía HungarianVelence Feneyjar Venice Venezia Venēcija Venezja Venezia Wenecja Veneza VenețiaVenetsiya BenátkyBenetke Venecia Fenisוועניס Վենետիկ ভেনি স威尼斯 (wēinísī) 威尼斯 ვენეციისવે નિસवेनिसヴェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya

art umjetnost umění kunst taideτέχνη művészetList ealaínarte māksla menasartiKunst sztuka artăumenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미술(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist

other Biennale :(Biennials ) :

Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale .Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art ,DOCUMENTA KASSEL ATHEN ,Dakar; Biennalist

kritik[edit] kritikaria kritičar crític kritiker criticus kriitik kriitikko critique crítico Kritiker κριτικός(kritikós) kritikus Gagnrýnandi léirmheastóir critico kritiķis kritikas kritiku krytyk crítico critic crítico krytyk beirniad קריטיקער

Veneziako Venecija Venècia Venedig Venetië Veneetsia Venetsia Venise Venecia Venedig Βενετία(Venetía) Hungarian Velence Feneyjar Venice Venezia Latvian Venēcija Venezja Venezia Wenecja Portuguese Veneza Veneția Venetsiya Benátky Benetke Venecia Fenis וועניס Վենետիկ ভেনিস 威尼斯 (wēinísī) 威尼斯 Georgian ვენეციის વેનિસ वेनिस ヴェネツィア ವೆನಿಸ್ 베니스 வெனிஸ் వెనిస్ เวนิซ وینس Venetsiya

—-----

Institutional Critique

Identity Politics Post-War Consumerism, Engagement with Mass Media, Performance Art, The Body, Film/Video, Political, Collage, Cultural Commentary, Self as Subject, Color Photography, Related to Fashion, Digital Culture, Photography, Human Figure, Technology

Racial and Ethnic Identity, Neo-Conceptualism, Diaristic

Contemporary Re-creations, Popular Culture, Appropriation, Contemporary Sculpture,

Culture, Collective History, Group of Portraits, Photographic Source

Endurance Art, Film/Video,, Conceptual Art and Contemporary Conceptualism, Color Photography, Human Figure, Cultural Commentary

War and Military, Political Figures, Social Action, Racial and Ethnic Identity, Conflict

Personal Histories, Alter Egos and Avatars

Use of Common Materials, Found Objects, Related to Literature, Installation, Mixed-Media, Engagement with Mass Media, Collage,, Outdoor Art, Work on Paper, Text,Photographic Source ultracontemporary

Appropriation (art) Art intervention Classificatory disputes about art Conceptual art Environmental sculpture Found object Interactive art Modern art Neo-conceptual art Performance art Sound art Sound installation Street installations Video installation

Conceptual art Art movements Postmodern art Contemporary art Art media Aesthetics Conceptualism

Post-conceptualism Anti-anti-art Body art Conceptual architecture Contemporary art Experiments in Art and Technology Found object Happening Fluxus Information art Installation art Intermedia Land art Modern art Neo-conceptual art Net art Postmodern art Generative Art Street installation Systems art Video art Visual arts ART/MEDIA conceptual artist

en.wikipedia.org/wiki/Thierry_Geoffroy

www.emergencyrooms.org/biennalist.html

www.colonel.dk

www.emergencyrooms.org

www.emergencyrooms.org/formats.html

Understanding the college seal.

Dr. William Judson

Cape Town, South Africa. July 2012.

South Africa hosted the second global Understanding Risk (UR) Forum in Cape Town from July 2-6, 2012. The Forum convened more than 500 thought leaders and decision-makers from 86 countries to exchange knowledge and share best practice in disaster risk assessment.

Photo: World Bank

bagche e.com/b ooks/BB120666/understanding-the-coins-of-bengal-ancient-to-early-modern-period

Memorandum Of Understanding

.

1 .

Central Panel .

Zico Dasgupta .

-.

President .

Anagba Ingole.

Vice president Durgesh Kumar Tripathi .

General Secretary SES Joint Secretary Mohammad Altamash SAA.

SLL&CS Diksha Lamba Arindan Mandai .

sss SIS Md WarisAqueel Anurag Chaudhary .

Dawiat Syiem MulayamSingh.

.

Aardra Surendran lshan Anand Kanhaiya Kumar Roobi Nikhat .

Oliver Nelson Gonsalves Siddhartha Chakraborti.

Renoj NK 24.02.2012.

Shruti Mukhe~ee.

.

Sonam Goyal .

VLenin Kumar.

Tuhina Gao .

.

order against a girl who was sexually harassed by a faculty .

Empty rhetoric and Zero Accountability: AISA's Model of Politics in JNU member of the university. On manv such questions the A/SA candidates told the students .

The SFI-AISF congratulates the student community and the to ask these questions to the administration instead of the A/SA .

JNUSU Election Committee on successful completion of School which was leading the JNUSU. By this logic, whv should we .

GBMs in all the schools. We appeal to the students to attend .

the UGBM and the Presidential Debate in large numbers. have a student union at all? In the School GBMs all AISA candidates have once again Unable to answer for the serious failu.res of the AISA led JNUSU .

exposed the political bankruptcyof their organization: elected in 2007 and the renegade role played by its JNUSU .

. .

None of-AISA's candidates had any explanation for the Office-Bearers in the struggle to restore the JNUSU elections, .

absence of AISA led JNUSU Office-Bearers in the struggle the AISA is making desperate slander against the· SFI-.

to restore the JNUSU elections. Neither could they explain AISF.AISA's refusal to acknowledge its failures in the JNUSU .

why the AISA was batting for holding AC/BoS elections in finds a resonance in its understanding of the larger political .

.

September 2010 and Elections to some "shadow body" in situation in our country as wei' .

The AISA has trained all its guns against the Left forces in our .

For all its rhetoric to fight Lyngdoh Recommendations, the country and is playing into the hands of the right wing by doingSeptember 2011 if it really wanted JNUSUelections. .

AISA has not supported tne demand made by SFI-AISF to so. May we ask the AISA, why it has not issued even a token .

extend the age limit for Under Graduate candidates coming .

from Madrasa backgrounds by at least 2 years because condemnation of the brutal murder of two left leaders in .

West Bengal by Trinamool goons? Will the AISA deny that .

\.

completion of Alimiah certificate takes 14 years instead of strike on 28th February, which has been called by all central .

12 years for passing the Senior Secondary Examination. these leaders were trying to ensure a successful Trade Union ' .

{ .

The AISA candidates have also failed to answer why there trade unions including the CPI ML's trade union AICCTU? .

e.

was a fall in SC/ST and PH reservation along with fall in the While the AISA wants the SFI-AISF and the Left Parties to be ,e number of OBC students when the AISA had all four Office~ accountable foreverything under the sun, AISA candidates have .

~ .

Bearers in the 2007-08 JNUSU. Falsifying the fact that in squarely refused to show any signs of introspection about the ne .

2008-09 only 635 students got admission in M PhiVPh D complete rout of the ML Liberation in the Bihar elections. The he.

nti-.

politics". Wh}Ldoes the CPI ML or the AISA contest elections.

programme compared to 680 in 2007-08 and the CAG AISA has dismissed these concerns as ..mere vote bank .

sm.

Performance Audit has also found that more than 2000 .

thestudents who could have studied in the university, were not ifthey do Rot take election result!i seriously? .

~ so.

given admission by the University between 2005-09 the So if the AISA led JNUSU fails to do something, it is the .

,\nst.

AI SA continues to deny that there was aseat cut during the adminjstration and not the AISA which is to be blamed and if the iusttenure of the 2007-08 AISA led JNUSU. ML Liberation loses all its seats in Bihar there is nothing serious Sf\·.

The AISA candidates did not answer why the AISA led .

about it. only.

JNUSU failed to ensure punishment for ABVP goons who Such arguments reflect anything but a left understanding of .

politics and movements. We appeal to the student community to udentunleashed large scale violence in the Presidential Debate of .

2007 JNUSU elections. ndthe There was no answer on why the AI SA led JNUSUfailed to reject the politics of empty rhetoric and zero accountability which .

the AISA is trying to further and rally behind the SFI-AISF for a .

force the administration to reduce the price of JNU performing JNUSU and strengthening the left democratic .

Prospectus in 2009 despite a historic mobilization by the .

students under the leadership of the AISA led JNUSU. movement. .

None of the AISA candjdates had anything to say on the Sd/-Kunwar Sudhanshu Lal, P K Anand, Roshan Kishore-.

findings of the CAG performance audit, which points to Joint Co Conveners, Central Campaign Committee .

large scale irregularities in utilization of funds meant for PTO for Hindi Translation There was no answer why the AISA led JNUSU did nothing.

OBC reservation~during the tenure of the AISA led JNUSU. .

to implement a UGBM mandate to revoke the out of bounds .

.

.

u .

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Memorandum Of Understanding

Memorandum Of Understanding

Rwanda and Italy sign Memorandum of Understand The Ministry of Natural Resources of the Republic of Rwanda and the Ministry for the Environment, Land and Sea of the Italian Republic have signed a Memorandum of Understanding to strengthen and coordinate the efforts to combat global climate change and address its adverse effects, to support mechanisms to reduce climate change vulnerability and enhance risk assessment, to promote secure, clean and efficient energy, to stimulate the transition towards a sustainable low-carbon economy and to implement adaptation actions and opportunities to protect the environment and natural resources.

Students find a wealth of inspiration for their Plan of Concentration in the local landscape, such as this field study of the impact of ice storms on forest ecology.

Amazing origami exhibit at the Chimei Museum in Tainan, Taiwan. A truly eye-opening experience to see what you can do with a piece of paper!

~Extracted from Living Enlightenment E-book

You rely on thinking because you do not

allow the natural understanding to happen.

When you allow the understanding to

happen, you don’t have to think any more.

Only a person who has not understood

needs the crutch of thinking.

Download your free copy of Living Enlightenment

gov.koogle.sk/livingenlightenment/