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This is the house next door to the one I lived in, back in 1955.
I remember that they had a couple of ducks and geese in their back yard -- which were always in a bad mood, and always chasing my sisters and me around the yard.
**********************************
Some of the photos in this album are “originals” from the year that my family spent in Omaha in 1955-56. But the final 10 color photos were taken nearly 40 years later, as part of some research that I was doing for a novel called Do-Overs, the beginning of which can be found here on my website
www.yourdon.com/personal/fiction/doovers/index.html
and the relevant chapter (concerning Omaha) can be found here:
www.yourdon.com/personal/fiction/doovers/chapters/ch9.html
Before I get into the details, let me make a strong request — if you’re looking at these photos, and if you are getting any enjoyment at all of this brief look at some mundane Americana from 60+ years ago: find a similar episode in your own life, and write it down. Gather the pictures, clean them up, and upload them somewhere on the Internet where they can be found. Trust me: there will come a day when the only person on the planet who actually experienced those events is you. Your own memories may be fuzzy and incomplete; but they will be invaluable to your friends and family members, and to many generations of your descendants.
So, what do I remember about the year that I spent in Omaha? Not much at the moment, though I’m sure more details will occur to me in the days to come — and I’ll add them to these notes, along with additional photos that I’m tweaking and editing now.
For now, here is a random list of things I remember:
1. I attended the last couple months of 6th grade, and all of 7th grade, in one school. My parents moved from Omaha to Long Island, NY in the spring of my 7th grade school year; but unlike previous years, they made arrangements for me to stay with a neighbor’s family, so that I could finish the school year before joining them in New York.
2. Our dog, Blackie, traveled with us from our previous home in Riverside, and was with us until my parents left Omaha for New York; at that point, they gave him to some other family. For some reason, this had almost no impact on me. It was a case of “out of sight, out of mind” — when Blackie was gone, I spent my final three months in Omaha without ever thinking about him again.
3. Most days, I rode my bike to school; but Omaha was the place where one of my sisters first started attending first grade — in the same school where I was attending 6th grade. I remember walking her to school along Bellevue Avenue on the first morning, which seemed to take forever: it was about a mile away.
4. As noted in a previous Flickr album about my year in Riverside, I was a year younger than my classmates; but I was tall for my age, and thus looked “normal” at a quick glance. But because I was a year younger, I was incredibly shy and awkward in the presence of girls. Omaha was certainly not “sin city,” but by 6th grade and 7th grade, puberty was beginning to hit, and the girls had grown to the point where they were occasionally interested in boys. The school tried to accommodate this social development by teaching us the square dance (and forbidding the playing of songs by Elvis Presley, whose music was just beginning to be heard on the radio). I was an awful dancer, and even more of a shy misfit than my classmates; I continue to be an awful dancer today.
5. My bike ride to school was uneventful most days; but the final part of the ride was a steep downhill stretch on Avery Road, lasting three or four blocks. My friends and I usually raced downhill as fast as we could; but one day, my front bicycle wheel began to wobble on the downhill run, and my bike drifted uncontrollably to the side of the road and then off into a ditch. I got banged up pretty badly.
6. But this accident was nothing compared to my worst mishap: a neighborhood friend and I enjoyed playing “cowboys and Indians” in the woods near his home (and his younger brother usually tagged along). I had a bow and a few arrows for our adventure, and we often shot at trees a hundred feet away. Unfortunately, the arrows often disappeared into the underbrush (because we were lousy shots) and were difficult to find. Consequently, one of us came up with the clever idea of standing behind the “target” tree, so that we could see where the randomly-shot arrows landed. Through a series of miscommunications, I poked my head out from behind the tree just as my friend shot one of the arrows … and it skipped off the side of the tree and into my face, impaling itself into my cheek bone about an inch below my eye. An inch higher, and I would not be typing these words … (meanwhile, my friend's younger brother grew up to be an officer in the U.S. Air Force, and he tracked me down on the Internet, decades later).
7. In the summer of 1956, my parents decided to spend their summer vacation prospecting for uranium (seriously!) in the remote hills of eastern Utah, where my dad had grown up on the Utah-Colorado border. This entailed a long, long drive from Omaha; and it involved leaving me and my two sisters with my grandparents near Vernal, UT. My grandparents lived in a very small mining village outside of Vernal; and while they had electricity and various other modern conveniences, they also had an outhouse in the back yard. Trips to the “bathroom” in the middle of the night were quite an adventure. On the way back to Omaha at the end of this vacation trip (with no uranium ore having been found), we stopped for a couple of days of camping somewhere in the mountains of Colorado; you’ll see a couple of photos from that camping trip in this album.
8. There were no lizards in Omaha, and thus no opportunity for lizard-hunting with my slingshot—which had been a significant hobby in my previous homes in Riverside and Roswell. Indeed, there was almost nothing to shoot at … and I couldn’t find anyone with whom I could play (and hopefully win) marbles, to use as slingshot ammunition. But for reasons I never questioned or investigated (but about which I’m very curious now), there was a small vineyard in the field behind our house, and I was able to climb over the fence and retrieve dozens of small, hard, green grapes. They turned out to be excellent ammunition … but I never did find any lizards.
9. A few months before my parents left for New York, I told them about the latest craze sweeping the neighborhood: “English bikes,” with three speeds, thin tires, and hand-brakes. I desperately wanted one, but Dad said it was far too expensive for him to buy as a frivolous gift for me: at the time, English bikes had an outrageous price tag of $25. I was told that I would have to earn the money myself if I wanted one … and the going rate for young, scrawny kids who shoveled sidewalks, pulled weeds from gardens, and did babysitting chores, was 25 cents per hour. That works out to 100 hours of work … but I did it, over the course of the next few months, and when I got to New York, the first thing I did was buy my English bike.
10. Toward the end of my 7th-grade school year, everyone in my class was subjected to a vision test: we were lined up in alphabetical order, and one-by-one read off a series of letters that we could barely see on a large placard taped onto the classroom blackboard. Because my surname starts with a “Y,” I was usually near the end of the line … and by the time I got to the front, I had usually memorized the letters (because they never bothered to change them, from one student to the next) without even realizing it consciously. But on this particular occasion in 7th grade, for some reason, they decided to line us up in reverse alphabetical order … and I was the first in line. For the first time in my life, I realized that I could not see anything of the letters, and that I was woefully near-sighted.
11. When I got to New York, my parents took me to an optometrist to get my first set of glasses (and, yes, all of the neighborhood kids did begin taunting me immediately: “Four eyes! Four eyes!”) … and I’ve worn glasses ever since.
Three years after I arrived in New York, the glasses saved my vision when a home-brewed mix of gunpowder and powdered aluminum blew up in my face in the school chemistry lab (where I had an after-school volunteer job as a “lab assistant”). I suffered 2nd-degree burns on my face from the explosion, but the glasses protected my eyes. That, however, is a different story for a different time.
Thessaloniki (Greek: Θεσσαλονίκη, often referred to internationally as Thessalonica or Salonica, is the second-largest city in Greece and the capital of the Greek region of Macedonia, the administrative region of Central Macedonia and the Decentralized Administration of Macedonia and Thrace.[3][4] Its honorific title is Συμπρωτεύουσα (Symprotévousa), literally "co-capital",[5] and stands as a reference to its historical status as the Συμβασιλεύουσα (Symvasilévousa) or "co-reigning" city of the Eastern Roman (Byzantine) Empire, alongside Constantinople.[6]
According to the preliminary results of the 2011 census, the municipality of Thessaloniki today has a population of 322,240,[1] while the Thessaloniki Urban Area (the contiguous built up area forming the "City of Thessaloniki") has a population of 790,824.[1] Furthermore, the Thessaloniki Metropolitan Area extends over an area of 1,455.62 km2 (562.02 sq mi) and its population in 2011 reached a total of 1,104,460 inhabitants.[1]
Thessaloniki is Greece's second major economic, industrial, commercial and political centre, and a major transportation hub for the rest of southeastern Europe;[7] its commercial port is also of great importance for Greece and the southeastern European hinterland.[7] The city is renowned for its festivals, events and vibrant cultural life in general,[8] and is considered to be Greece's cultural capital.[8] Events such as the Thessaloniki International Trade Fair and the Thessaloniki International Film Festival are held annually, while the city also hosts the largest bi-annual meeting of the Greek diaspora.[9] Thessaloniki is the 2014 European Youth Capital.[10]
Founded in 315 BC by Cassander of Macedon, Thessaloniki's history spans some 2,300 years. An important metropolis by the Roman period, Thessaloniki was the second largest and wealthiest city of the Byzantine Empire. Thessaloniki is home to numerous notable Byzantine monuments, including the Paleochristian and Byzantine monuments of Thessaloniki, a UNESCO World Heritage Site, as well as several Roman, Ottoman and Sephardic Jewish structures. The city's main university, Aristotle University, is the largest in Greece and the Balkans.[11]
Thessaloniki is a popular tourist destination in Greece. In 2010, Lonely Planet ranked Thessaloniki as the world's fifth-best party city worldwide, comparable to other cities such as Dubai and Montreal.[12] For 2013 National Geographic Magazine included Thessaloniki in its top tourist destinations worldwide,[13] while in 2014 Financial Times FDI magazine (Foreign Direct Investments) declared Thessaloniki as the best mid-sized European city of the future for human capital and lifestyle.
Etymology
All variations of the city's name derive from the original (and current) appellation in Greek: Θεσσαλονίκη (from Θεσσαλός, Thessalos, and Νίκη, Nike), literally translating to "Thessalian Victory". The name of the city came from the name of a princess, Thessalonike of Macedon, half sister of Alexander the Great, so named because of her birth on the day of the Macedonian victory at the Battle of Crocus Field (353/352 BCE).[16]
The alternative name Salonica (or Salonika) derives from the variant form Σαλονίκη (Saloníki) in popular Greek speech, and has given rise to the form of the city's name in several languages. Names in other languages prominent in the city's history include Солѹнь (Solun) in Old Church Slavonic, סלוניקה (Salonika) in Ladino, Selanik (also Selânik) in Turkish (سلانیك in Ottoman Turkish), Solun (also written as Солун) in the local and neighboring South Slavic languages, Салоники (Saloníki) in Russian, and Sãrunã in Aromanian. In local speech, the city's name is typically pronounced with a dark and deep L characteristic of Macedonian Greek accent.[17][18]
The name often appears in writing in the abbreviated form Θεσ/νίκη
History
From antiquity to the Roman Empire
The city was founded around 315 BC by the King Cassander of Macedon, on or near the site of the ancient town of Therma and 26 other local villages.[20] He named it after his wife Thessalonike,[21] a half-sister of Alexander the Great and princess of Macedon as daughter of Philip II. Under the kingdom of Macedon the city retained its own autonomy and parliament[22] and evolved to become the most important city in Macedon.[21]
After the fall of the kingdom of Macedon in 168 BC, Thessalonica became a free city of the Roman Republic under Mark Antony in 41 BC.[21][23] It grew to be an important trade-hub located on the Via Egnatia,[24] the road connecting Dyrrhachium with Byzantium,[25] which facilitated trade between Thessaloniki and great centers of commerce such as Rome and Byzantium.[26] Thessaloniki also lay at the southern end of the main north-south route through the Balkans along the valleys of the Morava and Axios river valleys, thereby linking the Balkans with the rest of Greece.[27] The city later became the capital of one of the four Roman districts of Macedonia.[24] Later it became the capital of all the Greek provinces of the Roman Empire due to the city's importance in the Balkan peninsula. When the Roman Empire was divided into the tetrarchy, Thessaloniki became the administrative capital of one of the four portions of the Empire under Galerius Maximianus Caesar,[28][29] where Galerius commissioned an imperial palace, a new hippodrome, a triumphal arch and a mausoleum among others.[29][30][31]
In 379 when the Roman Prefecture of Illyricum was divided between the East and West Roman Empires, Thessaloniki became the capital of the new Prefecture of Illyricum.[24] In 390 Gothic troops under the Roman Emperor Theodosius I, led a massacre against the inhabitants of Thessalonica, who had risen in revolt against the Germanic soldiers. With the Fall of Rome in 476, Thessaloniki became the second-largest city of the Eastern Roman Empire.[26] Around the time of the Roman Empire Thessaloniki was also an important center for the spread of Christianity; some scholars hold that the First Epistle to the Thessalonians written by Paul the Apostle is the first written book of the New Testament.
Byzantine era and Middle Ages
From the first years of the Byzantine Empire, Thessaloniki was considered the second city in the Empire after Constantinople,[33][34][35] both in terms of wealth and size.[33] with an population of 150,000 in the mid 1100s.[36] The city held this status until it was transferred to Venice in 1423. In the 14th century the city's population exceeded 100,000 to 150,000,[37][38][39] making it larger than London at the time.[40]
During the 6th and 7th centuries the area around Thessaloniki was invaded by Avars and Slavs, who unsuccessfully laid siege to the city several times.[41] Traditional historiography stipulates that many Slavs settled in the hinterland of Thessaloniki,[42] however, this migration was allegedly on a much smaller scale than previously thought.[42][42][43] In the 9th century, the Byzantine Greek missionaries Cyril and Methodius, both natives of the city, created the first literary language of the Slavs, the Glagolic alphabet, most likely based on the Slavic dialect used in the hinterland of their hometown.[44][45][46][47][48]
An Arab naval attack in 904 resulted in the sack of the city.[49] The economic expansion of the city continued through the 12th century as the rule of the Komnenoi emperors expanded Byzantine control to the north. Thessaloniki passed out of Byzantine hands in 1204,[50] when Constantinople was captured by the forces of the Fourth Crusade and incorporated the city and its surrounding territories in the Kingdom of Thessalonica[51] — which then became the largest vassal of the Latin Empire. In 1224, the Kingdom of Thessalonica was overrun by the Despotate of Epirus, a remnant of the former Byzantine Empire, under Theodore Komnenos Doukas who crowned himself Emperor,[52] and the city became the Despotat's capital.[52][53] This era of the Despotate of Epirus is also known as the Empire of Thessalonica.[52][54][55] Following his defeat at Klokotnitsa however in 1230,[52][54] the Empire of Thessalonica became a vassal state of the Second Bulgarian Empire until it was recovered again in 1246, this time by the Nicaean Empire.[52] In 1342,[56] the city saw the rise of the Commune of the Zealots, an anti-aristocratic party formed of sailors and the poor,[57] which is nowadays described as social-revolutionary.[56] The city was practically independent of the rest of the Empire,[56][57][58] as it had its own government, a form of republic.[56] The zealot movement was overthrown in 1350 and the city was reunited with the rest of the Empire.[56]
In 1423, Despot Andronicus, who was in charge of the city, ceded it to the Republic of Venice with the hope that it could be protected from the Ottomans who were besieging the city (there is no evidence to support the oft-repeated story that he sold the city to them). The Venetians held Thessaloniki until it was captured by the Ottoman Sultan Murad II on 29 March 1430.
Ottoman period
When Sultan Murad II captured Thessaloniki and sacked it in 1430, contemporary reports estimated that about one-fifth of the city's population was enslaved.[60] Upon the conquest of Thessaloniki, some of its inhabitants escaped,[61] including intellectuals such as Theodorus Gaza "Thessalonicensis" and Andronicus Callistus.[62] However, the change of sovereignty from the Byzantine Empire to the Ottoman one did not affect the city's prestige as a major imperial city and trading hub.[63][64] Thessaloniki and Smyrna, although smaller in size than Constantinople, were the Ottoman Empire's most important trading hubs.[63] Thessaloniki's importance was mostly in the field of shipping,[63] but also in manufacturing,[64] while most of the city's trade was controlled by ethnic Greeks.[63]
During the Ottoman period, the city's population of mainly Greek Jews and Ottoman Muslims (including those of Turkish and Albanian, as well as Bulgarian Muslim and Greek Muslim convert origin) grew substantially. By 1478 Selânik (سلانیك), as the city came to be known in Ottoman Turkish, had a population of 4,320 Muslims, 6,094 Greek Orthodox and some Catholics, but no Jews. Soon after the turn of the 15th to 16th century, nearly 20,000 Sephardic Jews had immigrated to Greece from Spain following their expulsion by the 1492 Alhambra Decree.[65] By c. 1500, the numbers had grown to 7,986 Greeks, 8,575 Muslims, and 3,770 Jews. By 1519, Sephardic Jews numbered 15,715, 54% of the city's population. Some historians consider the Ottoman regime's invitation to Jewish settlement was a strategy to prevent the ethnic Greek population (Eastern Orthodox Christians) from dominating the city.[38]
Thessaloniki was the capital of the Sanjak of Selanik within the wider Rumeli Eyalet (Balkans)[66] until 1826, and subsequently the capital of Selanik Eyalet (after 1867, the Selanik Vilayet).[67][68] This consisted of the sanjaks of Selanik, Serres and Drama between 1826 and 1912.[69] Thessaloniki was also a Janissary stronghold where novice Janissaries were trained. In June 1826, regular Ottoman soldiers attacked and destroyed the Janissary base in Thessaloniki while also killing over 10,000 Janissaries, an event known as The Auspicious Incident in Ottoman history.[70] From 1870, driven by economic growth, the city's population expanded by 70%, reaching 135,000 in 1917.[71]
The last few decades of Ottoman control over the city were an era of revival, particularly in terms of the city's infrastructure. It was at that time that the Ottoman administration of the city acquired an "official" face with the creation of the Command Post[72] while a number of new public buildings were built in the eclectic style in order to project the European face both of Thessaloniki and the Ottoman Empire.[72][73] The city walls were torn down between 1869 and 1889,[74] efforts for a planned expansion of the city are evident as early as 1879,[75] the first tram service started in 1888[76] and the city streets were illuminated with electric lamp posts in 1908.[77] In 1888 Thessaloniki was connected to Central Europe via rail through Belgrade, Monastir in 1893 and Constantinople in 1896.
Since the 20th century
In the early 20th century, Thessaloniki was in the center of radical activities by various groups; the Bulgarian Internal Macedonian Revolutionary Organization, founded in 1897,[78] and the Greek Macedonian Committee, founded in 1903.[79] In 1903 an anarchist group known as the Boatmen of Thessaloniki planted bombs in several buildings in Thessaloniki, including the Ottoman Bank, with some assistance from the IMRO. The Greek consulate in Ottoman Thessaloniki (now the Museum of the Macedonian Struggle) served as the center of operations for the Greek guerillas. In 1908 the Young Turks movement broke out in the city, sparking the Young Turk Revolution.[80]
The Ottoman Feth-i Bülend being sunk in Thessaloniki in 1912 by a Greek ship during the First Balkan War.
Constantine I of Greece with George I of Greece and the Greek army enter the city.
As the First Balkan War broke out, Greece declared war on the Ottoman Empire and expanded its borders. When Eleftherios Venizelos, Prime Minister at the time, was asked if the Greek army should move towards Thessaloniki or Monastir (now Bitola, Republic of Macedonia), Venizelos replied "Salonique à tout prix!" (Thessaloniki, at all costs!).[81] As both Greece and Bulgaria wanted Thessaloniki, the Ottoman garrison of the city entered negotiations with both armies.[82] On 8 November 1912 (26 October Old Style), the feast day of the city's patron saint, Saint Demetrius, the Greek Army accepted the surrender of the Ottoman garrison at Thessaloniki.[83] The Bulgarian army arrived one day after the surrender of the city to Greece and Tahsin Pasha, ruler of the city, told the Bulgarian officials that "I have only one Thessaloniki, which I have surrendered".[82] After the Second Balkan War, Thessaloniki and the rest of the Greek portion of Macedonia were officially annexed to Greece by the Treaty of Bucharest in 1913.[84] On 18 March 1913 George I of Greece was assassinated in the city by Alexandros Schinas.[85]
In 1915, during World War I, a large Allied expeditionary force established a base at Thessaloniki for operations against pro-German Bulgaria.[86] This culminated in the establishment of the Macedonian Front, also known as the Salonika Front.[87][88] In 1916, pro-Venizelist Greek army officers and civilians, with the support of the Allies, launched an uprising,[89] creating a pro-Allied[90] temporary government by the name of the "Provisional Government of National Defence"[89][91] that controlled the "New Lands" (lands that were gained by Greece in the Balkan Wars, most of Northern Greece including Greek Macedonia, the North Aegean as well as the island of Crete);[89][91] the official government of the King in Athens, the "State of Athens",[89] controlled "Old Greece"[89][91] which were traditionally monarchist. The State of Thessaloniki was disestablished with the unification of the two opposing Greek governments under Venizelos, following the abdication of King Constantine in 1917.[86][91]
The 1st Battalion of the National Defence army marches on its way to the front.
Aerial picture of the Great Fire of 1917.
Most of the old center of the city was destroyed by the Great Thessaloniki Fire of 1917, which started accidentally by an unattended kitchen fire on 18 August 1917.[92] The fire swept through the centre of the city, leaving 72,000 people homeless; according to the Pallis Report, most of them were Jewish (50,000). Many businesses were destroyed, as a result, 70% of the population were unemployed.[92] Also a number of religious structures of the three major faiths were lost. Nearly one-quarter of the total population of approximately 271,157 became homeless.[92] Following the fire the government prohibited quick rebuilding, so it could implement the new redesign of the city according to the European-style urban plan[6] prepared by a group of architects, including the Briton Thomas Mawson, and headed by French architect Ernest Hébrard.[92] Property values fell from 6.5 million Greek drachmas to 750,000.[93]
After the defeat of Greece in the Greco-Turkish War and during the break-up of the Ottoman Empire, a population exchange took place between Greece and Turkey.[90] Over 160,000 ethnic Greeks deported from the former Ottoman Empire were resettled in the city,[90] changing its demographics. Additionally many of the city's Muslims were deported to Turkey, ranging at about 20,000 people.[94]
During World War II Thessaloniki was heavily bombarded by Fascist Italy (with 232 people dead, 871 wounded and over 800 buildings damaged or destroyed in November 1940 alone),[95] and, the Italians having failed to succeed in their invasion of Greece, it fell to the forces of Nazi Germany on 8 April 1941[96] and remained under German occupation until 30 October 1944 when it was liberated by the Greek People's Liberation Army.[97] The Nazis soon forced the Jewish residents into a ghetto near the railroads and on 15 March 1943 began the deportation process of the city's 56,000 Jews to its concentration camps.[98][99] They deported over 43,000 of the city's Jews in concentration camps,[98] where most were killed in the gas chambers. The Germans also deported 11,000 Jews to forced labor camps, where most perished.[100] Only 1,200 Jews live in the city today.
Part of Eleftherias Square during the Axis occupation.
The importance of Thessaloniki to Nazi Germany can be demonstrated by the fact that, initially, Hitler had planned to incorporate it directly in the Third Reich[101] (that is, make it part of Germany) and not have it controlled by a puppet state such as the Hellenic State or an ally of Germany (Thessaloniki had been promised to Yugoslavia as a reward for joining the Axis on 25 March 1941).[102] Having been the first major city in Greece to fall to the occupying forces just two days after the German invasion, it was in Thessaloniki that the first Greek resistance group was formed (under the name «Ελευθερία», Eleftheria, "Freedom")[103] as well as the first anti-Nazi newspaper in an occupied territory anywhere in Europe,[104] also by the name Eleftheria. Thessaloniki was also home to a military camp-converted-concentration camp, known in German as "Konzentrationslager Pavlo Mela" (Pavlos Melas Concentration Camp),[105] where members of the resistance and other non-favourable people towards the German occupation from all over Greece[105] were held either to be killed or sent to concentration camps elsewhere in Europe.[105] In the 1946 monarchy referendum, the majority of the locals voted in favour of a republic, contrary to the rest of Greece.[106]
After the war, Thessaloniki was rebuilt with large-scale development of new infrastructure and industry throughout the 1950s, 1960s and 1970s. Many of its architectural treasures still remain, adding value to the city as a tourist destination, while several early Christian and Byzantine monuments of Thessaloniki were added to the UNESCO World Heritage list in 1988.[107] In 1997, Thessaloniki was celebrated as the European Capital of Culture,[108] sponsoring events across the city and the region. Agency established to oversee the cultural activities of that year 1997 was still in existence by 2010.[109] In 2004 the city hosted a number of the football events as part of the 2004 Summer Olympics.[110]
Today Thessaloniki has become one of the most important trade and business hubs in Southeastern Europe, with its port, the Port of Thessaloniki being one of the largest in the Aegean and facilitating trade throughout the Balkan hinterland.[7] On 26 October 2012 the city celebrated its centennial since its incorporation into Greece.[111] The city also forms one of the largest student centres in Southeastern Europe, is host to the largest student population in Greece and will be the European Youth Capital in 2014
Geography
Geology
Thessaloniki lies on the northern fringe of the Thermaic Gulf on its eastern coast and is bound by Mount Chortiatis on its southeast. Its proximity to imposing mountain ranges, hills and fault lines, especially towards its southeast have historically made the city prone to geological changes.
Since medieval times, Thessaloniki was hit by strong earthquakes, notably in 1759, 1902, 1978 and 1995.[113] On 19–20 June 1978, the city suffered a series of powerful earthquakes, registering 5.5 and 6.5 on the Richter scale.[114][115] The tremors caused considerable damage to a number of buildings and ancient monuments,[114] but the city withstood the catastrophe without any major problems.[115] One apartment building in central Thessaloniki collapsed during the second earthquake, killing many, raising the final death toll to 51.[114][115]
Climate
Thessaloniki's climate is directly affected by the sea it is situated on.[116] The city lies in a transitional climatic zone, so its climate displays characteristics of several climates. According to the Köppen climate classification, it is a humid subtropical climate (Cfa) that borders on a semi-arid climate (BSk), with annual average precipitation of 450 millimetres (18 in) due to the Pindus rain shadow drying the westerly winds. However, the city has a summer precipitation between 20 to 30 millimetres (0.79 to 1.18 in), which borders it close to a hot-summer Mediterranean climate (Csa).
Winters are relatively dry, with common morning frost. Snowfalls are sporadic, but οccur more or less every winter, but the snow cover does not last for more than a few days. Fog is common, with an average of 193 foggy days in a year.[117] During the coldest winters, temperatures can drop to −10 °C (14 °F).[117] The record minimum temperature in Thessaloniki was −14 °C (7 °F).[118] On average, Thessaloniki experiences frost (sub-zero temperature) 32 days a year.[117] The coldest month of the year in the city is January, with an average 24-hour temperature of 6 °C (43 °F).[119] Wind is also usual in the winter months, with December and January having an average wind speed of 26 km/h (16 mph).[117]
Thessaloniki's summers are hot with rather humid nights.[117] Maximum temperatures usually rise above 30 °C (86 °F),[117] but rarely go over 40 °C (104 °F);[117] the average number of days the temperature is above 32 °C (90 °F) is 32.[117] The maximum recorded temperature in the city was 42 °C (108 °F).[117][118] Rain seldom falls in summer, mainly during thunderstorms. In the summer months Thessaloniki also experiences strong heat waves.[120] The hottest month of the year in the city is July, with an average 24-hour temperature of 26 °C (79 °F).[119] The average wind speed for June and July in Thessaloniki is 20 kilometres per hour (12 mph)
Government
According to the Kallikratis reform, as of 1 January 2011 the Thessaloniki Urban Area (Greek: Πολεοδομικό Συγκρότημα Θεσσαλονίκης) which makes up the "City of Thessaloniki", is made up of six self-governing municipalities (Greek: Δήμοι) and one municipal unit (Greek: Δημοτική ενότητα). The municipalities that are included in the Thessaloniki Urban Area are those of Thessaloniki (the city center and largest in population size), Kalamaria, Neapoli-Sykies, Pavlos Melas, Kordelio-Evosmos, Ampelokipoi-Menemeni, and the municipal unit of Pylaia, part of the municipality of Pylaia-Chortiatis. Prior to the Kallikratis reform, the Thessaloniki Urban Area was made up of twice as many municipalities, considerably smaller in size, which created bureaucratic problems.[123]
Thessaloniki Municipality
The municipality of Thessaloniki (Greek: Δήμος Θεσαλονίκης) is the second most populous in Greece, after Athens, with a population of 322,240[1] people (in 2011) and an area of 17.832 km2 (7 sq mi). The municipality forms the core of the Thessaloniki Urban Area, with its central district (the city center), referred to as the Kentro, meaning 'center' or 'downtown'.
The institution of mayor of Thessaloniki was inaugurated under the Ottoman Empire, in 1912. The first mayor of Thessaloniki was Osman Sait Bey, while the current mayor of the municipality of Thessaloniki is Yiannis Boutaris. In 2011, the municipality of Thessaloniki had a budget of €464.33 million[124] while the budget of 2012 stands at €409.00 million.[125]
According to an article in The New York Times, the way in which the present mayor of Thessaloniki is treating the city's debt and oversized administration problems could be used as an example by Greece's central government for a successful strategy in dealing with these problems.[126]
Other
Thessaloniki is the second largest city in Greece. It is an influential city for the northern parts of the country and is the capital of the region of Central Macedonia and the Thessaloniki regional unit. The Ministry of Macedonia and Thrace is also based in Thessaloniki, being that the city is the de facto capital of the Greek region of Macedonia.
It is customary every year for the Prime Minister of Greece to announce his administration's policies on a number of issues, such as the economy, at the opening night of the Thessaloniki International Trade Fair. In 2010, during the first months of the 2010 Greek debt crisis, the entire cabinet of Greece met in Thessaloniki to discuss the country's future.[127]
In the Hellenic Parliament, the Thessaloniki urban area constitutes a 16-seat constituency. As of the national elections of 17 June 2012 the largest party in Thessaloniki is New Democracy with 27.8%, followed by the Coalition of the Radical Left (27.0%) and the Panhellenic Socialist Movement (10.2%).[128] The table below summarizes the results of the latest elections.
Cityscape
Architecture
Architecture in Thessaloniki is the direct result of the city's position at the centre of all historical developments in the Balkans. Aside from its commercial importance, Thessaloniki was also for many centuries the military and administrative hub of the region, and beyond this the transportation link between Europe and the Levant (Syria, Lebanon, Jordan, and Israel / Palestine). Merchants, traders and refugees from all over Europe settled in the city. The need for commercial and public buildings in this new era of prosperity led to the construction of large edifices in the city center. During this time, the city saw the building of banks, large hotels, theatres, warehouses, and factories. Architects who designed some of the most notable buildings of the city, in the late 19th and early 20th century, include Vitaliano Poselli, Pietro Arrigoni, Xenophon Paionidis, Eli Modiano, Moshé Jacques, Jean Joseph Pleyber, Frederic Charnot, Ernst Ziller, Roubens Max, Levi Ernst, Angelos Siagas and others, using mainly the styles of Eclecticism and Art Nouveau.
The city layout changed after 1870, when the seaside fortifications gave way to extensive piers, and many of the oldest walls of the city were demolished, including those surrounding the White Tower, which today stands as the main landmark of the city. As parts of the early Byzantine walls were demolished, this allowed the city to expand east and west along the coast.[129]
The expansion of Eleftherias Square towards the sea completed the new commercial hub of the city and at the time was considered one of the most vibrant squares of the city. As the city grew, workers moved to the western districts, due to their proximity to factories and industrial activities; while the middle and upper classes gradually moved from the city-center to the eastern suburbs, leaving mainly businesses. In 1917, a devastating fire swept through the city and burned uncontrollably for 32 hours.[71] It destroyed the city's historic center and a large part of its architectural heritage, but paved the way for modern development and allowed Thessaloniki the development of a proper European city center, featuring wider diagonal avenues and monumental squares; which the city initially lacked – much of what was considered to be 'essential' in European architecture.
City Center
After the Great Thessaloniki Fire of 1917, a team of architects and urban planners including Thomas Mawson and Ernest Hebrard, a French architect, chose the Byzantine era as the basis of their (re)building designs for Thessaloniki's city center. The new city plan included axes, diagonal streets and monumental squares, with a street grid that would channel traffic smoothly. The plan of 1917 included provisions for future population expansions and a street and road network that would be, and still is sufficient today.[71] It contained sites for public buildings and provided for the restoration of Byzantine churches and Ottoman mosques.
The Metropolitan Church of Saint Gregory Palamas, designed by Ernst Ziller.
Today the city center of Thessaloniki includes the features designed as part of the plan and forms the point in the city where most of the public buildings, historical sites, entertainment venues and stores are located. The center is characterized by its many historical buildings, arcades, laneways and distinct architectural styles such as Art Nouveau and Art Deco, which can be seen on many of its buildings.
Also called the historic center, it is divided into several districts, of which include Ladadika (where many entertainment venues and tavernas are located), Kapani (were the city's central city market is located), Diagonios, Navarinou, Rotonta, Agia Sofia and Ippodromio (white tower), which are all located around Thessaloniki's most central point, Aristotelous Square.
The west point of the city center is home to Thessaloniki's law courts, its central international railway station and the port, while on its eastern side stands the city's two universities, the Thessaloniki International Exhibition Center, the city's main stadium, its archaeological and Byzantine museums, the new city hall and its central parklands and gardens, namely those of the ΧΑΝΘ/Palios Zoologikos Kipos and Pedio tou Areos. The central road arteries that pass through the city center, designed in the Ernest Hebrard plan, include those of Tsimiski, Egnatia, Nikis, Mitropoleos, Venizelou and St. Demetrius avenues.
Ano Poli
Ano Poli (also called Old Town and literally the Upper Town) is the heritage listed district north of Thessaloniki's city center that was not engulfed by the great fire of 1917 and was declared a UNESCO World Heritage Site by ministerial actions of Melina Merkouri, during the 1980s. It consists of Thessaloniki's most traditional part of the city, still featuring small stone paved streets, old squares and homes featuring old Greek and Ottoman architecture.
Ano Poli also, is the highest point in Thessaloniki and as such, is the location of the city's acropolis, its Byzantine fort, the Heptapyrgion, a large portion of the city's remaining walls, and with many of its additional Ottoman and Byzantine structures still standing. The area provides access to the Seich Sou Forest National Park[131] and features amphitheatric views of the whole city and the Thermaic Gulf. On clear days Mount Olympus, at about 100 km (62 mi) away across the gulf, can also be seen towering the horizon.
Southeastern Thessaloniki up until the 1920s was home to the city's most affluent residents and formed the outermost suburbs of the city at the time, with the area close to the Thermaic Gulf coast called Exoches, from the 19th century holiday villas which defined the area. Today southeastern Thessaloniki has in some way become a natural extension of the city center, with the avenues of Megalou Alexandrou, Georgiou Papandreou (Antheon), Vasilissis Olgas Avenue, Delfon, Konstantinou Karamanli (Nea Egnatia) and Papanastasiou passing through it, enclosing an area traditionally called Dépôt (Ντεπώ), from the name of the old tram station, owned by a French company. The area extends to Kalamaria and Pylaia, about 9 km (5.59 mi) from the White Tower in the city centre.
Some of the most notable mansions and villas of the old-era of the city remain along Vasilissis Olgas Avenue. Built for the most wealthy residents and designed by well known architects they are used today as museums, art galleries or remain as private properties. Some of them include Villa Bianca, Villa Ahmet Kapanci, Villa Modiano, Villa Mordoch, Villa Mehmet Kapanci, Hatzilazarou Mansion, Chateau Mon Bonheur (often called red tower) and others.
Most of southeastern Thessaloniki is characterized by its modern architecture and apartment buildings, home to the middle-class and more than half of the municipality of Thessaloniki population. Today this area of the city is also home to 3 of the city's main football stadiums, the Thessaloniki Concert Hall, the Posidonio aquatic and athletic complex, the Naval Command post of Northern Greece and the old royal palace (called Palataki), located on the most westerly point of Karabournaki cape. The municipality of Kalamaria is also located in southeastern Thessaloniki and has become this part of the city's most sought after areas, with many open spaces and home to high end bars, cafés and entertainment venues, most notably on Plastira street, along the coast
Northwestern Thessaloniki had always been associated with industry and the working class because as the city grew during the 1920s, many workers had moved there, due to its proximity near factories and industrial activities. Today many factories and industries have been moved further out west and the area is experiencing rapid growth as does the southeast. Many factories in this area have been converted to cultural centres, while past military grounds that are being surrounded by densely built neighborhoods are awaiting transformation into parklands.
Northwest Thessaloniki forms the main entry point into the city of Thessaloniki with the avenues of Monastiriou, Lagkada and 26is Octovriou passing through it, as well as the extension of the A1 motorway, feeding into Thessaloniki's city center. The area is home to the Macedonia InterCity Bus Terminal (KTEL), the Zeitenlik Allied memorial military cemetery and to large entertainment venues of the city, such as Milos, Fix, Vilka (which are housed in converted old factories). Northwestern Thessaloniki is also home to Moni Lazariston, located in Stavroupoli, which today forms one of the most important cultural centers for the city.
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Dutch postcard, no. 850. Photo: Warner Bros.
Peter Lorre (1904–1964) with his trademark large, popped eyes, his toothy grin and his raspy voice was an American actor of Jewish Austro-Hungarian descent. He was an international sensation as the psychopathic child murderer in Fritz Lang’s M (1931). He later became a popular actor in a two British Hitchcock films and in a series of Hollywood crime films and mysteries. Although he was frequently typecast as a sinister foreigner in the US, he also became the star of the successful Mr. Moto detective series.
Peter Lorre was born László Löwenstein in 1904 in the Austro-Hungarian town of Ružomberok in Slovakia, then known by its Hungarian name Rózsahegy. He was the first child of Jewish couple Alajos Löwenstein and Elvira Freischberger. His father was chief bookkeeper at a local textile mill. Besides working as a bookkeeper, Alajos Löwenstein also served as a lieutenant in the Austrian army reserve, which meant that he was often away on military manoeuvres. When Lorre was four years old, his mother died, probably of food poisoning, leaving Alajos with three very young sons, the youngest only a couple of months old. He soon remarried, to his wife's best friend, Melanie Klein, with whom he had two more children. However, Lorre and his stepmother never got along, and this coloured his childhood memories. At the outbreak of the Second Balkan War in 1913, Alajos moved the family to Vienna, anticipating that this would lead to a larger conflict and that he would be called up. He was, at the outbreak of World War I in 1914, and served on the Eastern front during the winter of 1914-1915, before being put in charge of a prison camp due to heart trouble. As a youth Peter Lorre ran away from home, worked as a bank clerk and, after stage training in Vienna, made his acting debut in Zurich in Switzerland at the age of 17. In Vienna he worked with the Viennese Art Nouveau artist and puppeteer Richard Teschner. He then moved to the then German town of Breslau, and later to Zürich. In the late 1920s, Peter Lorre moved to Berlin, where the young and short (165 cm) actor worked with German playwright Bertolt Brecht. He made his film debut in a bit role in the Austrian silent film Die Verschwundene Frau/The vanished woman (Karl Leitner, 1929), followed by another small part in the German drama Der weiße Teufel/The White Devil (Alexandre Volkoff, 1930) starring Ivan Mozzhukhin. On stage and in the cinema, Lorre played a role in Brecht's Mann ist Mann/ A Man's a Man (Bertolt Brecht, Carl Koch, 1930) and as Dr Nakamura in the stage musical Happy End (music by composer Kurt Weill), alongside Brecht's wife Helene Weigel, Oskar Homolka and Kurt Gerron.
Peter Lorre became much better known after director Fritz Lang cast him cast in the lead role of Hans Beckert, the mentally ill child murderer in the classic thriller M (1931). Later, the Nazi propaganda film The Eternal Jew (1940) used an excerpt from the climactic scene in M in which Lorre is trapped by vengeful citizens. His passionate plea that his compulsion is uncontrollable, says the voice-over, makes him sympathetic and is an example of attempts by Jewish artists to corrupt public morals. M was Lang’s first sound film and he revealed the expressive possibilities for combining sound and visuals. Lorre's character whistles the tune In the Hall of the Mountain King from Edvard Grieg's Peer Gynt Suite No. 1. ( Lorre himself could not whistle – it is actually Lang who is heard.) The film was one of the first to use a leitmotif, associating In the Hall of the Mountain King with the Lorre character. Later in the film, the mere sound of the song lets the audience know that he is nearby, off-screen. This association of a musical theme with a particular character or situation, a technique borrowed from opera, is now a film staple. Lorre’s next role was the German musical comedy Bomben auf Monte Carlo/Monte Carlo Madness (Hanns Schwarz, 1931) starring Hans Albers and Anna Sten. That year he also co-starred in the comedy Die Koffer des Herrn O.F./The Trunks of Mr. O.F. (Alexis Granowsky, 1931) starring Alfred Abel, and Harald Paulsen. In 1932 Lorre appeared again alongside Hans Albers in the drama Der weiße Dämon/The White Demon (Kurt Gerron, 1932) and the science fiction film F.P.1 antwortet nicht/F.P.1 Doesn't Respond (Karl Hartl, 1932) about an air station in the middle of the Atlantic Ocean. Curt Siodmak had written the story after Charles Lindbergh's transatlantic flight. It was the last German film that either Siodmak or Peter Lorre, who played a secondary character, would make in Germany before the war.
When the Nazis came to power in Germany in 1933, Peter Lorre took refuge in Paris, where he appeared with Jean Gabin and Michel Simon in the charming comedy Du haut en bas/High and Low (Georg Wilhelm Pabst, 1933). Then Lorre moved on to London. There Ivor Montagu, Alfred Hitchcock's associate producer for The Man Who Knew Too Much (1934), reminded the director about Lorre's performance in M. They first considered him to play the assassin in the film, but wanted to use him in a larger role, despite his limited command of English at the time, which Lorre overcame by learning much of his part phonetically. The Man Who Knew Too Much was one of the most successful and critically acclaimed films of Hitchcock's British period. Lorre also was featured in Hitchcock's Secret Agent (Alfred Hitchcock, 1936), opposite John Gielgud and Madeleine Carroll. Lorre settled in Hollywood in 1935, where he specialized in playing sinister foreigners, beginning as the love-obsessed surgeon in the horror film Mad Love (Karl Freund, 1935), and as Raskolnikov in the Fyodor Dostoevsky adaptation Crime and Punishment (Josef von Sternberg, 1936). He starred in a series of eight Mr. Moto movies for Twentieth Century Fox, a parallel to the better known Charlie Chan series. Lorre played the ever-polite (albeit well versed in karate) Japanese detective Mr. Moto. According to Wikipedia, he did not enjoy these films — and twisted his shoulder during a stunt in Mr. Moto Takes a Vacation (Norman Foster, 1939) — but they were lucrative for the studio. When the series folded in 1939, Lorre freelanced in villainous roles at several studios. In 1940, he co-starred with fellow horror actors Bela Lugosi and Boris Karloff in the comedy You'll Find Out (David Butler, 1940), a vehicle for bandleader and radio personality Kay Kyser.
In 1941, Peter Lorre became a naturalized citizen of the United States. He enjoyed considerable popularity as a featured player in Warner Bros. suspense and adventure films. Lorre played the role of effeminate thief Joel Cairo opposite Humphrey Bogart in The Maltese Falcon (John Huston, 1941), a classic film noir based on the novel of the same name by Dashiell Hammett. The Maltese Falcon was Huston's directorial debut and was nominated for three Academy Awards. Then Lorre portrayed the character Ugarte in Casablanca (Michael Curtiz, 1942). One of his co-stars in both films was Sydney Greenstreet with whom he made 9 films. Most of them were variations on Casablanca, including Background to Danger (Raoul Walsh, 1943), with George Raft; Passage to Marseille (Michael Curtiz, 1944), reuniting them with Humphrey Bogart and Claude Rains, and Three Strangers (Jean Negulesco, 1946). The latter was a suspense film about three people who are joint partners on a winning lottery ticket starring top-billed Greenstreet, Geraldine Fitzgerald, and third-billed Lorre cast against type by director as the romantic lead. Hal Erickson at AllMovie: “As far as director Jean Negulesco was concerned, Lorre was the finest actor in Hollywood; Negulesco fought bitterly with the studio brass for permission to cast Lorre as the sympathetic leading man in The Mask of Dimitrios (1946), in which the diminutive actor gave one of his finest and subtlest performances.” Greenstreet and Lorre's final film together was the suspense thriller The Verdict (1946), director Don Siegel's first film. Lorre branched out into comedy with the role of Dr. Einstein in Frank Capra's version of Arsenic and Old Lace (1944), starring Cary Grant and Raymond Massey.
After World War II, Peter Lorre's acting career in Hollywood experienced a downturn, whereupon he concentrated on radio and stage work. An exception was the horror classic The Beast with Five Fingers (Robert Florey, 1946). In Germany Lorre co-wrote, directed and starred in Der Verlorene/The Lost One (1951), an art film in the film noir idiom. Hal Erickson: “In keeping with Lorre's established screen persona, this is a tale of stark terror, disillusionment and defeatism. The actor stars as Dr. Rothe, a German research scientist who during WW2 discovers that his fiancée has been selling his scientific secrets to the British. In a fit of pique, he murders her, but is not punished for the crime, which is passed off by the Nazi authorities as justifiable homicide. (...) Not entirely successful, Der Verlorene is still a fascinating exercise in fatalism from one of the cinema's most distinctive talents.” Lorre then returned to the United States where he appeared as a character actor in television and feature films, often parodying his 'creepy' image. In 1954, he was the first actor to play a James Bond villain when he portrayed Le Chiffre in a television adaptation of Casino Royale, opposite Barry Nelson as an American James Bond and Linda Christian as the first Bond girl. Lorre starred alongside Kirk Douglas and James Mason in 20,000 Leagues under the Sea (Richard Fleischer, 1954), and appeared in a supporting role in Voyage to the Bottom of the Sea (Irwin Allen, 1961). He worked with Roger Corman on several low-budget films, including two of the director's Edgar Allan Poe cycle (Tales of Terror, 1962 and The Raven, 1963). He was married three times: actress Celia Lovsky (1934–1945); actress Kaaren Verne (1945–1950) and Anne Marie Brenning (1953-1964, his death). In 1953, Brenning bore his only child, Catharine. In later life, Catharine made headlines after serial killer Kenneth Bianchi confessed to police investigators after his arrest that he and his cousin and fellow Hillside Strangler Angelo Buono, disguised as police officers, had stopped her in 1977 with the intent of abducting and murdering her, but let her go upon learning that she was the daughter of Peter Lorre. It was only after Bianchi was arrested that Catharine realized whom she had met. Catharine died in 1985 of complications arising from diabetes. Lorre had suffered for years from chronic gallbladder troubles, for which doctors had prescribed morphine. Lorre became trapped between the constant pain and addiction to morphine to ease the problem. It was during the period of the Mr. Moto films that Lorre struggled and overcame his addiction. Abruptly gaining a hundred pounds in a very short period and never fully recovering from his addiction to morphine, Lorre suffered many personal and career disappointments in his later years. His final film was the Jerry Lewis comedy The Patsy (Jerry Lewis, 1964) in which, ironically, the dourly demonic Lorre played a director of comedy films. A few months after completing this film, Peter Lorre died of a stroke in 1964 in Los Angeles. He was 59.
Sources: Hal Erickson (AllMovie), Ed Stephan (IMDb), Wikipedia and IMDb.
12 months.
The most beneficial year of my life.
Two years ago, I met a boy.
A year I spent with him.
Loving him.
I truly thought I had found it.
Found the happiness I was searching for for so long.
My future was laid out in front of me.
I could touch it.
It was him.
My best friend.
He was right next to me and I was invincible.
Last year's September 3rd was not like this one.
I was not laughing.
I was not smiling.
I was not moving.
I was not breathing.
The boy's name I would write so proudly in my journal was leaving me.
Everything had stopped.
Abrupt.
And numbness was welcomed back with heavy arms.
Happiness left me and so did the color in my face.
I was finding out that it wasn't just about him.
Everything left me.
Always.
Everyone I ever loved would leave me.
A disappearing act that I couldn't seem to solve.
And I was fading away too.
My bed would make way for my tired bones but it never would give me rest.
I was terrified of sleep.
Nightmares were my normalcy only for me to be left over and over again.
An endless cycle.
An echo.
Everyone would tell me that a day would come.
That I would eventually smile again.
Eventually wasn't enough.
Every piece of advice given to me was thrown into the garbage.
No amount of words could take away my grief.
But everyone would keep at me.
Poking.
Prodding.
Telling me that I'm loved.
Loved by them. Loved by God.
They would never let up.
I was so far away but these people that I never before thought twice about cared when I didn't.
If I couldn't help myself, they would do it for me- even with my kicking and screaming.
In my vacancy, Stephanie wrote me a letter.
The kind of letter you keep in your memory box on your bedside table.
Sarah-
As I was praying for you, God gave me a picture of you in the middle of an ocean on a tiny boat. The waves were crashing against you, getting bigger and bigger and more violent. You felt helpless and insecure until you called out to the Lord and immediately He calmed the waves.
Then I saw another picture of God in the sky and you reaching up for Him but not being able to touch Him. I heard Him say this- "I want Sarah to see Me as her Daddy. Im as close to her as the skin on her bones but she doesn't believe I love her as much as I do. All she needs is to accept My unconditional, uncontrollable love for her and she will see how truly close I am. I want her to let Me open her eyes and her heart to My Fathers heart for her. She just doesn't realize how irrevocably I adore her because she is my girl! All she has to do is fall into My open arms and accept My affection and let Me tell her how amazing she is. Thats how easy it is to be filled with My joy. I want to be everything to her. I want to show her how crazy fun it is to have a dad like Me. I want to fulfill her wildest dreams and go above and beyond her wildest expectations. All she has to do is let Me! I want to take Sarah on adventures she's never dreamt shed get to do in her lifetime. I'm so jealous for her whole heart. I know her and there isn't a part of her I don't love."
Everyone that I felt had disappeared, my friends, my family- slowly began to reappear.
One by one.
My breaths became lighter and my strides became longer.
This painfully slow year of sadness was transforming into a fast year of hope.
Always a word thats definition was unknown to me.
When I thought all had left me, He was closer than He had ever been.
He was here with me.
Under my skin.
The front of my mind.
In my being.
He was here- all 365 days
He was doing it for me.
So I began praising Him.
Praising Him for aches and numbness.
Because I have overcome it.
He sent the enemy running away screaming.
___________
But soon a fierce storm came up. High waves were breaking into the boat, and it began to fill with water.
Jesus was sleeping at the back of the boat with his head on a cushion. The disciples woke him up, shouting, “Teacher, don’t you care that we’re going to drown?”
When Jesus woke up, he rebuked the wind and said to the waves, “Silence! Be still!” Suddenly the wind stopped, and there was a great calm. Then he asked them, “Why are you afraid? Do you still have no faith?”
The disciples were absolutely terrified. “Who is this man?” they asked each other. “Even the wind and waves obey him!”
“Therefore I tell you, do not worry about your life, what you will eat or drink; or about your body, what you will wear. Is not life more than food, and the body more than clothes? Look at the birds of the air; they do not sow or reap or store away in barns, and yet your heavenly Father feeds them. Are you not much more valuable than they? Can any one of you by worrying add a single hour to your life?"
HE is my provider.
Thank you to everyone that has supported me.
I love you all.
F-106A.
21 AD / 49 FIS.
Griffis AFB, New York.
ADC
Oct. 1976.
While on training mission from Malmstrom AFB entered uncontrollable flat spin Feb 2, 1970, forcing pilot to eject. Unpiloted, the aircraft recoveredon its own and made gentle belly landing in snow-covered field.Repaired and returned to service
From Wikipedia:
Poisoning
The plant is carcinogenic to animals such as mice, rats, horses and cattle when ingested, although they will usually avoid it unless nothing else is available. Young stems are quite commonly used as a vegetable in China, Japan and Korea. However, some researchers suspect a link between consumption and higher stomach cancer rates.[11] The spores have also been implicated as a carcinogen. Danish scientist Lars Holm Rasmussen released a study in 2004 showing that the carcinogenic compound in bracken, ptaquiloside or PTA, can leach from the plant into the water supply, which may explain an increase in the incidence of gastric and esophageal cancers in bracken-rich areas.[14]
In cattle, bracken poisoning can occur in both an acute and chronic form, acute poisoning being the most common. In pigs and horses bracken poisoning induces vitamin B deficiency.[15] Poisoning usually occurs when there is a shortage of available grasses such as in drought or snowfalls.
Along with the DNA damage caused by ptaquiloside it is shown that chemicals in the fern can damage blood cells and can destroy Vitamin B1. This in turn causes beriberi, a disease normally linked to nutritional deficiency.
Hydrogen cyanide is released by the young fronds of bracken when eaten by mammals or insects.[16] Two major insect moulting hormones, alpha ecdysone and 20-hydroxyecdysone, are found in bracken. These cause uncontrollable, repeated moulting in insects ingesting the fronds, leading to rapid death.[17]
In this photo, it is now clear that the Bulls will jump over the proverbial moon oops.. or are they mooning the jump ?
Here you have the jockey in sharp dramatic pose kneeling in the mud as he watches the bulls moon over the emabankment alongwith his thin strip of wooden plank as it makes it last forlorn splash in the muddy waters of Ananapillay in Adoor. One of the runners is obscured and you only see the guide rope coming into the frame. There is one additional volunteer who is jumping in to control the bulls. Now that is some guts and glory.
The rest of the people are now seriously running for cover and you can see their backs in the frame.
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I did a search on google to find out about the current status of the bull racing in Kerala. The news is heartening. They did hold this even in 2012 and it had only 12 pairs of bulls in the event. There was some mention of court cases etc etc.. ( the interview was in Malayalam). So hopefully we can continue to see this in future. The number of running bulls is a great concern though. There used to be about 50-60 bulls participating in this event. Times are changing.
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Adoor in Kerala holds its famous Bull Races every year around the time of Onam. It is a celebration of agrarian existence and is carried on without any grants or aid from the Government. This is a spectacular fiesta of rural Kerala. There are 2-3 other such events that are held in Kerala.
Two racing bulls are hitched together and three men come into action. Two racers with lead ropes on either side of the bulls who try to control the direction and speed if possible and one often obscured by sprays of mud and water, a jockey who rides on a small flat strip of wood.
The bulls race ahead with the men keeping desperately abreast of the thundering hooves. At the end of the racing track there is a 4-6 feet embankment of earth which acts as a protection and a marker for the bulls. The embankment gets totally crowded with onlookers. The bull racers need to turn the bull around and do a 360 degree here but most times that effort fails as the bulls in their racing frenzy would be uncontrollable.
I have no idea on the current status of the bull races. There are enough organisations howling to stop such races but the Supreme Court of India in a judgement a few months ago allowed bull/bullock cart races to go on in Punjab. So chances are that the tradition may still live
Dates
Taken on August 15, 2007 at 1.16pm IST (edit)
Posted to Flickr September 25, 2012 at 12.40PM IST (edit)
Exif data
Camera Nikon D70
Exposure 0.001 sec (1/1000)
Aperture f/4.0
Focal Length 70 mm
ISO Speed 200
Exposure Bias 0 EV
Flash Off, Did not fire
DSC_0382 via ACR ver 2 phototune scr part
This was taken during the summer of 1955, when Mom and Dad went off prospecting for uranium in the hills of eastern Utah, while we three kids stayed behind with Grandpa and Grandma Yourdon.
**********************************
Some of the photos in this album are “originals” from the year that my family spent in Omaha in 1955-56. But the final 10 color photos were taken nearly 40 years later, as part of some research that I was doing for a novel called Do-Overs, the beginning of which can be found here on my website
www.yourdon.com/personal/fiction/doovers/index.html
and the relevant chapter (concerning Omaha) can be found here:
www.yourdon.com/personal/fiction/doovers/chapters/ch9.html
Before I get into the details, let me make a strong request — if you’re looking at these photos, and if you are getting any enjoyment at all of this brief look at some mundane Americana from 60+ years ago: find a similar episode in your own life, and write it down. Gather the pictures, clean them up, and upload them somewhere on the Internet where they can be found. Trust me: there will come a day when the only person on the planet who actually experienced those events is you. Your own memories may be fuzzy and incomplete; but they will be invaluable to your friends and family members, and to many generations of your descendants.
So, what do I remember about the year that I spent in Omaha? Not much at the moment, though I’m sure more details will occur to me in the days to come — and I’ll add them to these notes, along with additional photos that I’m tweaking and editing now.
For now, here is a random list of things I remember:
1. I attended the last couple months of 6th grade, and all of 7th grade, in one school. My parents moved from Omaha to Long Island, NY in the spring of my 7th grade school year; but unlike previous years, they made arrangements for me to stay with a neighbor’s family, so that I could finish the school year before joining them in New York.
2. Our dog, Blackie, traveled with us from our previous home in Riverside, and was with us until my parents left Omaha for New York; at that point, they gave him to some other family. For some reason, this had almost no impact on me. It was a case of “out of sight, out of mind” — when Blackie was gone, I spent my final three months in Omaha without ever thinking about him again.
3. Most days, I rode my bike to school; but Omaha was the place where one of my sisters first started attending first grade — in the same school where I was attending 6th grade. I remember walking her to school along Bellevue Avenue on the first morning, which seemed to take forever: it was about a mile away.
4. As noted in a previous Flickr album about my year in Riverside, I was a year younger than my classmates; but I was tall for my age, and thus looked “normal” at a quick glance. But because I was a year younger, I was incredibly shy and awkward in the presence of girls. Omaha was certainly not “sin city,” but by 6th grade and 7th grade, puberty was beginning to hit, and the girls had grown to the point where they were occasionally interested in boys. The school tried to accommodate this social development by teaching us the square dance (and forbidding the playing of songs by Elvis Presley, whose music was just beginning to be heard on the radio). I was an awful dancer, and even more of a shy misfit than my classmates; I continue to be an awful dancer today.
5. My bike ride to school was uneventful most days; but the final part of the ride was a steep downhill stretch on Avery Road, lasting three or four blocks. My friends and I usually raced downhill as fast as we could; but one day, my front bicycle wheel began to wobble on the downhill run, and my bike drifted uncontrollably to the side of the road and then off into a ditch. I got banged up pretty badly.
6. But this accident was nothing compared to my worst mishap: a neighborhood friend and I enjoyed playing “cowboys and Indians” in the woods near his home (and his younger brother usually tagged along). I had a bow and a few arrows for our adventure, and we often shot at trees a hundred feet away. Unfortunately, the arrows often disappeared into the underbrush (because we were lousy shots) and were difficult to find. Consequently, one of us came up with the clever idea of standing behind the “target” tree, so that we could see where the randomly-shot arrows landed. Through a series of miscommunications, I poked my head out from behind the tree just as my friend shot one of the arrows … and it skipped off the side of the tree and into my face, impaling itself into my cheek bone about an inch below my eye. An inch higher, and I would not be typing these words … (meanwhile, my friend's younger brother grew up to be an officer in the U.S. Air Force, and he tracked me down on the Internet, decades later).
7. In the summer of 1956, my parents decided to spend their summer vacation prospecting for uranium (seriously!) in the remote hills of eastern Utah, where my dad had grown up on the Utah-Colorado border. This entailed a long, long drive from Omaha; and it involved leaving me and my two sisters with my grandparents near Vernal, UT. My grandparents lived in a very small mining village outside of Vernal; and while they had electricity and various other modern conveniences, they also had an outhouse in the back yard. Trips to the “bathroom” in the middle of the night were quite an adventure. On the way back to Omaha at the end of this vacation trip (with no uranium ore having been found), we stopped for a couple of days of camping somewhere in the mountains of Colorado; you’ll see a couple of photos from that camping trip in this album.
8. There were no lizards in Omaha, and thus no opportunity for lizard-hunting with my slingshot—which had been a significant hobby in my previous homes in Riverside and Roswell. Indeed, there was almost nothing to shoot at … and I couldn’t find anyone with whom I could play (and hopefully win) marbles, to use as slingshot ammunition. But for reasons I never questioned or investigated (but about which I’m very curious now), there was a small vineyard in the field behind our house, and I was able to climb over the fence and retrieve dozens of small, hard, green grapes. They turned out to be excellent ammunition … but I never did find any lizards.
9. A few months before my parents left for New York, I told them about the latest craze sweeping the neighborhood: “English bikes,” with three speeds, thin tires, and hand-brakes. I desperately wanted one, but Dad said it was far too expensive for him to buy as a frivolous gift for me: at the time, English bikes had an outrageous price tag of $25. I was told that I would have to earn the money myself if I wanted one … and the going rate for young, scrawny kids who shoveled sidewalks, pulled weeds from gardens, and did babysitting chores, was 25 cents per hour. That works out to 100 hours of work … but I did it, over the course of the next few months, and when I got to New York, the first thing I did was buy my English bike.
10. Toward the end of my 7th-grade school year, everyone in my class was subjected to a vision test: we were lined up in alphabetical order, and one-by-one read off a series of letters that we could barely see on a large placard taped onto the classroom blackboard. Because my surname starts with a “Y,” I was usually near the end of the line … and by the time I got to the front, I had usually memorized the letters (because they never bothered to change them, from one student to the next) without even realizing it consciously. But on this particular occasion in 7th grade, for some reason, they decided to line us up in reverse alphabetical order … and I was the first in line. For the first time in my life, I realized that I could not see anything of the letters, and that I was woefully near-sighted.
11. When I got to New York, my parents took me to an optometrist to get my first set of glasses (and, yes, all of the neighborhood kids did begin taunting me immediately: “Four eyes! Four eyes!”) … and I’ve worn glasses ever since.
Three years after I arrived in New York, the glasses saved my vision when a home-brewed mix of gunpowder and powdered aluminum blew up in my face in the school chemistry lab (where I had an after-school volunteer job as a “lab assistant”). I suffered 2nd-degree burns on my face from the explosion, but the glasses protected my eyes. That, however, is a different story for a different time.
Music Time
Urgh! A Music War - Various Artists
I purchased this on cassette way back in the day and likely around the time of its release in 1981 (yes I still have the cassettes) and this was a huge in-road to the punk/new wave music at the time. Having the music was great but knowing there was a movie but not ever getting to see footage of it was likely frustrating. I do not know what year it finally was that I saw the whole movie but it was likely on VHS and rented one night with my friends.
If you ever get the chance to watch the movie I highly recommend that you do. To see these bands so young and all of the energy and fashion and just flat out playing music because you had to, is a real treat. Small clubs. Small stages. Big dreams.
When you see all of the diverse bands that are involved here you can see just how dynamic the music of the early 80s was and why it is now getting its due for shaping so many musical tastes.
The Police, Devo, Pere Ubu, Klaus Nomi, Steel Pulse, OMD, Go-Go's, XTC, Echo and the Bunnymen are just a few of the bands here. The original movie has something like 35 different bands performing. A couple of my favourites are: Athletico Spizz 80 - Where's Captain Kirk, The Members - Offshore Banking Business, Devo - Uncontrollable Urge, OMD - Enola Gay, The Police - Driven To Tears.
Maybe you have a favourite from this movie?
A couple of tracks. Enjoy!
Devo - Uncontrollable Urge: www.youtube.com/watch?v=M4Q35e0-fPQ
The Police - Driven To Tears: www.youtube.com/watch?v=ZQdOg9huYVI
OMD - Enola Gay: www.youtube.com/watch?v=oEKO15mNFkM
Athletico Spizz - Where's Captain Kirk: www.youtube.com/watch?v=SLQm1-JKwjs
Steel Pulse - Ku Klux Klan: www.youtube.com/watch?v=6-pAm9hAEZQ
The trailer: www.youtube.com/watch?v=uqrmFQwoUwU
I once staggered out of the Art School, a nightclub which sits at the top of this hill, and accidentally managed to pick up a bit of speed while walking down towards Sauchiehall Street (this photograph doesn't do justice to just how steep this hill is, but anyone who knows it will understand what happens when you pick up speed on it.) Despite my best efforts to slow down, and the generosity of a man who was walking up the hill who stuck his arm out for me to grab, I was running at full speed towards the bottom. I thought that I might be able to keep my balance if I kept running straight while I slowed down again, but that plan was thwarted by a passing taxi. It didn't hit me, but I had to swerve quickly. I was thrown off my feet and forward(!) rolled across the road, landing outstretched in front of the brightly lit window of the kilt shop you can see on the right hand side. My jacket and trousers were ripped and my glasses had been thrown off my face, but most worrying to me was the fact that the D700 was on my shoulder the whole time. Miraculously, and a testament to the incredible build quality of the camera, it came away with only a few scratches.
Another time, the one working brake on my bicycle snapped while I was cycling down the other side of the hill. My thought process probably went something like "Ach, what a nuisance... hang on a minute, this could be dangerous...oh fuck, I'm going to die!!" Flying towards West Graham Street, a fairly busy road on which an uncontrollably speeding cyclist might be killed by a passing car, I had no choice but to turn at full speed into some railings, which ruined the front wheel of the bike, as well as my right foot and trainer which got caught under it. A motorist who saw it all got out of his car and helped me up.
I've moving away from this area at the end of this month. I'll miss being right in the city centre, and only a stone's throw away from Nice'n'Sleazy, but I won't miss walking up and down this bloody hill.
Glasgow, 2011.
I always read the “Tagged” entries with great interest. But it’s different when you are the one that’s tagged. Let’s see:
1) I run a special events company. We do Game Shows and Gangster, Western, Vegas, Western and Mardi Gras casinos. Our casinos are cast with professional actors and they blend theatre with gambling, live mystery and music. We work almost exclusively with corporate and convention markets and have done so since 1984. (I was twelve. Ahem.)
2) I am a professional magician. I perform close-up magic for adults at trade shows, conventions and corporate events. I also do stage shows for children. I like kids a lot. They remind me of me.
3) I am midway through writing my second novel. The first one I wrote to see if I could actually do it. I have very high hopes for the second one. I try to write something every day to keep it from curling up and dying for lack of attention. My goal is 2,000 words a day, but I don’t hit that often. I want ultimately to write for a living. That’s my long range plan. I am going to pen a few best-sellers and Sheree and I shall maintain matching luxury condos in New York and Paris. Yessir.
4) I live and breathe Photoshop. I teach it, I use it and I have unreasonable amounts of fun with it. Up until recently, I had a website up, designed to teach the basics of Photoshop in six hours.
Photoshop is a HUGE part of my life. I freelance my work in custom-designed PowerPoints that I build in Photoshop.
I love visual things…love the way colors blend and the image changes. I can spend a LOT of time tinkering with stuff and I won’t stop until it looks right to me. I like the idea of trying to speak word and concept into my images.
5) Winston Churchill once said “My single most important accomplishment was convincing the greatest woman in the world to marry me.” I totally understand that…but I disagree with him because I have the greatest woman in the world. His must have been the second best.
6) We love to travel and photograph this fascinating world. Later this month we’re off to New York (to see Alan) then Rhode Island (to see Gina) then Philadelphia (to see Sharon) and Washington DC (to see Peter and Elie) then back to NYC for more Alan. In January, we’re going to AFRICA! (You probably think we are fabulously wealthy, huh? See? Caught you! We’re not wealthy…we’ve just decided that travel is our number one priority.)
7) In college two of my friends and I were sent out to pick up cases of booze for a “Meet Your Potential Media Employers” night. (I was a journalism student…and later turned into a radio reporter for twelve years.) We all three got blotto before the event even began and I clearly remember sitting on the floor and telling the publisher of Edmonton’s largest daily newspaper that in MY opinion, the media had become a “whore to the advertisers.” I am unreasonably, unaccountably, rather childishly fond and proud of this memory.
8) My emotional and spiritual reset button is pressed each time I remind myself of the verse “Where your treasure is, there your heart will be also.” This keeps me out of an awful lot of crap. So God is my favourite author, followed distantly by Bill Bryson, Michael Connelly, Sue Grafton, Sara Paretsky, Robert B. Parker, Christopher Moore and John Sandford.
9) My life has been saved twice. The first time was when I met Sheree in the mid 1980’s. The second was when I met Jesus about ten years later. Both times I was circling the drain.
10) I have music around me all the time: Andrea Bocelli, AC/DC, Sarah Brightman, ZZ Top, Beach Boys, Billie Holiday (and Etta James singing Billy Holiday – which is a sound as close to heaven as we are going to get), Eric Clapton, Eva Cassidy, Frank Sinatra, Tony Bennett, Led Zep, T-Bone Burnett, Leonard Cohen, Jeff Healy, J. J. Cale, Norah Jones, Rod Stewart’s American Songbook recordings and Vladimir Ashkenazy’s Mozart and Beethoven recordings are big favs. I have three iPods because, frankly, I could not imagine being without good music. Plus I am so absent minded that I can put one of those puppies down and lose it for a week. Having more than one keeps me from snivelling and weeping uncontrollably, since I am also a wee bit obsessive. And moody.
Now you know.
Don’t you feel better?
PS: Sheree took this picture of me one perfect afternoon in Rome. I have tinkered with it...a little.
Issue#19 "Yours truly"
Nightmare:
Laughter fills my ears as I crawl into my base, my mouth aches from the painful smile stretched across my lips. I cackle uncontrollably no matter how hoarse my throat gets, I can't help it I can't speak only laugh. I lift up my mask under my hat throwing up frothy bail as the whole world spins, I close my eyes falling to the ground whilst I clutch onto the floor for dear life laughing till everything goes black.
I open up my eyes sluggishly rubbing the sleep encrusted around them, my throat begs for moisture and I sit up parched. I squint noticing an envelope placed on my chest with a red wax sealant stamped on it, I open the letter pulling out the fancy written piece of paper reading it.
__________________________________________________________________________________________
Bane:
I managed to swim through the murky waters dragging myself onto dry land spluttering. I began feeling up on my custom made Venom from a nearby pharmacy I took over, after a little tinkering with my cartridges they were back to their original state. Before I activate them I frown noticing an envelope laying on the ground before my feet, cautiously I lift it up opening up the red stamped sealant on it and begin to read.
_________________________________________________________________________________________
Harley Quinn: I kiss Crocs scaly cheek flashing him a smile as I clamber down his walking up to the envelope placed daintily on the ground. "Poor Ivy." Croc grumbles I pout opening the letter "I know Puddin' the bad Bat got her but we'll take care of him." I grin up at him pulling out the letter reading it.
"To Harley Quinn
I am pleased to invite you and your brutish friend to my Wonderland Party, there shall be tea and biscuits for your pleasure. Upon arrival you and a couple others will hopefully pacify me with talks of a peace treaty to take down the masked Jabberwocky! Party will be tomorrow night at 10pm I hope to see you there.
Sincerely yours, The Madhatter"
"What does letter say?" Crock growls lumbering his way up to me, I laugh smiling wider "It says we have a party to go to."
Space Sector 666: Planet Ryut, 1990
"Yasiim!" echoed a deep, yet weakened voice. Out of the dust and debris walked a man with pure red skin, wearing black pants. "Uluva! Pendia! Call if you can hear me!" Atros, a psychologist of the planet Ryut, cried to his family, hoping, begging, for a response. It was all he could do.
It was a normal day. He had just left his office, when the sky began to cry, cry tears of fire. The robots, red and blue in color, crashed into the city of Crymzun. Cries and screams began to echo, almost as if it filled the streets. The blood… the blood is what truly filled the streets.
The robots, weapons in hand, butchered the innocent. Limbs torn, bodies blown apart… it was an absolute genocide.
Atros sprinted through the streets, passing the mutilated bodies of his people. They didn't matter, he had to find his wife and daughters. It's what he kept repeating to himself. He saw friends, colleagues… butchered before his very eyes. His goal was all that mattered. His family was all that mattered.
"Yasiim!" his voice bellowed out once again, his legs tired from running for almost 20 minutes straight. He avoided the robots, praying to find his family. He had to pray, hope was all he had.
It was all he had. That flicker of light left him as he came across impaled heads on pikes. The smaller light that left his eye, the flicker of hope that everything would be fine, was replaced with something else. No longer a spark of hope, but an inferno blazing with hatred.
And he screamed. Screamed because he was angry. Screamed because the love of his life and his children were nothing but mutilated corpses in front of him. He dropped to his knees in front of the pikes, his hands hurrying themselves in the sand.
This. This was the birth of true, uncontrollable rage. He knew it. He also knew that vengeance would be his.
Space Sector 666: Planet Ysmault, 1990
"Are you sure you wish to do this, Commander?" asked the second in command of the Empire of Tears, his face bearing worry.
In the center of a pentagram sat Atros, the sole surviving member of the planet Ryut. At each point of the star, stood a member of the Empire, all but one. On the remaining point was a black bowl filled with blood belonging to each of them.
"Start the ritual," commanded Atros, leaving no room for debate.
As the order was ushered, the other four members began to chant various phrases of ancient magic. Atros closed his eyes, the feeling of his blood cooling down a sign of success.
That's when his world went black.
Images began to flash through his mind, like a film reel.
An Indigo colored Lantern locked hands with another Lantern, Blue in color.
A Lantern in Yellow and a Green Lantern, both clad in capes, dueled with Atros himself, bearing some sort of red ring.
An Orange Lantern's blade collided with that of a Star Sapphire, both fighting for their lives.
Then the final image appeared, a reaper, bearing a scythe as black as the night itself. In front of him was a normal sized man, his skin gray and worn.
"The Blackest Night, falls from the skies.
The darkness grows, as all light dies.
We crave your hearts, and your demise.
By my Black Hand, the dead shall rise."
The vision ended, Atros panting and gasping for air. The sounds of the other members filled his ears, but none of the words were legible. Only one thing was on his mind.
"Black…. Hand…."
Space Sector 2814, 1991
"I only wish to know who you saw," spoke the low voice of Abin Sur, who currently was interrogating the red terrorist. "This could spell the death of all things, even you."
The small cell on his space shuttle was currently occupied by Atros, the leader of the Empire of Tears. His arms were folded in his lap, his eyes staring at the pink man.
"Please, Atros," Abin requested, sincerity riddling his voice. "If this vision you see is true, then you may be the key to saving our universe."
Atros' eyes narrowed, staring at the pink man in front of him. "Hand," he spoke, informing the other man. "Black Hand is all that I know of."
Abin nodded, turning from the cell to the main console. "Aya," he started, activating the A.I of the ship, "Scan Terra's life forms for any notable references of 'Black Hand'."
Atros knew it was his time. Sliding a small device from his sleeve, the press of a button caused a small explosion. Abin turned his head to see an empty cell. Before he could make an attempt to fight, a blade pierced through his abdomen.
Atros stood in front of him, a scowl present in his face. "The Blackest Night will arrive… and it will bring justice to those who were wrongfully punished." Abin stared at the malice filled eyes of the other man.
As the blade slipped from his abdomen, Abin stumbled to the console, only to feel a large hand on his shoulder. Abin was pushed aside, thrown into the floor with force. The sound of hands slamming against the console filled the ship, Atros repeating the motion until it was a mess of metal.
"Atros…" called out Abin, his hand raised. Atros turned his head to view the weakened man. "You will be one of them. One of those who ward off the Blackest Night."
Atros ignored the words, opting to crouch in front of the Lantern. "I will never aid your kind," he spewed, spitting in the face of man. "The blood of my family should be enough to prove it."
Atros stepped to the small escape pod on the ship, typing in coordinates. Ysmault, the home of the Empire of Tears. He gave one last glance at Abin before pressing the button on the console, sending himself back to his empire.
Space Sector 666: Planet Yasmult, 1995
"With blood and rage, crimson red."
The sound of a hammer pounding into metal is heard throughout the caves of Ysmault.
"Ripped from a corpse, so freshly dead."
The sparks flew from the red metal, the shape being a tall, yet lean lantern.
"Together, with our hellish hate."
The lantern was placed down, seemingly beginning to glow. A small ring floated from the center of the lantern.
"We'll burn you all."
The ring floated itself to the large red finger of its creator. Sliding itself on, a burst of red energy surged from the lantern. As the light dimmed, the smith stood tall. His body was covered in black and red armor, blood dripping from his hands and mouth.
"That is your fate!"
Operated by the Royal Aircraft Establishment since 6/81. was w/off 8/8/91 having entered a uncontrollable turn whilst on detachment at Camp de Canjeurs airbase Provence France for anti tank weapon trails.
The Salzach is a right tributary of the Inn and, at 225 km long, is its longest and richest in water. It flows in the state of Salzburg ( Austria ), in Bavaria ( Germany ) and in Upper Austria , is one of the large Alpine rivers and drains almost the entire Hohe Tauern to the north.
Etymology
The ancient Latin name of the Salzach was Iuvarus or Ivarus . The name came from the Celtic river deity Iuvavo , the divine personification of the Salzach. The Romans later adopted the name of this god, slightly Latinized, for the Roman city of Iuvavum .
However, only the lower reaches and the Saalach flowing into the Salzach were called Ivarus , as the upper reaches had their own name, Isonta .
The Salzach owes its current name to the salt shipping that operated on the river until the 19th century; The historical center of salt shipping was Laufen . Until after 1800 the river was generally called Salza (i.e. the same as a Lower Austrian-Styrian river ).
Course of the river
Sections of the Salzach Valley
Salzachtal describes the entire course of the Salzach river. The upper reaches characteristically stretch between the Hohe Tauern and the Salzburg Slate Alps as part of the northern longitudinal valley furrow in a west-east direction. Then it describes a knee, flows northwards in the middle reaches and breaks through the schist and northern Alps and in the lower reaches forms several valleys in the foothills of the Alps (breakthrough valleys through the hill ranges of the subalpine and foothill molasse ).
The sections are named as follows, whereby the more common terms used in the Salzburg districts can also refer to the secondary valleys more generally:
Salzachpinzgau , also Pinzgauer Salzachtal , the valley section of the upper reaches to Lend
Source valley of the Salzach, from the source at the Salzachgeier to Vorderkrimml
Oberpinzgau , the Trogtal from Gerlospass to the Niedernsill / Kaprun – Piesendorf area
Zeller Basin , a widening around Lake Zell , in which the valley opens completely to the north for a few kilometers (part of the Mitterpinzgau [8] or Saalfeldener–Zeller Basin )
Unterpinzgau from Bruck / Taxenbach to Lend
Salzachpongau , Pongau Salzach Valley , Bischofshofen–St.-Johanner Basin or Pongau Basin , up to the Limestone Alpine breakthrough at Pass Lueg (Berchtesgaden Alps/Tennen Mountains)
Salzburg–Hallein Basin , one of the most densely populated peripheral Alpine basins
Salzachtennengau , Tennengau Salzach Valley , [also Hallein Basin , Golling-Hallein Basin , Hallein Widening , or Tennengau Widening , the following valley of the lower reaches around Hallein
Salzburg Basin , , also Salzburg-Freilassing Basin , the peripheral Alpine basin landscape around the city of Salzburg
extra-Alpine valleys of the Alpine foothills until reaching the Lower Inn Valley (Salzach as the border river between Austria and Germany)
Laufener Salzachtal , near Laufen
Tittmoninger Salzachtal , Lower reaches section between the breakthroughs at Laufen and St. Radegund
Burghausener Salzachtal , narrow valley near Burghausen until you reach the Öttinger Inntal
Upper Austrian Salzach Valley , [20] the right-bank spatial unit in Upper Austria between the state border at Bürmoos / St. Pantaleon and reaching the Upper Austrian Inn Valley (part of the Upper Innviertel )
The southern side valleys of the upper Salzach, in the main Alpine ridge , are called Tauern valleys .
Upper reaches
The Salzach rises in the Kitzbühel Alps in the west of Salzburg. The spring streams drain several alpine pastures at around 2300 m above sea level. A. between Krimml and the Tyrolean border, 3 to 5 km north of the Gerlos Pass on the slopes of the Salzachgeier ( 2466 m above sea level ) and the Schwebenkopf (2354 m). Although some of these tributaries are longer, the Salzach is considered the main river due to its greater water abundance. The cirques or alpine pastures are named Salzachboden, -Ursprung and Schwebenalm , where one of the springs forms a small mountain lake (Schwebenlacke). About 5 km south at Vorderkrimml, the young Salzach unites with the Krimmler Ache , which is, however, more than half longer and, with almost three times the average water flow, is hydrologically the main source of the Salzach system.
In its approximately 90 km long upper reaches , whose catchment area almost coincides with the Pinzgau region , the Salzach follows a striking longitudinal valley furrow in a west-east direction to Schwarzach , where it gradually turns north. The longitudinal valley furrow, which is geologically related to the folding of the Alps , continues far to the east, where it forms the upper Ennstal .
The border between the Pinzgau (political district of Zell am See) and the Pongau (district of St. Johann) below the industrial town of Lend is considered the transition from the upper to the middle reaches . A little earlier, the Zeller / Saalfeldner Basin opens to the north , which separates Lake Zell and the catchment area of the Saalach , the largest tributary of the Salzach that flows into Salzburg, through a valley watershed . In early prehistoric times, its course was the lower reaches of the Salzach.
From Krimml to beyond the beginning of the middle reaches, the side valleys running south-north , which come from the main Alpine ridge (Venediger and Glockner group of the Hohe Tauern ), flow from the south in a regular, almost parallel sequence. Almost all of these 15 water-rich southern tributaries flow into the Salzach as hanging valleys because the Ice Age main glacier following the Salzach valley was able to deepen more than the less powerful side glaciers. Towards the east, the mouths become increasingly higher above the valley floor and end with almost vertical, deep gorges . The most famous are the Kitzlochklamm (Raurisertal), the Gasteiner Klamm (Gasteinertal) and the Liechtensteinklamm (Großarltal).
Middle and lower reaches
The Salzach nearwerfen with Hagengebirge , Hohenwerfen Fortress and Tennengebirge
Salzach ovens
At Schwarzach and St. Johann, the middle course turns north and widens into a valley basin, the Pongau Basin , in which Bischofshofen lies alongside St. Johann . The Salzach breaks through the northern Limestone Alps between the Hochkönig / Hagengebirge and the Tennengebirge at the Lueg Pass in the Salzachhöfen gorge .
In the lower reaches [3] the Salzach leaves the Alps into the Salzburg Basin , flows through the lower Tennengau with Golling , Kuchl and Hallein and the Flachgau with the city of Salzburg and Freilassing an der Saalach. It then breaks through the Laufener Enge near Oberndorf , flows through the Tittmoninger Basin and the Nonnreiter Enge and flows into the Überackern basin between Burghausen an der Salzach and Braunau am Inn at an altitude of 344 m above sea level. NN near Haiming into the Inn coming from the west .
It forms the border between Germany and Austria over a length of around 59 km and has a catchment area of 6,704 km². The average water discharge at the river mouth is 252 m³/s.
Tributaries
In the upper and middle reaches: Wenger Bach , Trattenbach and Dürnbach from the Kitzbühler Alps, Krimmler Ache , Obersulzbach , Untersulzbach , Habach , Hollersbach , Felberbach , Stubache , Kapruner Ache from the Hohe Tauern, Pinzga from Zeller See , Fuscher Ache , Rauriser Ache the Hohe Tauern, Dientener Bach from the Slate Alps, Gasteiner Ache , Großarlbach , Kleinarlbach from the Hohe Tauern, Fritzbach from the Dachstein massif, Mühlbach and Blühnbach from the Hochkönig.
In the lower reaches: Lammer from the east, Torrener Bach ( Bluntautal ) from the Berchtesgaden Alps, Tauglbach and Almbach from Hintersee , both from the Osterhorn group, Königsseeache from Königssee , Kehlbach , Fischach from Wallersee , Klausbach , Saalach as the largest tributary, Sur and Götzinger Achen Bavarian side, Oichten near Oberndorf and Moosach in the Salzburg-Upper Austrian border area.
Pinzgau: Nadernachbach Dürnbach near Neukirchen am Großvenediger, Trattenbach near Wald im Pinzgau, Walcherbach near Walchen, Friedensbach, Fürthbach, Pinzga (outflow of Lake Zell near Bruck ad Glocknerstrasse), Steinbach near Steinbach, Fischbach near Gries im Pinzgau.
Pongau: Dientener Bach near Lend, Seebach near Schwarzach im Pongau, Wenger Bach from the Putzengraben in Schwarzach im Pongau, Reinbach near St. Johann im Pongau.
Tennengau: Imlaubach near Pfarrwerfen, Blühnbach (Salzach) near Tenneck, Torrener Bach ( Bluntautal ) near Golling, Weißenbach between Golling and Kuchl, Steigbach near Stockach. Schrambach, Kotbach in Hallein, Königsseeache from Königssee near Taxach, Anifer Alterbach .
City of Salzburg: Almkanal , Glanbach , Saalach (largest feeder).
Berchtesgadener Land district: Sur .
Traunstein district: Götzinger Achen .
Altötting district: Alzkanal .
Orographically on the right side (from origin to mouth):
Pinzgau: Krimmler Ache , Obersulzbach , Untersulzbach , Habach , Hollersbach , Felberbach , Stubache , Mühlbach , Kapruner Ache from the Hohe Tauern, Fuscher Ache , Wolfbach , Rauriser Ache .
Pongau: Gasteiner Ache , Großarlbach , Kleinarlbach from the Hohe Tauern, Fritzbach from the Dachstein massif.
Tennengau: Lammer from the east, Tauglbach , Almbach from Hintersee .
Flachgau (south): Kehlbach near Elsbethen, Klausbach , near Glasenbach.
City of Salzburg: Alterbach
Flachgau (north): Fischach from Wallersee , Oichten near Oberndorf .
Upper Austria: Moosach near Riedersbach.
Municipalities and cities
The Salzach flows through the following communities and cities (viewed downstream); the G denotes those that the river touches as a border river and the D those that lie in Upper Bavaria , Bavaria ( Germany ):
Forest in Pinzgau
Neukirchen am Großvenediger
Bramberg am Wildkogel
Hollersbach in Pinzgau
Mittersill
Stuhlfelden
Uttendorf (Salzburg)
Niedernsill
Piesendorf
Kaprun (G)
Zell am See (G)
Bruck an der Glocknerstrasse
Taxenbach
Lend
Goldegg im Pongau (G)
Saint Veit im Pongau
Schwarzach im Pongau
St. Johann im Pongau
Bischofshofen
Throw
Pfarrwerfen (G)
Golling on the Salzach
Kuchl
Bad Vigaun (G)
Hallein
Puch near Hallein (G)
Anif (G)
Elsbethen (G)
Salzburg
Bergheim (G)
Freilassing (G; D)
Saaldorf-Surheim (G; D)
Anthering (G)
Nußdorf am Haunsberg (G)
Running (G; D)
Oberndorf near Salzburg (G)
Fridolfing (G; D)
Sankt Georgen near Salzburg (G)
St. Pantaleon (G)
Easter rental thing (G)
St. Radegund (G)
Tittmoning (G; D)
Burghausen (G; D)
Stronghold-Ach (G)
Überackern (G)
Haiming (G; D)
Bridges
In the city of Salzburg there are 13 Salzach bridges for motorized and non-motorized traffic. There are only cross-border bridges downstream, namely the listed bridge between Laufen and Oberndorf and the Europasteg , which is also located there, as well as a bridge between Tittmoning and Ettenau (municipality of Ostermiething) and two between Burghausen and Hochburg-Ach (towns of Wanghausen: Neue Brücke and Oh on the Salzach: Old Bridge ). There are numerous bridges on the upper and middle reaches of the river.
Many of these bridges were destroyed repeatedly by floods. The flood of August 13, 1959 at 2100 m³/s meant the end of the recently built motorway bridge below Salzburg, which collapsed due to a breakthrough in the bed .
The construction of an additional bridge for cross-border car traffic in the Laufen area is being discussed. So far no agreement has been reached despite the identification of a corresponding need. Resident protests and a large, protected alluvial forest belt, among other things, are proving to be an obstacle.
The construction of a pedestrian bridge shortly before the mouth of the Salzach between Haiming and Überackern is also being considered.
Hydrology
Amount of water and flooding
Data on water levels and discharge are continuously collected at eight gauges in Austria and two in Germany. The average discharge volume increases downstream due to the tributaries of the Salzach:
GollingSalzburgRunBurghausen
River kilometers93.4164.3547.5011.40
Average discharge in m³/s140176239251
This makes the Salzach one of the largest rivers in Bavaria and Austria . As an Alpine river, the Salzach has to absorb large amounts of water in unfavorable weather conditions and prolonged rain. In the period from June to September this regularly leads to floods, rarely even in winter. The probably largest flood in the history of the city of Salzburg on June 25, 1786 is documented by a high water mark in the old town. On the memorial plaque at the Haus der Natur Salzburg it says that the Salzach claimed the lives of 2,226 people in May 1571 and swept away 13 houses and barns in July of the following year. The largest amount of water in recent times flowed through the city of Salzburg at 2,300–2,500 m³/s on September 14, 1899 , and almost 2,200 m³/s on September 7, 1920. On August 12, 2002, the Salzach reached a water level of 8.30 m in the city of Salzburg and was only 10 centimeters below the critical level, which would have resulted in large parts of the old town being flooded. The maximum flow rate of the Salzach that day in the city of Salzburg was 2,300 cubic meters per second. Below the mouth of the Saalach, the 100-year flood discharge is over 3,100 m³/s. Winter floods are very rare; on March 21, 2002, the Salzach in Salzburg had 1,060 m³/s, an amount that occurs approximately every two years, but for the month of March represents at least a 100-year flood.
As early as February 23, 1899, the Imperial and Royal state government in Salzburg introduced a “provisional regulation for the flood intelligence service in the Duchy of Salzburg”. Today, the hydrological information system for flood forecasting (HYDRIS) developed by the Vienna University of Technology is responsible for flood warnings in Austria. Both meteorological and hydrological data are included here, which allow for advance warning and, through flood coordination, enable damming with the help of the Mittlere Salzach power plant chain.
Regulation of the riverbed
Since the Middle Ages, small parts of the Salzach in the urban areas of Salzburg, Laufen and Hallein have been fortified with willow fascines and wooden shoring. The first attempts to regulate the Salzach in the form of a continuous trapezoidal profile began in 1823 in Pinzgau, secured by stone sets. As a result of the regulations, building land and cultivated land were gained, but valuable, vital riparian forest and the rich structure of the river with gravel islands and countless side arms as space for animals and people were also lost. After the first treaty concluded between Bavaria and Austria in Munich in April 1816, the old border lines were precisely surveyed. In December 1820 in Salzburg the new state border was determined by mutual agreement.
The Bruck threshold was blown up in 1852, thereby lowering the Salzach. This enabled arable land near the river to be gradually gained in Pinzgau and boggy and marshy meadows to be drained.
In the city of Salzburg itself, the first heavy blocks from the city walls near the Klausentor were removed in 1852 and used to regulate the Salzach. The once extensive bastions of the new town and the vast majority of the fortifications on the old town side, as well as the Linzertor, were used as raw material for the regulation of the Salzach. The painter and local councilor Josef Mayburger implemented a somewhat more elegant, swinging structure within the urban area. Schwarz also wanted to use the material from the Müllner Schanze to regulate the Salzach, but Mayburger was able to prevent this. The regulatory work between the city bridge and the railway bridge was completed in 1862, and that between the city bridge and the Karolinenbrücke by 1873.
Initially, the Salzach below the city of Salzburg was planned to have a width of 80 Viennese fathoms (152 m). However, the self-deepening of the Salzach, which was initially very desired, largely failed to occur. Therefore, in a further step, the total width of the Salzach was reduced to 60 fathoms (114 m). Only the significant removal of bedload led to significant deepening after 1900. To this day, the Salzach has dug deeper and deeper into its bed. This deepening has become a problem for decades. It has now reached a level where the fine sand and sea clay layers, which are particularly susceptible to erosion, are only insufficiently covered or not covered at all. Even a medium-sized flood event can lead to uncontrollable consequences and sudden further depressions of several meters (bottom breakthrough). The result would be significant damage to buildings and the surrounding area. An acute danger could arise within a very short time, especially for bridge piers and bridge abutments, bringing all inner-city traffic to a standstill. There is therefore a need for action. A Bavarian-Austrian working group has developed possible solutions and is currently carrying out the first measures of the “Lower Salzach Renovation” project. Plans include widening the riverbed and installing dissolved bed ramps and so-called open revetments . The main aim of the measures is to prevent further deepening and to raise the river bed again in a dynamic process of its own and to bring this state into a dynamic equilibrium. This means that valuable, vital alluvial forest can be created on a small scale. This essential work to rehabilitate the Salzach over a length of 60 km is associated with a cost of around 300 million euros.
In 2009, the first phase began with the gradual widening of the lower Salzach below Weitwörth, combined with an uplift of the middle Salzach bed. In 2010 the widening of the river towards Oberndorf will continue.
Water quality
Due to the wastewater from the paper and pulp factory in Hallein , which was built in 1895 and greatly expanded in the 1960s , the Salzach was the most polluted in 1977. It was only from 1979 onwards that the amount of waste water to be discharged was limited (1979: 84 t BOD 5 per day (which corresponds to around 1.4 million inhabitants); 1985: 54 t; 1988: 20 t; 1990: 15 t; 1999: 8 t ; 2002: 2 t) and with the installation of a chlorine-free bleach in 1991 the quality suddenly improved.
Until 1999, the water quality from the factory was water quality class II-III (critically polluted), and until 1987 it was only III-IV. By installing or improving the wastewater treatment in autumn 1999, continuous water quality class II (“low pollution” according to the EU Water Framework Directive) could be achieved for the first time below Hallein and quality class I-II up to Salzburg, so that the water quality is sufficient for swimming. The renovation of the paper mill's wastewater technology was successfully completed at the end of 2002, but the amount of wastewater discharged every day since then still corresponds to around 25% of the Salzach's total pollution load.
In 1987, in the area of the city of Salzburg, the use of the large Siggerwiesen sewage treatment plant , which is designed for over 600,000 inhabitants, resulted in a further improvement of water quality by half a step. In addition to the wastewater from Salzburg, the wastewater treatment plant also cleans that from the surrounding area and from the Bavarian Ainring .
Tourism/Leisure
In the House of Nature there is the permanent exhibition Salzach Lifeline
The well-signposted Tauern cycle path begins at the Krimml Waterfalls in the Hohe Tauern National Park and leads along the Salzach, Saalach and Inn, partly on old towpaths (tread paths) to Passau.
A riverside path leads from Laufen via Tittmoning to Burghausen (approx. 40 km in total), which is very easy to hike on the German side.
Based on the former salt boat trip, so-called flat trips can be booked at the local tourist offices in the lowest section of the river, which take place several times a month in summer.
Loss
- iSkye Silverweb
Chaos. Disorder. Nothing makes sense.
Lost my place in a blink, like that.
Reality sinks in, just a bit.
My loved one is not coming back.
Colours fade around me, food is tasteless to me.
Sunlight feels like a memory of last year.
But seeing his toy, his favourite cup -
and I burst into uncontrollable tears.
There's this hole at my feet, I wonder
If I fall into this, how far to escape
the crippling shock of OH MY GOD
this should not be his fate!
A hand squeezes mine, eyes meeting mine
words show on my screen, "All ok?"
Stepping back from the void, emotion devoid,
Typing, "I'm fine," saying "I just need another day."
Visit this location at The Colours of Loss and Healing in Second Life
Our emotional state of choice is Ecstasy. Our nourishment of choice is Love. Our addiction of choice is technology. Our religion of choice is music. Our currency of choice is knowledge. Our politics of choice is none. Our society of choice is utopian though we know it will never be.
You may hate us. You may dismiss us. You may misunderstand us. You may be unaware of our existence. We can only hope you do not care to judge us, because we would never judge you. We are not criminals. We are not disillusioned. We are not drug addicts. We are not naive children. We are one massive, global, tribal village that transcends man-made law, physical geography, and time itself. We are The Massive. One Massive.
We were first drawn by the sound. From far away, the thunderous, muffled, echoing beat was comparable to a mother's heart soothing a child in her womb of concrete, steel, and electrical wiring. We were drawn back into this womb, and there, in the heat, dampness, and darkness of it, we came to accept that we are all equal. Not only to the darkness, and to ourselves, but to the very music slamming into us and passing through our souls: we are all equal. And somewhere around 35Hz we could feel the hand of God at our backs, pushing us forward, pushing us to push ourselves to strengthen our minds, our bodies, and our spirits. Pushing us to turn to the person beside us to join hands and uplift them by sharing the uncontrollable joy we felt from creating this magical bubble that can, for one evening, protect us from the horrors, atrocities, and pollution of the outside world. It is in that very instant, with these initial realizations that each of us was truly born.
We continue to pack our bodies into clubs, or warehouses, or buildings you've abandoned and left for naught, and we bring life to them for one night. Strong, throbbing, vibrant life in it's purest, most intense, most hedonistic form. In these makeshift spaces, we seek to shed ourselves of the burden of uncertainty for a future you have been unable to stabilize and secure for us. We seek to relinquish our inhibitions, and free ourselves from the shackles and restraints you've put on us for your own peace of mind. We seek to re-write the programming that you have tried to indoctrinate us with since the moment we were born. Programming that tells us to hate, that tells us to judge, that tells us to stuff ourselves into the nearest and most convenient pigeon hole possible. Programming that even tells us to climb ladders for you, jump through hoops, and run through mazes and on hamster wheels. Programming that tells us to eat from the shiny silver spoon you are trying to feed us with, instead of nourish ourselves with our own capable hands. Programming that tells us to close our minds, instead of open them.
Until the sun rises to burn our eyes by revealing the distopian reality of a world you've created for us, we dance fiercely with our brothers and sisters in celebration of our life, of our culture, and of the values we believe in: Peace, Love, Freedom, Tolerance, Unity, Harmony, Expression, Responsibility and Respect.
Our enemy of choice is ignorance. Our weapon of choice is information. Our crime of choice is breaking and challenging whatever laws you feel you need to put in place to stop us from celebrating our existence. But know that while you may shut down any given party, on any given night, in any given city, in any given country or continent on this beautiful planet, you can never shut down the entire party. You don't have access to that switch, no matter what you may think. The music will never stop. The heartbeat will never fade. The party will never end.
I am a raver, and this is my manifesto.
Sunset at Folly Beach County Park
Charleston County, Lowcountry South Carolina
Accessed via West Ashley Avenue
Date taken: March 23, 2014
Unsigned prints are available for purchase at Fine Art America.
Website & Social Media Links: Facebook | Website | Google+
Author and photographer, David duChemin often speaks of the two disparate worlds of photography as that of art and commerce, each largely different in approach and execution. I can say that the business side of photography has been really tough for me personally. After the initial flurry of activity occurs--you become a business, get all of your licenses, open appropriate bank accounts, grab a line of credit, put together a website, begin social marketing networks, get nailed with your first quarterly estimated tax payment, etc. etc.--it sinks in that this is going to be a long-term venture if at all, and the odds of success are stacked against you. I started out spending much of my time dependent upon and apprehensive about uncontrollable elements like the weather or the will of the buying public. Monthly bills come without prejudice and my photographs were selling without the same consistency or frequency as said bills--one photo here, one photo there, a license one day, a potential publication the next. There is a lot of pressure to begin shooting for market; adjusting your subject and travel schedule to be more in line with what you think might sell, someone else might want, what a magazine could use in their annual schedule. Decisions begin to slant more and more towards this end and less and less towards the thoughtless meandering in the woods that got you into the industry in the first place. Opportunities abound all around you--art shows on the weekends, creative marketing pieces that you could create with expensive Photoshop products, fancy websites and blogs that could generate interest and new markets--but how do you get ahead far enough to afford the capital to take advantage of them: the monthly recurring costs of new software on the cloud or the one-time expenses to print and display professionally at a show.
But then, you take a walk on the beach with the camera; or up a boulder-strewn trail in the mountains; or through a path of wildflowers, and it all makes sense, at least for me. I ground myself outside; on the best of days I manage to tap into the rhythms of nature. My thoughts become less cluttered, my purpose in life or business or in the eyes of peers, friends, family, less important, my ability to engage with the surroundings stronger and clearer. In some new-age garbligook I guess it is akin to meditation. I repeat this process almost daily. It starts with the morning check on social media networks and business earnings/expenses; addressing e-mails and inquires if present. The apprehension builds--will I make enough this month; can I afford gas to travel to the locations necessary; am I doing the right thing etc. etc.. Then, almost regardless of what the conditions are outside, every morning and evening I put on my pack and grab my tripod and take a walk down a trail somewhere. I know that all the concerns of life and career will bear down again when I return, but for that little bit of time when I'm on the trail, or feet in the sand on the beach, crouching in a tidal pool watching the sunset reflect in the calm waters, it all makes sense and my choices are validated. It doesn't last long, and the feeling is often attacked by invading thoughts when a tripod breaks, or the car makes an odd sound, or a pain develops in my knee, but the moments of peace are enough. And it's why I do this thing: to be outside, to find beauty in the world, to convey it the best I can. When it's all said and done, I aspire to provide solid, honest, and consistent content, both visual and written. That is within my control. The rest...well, I'll just do my best to let that stuff lie where it may.
en.wikipedia.org/wiki/Thessaloniki
Thessaloniki (Greek: Θεσσαλονίκη, often referred to internationally as Thessalonica or Salonica, is the second-largest city in Greece and the capital of the Greek region of Macedonia, the administrative region of Central Macedonia and the Decentralized Administration of Macedonia and Thrace.[3][4] Its honorific title is Συμπρωτεύουσα (Symprotévousa), literally "co-capital",[5] and stands as a reference to its historical status as the Συμβασιλεύουσα (Symvasilévousa) or "co-reigning" city of the Eastern Roman (Byzantine) Empire, alongside Constantinople.[6]
According to the preliminary results of the 2011 census, the municipality of Thessaloniki today has a population of 322,240,[1] while the Thessaloniki Urban Area (the contiguous built up area forming the "City of Thessaloniki") has a population of 790,824.[1] Furthermore, the Thessaloniki Metropolitan Area extends over an area of 1,455.62 km2 (562.02 sq mi) and its population in 2011 reached a total of 1,104,460 inhabitants.[1]
Thessaloniki is Greece's second major economic, industrial, commercial and political centre, and a major transportation hub for the rest of southeastern Europe;[7] its commercial port is also of great importance for Greece and the southeastern European hinterland.[7] The city is renowned for its festivals, events and vibrant cultural life in general,[8] and is considered to be Greece's cultural capital.[8] Events such as the Thessaloniki International Trade Fair and the Thessaloniki International Film Festival are held annually, while the city also hosts the largest bi-annual meeting of the Greek diaspora.[9] Thessaloniki is the 2014 European Youth Capital.[10]
Founded in 315 BC by Cassander of Macedon, Thessaloniki's history spans some 2,300 years. An important metropolis by the Roman period, Thessaloniki was the second largest and wealthiest city of the Byzantine Empire. Thessaloniki is home to numerous notable Byzantine monuments, including the Paleochristian and Byzantine monuments of Thessaloniki, a UNESCO World Heritage Site, as well as several Roman, Ottoman and Sephardic Jewish structures. The city's main university, Aristotle University, is the largest in Greece and the Balkans.[11]
Thessaloniki is a popular tourist destination in Greece. In 2010, Lonely Planet ranked Thessaloniki as the world's fifth-best party city worldwide, comparable to other cities such as Dubai and Montreal.[12] For 2013 National Geographic Magazine included Thessaloniki in its top tourist destinations worldwide,[13] while in 2014 Financial Times FDI magazine (Foreign Direct Investments) declared Thessaloniki as the best mid-sized European city of the future for human capital and lifestyle.
Etymology
All variations of the city's name derive from the original (and current) appellation in Greek: Θεσσαλονίκη (from Θεσσαλός, Thessalos, and Νίκη, Nike), literally translating to "Thessalian Victory". The name of the city came from the name of a princess, Thessalonike of Macedon, half sister of Alexander the Great, so named because of her birth on the day of the Macedonian victory at the Battle of Crocus Field (353/352 BCE).[16]
The alternative name Salonica (or Salonika) derives from the variant form Σαλονίκη (Saloníki) in popular Greek speech, and has given rise to the form of the city's name in several languages. Names in other languages prominent in the city's history include Солѹнь (Solun) in Old Church Slavonic, סלוניקה (Salonika) in Ladino, Selanik (also Selânik) in Turkish (سلانیك in Ottoman Turkish), Solun (also written as Солун) in the local and neighboring South Slavic languages, Салоники (Saloníki) in Russian, and Sãrunã in Aromanian. In local speech, the city's name is typically pronounced with a dark and deep L characteristic of Macedonian Greek accent.[17][18]
The name often appears in writing in the abbreviated form Θεσ/νίκη
History
From antiquity to the Roman Empire
The city was founded around 315 BC by the King Cassander of Macedon, on or near the site of the ancient town of Therma and 26 other local villages.[20] He named it after his wife Thessalonike,[21] a half-sister of Alexander the Great and princess of Macedon as daughter of Philip II. Under the kingdom of Macedon the city retained its own autonomy and parliament[22] and evolved to become the most important city in Macedon.[21]
After the fall of the kingdom of Macedon in 168 BC, Thessalonica became a free city of the Roman Republic under Mark Antony in 41 BC.[21][23] It grew to be an important trade-hub located on the Via Egnatia,[24] the road connecting Dyrrhachium with Byzantium,[25] which facilitated trade between Thessaloniki and great centers of commerce such as Rome and Byzantium.[26] Thessaloniki also lay at the southern end of the main north-south route through the Balkans along the valleys of the Morava and Axios river valleys, thereby linking the Balkans with the rest of Greece.[27] The city later became the capital of one of the four Roman districts of Macedonia.[24] Later it became the capital of all the Greek provinces of the Roman Empire due to the city's importance in the Balkan peninsula. When the Roman Empire was divided into the tetrarchy, Thessaloniki became the administrative capital of one of the four portions of the Empire under Galerius Maximianus Caesar,[28][29] where Galerius commissioned an imperial palace, a new hippodrome, a triumphal arch and a mausoleum among others.[29][30][31]
In 379 when the Roman Prefecture of Illyricum was divided between the East and West Roman Empires, Thessaloniki became the capital of the new Prefecture of Illyricum.[24] In 390 Gothic troops under the Roman Emperor Theodosius I, led a massacre against the inhabitants of Thessalonica, who had risen in revolt against the Germanic soldiers. With the Fall of Rome in 476, Thessaloniki became the second-largest city of the Eastern Roman Empire.[26] Around the time of the Roman Empire Thessaloniki was also an important center for the spread of Christianity; some scholars hold that the First Epistle to the Thessalonians written by Paul the Apostle is the first written book of the New Testament.
Byzantine era and Middle Ages
From the first years of the Byzantine Empire, Thessaloniki was considered the second city in the Empire after Constantinople,[33][34][35] both in terms of wealth and size.[33] with an population of 150,000 in the mid 1100s.[36] The city held this status until it was transferred to Venice in 1423. In the 14th century the city's population exceeded 100,000 to 150,000,[37][38][39] making it larger than London at the time.[40]
During the 6th and 7th centuries the area around Thessaloniki was invaded by Avars and Slavs, who unsuccessfully laid siege to the city several times.[41] Traditional historiography stipulates that many Slavs settled in the hinterland of Thessaloniki,[42] however, this migration was allegedly on a much smaller scale than previously thought.[42][42][43] In the 9th century, the Byzantine Greek missionaries Cyril and Methodius, both natives of the city, created the first literary language of the Slavs, the Glagolic alphabet, most likely based on the Slavic dialect used in the hinterland of their hometown.[44][45][46][47][48]
An Arab naval attack in 904 resulted in the sack of the city.[49] The economic expansion of the city continued through the 12th century as the rule of the Komnenoi emperors expanded Byzantine control to the north. Thessaloniki passed out of Byzantine hands in 1204,[50] when Constantinople was captured by the forces of the Fourth Crusade and incorporated the city and its surrounding territories in the Kingdom of Thessalonica[51] — which then became the largest vassal of the Latin Empire. In 1224, the Kingdom of Thessalonica was overrun by the Despotate of Epirus, a remnant of the former Byzantine Empire, under Theodore Komnenos Doukas who crowned himself Emperor,[52] and the city became the Despotat's capital.[52][53] This era of the Despotate of Epirus is also known as the Empire of Thessalonica.[52][54][55] Following his defeat at Klokotnitsa however in 1230,[52][54] the Empire of Thessalonica became a vassal state of the Second Bulgarian Empire until it was recovered again in 1246, this time by the Nicaean Empire.[52] In 1342,[56] the city saw the rise of the Commune of the Zealots, an anti-aristocratic party formed of sailors and the poor,[57] which is nowadays described as social-revolutionary.[56] The city was practically independent of the rest of the Empire,[56][57][58] as it had its own government, a form of republic.[56] The zealot movement was overthrown in 1350 and the city was reunited with the rest of the Empire.[56]
In 1423, Despot Andronicus, who was in charge of the city, ceded it to the Republic of Venice with the hope that it could be protected from the Ottomans who were besieging the city (there is no evidence to support the oft-repeated story that he sold the city to them). The Venetians held Thessaloniki until it was captured by the Ottoman Sultan Murad II on 29 March 1430.
Ottoman period
When Sultan Murad II captured Thessaloniki and sacked it in 1430, contemporary reports estimated that about one-fifth of the city's population was enslaved.[60] Upon the conquest of Thessaloniki, some of its inhabitants escaped,[61] including intellectuals such as Theodorus Gaza "Thessalonicensis" and Andronicus Callistus.[62] However, the change of sovereignty from the Byzantine Empire to the Ottoman one did not affect the city's prestige as a major imperial city and trading hub.[63][64] Thessaloniki and Smyrna, although smaller in size than Constantinople, were the Ottoman Empire's most important trading hubs.[63] Thessaloniki's importance was mostly in the field of shipping,[63] but also in manufacturing,[64] while most of the city's trade was controlled by ethnic Greeks.[63]
During the Ottoman period, the city's population of mainly Greek Jews and Ottoman Muslims (including those of Turkish and Albanian, as well as Bulgarian Muslim and Greek Muslim convert origin) grew substantially. By 1478 Selânik (سلانیك), as the city came to be known in Ottoman Turkish, had a population of 4,320 Muslims, 6,094 Greek Orthodox and some Catholics, but no Jews. Soon after the turn of the 15th to 16th century, nearly 20,000 Sephardic Jews had immigrated to Greece from Spain following their expulsion by the 1492 Alhambra Decree.[65] By c. 1500, the numbers had grown to 7,986 Greeks, 8,575 Muslims, and 3,770 Jews. By 1519, Sephardic Jews numbered 15,715, 54% of the city's population. Some historians consider the Ottoman regime's invitation to Jewish settlement was a strategy to prevent the ethnic Greek population (Eastern Orthodox Christians) from dominating the city.[38]
Thessaloniki was the capital of the Sanjak of Selanik within the wider Rumeli Eyalet (Balkans)[66] until 1826, and subsequently the capital of Selanik Eyalet (after 1867, the Selanik Vilayet).[67][68] This consisted of the sanjaks of Selanik, Serres and Drama between 1826 and 1912.[69] Thessaloniki was also a Janissary stronghold where novice Janissaries were trained. In June 1826, regular Ottoman soldiers attacked and destroyed the Janissary base in Thessaloniki while also killing over 10,000 Janissaries, an event known as The Auspicious Incident in Ottoman history.[70] From 1870, driven by economic growth, the city's population expanded by 70%, reaching 135,000 in 1917.[71]
The last few decades of Ottoman control over the city were an era of revival, particularly in terms of the city's infrastructure. It was at that time that the Ottoman administration of the city acquired an "official" face with the creation of the Command Post[72] while a number of new public buildings were built in the eclectic style in order to project the European face both of Thessaloniki and the Ottoman Empire.[72][73] The city walls were torn down between 1869 and 1889,[74] efforts for a planned expansion of the city are evident as early as 1879,[75] the first tram service started in 1888[76] and the city streets were illuminated with electric lamp posts in 1908.[77] In 1888 Thessaloniki was connected to Central Europe via rail through Belgrade, Monastir in 1893 and Constantinople in 1896.
Since the 20th century
In the early 20th century, Thessaloniki was in the center of radical activities by various groups; the Bulgarian Internal Macedonian Revolutionary Organization, founded in 1897,[78] and the Greek Macedonian Committee, founded in 1903.[79] In 1903 an anarchist group known as the Boatmen of Thessaloniki planted bombs in several buildings in Thessaloniki, including the Ottoman Bank, with some assistance from the IMRO. The Greek consulate in Ottoman Thessaloniki (now the Museum of the Macedonian Struggle) served as the center of operations for the Greek guerillas. In 1908 the Young Turks movement broke out in the city, sparking the Young Turk Revolution.[80]
The Ottoman Feth-i Bülend being sunk in Thessaloniki in 1912 by a Greek ship during the First Balkan War.
Constantine I of Greece with George I of Greece and the Greek army enter the city.
As the First Balkan War broke out, Greece declared war on the Ottoman Empire and expanded its borders. When Eleftherios Venizelos, Prime Minister at the time, was asked if the Greek army should move towards Thessaloniki or Monastir (now Bitola, Republic of Macedonia), Venizelos replied "Salonique à tout prix!" (Thessaloniki, at all costs!).[81] As both Greece and Bulgaria wanted Thessaloniki, the Ottoman garrison of the city entered negotiations with both armies.[82] On 8 November 1912 (26 October Old Style), the feast day of the city's patron saint, Saint Demetrius, the Greek Army accepted the surrender of the Ottoman garrison at Thessaloniki.[83] The Bulgarian army arrived one day after the surrender of the city to Greece and Tahsin Pasha, ruler of the city, told the Bulgarian officials that "I have only one Thessaloniki, which I have surrendered".[82] After the Second Balkan War, Thessaloniki and the rest of the Greek portion of Macedonia were officially annexed to Greece by the Treaty of Bucharest in 1913.[84] On 18 March 1913 George I of Greece was assassinated in the city by Alexandros Schinas.[85]
In 1915, during World War I, a large Allied expeditionary force established a base at Thessaloniki for operations against pro-German Bulgaria.[86] This culminated in the establishment of the Macedonian Front, also known as the Salonika Front.[87][88] In 1916, pro-Venizelist Greek army officers and civilians, with the support of the Allies, launched an uprising,[89] creating a pro-Allied[90] temporary government by the name of the "Provisional Government of National Defence"[89][91] that controlled the "New Lands" (lands that were gained by Greece in the Balkan Wars, most of Northern Greece including Greek Macedonia, the North Aegean as well as the island of Crete);[89][91] the official government of the King in Athens, the "State of Athens",[89] controlled "Old Greece"[89][91] which were traditionally monarchist. The State of Thessaloniki was disestablished with the unification of the two opposing Greek governments under Venizelos, following the abdication of King Constantine in 1917.[86][91]
The 1st Battalion of the National Defence army marches on its way to the front.
Aerial picture of the Great Fire of 1917.
Most of the old center of the city was destroyed by the Great Thessaloniki Fire of 1917, which started accidentally by an unattended kitchen fire on 18 August 1917.[92] The fire swept through the centre of the city, leaving 72,000 people homeless; according to the Pallis Report, most of them were Jewish (50,000). Many businesses were destroyed, as a result, 70% of the population were unemployed.[92] Also a number of religious structures of the three major faiths were lost. Nearly one-quarter of the total population of approximately 271,157 became homeless.[92] Following the fire the government prohibited quick rebuilding, so it could implement the new redesign of the city according to the European-style urban plan[6] prepared by a group of architects, including the Briton Thomas Mawson, and headed by French architect Ernest Hébrard.[92] Property values fell from 6.5 million Greek drachmas to 750,000.[93]
After the defeat of Greece in the Greco-Turkish War and during the break-up of the Ottoman Empire, a population exchange took place between Greece and Turkey.[90] Over 160,000 ethnic Greeks deported from the former Ottoman Empire were resettled in the city,[90] changing its demographics. Additionally many of the city's Muslims were deported to Turkey, ranging at about 20,000 people.[94]
During World War II Thessaloniki was heavily bombarded by Fascist Italy (with 232 people dead, 871 wounded and over 800 buildings damaged or destroyed in November 1940 alone),[95] and, the Italians having failed to succeed in their invasion of Greece, it fell to the forces of Nazi Germany on 8 April 1941[96] and remained under German occupation until 30 October 1944 when it was liberated by the Greek People's Liberation Army.[97] The Nazis soon forced the Jewish residents into a ghetto near the railroads and on 15 March 1943 began the deportation process of the city's 56,000 Jews to its concentration camps.[98][99] They deported over 43,000 of the city's Jews in concentration camps,[98] where most were killed in the gas chambers. The Germans also deported 11,000 Jews to forced labor camps, where most perished.[100] Only 1,200 Jews live in the city today.
Part of Eleftherias Square during the Axis occupation.
The importance of Thessaloniki to Nazi Germany can be demonstrated by the fact that, initially, Hitler had planned to incorporate it directly in the Third Reich[101] (that is, make it part of Germany) and not have it controlled by a puppet state such as the Hellenic State or an ally of Germany (Thessaloniki had been promised to Yugoslavia as a reward for joining the Axis on 25 March 1941).[102] Having been the first major city in Greece to fall to the occupying forces just two days after the German invasion, it was in Thessaloniki that the first Greek resistance group was formed (under the name «Ελευθερία», Eleftheria, "Freedom")[103] as well as the first anti-Nazi newspaper in an occupied territory anywhere in Europe,[104] also by the name Eleftheria. Thessaloniki was also home to a military camp-converted-concentration camp, known in German as "Konzentrationslager Pavlo Mela" (Pavlos Melas Concentration Camp),[105] where members of the resistance and other non-favourable people towards the German occupation from all over Greece[105] were held either to be killed or sent to concentration camps elsewhere in Europe.[105] In the 1946 monarchy referendum, the majority of the locals voted in favour of a republic, contrary to the rest of Greece.[106]
After the war, Thessaloniki was rebuilt with large-scale development of new infrastructure and industry throughout the 1950s, 1960s and 1970s. Many of its architectural treasures still remain, adding value to the city as a tourist destination, while several early Christian and Byzantine monuments of Thessaloniki were added to the UNESCO World Heritage list in 1988.[107] In 1997, Thessaloniki was celebrated as the European Capital of Culture,[108] sponsoring events across the city and the region. Agency established to oversee the cultural activities of that year 1997 was still in existence by 2010.[109] In 2004 the city hosted a number of the football events as part of the 2004 Summer Olympics.[110]
Today Thessaloniki has become one of the most important trade and business hubs in Southeastern Europe, with its port, the Port of Thessaloniki being one of the largest in the Aegean and facilitating trade throughout the Balkan hinterland.[7] On 26 October 2012 the city celebrated its centennial since its incorporation into Greece.[111] The city also forms one of the largest student centres in Southeastern Europe, is host to the largest student population in Greece and will be the European Youth Capital in 2014
Geography
Geology
Thessaloniki lies on the northern fringe of the Thermaic Gulf on its eastern coast and is bound by Mount Chortiatis on its southeast. Its proximity to imposing mountain ranges, hills and fault lines, especially towards its southeast have historically made the city prone to geological changes.
Since medieval times, Thessaloniki was hit by strong earthquakes, notably in 1759, 1902, 1978 and 1995.[113] On 19–20 June 1978, the city suffered a series of powerful earthquakes, registering 5.5 and 6.5 on the Richter scale.[114][115] The tremors caused considerable damage to a number of buildings and ancient monuments,[114] but the city withstood the catastrophe without any major problems.[115] One apartment building in central Thessaloniki collapsed during the second earthquake, killing many, raising the final death toll to 51.[114][115]
Climate
Thessaloniki's climate is directly affected by the sea it is situated on.[116] The city lies in a transitional climatic zone, so its climate displays characteristics of several climates. According to the Köppen climate classification, it is a humid subtropical climate (Cfa) that borders on a semi-arid climate (BSk), with annual average precipitation of 450 millimetres (18 in) due to the Pindus rain shadow drying the westerly winds. However, the city has a summer precipitation between 20 to 30 millimetres (0.79 to 1.18 in), which borders it close to a hot-summer Mediterranean climate (Csa).
Winters are relatively dry, with common morning frost. Snowfalls are sporadic, but οccur more or less every winter, but the snow cover does not last for more than a few days. Fog is common, with an average of 193 foggy days in a year.[117] During the coldest winters, temperatures can drop to −10 °C (14 °F).[117] The record minimum temperature in Thessaloniki was −14 °C (7 °F).[118] On average, Thessaloniki experiences frost (sub-zero temperature) 32 days a year.[117] The coldest month of the year in the city is January, with an average 24-hour temperature of 6 °C (43 °F).[119] Wind is also usual in the winter months, with December and January having an average wind speed of 26 km/h (16 mph).[117]
Thessaloniki's summers are hot with rather humid nights.[117] Maximum temperatures usually rise above 30 °C (86 °F),[117] but rarely go over 40 °C (104 °F);[117] the average number of days the temperature is above 32 °C (90 °F) is 32.[117] The maximum recorded temperature in the city was 42 °C (108 °F).[117][118] Rain seldom falls in summer, mainly during thunderstorms. In the summer months Thessaloniki also experiences strong heat waves.[120] The hottest month of the year in the city is July, with an average 24-hour temperature of 26 °C (79 °F).[119] The average wind speed for June and July in Thessaloniki is 20 kilometres per hour (12 mph)
Government
According to the Kallikratis reform, as of 1 January 2011 the Thessaloniki Urban Area (Greek: Πολεοδομικό Συγκρότημα Θεσσαλονίκης) which makes up the "City of Thessaloniki", is made up of six self-governing municipalities (Greek: Δήμοι) and one municipal unit (Greek: Δημοτική ενότητα). The municipalities that are included in the Thessaloniki Urban Area are those of Thessaloniki (the city center and largest in population size), Kalamaria, Neapoli-Sykies, Pavlos Melas, Kordelio-Evosmos, Ampelokipoi-Menemeni, and the municipal unit of Pylaia, part of the municipality of Pylaia-Chortiatis. Prior to the Kallikratis reform, the Thessaloniki Urban Area was made up of twice as many municipalities, considerably smaller in size, which created bureaucratic problems.[123]
Thessaloniki Municipality
The municipality of Thessaloniki (Greek: Δήμος Θεσαλονίκης) is the second most populous in Greece, after Athens, with a population of 322,240[1] people (in 2011) and an area of 17.832 km2 (7 sq mi). The municipality forms the core of the Thessaloniki Urban Area, with its central district (the city center), referred to as the Kentro, meaning 'center' or 'downtown'.
The institution of mayor of Thessaloniki was inaugurated under the Ottoman Empire, in 1912. The first mayor of Thessaloniki was Osman Sait Bey, while the current mayor of the municipality of Thessaloniki is Yiannis Boutaris. In 2011, the municipality of Thessaloniki had a budget of €464.33 million[124] while the budget of 2012 stands at €409.00 million.[125]
According to an article in The New York Times, the way in which the present mayor of Thessaloniki is treating the city's debt and oversized administration problems could be used as an example by Greece's central government for a successful strategy in dealing with these problems.[126]
Other
Thessaloniki is the second largest city in Greece. It is an influential city for the northern parts of the country and is the capital of the region of Central Macedonia and the Thessaloniki regional unit. The Ministry of Macedonia and Thrace is also based in Thessaloniki, being that the city is the de facto capital of the Greek region of Macedonia.
It is customary every year for the Prime Minister of Greece to announce his administration's policies on a number of issues, such as the economy, at the opening night of the Thessaloniki International Trade Fair. In 2010, during the first months of the 2010 Greek debt crisis, the entire cabinet of Greece met in Thessaloniki to discuss the country's future.[127]
In the Hellenic Parliament, the Thessaloniki urban area constitutes a 16-seat constituency. As of the national elections of 17 June 2012 the largest party in Thessaloniki is New Democracy with 27.8%, followed by the Coalition of the Radical Left (27.0%) and the Panhellenic Socialist Movement (10.2%).[128] The table below summarizes the results of the latest elections.
Cityscape
Architecture
Architecture in Thessaloniki is the direct result of the city's position at the centre of all historical developments in the Balkans. Aside from its commercial importance, Thessaloniki was also for many centuries the military and administrative hub of the region, and beyond this the transportation link between Europe and the Levant (Syria, Lebanon, Jordan, and Israel / Palestine). Merchants, traders and refugees from all over Europe settled in the city. The need for commercial and public buildings in this new era of prosperity led to the construction of large edifices in the city center. During this time, the city saw the building of banks, large hotels, theatres, warehouses, and factories. Architects who designed some of the most notable buildings of the city, in the late 19th and early 20th century, include Vitaliano Poselli, Pietro Arrigoni, Xenophon Paionidis, Eli Modiano, Moshé Jacques, Jean Joseph Pleyber, Frederic Charnot, Ernst Ziller, Roubens Max, Levi Ernst, Angelos Siagas and others, using mainly the styles of Eclecticism and Art Nouveau.
The city layout changed after 1870, when the seaside fortifications gave way to extensive piers, and many of the oldest walls of the city were demolished, including those surrounding the White Tower, which today stands as the main landmark of the city. As parts of the early Byzantine walls were demolished, this allowed the city to expand east and west along the coast.[129]
The expansion of Eleftherias Square towards the sea completed the new commercial hub of the city and at the time was considered one of the most vibrant squares of the city. As the city grew, workers moved to the western districts, due to their proximity to factories and industrial activities; while the middle and upper classes gradually moved from the city-center to the eastern suburbs, leaving mainly businesses. In 1917, a devastating fire swept through the city and burned uncontrollably for 32 hours.[71] It destroyed the city's historic center and a large part of its architectural heritage, but paved the way for modern development and allowed Thessaloniki the development of a proper European city center, featuring wider diagonal avenues and monumental squares; which the city initially lacked – much of what was considered to be 'essential' in European architecture.
City Center
After the Great Thessaloniki Fire of 1917, a team of architects and urban planners including Thomas Mawson and Ernest Hebrard, a French architect, chose the Byzantine era as the basis of their (re)building designs for Thessaloniki's city center. The new city plan included axes, diagonal streets and monumental squares, with a street grid that would channel traffic smoothly. The plan of 1917 included provisions for future population expansions and a street and road network that would be, and still is sufficient today.[71] It contained sites for public buildings and provided for the restoration of Byzantine churches and Ottoman mosques.
The Metropolitan Church of Saint Gregory Palamas, designed by Ernst Ziller.
Today the city center of Thessaloniki includes the features designed as part of the plan and forms the point in the city where most of the public buildings, historical sites, entertainment venues and stores are located. The center is characterized by its many historical buildings, arcades, laneways and distinct architectural styles such as Art Nouveau and Art Deco, which can be seen on many of its buildings.
Also called the historic center, it is divided into several districts, of which include Ladadika (where many entertainment venues and tavernas are located), Kapani (were the city's central city market is located), Diagonios, Navarinou, Rotonta, Agia Sofia and Ippodromio (white tower), which are all located around Thessaloniki's most central point, Aristotelous Square.
The west point of the city center is home to Thessaloniki's law courts, its central international railway station and the port, while on its eastern side stands the city's two universities, the Thessaloniki International Exhibition Center, the city's main stadium, its archaeological and Byzantine museums, the new city hall and its central parklands and gardens, namely those of the ΧΑΝΘ/Palios Zoologikos Kipos and Pedio tou Areos. The central road arteries that pass through the city center, designed in the Ernest Hebrard plan, include those of Tsimiski, Egnatia, Nikis, Mitropoleos, Venizelou and St. Demetrius avenues.
Ano Poli
Ano Poli (also called Old Town and literally the Upper Town) is the heritage listed district north of Thessaloniki's city center that was not engulfed by the great fire of 1917 and was declared a UNESCO World Heritage Site by ministerial actions of Melina Merkouri, during the 1980s. It consists of Thessaloniki's most traditional part of the city, still featuring small stone paved streets, old squares and homes featuring old Greek and Ottoman architecture.
Ano Poli also, is the highest point in Thessaloniki and as such, is the location of the city's acropolis, its Byzantine fort, the Heptapyrgion, a large portion of the city's remaining walls, and with many of its additional Ottoman and Byzantine structures still standing. The area provides access to the Seich Sou Forest National Park[131] and features amphitheatric views of the whole city and the Thermaic Gulf. On clear days Mount Olympus, at about 100 km (62 mi) away across the gulf, can also be seen towering the horizon.
Southeastern Thessaloniki up until the 1920s was home to the city's most affluent residents and formed the outermost suburbs of the city at the time, with the area close to the Thermaic Gulf coast called Exoches, from the 19th century holiday villas which defined the area. Today southeastern Thessaloniki has in some way become a natural extension of the city center, with the avenues of Megalou Alexandrou, Georgiou Papandreou (Antheon), Vasilissis Olgas Avenue, Delfon, Konstantinou Karamanli (Nea Egnatia) and Papanastasiou passing through it, enclosing an area traditionally called Dépôt (Ντεπώ), from the name of the old tram station, owned by a French company. The area extends to Kalamaria and Pylaia, about 9 km (5.59 mi) from the White Tower in the city centre.
Some of the most notable mansions and villas of the old-era of the city remain along Vasilissis Olgas Avenue. Built for the most wealthy residents and designed by well known architects they are used today as museums, art galleries or remain as private properties. Some of them include Villa Bianca, Villa Ahmet Kapanci, Villa Modiano, Villa Mordoch, Villa Mehmet Kapanci, Hatzilazarou Mansion, Chateau Mon Bonheur (often called red tower) and others.
Most of southeastern Thessaloniki is characterized by its modern architecture and apartment buildings, home to the middle-class and more than half of the municipality of Thessaloniki population. Today this area of the city is also home to 3 of the city's main football stadiums, the Thessaloniki Concert Hall, the Posidonio aquatic and athletic complex, the Naval Command post of Northern Greece and the old royal palace (called Palataki), located on the most westerly point of Karabournaki cape. The municipality of Kalamaria is also located in southeastern Thessaloniki and has become this part of the city's most sought after areas, with many open spaces and home to high end bars, cafés and entertainment venues, most notably on Plastira street, along the coast
Northwestern Thessaloniki had always been associated with industry and the working class because as the city grew during the 1920s, many workers had moved there, due to its proximity near factories and industrial activities. Today many factories and industries have been moved further out west and the area is experiencing rapid growth as does the southeast. Many factories in this area have been converted to cultural centres, while past military grounds that are being surrounded by densely built neighborhoods are awaiting transformation into parklands.
Northwest Thessaloniki forms the main entry point into the city of Thessaloniki with the avenues of Monastiriou, Lagkada and 26is Octovriou passing through it, as well as the extension of the A1 motorway, feeding into Thessaloniki's city center. The area is home to the Macedonia InterCity Bus Terminal (KTEL), the Zeitenlik Allied memorial military cemetery and to large entertainment venues of the city, such as Milos, Fix, Vilka (which are housed in converted old factories). Northwestern Thessaloniki is also home to Moni Lazariston, located in Stavroupoli, which today forms one of the most important cultural centers for the city.
My new novel:
B♭ (B-flat)
There’s still more to come. 😃
(This is not the final draft.)
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Scene: Garden 3‑4
Jack slumped deeply in the commander’s chair, his gaze sweeping across the pale glow of the monitor wall.
Camera feeds A17, A18, A19—all fixed on the arena’s center. Yet the security guard on the west side of the stands wasn’t watching there. His eyes were glued to the emergency exit at Section 212. Its sensor blinked once—a flash of red warning across the screen.
“A suspicious movement… the door sensor just lit up,” Jack's low voice vibrated through Ben’s earpiece.
Ben glanced upward at the monitors and whispered,
“Shall I go?”
“No,” Jack replied, his voice dropping. “Don’t leave your post. I’ll handle it.”
He paused, stern. “It’s probably nothing. But—stay alert. Keep your eyes peeled.”
Silence fell over each earpiece, the tension thickening. On the monitor, the door remained motionless—neither opening nor closing—frozen in stillness.
Jack burst from the briefing room, sprinted up from underground into the arena, his view sweeping the western stand. He looked up at the broad, flat ceiling of Madison Square Garden, sensed it swelling with the heat of the crowd. Cheers greeting the presidential candidate blended with jeers—clearly, anti‑Republicans had infiltrated.
Jack narrowed his gaze on the west stand, then lowered his eyes to his iPhone. Multiple social feeds scrolled with frenetic energy, and one post caught his attention: a murder threat, flashing in angry red text.
He dashed down the crowded corridor and reached the west stand, addressing a nearby guard:
“Evening. Everything clear on your end?”
The guard, clad in plain black suit with no tie—just a discreet earpiece—nodded, calm. He lifted his jacket slightly, revealing the outline of a Glock 19 at his waist. No hostility—just a tacit acknowledgment. Jack responded with a silent nod, their training speaking volumes.
“Door sensor tripped once. I’ll check visually.” Jack seized the cold metal handle and cast a glance down the corridor beyond. Darkness swallowed the path; silence reigned.
He spoke into his earpiece:
“All clear in the west stands. Security is solid.”
He patted the guard’s shoulder. “Stay alert.” The man returned a brief smile—and then lights died across the arena.
In the dark, red lasers lanced from ceiling to floor as a menacing bass drum rolled in from below. A crisp hi‑hat scythed in sixteenth‑notes; a heavy kick drum struck four‑on‑the‑floor. A low, rumbling bass synth layered in—and the very air of the arena began to pulse.
The crowd's heartbeat synchronized with the beat. Swirling smoke and laser cuts, the floor trembling. From deep within the sound, a processed male voice intoned again and again:
“Strength. Order. America.”
As smoke thickened the light, colossal center-hung screens flickered to life:
J U S T I N B R A D F O R D
One spotlight pierced the gloom—red, then blue, finally white—tracing the American tricolor. Within its glow appeared a man: Justin. Clad in a dark‑navy tailored suit, a bold crimson tie signifying the Republican Party, a single white rose pinned to his lapel.
Moments later, another spotlight revealed Eleanor Blake, dressed in an elegant black gown, standing behind him. Hand in hand, they strode center stage, each step purposeful. The audience looked on, awestruck, shouting cheers:
—“Take back America!”—
Red, blue, and white lights danced across their feet. Eleanor paused; Justin stepped forward to the microphone as the music faded and lights dimmed again. Silence engulfed the arena.
He made no sound—only a slight, assured smile. That smile was a declaration of war. Saying everything without uttering a word. That posture—that was the bearing of a man who would become the most powerful leader in the world: President of the United States.
Justin scanned the crowd for a moment, then spoke in calm tones. His golden hair, blue eyes—mirroring Eleanor’s—lent gravity to his words:
“Good evening, New York. How’s your night going so far?”
He smiled at a woman in the front row. Following his father’s advice, he spoke as if addressing just one person, not an entire audience—
—“When I arrived in the parking lot tonight, I felt weighed down by the humidity. Eleanor whispered to me: ‘We chose the best course to protect you. Our team would risk their lives for you.’”
His voice rang clear. Thunderous applause erupted from tens of thousands. A wave of anticipation rolled toward the stage. The spotlight seemed to center itself in his eyes—and likewise in Eleanor’s.
“Tonight, we gather to put our will once again at the heart of this nation. To reclaim the ‘light’ America is forgetting. Over the past four years, our party restored the economy, brought back security, rebuilt national order. Now, it’s time to shine that light brighter—not as mere hope, but as our responsibility. If America shines again, the world will follow. We must seize that stronger, purer light. It will illuminate the world.”
Justin’s voice reverberated through the arena—until… a dry gunshot cracked the air from center stage.
Jack dove instinctively. His eyes darted upward to the giant screens: time froze. He saw Justin’s body convulse backwards, his jacket tail flipping off his left shoulder. The first bullet struck his left arm, the second to his left abdomen. Justin crumpled slowly, falling face‑first.
“Justin!” Eleanor’s scream cut across the stage. Her wide eyes fixed on him, trembling. A haze of tears blurred her vision. Secret Service agents shielded her, pulling her back.
“Hit the deck!” Guards and crowd shouted in chorus. Pandemonium erupted. Women's screams overlapped. The reverberation of gunfire lingered ominously in the cavernous space.
Unbeknownst to most, Jack’s ears had discerned two shots. He closed his eyes and re‑ran the sound—each fired from above—each from perilously close.
“Ben—where are you?” Jack pushed through collapsing spectators, heading to the stage.
“By Justin’s side. Missed his heart—just grazed left arm and abdomen. Not arterial, but bleeding heavily.”
“Medical team’s on the motorcade. Justin has Bombay blood—two bags ready on the ambulance. Start transfusion.”
“If that’s not enough, what about Elijah?”
“Either way, he’s en route. Bellevue Hospital stores Bombay bags—confirmed three days ago.”
Bombay blood: a rare type first found in Bombay (now Mumbai) in 1952—not A, B, or O—afflicting about 1 in 10,000 in India, 1 in 2.5 million worldwide. It can only be transfused to someone of the same type.
Ben replied calmly.
They rushed Justin to Bellevue Hospital—the closest to the Garden. Jack called Elijah. Before the first ring ended, Elijah answered, breathless:
“Jack... this is bad. We’ve no blood—no Bombay stock.”
Jack couldn’t believe it.
“I saw the bags in person three days ago!”
Silence, then Elijah replied:
“The blood keeper was killed in a car crash yesterday.”
As Jack absorbed the news, his voice boomed over the arena’s PA, shaking the trembling building. The crowd froze and then shattered. Thousands surged toward exits—only to find them locked.
“There’s explosives in this building. Please, stay calm and head for the exits. I repeat—I am….”
Panic rippled. Eight exits in total—most had been sealed for VIP and motorcade security. The crowd funnelled into the remaining three.
Low moans grew to shrieks. People trampled the fallen. A little girl's white blouse had turned grey, her teddy flattened. During flight, no one looked back. At one exit, dozens collapsed, graves to the trampling. The weight buckled railings, jammed the door.
“Doors won’t open!” “There’s children—!” Screams scattered. Security couldn’t reach the scene. Orders were drowned in noise. Control evaporated.
“The crowd is uncontrollable, Jack,” came Zakaria’s voice through the PA, along with a simultaneous link to staff smartphones.
“You got my email? Open the link. No virus, I promise.”
Hurriedly, Jack checked his phone. The site loaded:
“Good evening, New York—and Los Angeles. My name is Zakaria Haddad. My real name. Five years ago, I lived in Gaza. Now I sit in a room many of you recognize.”
On the screen, a brown-skinned man with a trimmed beard—Zakaria—seated in a chair eerily like the Oval Office. Three green-curtained windows behind him—the color favored by Prophet Muhammad. A portrait of Ibn Sina hung on the wall, his gaze deep, delicate—reaching from time’s past to the present.
Zakaria glanced at his watch, then back at camera—an unreadable dark joy flickering in his eyes.
“Breaking news—watch your phone alerts.” Instantly:
Former Democratic President Owen Reed shot at Los Angeles Convention Center
Zakaria hid a wry smile.
“A sad update, America. But don’t mourn. In Gaza, we suffered 55,000 times this. We lost over 55,000 dear souls—and we wept.”
He averted his gaze, clasped both hands, slammed his fist onto the desk. The air thickened. Yet in his eyes brimmed silent tears—quiet sorrow.
“We do not seek money or glory in death. We seek tears equal to the 55,000. Only tears can heal us.”
He rested his elbows, folded his hands, chin supported. A long pause. His eyes twitched with small sorrowful motions.
Zakaria rotated a framed photo toward the camera.
“My family. More precious than my life. Gone in an instant.”
There was no hatred in his voice—only respect and gentle grief. He began again.
“I was one among those 55,000. Even if I perish, their wills persist. I stand here to voice our will.”
He quietly reached into his right drawer, withdrew a Glock 17, chambered a round, and placed the barrel against his temple. His eyes were merciful—gentle, embracing his lost family.
As a Sunni, he stared straight at the camera:
“God bless America.”
Backlit by three blazing windows, he closed his eyes and pulled the trigger. The dry crack snapped through the room. The camera jerked—then the screen went black.
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Previous notes
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www.flickr.com/photos/stealaway/54639396885/in/dateposted...
2
www.flickr.com/photos/stealaway/54628511025/in/dateposted...
1
www.flickr.com/photos/stealaway/54599616429/in/dateposted...
Note: I gave a brief explanation of this novel in the following video:
youtu.be/3w65lqUF-YI?si=yG7qy6TPeCL9xRJV
iTunes Playlist Link::
music.apple.com/jp/playlist/b/pl.u-47DJGhopxMD
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Notes
1. "Bombay Blood Type (hh type)"
•Characteristics: A rare blood type that lacks the usual ABO antigens — cannot be classified as A, B, or O.
•Discovery: First identified in 1952 in Mumbai, India (formerly Bombay).
•Prevalence: Roughly 1 in 10,000 people in India; globally, about 1 in 2.5 million.
•Transfusion Compatibility: Only compatible with blood from other Bombay type donors.
2. 2024 Harvard University Valedictorian Speech – The Power of Not Knowing
youtu.be/SOUH8iVqSOI?si=Ju-Y728irtcWR71K
3. Shots Fired at Trump Rally
youtu.be/1ejfAkzjEhk?si=ASqJwEmkY-2rW_hT
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Saipan. USA. 2016. LUMIX G3 shot … 12 / 12
サイパン。アメリカ。2016。LUMIX G3 shot … 12 / 12
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僕の新しい小説。
B♭ (ビーフラット)
まだまだ投下します。😃
(最終稿ではありません。)
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場面 ガーデン3−4
指揮官席に深く腰を落としていたジャックは、青白いモニター群をくまなく睨んでいた。
カメラ番号A17、A18、A19──いずれもアリーナ中央を捉えている。だが、スタンド席西側の警備員の視線が集中していたのは、そこではなかった。彼が見つめていたのはセクション212の非常扉だった。その扉のセンサーが、わずか一度だけ、反応を示し、ディスプレイに赤い警告が走った。
「不審な動きだな。ドアのセンサーが一瞬、点いた」
ジャックの低い声が、ベンのイヤピースを震わせた。
ベンは即座に 頭上のモニターを見上げ、囁くように言った。
「行くか?」
「…いや。持ち場は離れるな。俺が行く」
ジャックの声がわずかに低くなった。
「たぶん、気のせいだ。ただし──全員、警戒は解くな。そのまま、周囲に意識を集中しておけ」
それぞれのイヤピースに静寂が落ち、張り詰めた空気で満ちた。
モニターに今映っている扉は、開くことも、閉じることもなく、ただ沈黙している。
ジャックはブリーフィングルームを飛び出し、スタンド席、西側が見渡せるアリーナまで、地下から駆け上がった。
マジソンスクエアガーデンの平坦な天井は、吐き出された人の熱気でいつもより膨らんでいるように、ジャックには見えた。大統領候補を歓迎する声とそれを罵倒する叫び声が錯綜し、鼓膜の奥を揺らした。どうやら反共和党も紛れ込んでいるようだ。
ジャックは、スタンド席西側へしばらく目を凝らしてから、手元のアイフォンに目を落とした。画面には、いくつかのSNSが同時に広がっており、それぞれが激しい書き込みによって文字が流れてゆく。右下の、メタの書き込みに、ジャックは目を留めた。殺害予告のメッセージが走り、赤く灯っている。ジャックは喧騒に満ちた通路を駆け抜け、スタンド席西側へ着くと、警備員へ声を掛けた。
「おつかれ。異常はないか?」
ジャックはさりげなく背筋を伸ばした。ジャケットの背中越しに、腰の中央──背骨の下に沿ってぴたりと固定されたグロック19の存在を確かめた。
「どうも。こちらは異常ありませんよ。何かありましたか?」
黒のスーツで、胸元にネクタイはない、プレーン・クロースの私設セキュリティだ。視線は沈着で、イヤピースから伸びるコードが耳の下に覗いている。男は一瞬、ジャックを睨むように見たが、ジャケットの裾を軽く持ち上げ、ホルスターの形をわずかに見せた。男に敵意はなかった。それが合図だった。ジャックも同じように、背筋を伸ばしながら無言で頷いた。この沈黙こそが、互いの訓練と経験を示していた。
「ドアのセンサーが一度反応した。目視で確認する」
ジャックは、冷たい金属の取っ手を掴み、扉の奥を一瞥した。辺りは暗闇に沈み、静まり返っていた。
ジャックはその場からすぐにイヤピースで伝えた。
「スタンド席西側に異常はなかった。セキュリティーにも問題はない」
ジャックは、男の肩を軽く叩いて、いった。
「引き続き、頼む」
男が笑顔でジャックに挨拶すると、アリーナの照明が一気に落ちた。
闇の中、赤いレーザーがガーデンの天井から床まで、縦横に切り裂き、重く低く唸るような打ち込みの硬質なバスドラがアリーナの底から噴き上がった。ハイハットが16分音符で刻まれ、深く沈むキックドラムが四拍を正確に打つ。そこに、低くうねるベース・シンセが重なり、会場全体の空気そのものが脈打つように震え始めた。
観客の鼓動が、低く分厚い音にシンクロし始めた。スモークが舞い、赤いレーザーが切り裂く中、床の震えが増していった。低いベース音に重なった奥から、加工された男性の声が繰り返し聞こえてくる。
“Strength.(強さ) Order.(秩序) America.”
場内のスモークが、光を濁らせるようにさらに舞うと、巨大なセンター・ハング・スクリーンに文字が浮かび上がった。
J U S T I N・B R A D F O R D
その瞬間、中央のスポットライトが、ひとつだけ点いた。赤から青へ──そして白へと、アメリカの三色をなぞるように変化する演出だ。
その光の中、男が姿を現した。
ジャスティンだ。ダークネイビーのテーラードスーツに、共和党を示す真紅のネクタイを巻いている。胸元には一輪の白いバラのピンバッジが添えられていた。
数秒遅れて、彼の背後にもうひとつ光が射した。漆黒のドレスを纏ったエリノア・ブレイクがスポットライトを浴びている。
ふたりは笑顔で手を取り合うと、ゆっくりステージ中央へ歩み始めた。彼らの歩みに迷いはなかった。強さと秩序の意志を現した姿に、観客の誰もがその姿を見上げ、歓声を上げている。
ー アメリカを取り戻せ! ー
マイクスタンドへ近づくにつれ、アリーナの熱はさらに帯び、波のようにうねった。
赤、青、白の光がジャスティンらの足元を錯綜した。
エリノアを残し、ジャスティンは、一歩前に出て、マイクの前に立った。
音楽が静かにフェードアウトし、照明が再び落ちていく。
── その瞬間、全アリーナが沈黙に包まれた。
彼は、何も言わず、ただ口元に微笑みを浮かべた。その微笑みが、宣戦布告に等しかった。
語らずに、何かを語っている。
それが、世界でもっとも権力を持つ、アメリカ大統領の姿勢なのだ。
ジャスティンは、しばらく観衆を見渡してから、穏やかな口調でいった。エリノアと同じ金色に煌めく髪とブルーの瞳が、彼の言葉をさらに支えるようだ。
「こんばんは。ニューヨーク。今日は、いいことがあったかい?」
ジャスティンは、微笑みながら、最前列の女性に問いかけた。彼は、父のルールを守っていた。多くの聴衆に語るのではなく、たったひとりの身近な人へ言葉を伝えるのだ ーー
「僕は今日、駐車場に着いた時、気が滅入ったよ。ひどい湿気に陰鬱になった。でも、ここにいるエリノアが僕に言ったんだ。あなたを守るために、スタッフは最善の手段を選んだ、とね。そして、スタッフはみな、僕のために命を賭けてくれると」
歯切れよく言い切ったジャスティンの言葉に、再び観衆は沸いた。数万人の熱波がステージへ押し寄せた。
ジャスティンの目には、ステージにあった光を収束させたような輝きがあった。もちろん、エリノアの青い瞳にもだ。
「今夜、僕らがここに集まったのは、それぞれの意志を、再びこの国の中心に叩き込むためだ。アメリカが忘れかけている“光”を、もう一度我々の手に取り戻すためだ。この4年間、我が党は経済を立て直し、治安を取り戻し、国家の秩序を再構築した。今、私たちはその“光”をもっと強く照らす時に来ている。それは、ただの希望ではない。責任だ。アメリカが再び輝けば、世界はそれに倣う。そして、もっと強い、鮮明な光を私たちは手にしなければならない。アメリカが強い光を取り戻すことで、世界をくまなく照らすことができるのだ。私たちには、もっとそれができるはずだ」
ジャスティンの声が、再び会場を震わせた瞬間、乾いた銃声が響いた。ステージ中央あたりからだ。ジャックは音と同時に身を屈め、アリーナの頭上に展開した巨大なセンター・ハング・スクリーンに目をやった。ジャックには映る全ての時間が止まっていた。ジャスティンの身体が弾けたように背後へ揺れた。ジャケットの裾がゆっくり翻り、左肩から崩れてゆく。たぶん、最初の弾は左肩に着弾した。その後、再びジャスティンは前屈みになった。二発目は左腹部だ。ジャスティンの身体は、床へスローモーションのように崩れ落ち、うつぶした。
「ジャスティン!」
エリノアの矯正がステージに響いた。大きく見開いた瞳が、一点を見つめまま、細かく揺れている。一瞬にして透明な薄い膜が幾重にも重なって滲み、零れた。
ジャスティンへ近づこうとするエリノアの体を前面から覆うようにしてSPが抑え込み、引き離している。
「伏せろ!」というSPと観客からの声が同時に周囲を支配した途端、観客席は混乱に包まれた。
女性らの悲鳴が錯綜し、誰か、とやはり別の女性の声がかぶさった。すでに消えている銃声の余韻が、巨大な会場に重く残って覆っている。
ステージにいた者以外は、一聴しただけでは気づかなかったがジャックの耳は聴き分けていた。弾は間違いなく2発だった。騒然とした場内をよそに、ジャックは静かに目を閉じた。発射音から着弾までを想像した。一発目の弾は、ジャスティンのほぼ頭上からだった。そして、もう一発もだ。発射音から着弾までの様子からしておそらくかなりの近距離だ。
「ベン、どこだ」
ジャックは、出口へ卒倒してゆく観客らを抗うようにしてステージへ近づいていく。ベンの冷静な声がすぐに聞こえてきた。
「ジャスティンのそばだ。心臓ははずれているが、左肩と左腹部をかすめているようだ。動脈には達していないが出血がひどい」
「車列にあった救護班がすぐにいく。ジャスティンはボンベイブラッドだ。救急車にブラッドバッグが二つ備えてある。とりあえず輸血するはずだ」
「足らなかった場合は、イライジャのところか?」
「いずれにしても搬入だ。ベルビュー病院にブラッドバッグが保管されている。予備の輸血だ。三日前に確認した」
ボンベイブラッドとは、1952年にインドのムンバイ、旧ボンベイで初めて確認された、通常のA、B、Oには分類されない特殊な血液型だ。インドでは1万人にひとり程度だが、世界的には250万人に1人ともいわれているもので、同じボンベイ型からボンベイ型への輸血しかできない。
ベンは、冷静にわかったといった。
マジソンスクエアガーデンに最も近いベルビュー病院にジャスティンを運び込む。ジャックは、病院で控えているイライジャに直接電話した。ワンコールが切れる前にすぐイライジャは反応した。
「ジャック、大変だ。血液がない。ボンベイブラッドがないんだ」
ジャックは、耳を疑った。
「三日前に、俺は直接担当の、名前は忘れたな。とにかく目の前でブラッドバッグを確認したぞ」
イライジャは、数秒の沈黙の後、応えた。
「その血液の管理者は、きのう、交通事故で亡くなったんだ」
ジャックがその言葉に沈黙していると、場内にジャックの声でアナウンスが流れた。すでに震えているガーデンをさらにその声が震わせた。ジャックは、再びスクリーンに目をやったが、音声だけがジャックの声だった。
「みなさん、落ち着いてください。私はシークレットサービスのジャック・バンスです。この建物には爆薬が仕掛けられていますが、みなさん、落ち着いて、出口へ向かってください。繰り返します。私は….」
場内の空気が一瞬にして、硬直した。同時に、崩壊した。パニックはすぐに伝染した。数千の観客は、波紋のように大きく揺れ、一斉に出口へ傾れ込んだ。しかし、ジャスティンへの発砲と同時に出口は封鎖されていた。
メインアリーナの出入口は合計8つ――だがその多くは、来賓警備や車列誘導のためにすでに封鎖されていた。群衆の大半が、残された3つの出入口に集中した。
低い声から高い叫び声。倒れた人間を踏みつける足。転倒した白いブラウスの少女はすでに黒ずんでいる。小さな熊のぬいぐるみの顔が真っ平らになっている。
人は、逃げるときに後ろを見ない。出入口の一つでは、すでに数人が折り重なるように倒れ、その上をさらに何十人もの足が越えていった。荷重により手すりが歪み、出口の一部が完全に塞がれる。
「ドアが開かない!」
「子どもが――!」
叫び声が乱れ飛び、場内警備は現場への到達すら困難な状態だった。あらゆる指示が雑音にかき消され、もはや群衆は誰の言葉も聞いていなかった。
制御不能の肉の波――それが、人間の集団というものだった。
「この程度の混乱ではなかったぞ、ジャック」
ザカリアの声が切ったはずのPAから場内へ響いた。同時に、ジャックら警備スタッフへのスマートフォンへリンク先の案内がいっせいに届いた。
「メールが届いただろう? リンク先を開け。安心しろ、ウィルスは除去済みだ」
ザカリアが笑いを抑え、皮肉混じりにいった。
ジャックは後ろポケットから慌てて、アイフォンを開いた。1件のメール着信を開くと、サイトが現れた。
「こんばんは、ニューヨーク。そしてロサンゼルス。私の名前はザカリア・ハッダード。本名だ。5年前、ガザに住んでいた。今は、みなさんがよく目にする部屋を真似た部屋に私はいる」
褐色の、顎髭をたくわえたザカリアは、アメリカ大統領執務室とほとんど同じ部屋の椅子に座っていた。背後に見える三つの大きな窓には、グリーンのカーテンが掛けられている。預言者ムハンマドが好んだ色だ。
壁面には、剣ではなく詩と理性で世界を導こうとした男、イブン・シーナーの肖像画が掛けられていた。その眼差しは、ワシントンよりも深く、リンカーンよりも繊細なもので、遥か遠く、消え去った時間の底からこちらを見据えているようだった。
ザカリアは腕時計に目を落としてから、再び、カメラに視線を向けた。目には言葉にできない喜びのような暗い影が落ちている。
「そろそろブレイキングニュースだ。スマートフォンの速報に注目して欲しい」
ザカリアがそういった途端、速報が流れた。
【民主党前大統領のオーウェン・リードがロサンゼルス・コンベンション・センターで銃撃された模様です】
ザカリアは、一瞬俯いて笑いを堪えながらいった。
「悲しい速報じゃないか。アメリカのみなさん。でもどうか悲しまないで欲しい。私が経験したガザではこの55,000倍だ。55,000人以上の大切な人を失い、そして、涙を流した」
ザカリアはカメラから目を逸らし、俯いた。そして両手を固く握りしめ、力強く机を叩きつけた。部屋の空気が硬直した。重く固まった空気が画像からも伝わってくる。しかし、顔を上げたザカリアの目にはうっすらと涙が溢れていた。静かな涙だった。
「私たちは、お金を求めない。また、死による名誉も求めない。私たちが欲しいのは、55,000人が流した涙と同じだけの涙だ。流された涙と同じだけの涙だけが、私たちを癒す」
両肘を机につき、両手を組むと、ザカリアは静かに顎を乗せた。目を閉じて、しばらく沈黙が続いた。目尻が細かく震えているようだった。
ザカリアはデスクにあったフォトフレームをカメラへ向け、反転させた。
「私の家族だ。私の命よりも大切な家族だ。すべて一瞬で奪われたよ」
彼の言葉に憎しみはなかった。語尾には、亡くなったものへの敬意とたくさんの優しさを詰め込んだ静けさが含まれている。続けて、ザカリアはゆっくり口を開いた。
「55,000人のうちの私はひとりに過ぎない。私が消えても55,000人もの意思は決して消えず、引き継がれる。私は、私たちの意思をここに表明するためにいる」
ザカリアは、向かって右手の机の引き出しにそっと手を伸ばした。引き出しから、グロック17を取り出すと、スライドしてチャンバーに弾を流した。そして、銃口を自分のこめかみに当てた。ザカリアの目からは憎悪は消えていた。穏やかで、亡くなった家族を包み込むようなやさしい眼差しだった。
スンニ派である彼は、まっすぐにカメラを見つめ、いった。
「神のご加護を。アメリカ」
執務室の三つの窓から差し込んだ眩い逆光の中、ザカリアは、静かに目を閉じると、トリガーを真っ直ぐに引いた。乾いた銃声が部屋に響いた。一瞬、カメラが横へぶれたが、映像は瞬時に黒へ切り替わった。
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これまでのメモ
3
www.flickr.com/photos/stealaway/54639396885/in/dateposted...
2
www.flickr.com/photos/stealaway/54628511025/in/dateposted...
1
www.flickr.com/photos/stealaway/54599616429/in/dateposted...
追記 この小説を多少説明しました。
youtu.be/3w65lqUF-YI?si=yG7qy6TPeCL9xRJV
iTunes Playlist Link::
music.apple.com/jp/playlist/b/pl.u-47DJGhopxMD
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メモ
1
「Bombay型(ボンベイ型、hh型)」
•特徴:通常のABO血液型を持たない(A、B、Oに分類されない)特殊な型。
•発見地:1952年、インド・ムンバイ(旧ボンベイ)で初めて確認。
•発生頻度:インドでは1万人に1人程度だが、世界的には約250万人に1人とも。
•輸血制限:同じBombay型しか輸血できない。
2
2024年ハーバード大学首席の卒業式スピーチ『知らないことの力』
youtu.be/SOUH8iVqSOI?si=Ju-Y728irtcWR71K
3
Shots fired at Trump rally
youtu.be/1ejfAkzjEhk?si=ASqJwEmkY-2rW_hT
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I found a stash of USGS copies I made some time ago so I am taking a retouching break for some USGS originals I found. Although the Virginia Dale store (Stage Station) is closed now, it was always a stop on the route from northern Colorado especially to the transcontinental Union Pacific route through Laramie, Wyoming. The Robber's Roost was within a mile of Virginia Dale when W.H. Jackson found and shot it.
A later rail link trying to make a connection to southern Wyoming was attempted and graded past Virginia Dale at a later time. A tunnel was dug northwest of Virginia Dale. eDDie tracked the route and tunnel on Google maps as far as it was graded. The Union Pacific and the Denver Pacific joined to torpedo the new route. It's on our bucket list of future photos. I shot a couple of grave markers at the little church cemetery.
Here is a clip from the internet:
Virginia Dale, Colorado Stage Station Treasure
Overland Trail Team
"In 1863, a stagecoach along the Overland Trail carrying an army payroll of $60,000 (which would be about $1 million dollars today) in ten and twenty dollar gold coins was destined for Fort Sanders (at Laramie) in Wyoming Territory. The gold shipment represented several months of back pay for the soldiers at Fort Sanders; however, the unfortunate soldiers never saw the gold.
Only about a mile from the Virginia Dale Station, the stage was robbed by six masked outlaws at Long View Hill. The gang took the strongbox from the stage and headed west towards the wooded foothills, where they blew the lock off of the box, removed the gold coins, and buried the treasure.
However, before they could spend their ill-gained wealth, the bandits were pursued and killed by the U.S. Cavalry. The Cavalry later found the iron strong box in a nearby creek, the sides and bottom gone, riddled with bullet holes – and, obviously, empty.
The Overland Trail stage line was regularly terrorized by outlaws, where the surrounding area provided multiple opportunistic hideouts. One hideout, labeled the Robbers Roost atop Table Mountain, was so popular that the outlaws built a cabin there. Table Mountain, only about a mile northeast of the Virginia Dale Stage Station, was a perfect hideout, as it is difficult to climb with practically perpendicular cliffs and a rim of shale.
At the time, it was rumored that Joseph 'Jack' Slade, the former Station Master was the leader of the gang. Jack Slade, not as famous as many other outlaw characters, was nevertheless, as notorious as many of them. Slade was said to have had an uncontrollable temper, was a heavy drinker, and had murdered in the past.
The gold taken by the robbers at Virginia Dale has never been found."
My name is Cal Rose. As a child, I was abandoned by my parents, and I had to learn to survive by myself. On the streets, alone. And today, I’m fighting for my life again.
------------------------------------------------------------------------------------------
Once again, we’re outside the warehouse. Seline wanted to come, but Wayne told her she should stay behind. Green Arrow is there, and once Batman arrives, we enter the building. There’s almost no light inside, and I’m glad I know my way around pretty well.
We split up, Arrow and Batman looking for Bane, while I scout for Scarecrow. I wander through the corridors of crates and bags, looking for any sign of him. Eventually, I see him crouched in a corner, looking, as always, like a pile of loose cloth. He rises, and says, “Hello, Talon. We’ve been expecting you.”
“Oh, really? Well, you weren’t wrong.”
“He’s a little scared of you, you know.”
“You mean Bane? You really know him, don’t you?”
“Oh, I wouldn’t say that. But we…fit in with each other. I frighten people. He doesn’t scare easily.”
“You’re not frightening to me.”
I can’t see Scarecrow’s face under his wraps, but he speaks as though he’s smiling. “Oh, you don’t even know.”
“Knives scare me. Cliffs scare me. You don’t.”
“Ah, but those aren’t your true fears. I can feel it. I can always feel it.”
“What about Bane? Surely, he’s scared of something. You said he feared me.”
“He does. But you are not his deepest fear. The reason I cannot frighten him is that his greatest fear has already become reality. He has become uncontrollable, a being fueled solely by rage and aggression. Yours is the same. You could be as feral as Bane, if you let yourself. But you fight it. Struggle to control your darkest instincts, rather than embrace them. Let’s see how you fare.”
He glides backward, and in his place, there’s a spectral green version of me. But different. There’s something hungry in its eyes, and a cruel smile on its face. Its gloves are caked in blood, and it crouches like some wild beast, ready to pounce.
It dives at me, and I knock it away with a forearm. But it hit me with shocking force, and I tumble back against a wall. It continues its assault, swiping at me viciously with sharply tipped gloves. Every time I parry an attack, it’s ready with another. I keep getting knocked around the small space we’re in, every time getting more bruises and aches.
At last, I can’t find the strength to get back up. The ghostly mirror of me charges one more time to finish me off. As he nears, some reflex I didn’t know I had extends my hands, knives flying out of the sleeves of my suit. I lunge forward, the knives striking it in the neck. I’m sure I’ve killed it, but suddenly, it’s simply gone.
“Well done, Talon. You managed to best your fear the only way you could. Being it.”
I can almost feel the triumph in Scarecrow’s voice.
“You tried, but you failed. You are now exactly what you fought not to become. A murderer.”
I lunge at him with strength I don’t know the source of. I plunge a hand into his gut, followed with a knee to the face when he doubles over. He’s left knocked out on the cold stone floor.
“That thing was never alive for me to kill.”
With that, I leave to find Batman and Arrow.
I find the familiar path to the center room, and find Arrow and Batman fighting Bane, and seemingly holding their own. Batman fought him hand-to-hand while Arrow shot a constant stream of arrows that somehow always found Bane. They were keeping him at bay, but they weren’t getting anywhere.
Still fueled from the stress of my battle with Scarecrow, I jump in, side by side with Batman. Together, we start to drive Bane back. He smashes through a wall, and we follow. Green Arrow follows, silently leaping between the beams in the ceiling. We follow Bane into a metal-walled room, and find him waiting for us.
As we rush into the room, he tries to punch us. I manage to dodge, but Batman gets hammered into the wall, knocking the air out of him. I launch myself at Bane. I dodge a kick from him, and land what should have been a knockout blow on his masked face. He just roars and keeps advancing.
I can tell I can’t win this through strength alone. I need to be smarter than Bane. I dive onto the floor, slide between his legs, and slash behind me with the knives in my belt. I get up in a crouch and see Bane bellowing in pain at the deep cuts on the backs of his calves. He stumbles around to face me, but he’s slower now.
Good. Finally, some progress.
I can see Batman getting up behind Bane, and I try to stall long enough for him to attack from behind. Bane tries to charge, but trips and almost falls. He stands for a moment, panting and trying to regain his balance. Batman sees his opportunity and jumps high into the air, higher than a human should be able to. As he comes down, two large, curved blades appear in his hands. He plunges these into Bane’s shoulders and pushes off, only to flip and land a bone-shattering kick on Bane’s face. He lands gracefully, and turns back to a staggering Bane.
I’m stunned for a moment, then rush at Bane alongside Batman. We punch him in the stomach at the same time, then sweep under him and pull his legs forward. He crashes to the ground and doesn’t get up.
Just one more issue to go! Hope you all enjoy.
Mirit Ben-Nun’s art exists within and beyond reality. She moves away from reality with aggressive and dense colorfulness which reveals an inner testimony of a threatened existence of women. The lines, points and shapes do not reproduce facts but emphasize the special charge of emotional coping.
Mirit Ben-Nun shows a rebellious spirit and tries to reach out to things not through wholeness but via searching for their expression and manifestation.
She explores personal identity and through it tries to define a complementary art, thereby illustrating the world and the nature of human culture. She focuses on the expressive dimension because of the exposure afforded by the uncontrollable moment that so much affects life in a rapidly changing global world.
The discourse between the inner world and the emerging reality is hyperactive and generates in Ben - Nun an endless sequence of works.
From the depths of feelings, dreams, anxieties and expressions arise rigid and exciting meanings of existence whose essence expresses restlessness and lack of adaptation.
Dora Woda
[]Please comment if you favorite[]
(The following takes place two weeks after issue 52)
Matt Murdock stands on the ledge of a rooftop. A scene that has become all too familiar with him. Just like many nights Matt is focusing on hearing the many things around him. What he's listening for is just a name Black Tarantula. No one seems to be talking though. Not any thugs running around the city. Not any corrupt police man. In fact no one was saying anything. Other than that this night nothing seems to be out of the ordinary. Matt sighs as he hears the clanking of feet on a latter that leads to the roof of the building he stands on now. He is not worried about who it is as the man coming to see him is one of his oldest friends.
"Foggy?"
"Thought you could use some company. I saw you were still trying to find something to beat up."
"Foggy..."
"Do you want to talk?"
Matt shakes his head. This causes Foggy to quickly drop his below his shoulders in disappointment. Foggy shakes his head and looks back at Matt.
"You can't stay like this forever. You need to talk to someone."
"I can't."
"Yes you can, and you have to."
"It's just... I should have been there."
"Stop blaming yourself. You are not to blame."
"Elektra was alone. She had an assassin sent for her head... Twice in the matter of a week... I should have been there."
"You couldn't have possibly known that that assassin guy was gonna come and kill her."
"Exactly. So I should have been there to protect her. For when that day would come. Because sooner or later it would have happened. It's all my fault... It's all my fault... Elektra is gone... Forever and it's all my fault."
"Y'know it is your fault."
Matt is shocked by this statement. He feels a bit of anger pump through his system. His fists clench and he turns around to charge at Foggy. Matt stops short as he senses something very wrong. Foggy doesn't have a heartbeat. He realizes that he never did while talking to Matt. That's why he only could here the clap of his shoes. But why?
"You're to blame. For Elektra's death... and mine."
Suddenly a large hole in Foggy's chest rips open. Blood seeps from the hole and Foggy collapses. Voices in Matt's head begin to shout at him.
"YOU'RE TO BLAME!!"
"YOU'RE TO BLAME!!"
"YOU'RE TO BLAME FOR ALL OF THIS!!"
Matt breaks down and weeps uncontrollably. He wraps himself into the fetal position rocks back and forth. The screams get louder and closer.
"YOU'RE TO BLAME! YOU DID THIS!"
"YOU'RE TO BLAME!"
"IT'S ALL YOUR FAULT!"
"No! Stop this! Shut up! SHUT UP!"
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
As you can see by the "taken on" date this was sitting around for a while unuploaded.
The VIP room at the iceberg lounge
Like two uncontrollable children, Lonnie and Floyd jump about shouting as they intensely play a game of table football.
Oswald who is currently discussing strategy with roman struggles to hide his irritation and let’s out at the two
Oswald: you behave like toddlers! Or monkeys excited over fire! Who let you bring that thing in anyway and where’d it come from
Floyd: huh? Oh...found it on the side of the road. Shame to let it go to waste
Oswald: egad...
Roman: Oswald. If you’d like to stop this painful but entertaining display of babysitting, I’d like you to meet a man who I believe will be a very important asset to this operation
Oswald: operation? Huh. That implys organisation. Tell it to those two
Roman: yes they’re idiots. Which is why I would like you to meet this friend of mine
Oswald: who is he?
Roman: no idea. He keeps his real name secret and butchers any man who knows it. He goes by the name metalhead...
Oswald: metalhead? Really roman?
Roman: don’t under estimate me. It was you that bought along “anarky” and “deadshot”
Oswald: fair deuce. Let’s see this metal face then
Roman: metal head and he should be here in a minute...
The two look over to the back door. The man in discussion swings it open, walks with loud thuds and then stands tall above roman and Oswald sat down at a table
Metalhead: Black mask. You called.
Roman: take a seat
Metalhead: no. You have a proposal ?
Roman with gritted teeth: yes...I propose this seat
The assassin shrugs his shoulders and takes a seat. His mask is decorated with a dozen or so metal spikes and the occasional smear of blood. Well only if occasional means all over ones face
Penguin: and you have come to do what? We’ve got an assassin roman. The best of the best
Roman: he’s a gun man oswald. Or at least a hitman. Hitmen and assassins are very different things.
Penguin: they both kill people for money don’t they
Metal head: I don’t. In fact I’ve never taken a penny. But I have killed and do kill and will kill
Penguin: eh I can tell
Metal head: so roman since you’re the one with sense, who’s the target?
Roman: I think it’s rather self explanatory. The batman of course
Penguin: Carmine sent people after Bruce on several occasions. He never got anywhere. Apart from when he sent Floyd of course.
Roman: you mean Floyd caught batman
Penguin: yes and he bought him here
Roman: what did you do?
Penguin: the plan was to see who was under the mask but...
Roman: ...he got away?
Penguin: exactly. We’re only wasting our time on him
Metal head: yes but you’re missing something
Penguin: do tell
Metal head: Floyd made the biggest mistake of his life. One I won’t make
Penguin: and what pray tell was that metal man?
Metal head : he kept him alive
Roman: hehehe. You see why I like this guy Ozzy? Huh? He’s a blast! No?
Penguin: I’ll give him a chance but I want to send one of mine with ‘im
Roman: that work for you buddy? Reckon you can take some back up
Metal head: *grunts* yes but only as backup
Penguin: pleasure doing business with you sir. I nominate deadshot. He won’t disappoint
Metal head: I’m sure he won’t. Atleast not when his life depends on it...Black mask I’ll wait for your signal. You know where I am.
Roman: perfect. Thank you metal head I’ll be in touch.
The man then nods and walks out the back door without another word said.
Penguin: I choose the next recruit
Roman: you got two
Penguin: no I recruited Floyd, he recruited anarky
Roman: eh fine. You get the next pick. Ya like a spoilt child sometimes. ya know that
Thessaloniki (Greek: Θεσσαλονίκη, often referred to internationally as Thessalonica or Salonica, is the second-largest city in Greece and the capital of the Greek region of Macedonia, the administrative region of Central Macedonia and the Decentralized Administration of Macedonia and Thrace.[3][4] Its honorific title is Συμπρωτεύουσα (Symprotévousa), literally "co-capital",[5] and stands as a reference to its historical status as the Συμβασιλεύουσα (Symvasilévousa) or "co-reigning" city of the Eastern Roman (Byzantine) Empire, alongside Constantinople.[6]
According to the preliminary results of the 2011 census, the municipality of Thessaloniki today has a population of 322,240,[1] while the Thessaloniki Urban Area (the contiguous built up area forming the "City of Thessaloniki") has a population of 790,824.[1] Furthermore, the Thessaloniki Metropolitan Area extends over an area of 1,455.62 km2 (562.02 sq mi) and its population in 2011 reached a total of 1,104,460 inhabitants.[1]
Thessaloniki is Greece's second major economic, industrial, commercial and political centre, and a major transportation hub for the rest of southeastern Europe;[7] its commercial port is also of great importance for Greece and the southeastern European hinterland.[7] The city is renowned for its festivals, events and vibrant cultural life in general,[8] and is considered to be Greece's cultural capital.[8] Events such as the Thessaloniki International Trade Fair and the Thessaloniki International Film Festival are held annually, while the city also hosts the largest bi-annual meeting of the Greek diaspora.[9] Thessaloniki is the 2014 European Youth Capital.[10]
Founded in 315 BC by Cassander of Macedon, Thessaloniki's history spans some 2,300 years. An important metropolis by the Roman period, Thessaloniki was the second largest and wealthiest city of the Byzantine Empire. Thessaloniki is home to numerous notable Byzantine monuments, including the Paleochristian and Byzantine monuments of Thessaloniki, a UNESCO World Heritage Site, as well as several Roman, Ottoman and Sephardic Jewish structures. The city's main university, Aristotle University, is the largest in Greece and the Balkans.[11]
Thessaloniki is a popular tourist destination in Greece. In 2010, Lonely Planet ranked Thessaloniki as the world's fifth-best party city worldwide, comparable to other cities such as Dubai and Montreal.[12] For 2013 National Geographic Magazine included Thessaloniki in its top tourist destinations worldwide,[13] while in 2014 Financial Times FDI magazine (Foreign Direct Investments) declared Thessaloniki as the best mid-sized European city of the future for human capital and lifestyle.
Etymology
All variations of the city's name derive from the original (and current) appellation in Greek: Θεσσαλονίκη (from Θεσσαλός, Thessalos, and Νίκη, Nike), literally translating to "Thessalian Victory". The name of the city came from the name of a princess, Thessalonike of Macedon, half sister of Alexander the Great, so named because of her birth on the day of the Macedonian victory at the Battle of Crocus Field (353/352 BCE).[16]
The alternative name Salonica (or Salonika) derives from the variant form Σαλονίκη (Saloníki) in popular Greek speech, and has given rise to the form of the city's name in several languages. Names in other languages prominent in the city's history include Солѹнь (Solun) in Old Church Slavonic, סלוניקה (Salonika) in Ladino, Selanik (also Selânik) in Turkish (سلانیك in Ottoman Turkish), Solun (also written as Солун) in the local and neighboring South Slavic languages, Салоники (Saloníki) in Russian, and Sãrunã in Aromanian. In local speech, the city's name is typically pronounced with a dark and deep L characteristic of Macedonian Greek accent.[17][18]
The name often appears in writing in the abbreviated form Θεσ/νίκη
History
From antiquity to the Roman Empire
The city was founded around 315 BC by the King Cassander of Macedon, on or near the site of the ancient town of Therma and 26 other local villages.[20] He named it after his wife Thessalonike,[21] a half-sister of Alexander the Great and princess of Macedon as daughter of Philip II. Under the kingdom of Macedon the city retained its own autonomy and parliament[22] and evolved to become the most important city in Macedon.[21]
After the fall of the kingdom of Macedon in 168 BC, Thessalonica became a free city of the Roman Republic under Mark Antony in 41 BC.[21][23] It grew to be an important trade-hub located on the Via Egnatia,[24] the road connecting Dyrrhachium with Byzantium,[25] which facilitated trade between Thessaloniki and great centers of commerce such as Rome and Byzantium.[26] Thessaloniki also lay at the southern end of the main north-south route through the Balkans along the valleys of the Morava and Axios river valleys, thereby linking the Balkans with the rest of Greece.[27] The city later became the capital of one of the four Roman districts of Macedonia.[24] Later it became the capital of all the Greek provinces of the Roman Empire due to the city's importance in the Balkan peninsula. When the Roman Empire was divided into the tetrarchy, Thessaloniki became the administrative capital of one of the four portions of the Empire under Galerius Maximianus Caesar,[28][29] where Galerius commissioned an imperial palace, a new hippodrome, a triumphal arch and a mausoleum among others.[29][30][31]
In 379 when the Roman Prefecture of Illyricum was divided between the East and West Roman Empires, Thessaloniki became the capital of the new Prefecture of Illyricum.[24] In 390 Gothic troops under the Roman Emperor Theodosius I, led a massacre against the inhabitants of Thessalonica, who had risen in revolt against the Germanic soldiers. With the Fall of Rome in 476, Thessaloniki became the second-largest city of the Eastern Roman Empire.[26] Around the time of the Roman Empire Thessaloniki was also an important center for the spread of Christianity; some scholars hold that the First Epistle to the Thessalonians written by Paul the Apostle is the first written book of the New Testament.
Byzantine era and Middle Ages
From the first years of the Byzantine Empire, Thessaloniki was considered the second city in the Empire after Constantinople,[33][34][35] both in terms of wealth and size.[33] with an population of 150,000 in the mid 1100s.[36] The city held this status until it was transferred to Venice in 1423. In the 14th century the city's population exceeded 100,000 to 150,000,[37][38][39] making it larger than London at the time.[40]
During the 6th and 7th centuries the area around Thessaloniki was invaded by Avars and Slavs, who unsuccessfully laid siege to the city several times.[41] Traditional historiography stipulates that many Slavs settled in the hinterland of Thessaloniki,[42] however, this migration was allegedly on a much smaller scale than previously thought.[42][42][43] In the 9th century, the Byzantine Greek missionaries Cyril and Methodius, both natives of the city, created the first literary language of the Slavs, the Glagolic alphabet, most likely based on the Slavic dialect used in the hinterland of their hometown.[44][45][46][47][48]
An Arab naval attack in 904 resulted in the sack of the city.[49] The economic expansion of the city continued through the 12th century as the rule of the Komnenoi emperors expanded Byzantine control to the north. Thessaloniki passed out of Byzantine hands in 1204,[50] when Constantinople was captured by the forces of the Fourth Crusade and incorporated the city and its surrounding territories in the Kingdom of Thessalonica[51] — which then became the largest vassal of the Latin Empire. In 1224, the Kingdom of Thessalonica was overrun by the Despotate of Epirus, a remnant of the former Byzantine Empire, under Theodore Komnenos Doukas who crowned himself Emperor,[52] and the city became the Despotat's capital.[52][53] This era of the Despotate of Epirus is also known as the Empire of Thessalonica.[52][54][55] Following his defeat at Klokotnitsa however in 1230,[52][54] the Empire of Thessalonica became a vassal state of the Second Bulgarian Empire until it was recovered again in 1246, this time by the Nicaean Empire.[52] In 1342,[56] the city saw the rise of the Commune of the Zealots, an anti-aristocratic party formed of sailors and the poor,[57] which is nowadays described as social-revolutionary.[56] The city was practically independent of the rest of the Empire,[56][57][58] as it had its own government, a form of republic.[56] The zealot movement was overthrown in 1350 and the city was reunited with the rest of the Empire.[56]
In 1423, Despot Andronicus, who was in charge of the city, ceded it to the Republic of Venice with the hope that it could be protected from the Ottomans who were besieging the city (there is no evidence to support the oft-repeated story that he sold the city to them). The Venetians held Thessaloniki until it was captured by the Ottoman Sultan Murad II on 29 March 1430.
Ottoman period
When Sultan Murad II captured Thessaloniki and sacked it in 1430, contemporary reports estimated that about one-fifth of the city's population was enslaved.[60] Upon the conquest of Thessaloniki, some of its inhabitants escaped,[61] including intellectuals such as Theodorus Gaza "Thessalonicensis" and Andronicus Callistus.[62] However, the change of sovereignty from the Byzantine Empire to the Ottoman one did not affect the city's prestige as a major imperial city and trading hub.[63][64] Thessaloniki and Smyrna, although smaller in size than Constantinople, were the Ottoman Empire's most important trading hubs.[63] Thessaloniki's importance was mostly in the field of shipping,[63] but also in manufacturing,[64] while most of the city's trade was controlled by ethnic Greeks.[63]
During the Ottoman period, the city's population of mainly Greek Jews and Ottoman Muslims (including those of Turkish and Albanian, as well as Bulgarian Muslim and Greek Muslim convert origin) grew substantially. By 1478 Selânik (سلانیك), as the city came to be known in Ottoman Turkish, had a population of 4,320 Muslims, 6,094 Greek Orthodox and some Catholics, but no Jews. Soon after the turn of the 15th to 16th century, nearly 20,000 Sephardic Jews had immigrated to Greece from Spain following their expulsion by the 1492 Alhambra Decree.[65] By c. 1500, the numbers had grown to 7,986 Greeks, 8,575 Muslims, and 3,770 Jews. By 1519, Sephardic Jews numbered 15,715, 54% of the city's population. Some historians consider the Ottoman regime's invitation to Jewish settlement was a strategy to prevent the ethnic Greek population (Eastern Orthodox Christians) from dominating the city.[38]
Thessaloniki was the capital of the Sanjak of Selanik within the wider Rumeli Eyalet (Balkans)[66] until 1826, and subsequently the capital of Selanik Eyalet (after 1867, the Selanik Vilayet).[67][68] This consisted of the sanjaks of Selanik, Serres and Drama between 1826 and 1912.[69] Thessaloniki was also a Janissary stronghold where novice Janissaries were trained. In June 1826, regular Ottoman soldiers attacked and destroyed the Janissary base in Thessaloniki while also killing over 10,000 Janissaries, an event known as The Auspicious Incident in Ottoman history.[70] From 1870, driven by economic growth, the city's population expanded by 70%, reaching 135,000 in 1917.[71]
The last few decades of Ottoman control over the city were an era of revival, particularly in terms of the city's infrastructure. It was at that time that the Ottoman administration of the city acquired an "official" face with the creation of the Command Post[72] while a number of new public buildings were built in the eclectic style in order to project the European face both of Thessaloniki and the Ottoman Empire.[72][73] The city walls were torn down between 1869 and 1889,[74] efforts for a planned expansion of the city are evident as early as 1879,[75] the first tram service started in 1888[76] and the city streets were illuminated with electric lamp posts in 1908.[77] In 1888 Thessaloniki was connected to Central Europe via rail through Belgrade, Monastir in 1893 and Constantinople in 1896.
Since the 20th century
In the early 20th century, Thessaloniki was in the center of radical activities by various groups; the Bulgarian Internal Macedonian Revolutionary Organization, founded in 1897,[78] and the Greek Macedonian Committee, founded in 1903.[79] In 1903 an anarchist group known as the Boatmen of Thessaloniki planted bombs in several buildings in Thessaloniki, including the Ottoman Bank, with some assistance from the IMRO. The Greek consulate in Ottoman Thessaloniki (now the Museum of the Macedonian Struggle) served as the center of operations for the Greek guerillas. In 1908 the Young Turks movement broke out in the city, sparking the Young Turk Revolution.[80]
The Ottoman Feth-i Bülend being sunk in Thessaloniki in 1912 by a Greek ship during the First Balkan War.
Constantine I of Greece with George I of Greece and the Greek army enter the city.
As the First Balkan War broke out, Greece declared war on the Ottoman Empire and expanded its borders. When Eleftherios Venizelos, Prime Minister at the time, was asked if the Greek army should move towards Thessaloniki or Monastir (now Bitola, Republic of Macedonia), Venizelos replied "Salonique à tout prix!" (Thessaloniki, at all costs!).[81] As both Greece and Bulgaria wanted Thessaloniki, the Ottoman garrison of the city entered negotiations with both armies.[82] On 8 November 1912 (26 October Old Style), the feast day of the city's patron saint, Saint Demetrius, the Greek Army accepted the surrender of the Ottoman garrison at Thessaloniki.[83] The Bulgarian army arrived one day after the surrender of the city to Greece and Tahsin Pasha, ruler of the city, told the Bulgarian officials that "I have only one Thessaloniki, which I have surrendered".[82] After the Second Balkan War, Thessaloniki and the rest of the Greek portion of Macedonia were officially annexed to Greece by the Treaty of Bucharest in 1913.[84] On 18 March 1913 George I of Greece was assassinated in the city by Alexandros Schinas.[85]
In 1915, during World War I, a large Allied expeditionary force established a base at Thessaloniki for operations against pro-German Bulgaria.[86] This culminated in the establishment of the Macedonian Front, also known as the Salonika Front.[87][88] In 1916, pro-Venizelist Greek army officers and civilians, with the support of the Allies, launched an uprising,[89] creating a pro-Allied[90] temporary government by the name of the "Provisional Government of National Defence"[89][91] that controlled the "New Lands" (lands that were gained by Greece in the Balkan Wars, most of Northern Greece including Greek Macedonia, the North Aegean as well as the island of Crete);[89][91] the official government of the King in Athens, the "State of Athens",[89] controlled "Old Greece"[89][91] which were traditionally monarchist. The State of Thessaloniki was disestablished with the unification of the two opposing Greek governments under Venizelos, following the abdication of King Constantine in 1917.[86][91]
The 1st Battalion of the National Defence army marches on its way to the front.
Aerial picture of the Great Fire of 1917.
Most of the old center of the city was destroyed by the Great Thessaloniki Fire of 1917, which started accidentally by an unattended kitchen fire on 18 August 1917.[92] The fire swept through the centre of the city, leaving 72,000 people homeless; according to the Pallis Report, most of them were Jewish (50,000). Many businesses were destroyed, as a result, 70% of the population were unemployed.[92] Also a number of religious structures of the three major faiths were lost. Nearly one-quarter of the total population of approximately 271,157 became homeless.[92] Following the fire the government prohibited quick rebuilding, so it could implement the new redesign of the city according to the European-style urban plan[6] prepared by a group of architects, including the Briton Thomas Mawson, and headed by French architect Ernest Hébrard.[92] Property values fell from 6.5 million Greek drachmas to 750,000.[93]
After the defeat of Greece in the Greco-Turkish War and during the break-up of the Ottoman Empire, a population exchange took place between Greece and Turkey.[90] Over 160,000 ethnic Greeks deported from the former Ottoman Empire were resettled in the city,[90] changing its demographics. Additionally many of the city's Muslims were deported to Turkey, ranging at about 20,000 people.[94]
During World War II Thessaloniki was heavily bombarded by Fascist Italy (with 232 people dead, 871 wounded and over 800 buildings damaged or destroyed in November 1940 alone),[95] and, the Italians having failed to succeed in their invasion of Greece, it fell to the forces of Nazi Germany on 8 April 1941[96] and remained under German occupation until 30 October 1944 when it was liberated by the Greek People's Liberation Army.[97] The Nazis soon forced the Jewish residents into a ghetto near the railroads and on 15 March 1943 began the deportation process of the city's 56,000 Jews to its concentration camps.[98][99] They deported over 43,000 of the city's Jews in concentration camps,[98] where most were killed in the gas chambers. The Germans also deported 11,000 Jews to forced labor camps, where most perished.[100] Only 1,200 Jews live in the city today.
Part of Eleftherias Square during the Axis occupation.
The importance of Thessaloniki to Nazi Germany can be demonstrated by the fact that, initially, Hitler had planned to incorporate it directly in the Third Reich[101] (that is, make it part of Germany) and not have it controlled by a puppet state such as the Hellenic State or an ally of Germany (Thessaloniki had been promised to Yugoslavia as a reward for joining the Axis on 25 March 1941).[102] Having been the first major city in Greece to fall to the occupying forces just two days after the German invasion, it was in Thessaloniki that the first Greek resistance group was formed (under the name «Ελευθερία», Eleftheria, "Freedom")[103] as well as the first anti-Nazi newspaper in an occupied territory anywhere in Europe,[104] also by the name Eleftheria. Thessaloniki was also home to a military camp-converted-concentration camp, known in German as "Konzentrationslager Pavlo Mela" (Pavlos Melas Concentration Camp),[105] where members of the resistance and other non-favourable people towards the German occupation from all over Greece[105] were held either to be killed or sent to concentration camps elsewhere in Europe.[105] In the 1946 monarchy referendum, the majority of the locals voted in favour of a republic, contrary to the rest of Greece.[106]
After the war, Thessaloniki was rebuilt with large-scale development of new infrastructure and industry throughout the 1950s, 1960s and 1970s. Many of its architectural treasures still remain, adding value to the city as a tourist destination, while several early Christian and Byzantine monuments of Thessaloniki were added to the UNESCO World Heritage list in 1988.[107] In 1997, Thessaloniki was celebrated as the European Capital of Culture,[108] sponsoring events across the city and the region. Agency established to oversee the cultural activities of that year 1997 was still in existence by 2010.[109] In 2004 the city hosted a number of the football events as part of the 2004 Summer Olympics.[110]
Today Thessaloniki has become one of the most important trade and business hubs in Southeastern Europe, with its port, the Port of Thessaloniki being one of the largest in the Aegean and facilitating trade throughout the Balkan hinterland.[7] On 26 October 2012 the city celebrated its centennial since its incorporation into Greece.[111] The city also forms one of the largest student centres in Southeastern Europe, is host to the largest student population in Greece and will be the European Youth Capital in 2014
Geography
Geology
Thessaloniki lies on the northern fringe of the Thermaic Gulf on its eastern coast and is bound by Mount Chortiatis on its southeast. Its proximity to imposing mountain ranges, hills and fault lines, especially towards its southeast have historically made the city prone to geological changes.
Since medieval times, Thessaloniki was hit by strong earthquakes, notably in 1759, 1902, 1978 and 1995.[113] On 19–20 June 1978, the city suffered a series of powerful earthquakes, registering 5.5 and 6.5 on the Richter scale.[114][115] The tremors caused considerable damage to a number of buildings and ancient monuments,[114] but the city withstood the catastrophe without any major problems.[115] One apartment building in central Thessaloniki collapsed during the second earthquake, killing many, raising the final death toll to 51.[114][115]
Climate
Thessaloniki's climate is directly affected by the sea it is situated on.[116] The city lies in a transitional climatic zone, so its climate displays characteristics of several climates. According to the Köppen climate classification, it is a humid subtropical climate (Cfa) that borders on a semi-arid climate (BSk), with annual average precipitation of 450 millimetres (18 in) due to the Pindus rain shadow drying the westerly winds. However, the city has a summer precipitation between 20 to 30 millimetres (0.79 to 1.18 in), which borders it close to a hot-summer Mediterranean climate (Csa).
Winters are relatively dry, with common morning frost. Snowfalls are sporadic, but οccur more or less every winter, but the snow cover does not last for more than a few days. Fog is common, with an average of 193 foggy days in a year.[117] During the coldest winters, temperatures can drop to −10 °C (14 °F).[117] The record minimum temperature in Thessaloniki was −14 °C (7 °F).[118] On average, Thessaloniki experiences frost (sub-zero temperature) 32 days a year.[117] The coldest month of the year in the city is January, with an average 24-hour temperature of 6 °C (43 °F).[119] Wind is also usual in the winter months, with December and January having an average wind speed of 26 km/h (16 mph).[117]
Thessaloniki's summers are hot with rather humid nights.[117] Maximum temperatures usually rise above 30 °C (86 °F),[117] but rarely go over 40 °C (104 °F);[117] the average number of days the temperature is above 32 °C (90 °F) is 32.[117] The maximum recorded temperature in the city was 42 °C (108 °F).[117][118] Rain seldom falls in summer, mainly during thunderstorms. In the summer months Thessaloniki also experiences strong heat waves.[120] The hottest month of the year in the city is July, with an average 24-hour temperature of 26 °C (79 °F).[119] The average wind speed for June and July in Thessaloniki is 20 kilometres per hour (12 mph)
Government
According to the Kallikratis reform, as of 1 January 2011 the Thessaloniki Urban Area (Greek: Πολεοδομικό Συγκρότημα Θεσσαλονίκης) which makes up the "City of Thessaloniki", is made up of six self-governing municipalities (Greek: Δήμοι) and one municipal unit (Greek: Δημοτική ενότητα). The municipalities that are included in the Thessaloniki Urban Area are those of Thessaloniki (the city center and largest in population size), Kalamaria, Neapoli-Sykies, Pavlos Melas, Kordelio-Evosmos, Ampelokipoi-Menemeni, and the municipal unit of Pylaia, part of the municipality of Pylaia-Chortiatis. Prior to the Kallikratis reform, the Thessaloniki Urban Area was made up of twice as many municipalities, considerably smaller in size, which created bureaucratic problems.[123]
Thessaloniki Municipality
The municipality of Thessaloniki (Greek: Δήμος Θεσαλονίκης) is the second most populous in Greece, after Athens, with a population of 322,240[1] people (in 2011) and an area of 17.832 km2 (7 sq mi). The municipality forms the core of the Thessaloniki Urban Area, with its central district (the city center), referred to as the Kentro, meaning 'center' or 'downtown'.
The institution of mayor of Thessaloniki was inaugurated under the Ottoman Empire, in 1912. The first mayor of Thessaloniki was Osman Sait Bey, while the current mayor of the municipality of Thessaloniki is Yiannis Boutaris. In 2011, the municipality of Thessaloniki had a budget of €464.33 million[124] while the budget of 2012 stands at €409.00 million.[125]
According to an article in The New York Times, the way in which the present mayor of Thessaloniki is treating the city's debt and oversized administration problems could be used as an example by Greece's central government for a successful strategy in dealing with these problems.[126]
Other
Thessaloniki is the second largest city in Greece. It is an influential city for the northern parts of the country and is the capital of the region of Central Macedonia and the Thessaloniki regional unit. The Ministry of Macedonia and Thrace is also based in Thessaloniki, being that the city is the de facto capital of the Greek region of Macedonia.
It is customary every year for the Prime Minister of Greece to announce his administration's policies on a number of issues, such as the economy, at the opening night of the Thessaloniki International Trade Fair. In 2010, during the first months of the 2010 Greek debt crisis, the entire cabinet of Greece met in Thessaloniki to discuss the country's future.[127]
In the Hellenic Parliament, the Thessaloniki urban area constitutes a 16-seat constituency. As of the national elections of 17 June 2012 the largest party in Thessaloniki is New Democracy with 27.8%, followed by the Coalition of the Radical Left (27.0%) and the Panhellenic Socialist Movement (10.2%).[128] The table below summarizes the results of the latest elections.
Cityscape
Architecture
Architecture in Thessaloniki is the direct result of the city's position at the centre of all historical developments in the Balkans. Aside from its commercial importance, Thessaloniki was also for many centuries the military and administrative hub of the region, and beyond this the transportation link between Europe and the Levant (Syria, Lebanon, Jordan, and Israel / Palestine). Merchants, traders and refugees from all over Europe settled in the city. The need for commercial and public buildings in this new era of prosperity led to the construction of large edifices in the city center. During this time, the city saw the building of banks, large hotels, theatres, warehouses, and factories. Architects who designed some of the most notable buildings of the city, in the late 19th and early 20th century, include Vitaliano Poselli, Pietro Arrigoni, Xenophon Paionidis, Eli Modiano, Moshé Jacques, Jean Joseph Pleyber, Frederic Charnot, Ernst Ziller, Roubens Max, Levi Ernst, Angelos Siagas and others, using mainly the styles of Eclecticism and Art Nouveau.
The city layout changed after 1870, when the seaside fortifications gave way to extensive piers, and many of the oldest walls of the city were demolished, including those surrounding the White Tower, which today stands as the main landmark of the city. As parts of the early Byzantine walls were demolished, this allowed the city to expand east and west along the coast.[129]
The expansion of Eleftherias Square towards the sea completed the new commercial hub of the city and at the time was considered one of the most vibrant squares of the city. As the city grew, workers moved to the western districts, due to their proximity to factories and industrial activities; while the middle and upper classes gradually moved from the city-center to the eastern suburbs, leaving mainly businesses. In 1917, a devastating fire swept through the city and burned uncontrollably for 32 hours.[71] It destroyed the city's historic center and a large part of its architectural heritage, but paved the way for modern development and allowed Thessaloniki the development of a proper European city center, featuring wider diagonal avenues and monumental squares; which the city initially lacked – much of what was considered to be 'essential' in European architecture.
City Center
After the Great Thessaloniki Fire of 1917, a team of architects and urban planners including Thomas Mawson and Ernest Hebrard, a French architect, chose the Byzantine era as the basis of their (re)building designs for Thessaloniki's city center. The new city plan included axes, diagonal streets and monumental squares, with a street grid that would channel traffic smoothly. The plan of 1917 included provisions for future population expansions and a street and road network that would be, and still is sufficient today.[71] It contained sites for public buildings and provided for the restoration of Byzantine churches and Ottoman mosques.
The Metropolitan Church of Saint Gregory Palamas, designed by Ernst Ziller.
Today the city center of Thessaloniki includes the features designed as part of the plan and forms the point in the city where most of the public buildings, historical sites, entertainment venues and stores are located. The center is characterized by its many historical buildings, arcades, laneways and distinct architectural styles such as Art Nouveau and Art Deco, which can be seen on many of its buildings.
Also called the historic center, it is divided into several districts, of which include Ladadika (where many entertainment venues and tavernas are located), Kapani (were the city's central city market is located), Diagonios, Navarinou, Rotonta, Agia Sofia and Ippodromio (white tower), which are all located around Thessaloniki's most central point, Aristotelous Square.
The west point of the city center is home to Thessaloniki's law courts, its central international railway station and the port, while on its eastern side stands the city's two universities, the Thessaloniki International Exhibition Center, the city's main stadium, its archaeological and Byzantine museums, the new city hall and its central parklands and gardens, namely those of the ΧΑΝΘ/Palios Zoologikos Kipos and Pedio tou Areos. The central road arteries that pass through the city center, designed in the Ernest Hebrard plan, include those of Tsimiski, Egnatia, Nikis, Mitropoleos, Venizelou and St. Demetrius avenues.
Ano Poli
Ano Poli (also called Old Town and literally the Upper Town) is the heritage listed district north of Thessaloniki's city center that was not engulfed by the great fire of 1917 and was declared a UNESCO World Heritage Site by ministerial actions of Melina Merkouri, during the 1980s. It consists of Thessaloniki's most traditional part of the city, still featuring small stone paved streets, old squares and homes featuring old Greek and Ottoman architecture.
Ano Poli also, is the highest point in Thessaloniki and as such, is the location of the city's acropolis, its Byzantine fort, the Heptapyrgion, a large portion of the city's remaining walls, and with many of its additional Ottoman and Byzantine structures still standing. The area provides access to the Seich Sou Forest National Park[131] and features amphitheatric views of the whole city and the Thermaic Gulf. On clear days Mount Olympus, at about 100 km (62 mi) away across the gulf, can also be seen towering the horizon.
Southeastern Thessaloniki up until the 1920s was home to the city's most affluent residents and formed the outermost suburbs of the city at the time, with the area close to the Thermaic Gulf coast called Exoches, from the 19th century holiday villas which defined the area. Today southeastern Thessaloniki has in some way become a natural extension of the city center, with the avenues of Megalou Alexandrou, Georgiou Papandreou (Antheon), Vasilissis Olgas Avenue, Delfon, Konstantinou Karamanli (Nea Egnatia) and Papanastasiou passing through it, enclosing an area traditionally called Dépôt (Ντεπώ), from the name of the old tram station, owned by a French company. The area extends to Kalamaria and Pylaia, about 9 km (5.59 mi) from the White Tower in the city centre.
Some of the most notable mansions and villas of the old-era of the city remain along Vasilissis Olgas Avenue. Built for the most wealthy residents and designed by well known architects they are used today as museums, art galleries or remain as private properties. Some of them include Villa Bianca, Villa Ahmet Kapanci, Villa Modiano, Villa Mordoch, Villa Mehmet Kapanci, Hatzilazarou Mansion, Chateau Mon Bonheur (often called red tower) and others.
Most of southeastern Thessaloniki is characterized by its modern architecture and apartment buildings, home to the middle-class and more than half of the municipality of Thessaloniki population. Today this area of the city is also home to 3 of the city's main football stadiums, the Thessaloniki Concert Hall, the Posidonio aquatic and athletic complex, the Naval Command post of Northern Greece and the old royal palace (called Palataki), located on the most westerly point of Karabournaki cape. The municipality of Kalamaria is also located in southeastern Thessaloniki and has become this part of the city's most sought after areas, with many open spaces and home to high end bars, cafés and entertainment venues, most notably on Plastira street, along the coast
Northwestern Thessaloniki had always been associated with industry and the working class because as the city grew during the 1920s, many workers had moved there, due to its proximity near factories and industrial activities. Today many factories and industries have been moved further out west and the area is experiencing rapid growth as does the southeast. Many factories in this area have been converted to cultural centres, while past military grounds that are being surrounded by densely built neighborhoods are awaiting transformation into parklands.
Northwest Thessaloniki forms the main entry point into the city of Thessaloniki with the avenues of Monastiriou, Lagkada and 26is Octovriou passing through it, as well as the extension of the A1 motorway, feeding into Thessaloniki's city center. The area is home to the Macedonia InterCity Bus Terminal (KTEL), the Zeitenlik Allied memorial military cemetery and to large entertainment venues of the city, such as Milos, Fix, Vilka (which are housed in converted old factories). Northwestern Thessaloniki is also home to Moni Lazariston, located in Stavroupoli, which today forms one of the most important cultural centers for the city.
To read more please click :-
On this day in 1982, 3 waves of A-4 Skyhawks of the Argentine Armada and Fuerza Aérea Argentina flew from Rio Grande airbase in mainland Argentina to attack British ships in Falkland Sound. 10 of those were from the 3rd Naval Fighter Squadron, formerly embarked on the Veinticinco de Mayo aircraft carrier. They hit the frigate HMS Ardent with multiple bombs and raked her with cannon fire, causing the hanger bay to explode and vital systems to burn uncontrollably. The ship was abandoned and sank the next day with the loss of 22 sailors. The bravery of the Argentine pilots holds them in high regards to their British counterparts, flying very low to avoid radar and missile systems to attack the surface fleet. This was also of course extremely hazardous, exposing them to 20mm anti-aircraft and small arms fire continuously and causing some of their weaponry to be dropped without enough time for the fuses to arm. 3 Skyhawks were lost after the attack along with 2 pilots after being engaged by Royal Navy Sea Harriers from 800 squadron. flic.kr/p/2mEHWdG
Chapter 1 - Episode 9
Location: Urban Sector - Slums, World of Ruin
Shadow began his climb down to the crumbling streets below. He lost track of time, looking out over the Slums from the broken access road high above the city streets. His mind was troubled. His thoughts like a winding road. Beneath this sprawling section of upper access roadways, was a well-preserved mansion of sorts. The architecture was masterful, holding fast against the flow of time, and the destruction of the Calamity that fell from the sky. Throughout his decent, Shadow thought about the inhabitants who once lived here. He wondered if they ever had a chance to escape. Did this family live on, to see the end of their world? No. It didn't matter. This place had long been forgotten; empty, still, remnants of a bygone era.
When he finally reached street level, standing before the unbroken mansion, Shadow took a moment to gaze upwards. It was a true marvel, what the civilization that came before had accomplished. Taking a deep breath, Shadow gathered his thoughts; he knew it was time to move onward. The old world motor bike was still waiting for him, parked just outside the mansion's front gates, rusted yet beautifully crafted. Just as Shadow began to walk, something flew past his face with tremendous velocity, just narrowly missing him before blowing a hole in the masonry behind him. The sound of gunfire quickly followed. He had been ambushed. Three large Ogres came into view as Shadow rushed behind the motor bike for cover. He quickly surveyed his attackers. All were heavily armored, and the Ogre at the rear was carrying an old world rocket launcher.
...
Xerith found herself walking along a quiet city street, lined with several large homes and mansions. She admired the craftsmanship, amazed that this forgotten community had suffered little damage in the wake of the Catastrophe. Perhaps the extensive network of upper roadways had provided some protection against the destruction that rained from the sky, on that fateful day. She had spent much time here, rummaging through the larger structures for possible salvage to collect and bring back to her homeland. She had in her possession an old world storage device that could shrink objects through some sort of molecular reduction. She didn't understand how the device worked. That knowledge had been lost to time. All that mattered was her clan. Their survival depended upon her success, here, in this forgotten city.
Xerith walked along, when the sound of distant thunder caused her to pause. She looked up, the sky was gray, but that was nothing unusual for life in the Urban Sector. The thunder became more rapid, and came with it a pattern that was very distinctive. It was so quiet between bursts that she could hear what sounded like stonework breaking apart. She crept forward, listening, occasionally jolting, when she finally realized that it was gunfire, just up ahead. Xerith engaged her cloaking device, more old world technology she didn't understand, and scaled the rooftops until she came to a large mansion. In the streets below she caught sight of the lone wanderer she had followed before, holding off three green-skinned ones behind the motor bike he had claimed in the alleyway. She couldn't believe her eyes, was it really him? Had fate brought them together once more? Xerith didn't have time to dwell on such thoughts, she had to act now. Xerith didn't know what provoked the attack, but also knew that she couldn't stand idly by and do nothing. Xerith wouldn't let him fight this battle alone. Not today.
...
Shadow knew the situation was dire. He had never known Ogres to be this organized before. He couldn't help but think, was all this really necessary over an old world motor bike? Still, something about their behavior troubled him greatly. Never mind. Shadow regained his composure, cocking his long rifle in the process. He could do this. He would have to remain steady and true. A shielded Ogre was protecting the one with the rocket launcher, straying ahead only slightly. Shadow felt that removing the shielded Ogre first might prompt the one with the rocket launcher to react uncontrollably. Keep the status quo, Shadow thought to himself. One other beast remained; this one would have to be removed first. Nothing particularly stood out with this Ogre.
Peering over the motor bike, Shadow was poised to fire, when suddenly, out of nowhere; another wanderer appeared on the second floor balcony of the mansion, calling out to him. Cloaked in sand green and wielding twin pistols, the wanderer drew the attention of all three Ogres, even just for a moment, it was enough. Shadow reacted. With two quick precision shots from his long rifle, Shadow incapacitated his intended target as well as the shielded Ogre, both now lying still on the pavement. The shielded Ogre attempted to retract backwards to protect the rear one, but to no avail. Just as Shadow suspected, the remaining Ogre became berserked. Before he could take the shot, the Ogre fired a single rocket upward toward the wanderer on the balcony. The sound of the rocket pierced the air. The wanderer attempted to dodge, but the rocket slammed into the balcony, causing a massive explosion of dust and masonry. The wanderer fell onto the pavement below, lying motionless on the ground. Now unarmed, the Ogre rushed toward Shadow in a frenzy. Shadow's first shot blew the Ogre's helmet apart, leaving the beast's head exposed. One final head shot was enough to take the Ogre down for good.
Shadow rushed over to aid the wanderer who had helped him defeat the Ogres. The wanderer was female, and badly wounded. Still breathing but drifting in and out of consciousness. This was beyond his skill to heal. She needed proper medical attention, and quickly. Shadow feared that she might not make it through the night. He would have to take her to the capital city of Hope, in the center of the Urban Sector, a place he avoided. Shadow had always stayed away from large settlements, preferring to wander alone. None of that mattered now; this wanderer's life depended upon it. Shadow carried her to the motor bike, and drove off into the sunset.
THANK YOU FOR 100 FOLLOWERS!
Aftermarket parts are from Brick Forge, Brick Arms, Brick Warriors, Cape Madness, Amazing/United Armory, Tiny Tactical, Finders Keepers, Battle Brick, and Minifig.Cat.
Special thanks to Family Bricks/Brick Mercenaries for the custom Ogre minifigures:
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To be continued....
More commonly known as Crack Seed.
A number of these can be quite tasty. Others will cause you to uncontrollably eject (spit) the substance from your pie hole.
You can read the labels by viewing the massive size.
A terrible plague known as "The Doll Effect" is quickly spreading throughout the indigenous population. Symptoms include loss of articulation, lengthening of limbs, and an uncontrollable attraction to pretty colors.
Keep your distance and do NOT accept any Friendly requests!
All species are affected, people and animals alike! Infected lifeforms are being gathered and placed into Quarantine until such time as a cure can be developed.
Mignet Flying Flea HM293 (1946-0n) Engine Volkswagen
Serial Number G-AXPG
AIRCRAFT ALBUM
www.flickr.com/photos/45676495@N05/albums/72157626970256152
Henri Mignet perhaps the first man to encapsulate the concept of the home built aircraft, convincing the wider public that flying a home built aircraft really was within their reach. His phrase - if you can nail together a package case, you can construct an aircraft. Between 1920 and 1928, Mignet built various prototypes from the HM.1 to the HM.8, a monoplane that was the first of his designs that really flew. Instructions for building the HM.8 Avionnette were published by Mignet in a self-published book—he hand wrote the text and drawings, created photographic plates and printed and bound the books himself. Between 1929 and 1933, he continued building prototypes, and testing them in a large field near Soissons. The result of this experimentation with many odd and innovative configurations was the HM.14. In 1933, Mignet successfully flew for the first time in his HM.14, the original flying flea, and publicly demonstrated it. In 1934, he published the plans and building instructions in his book Le Sport de l'Air. In 1935, it was translated into English in Britain and serialised in Practical Mechanics in the USA, prompting hundreds of people around the world to build their own Flying Fleas. It was designed to be built in a space no longer than 13 feet and to be flown with minimal training. It has a pivoting main, and second fixed wing in place of a conventional tailplane. There are no ailerons and the rudder is connected to the control panel in both yaw and roll. Unfortunately due to the close proximity of the wings in early models, in certain configurations the the rear wing could overcome the control of the forward aerofoil, creating uncontrollable nose down pitch. Mignet would go on to refine his design to cure this fault
The HM.14 led to more than 300 different models of the Flying Flea. This design HM293 was a 1946, single-seat variant for larger pilots, typically powered by 50-60 hp Volkswagen air-cooled engine. Plans still available from Falconar Avia.
This VW powered aircraft and was flown into the 1971 PFA Rally at Sywell by its builder Suffolk farmer Bill Cole. Since then it has rarely been seen, here it is displayed after more than 30 years in storage, and is destined to be returned to a flyable condition as a project aircraft for young engineers.
Diolch am 89,059,4564 o olygfeydd anhygoel, mae pob un yn cael ei werthfawrogi'n fawr.
Thanks for 89,059,456 amazing views, every one is greatly appreciated.
Shot 10.10.2021 at Bicester Scramble, Bicester, Oxon. Ref. 122-419
Thessaloniki (Greek: Θεσσαλονίκη, often referred to internationally as Thessalonica or Salonica, is the second-largest city in Greece and the capital of the Greek region of Macedonia, the administrative region of Central Macedonia and the Decentralized Administration of Macedonia and Thrace.[3][4] Its honorific title is Συμπρωτεύουσα (Symprotévousa), literally "co-capital",[5] and stands as a reference to its historical status as the Συμβασιλεύουσα (Symvasilévousa) or "co-reigning" city of the Eastern Roman (Byzantine) Empire, alongside Constantinople.[6]
According to the preliminary results of the 2011 census, the municipality of Thessaloniki today has a population of 322,240,[1] while the Thessaloniki Urban Area (the contiguous built up area forming the "City of Thessaloniki") has a population of 790,824.[1] Furthermore, the Thessaloniki Metropolitan Area extends over an area of 1,455.62 km2 (562.02 sq mi) and its population in 2011 reached a total of 1,104,460 inhabitants.[1]
Thessaloniki is Greece's second major economic, industrial, commercial and political centre, and a major transportation hub for the rest of southeastern Europe;[7] its commercial port is also of great importance for Greece and the southeastern European hinterland.[7] The city is renowned for its festivals, events and vibrant cultural life in general,[8] and is considered to be Greece's cultural capital.[8] Events such as the Thessaloniki International Trade Fair and the Thessaloniki International Film Festival are held annually, while the city also hosts the largest bi-annual meeting of the Greek diaspora.[9] Thessaloniki is the 2014 European Youth Capital.[10]
Founded in 315 BC by Cassander of Macedon, Thessaloniki's history spans some 2,300 years. An important metropolis by the Roman period, Thessaloniki was the second largest and wealthiest city of the Byzantine Empire. Thessaloniki is home to numerous notable Byzantine monuments, including the Paleochristian and Byzantine monuments of Thessaloniki, a UNESCO World Heritage Site, as well as several Roman, Ottoman and Sephardic Jewish structures. The city's main university, Aristotle University, is the largest in Greece and the Balkans.[11]
Thessaloniki is a popular tourist destination in Greece. In 2010, Lonely Planet ranked Thessaloniki as the world's fifth-best party city worldwide, comparable to other cities such as Dubai and Montreal.[12] For 2013 National Geographic Magazine included Thessaloniki in its top tourist destinations worldwide,[13] while in 2014 Financial Times FDI magazine (Foreign Direct Investments) declared Thessaloniki as the best mid-sized European city of the future for human capital and lifestyle.
Etymology
All variations of the city's name derive from the original (and current) appellation in Greek: Θεσσαλονίκη (from Θεσσαλός, Thessalos, and Νίκη, Nike), literally translating to "Thessalian Victory". The name of the city came from the name of a princess, Thessalonike of Macedon, half sister of Alexander the Great, so named because of her birth on the day of the Macedonian victory at the Battle of Crocus Field (353/352 BCE).[16]
The alternative name Salonica (or Salonika) derives from the variant form Σαλονίκη (Saloníki) in popular Greek speech, and has given rise to the form of the city's name in several languages. Names in other languages prominent in the city's history include Солѹнь (Solun) in Old Church Slavonic, סלוניקה (Salonika) in Ladino, Selanik (also Selânik) in Turkish (سلانیك in Ottoman Turkish), Solun (also written as Солун) in the local and neighboring South Slavic languages, Салоники (Saloníki) in Russian, and Sãrunã in Aromanian. In local speech, the city's name is typically pronounced with a dark and deep L characteristic of Macedonian Greek accent.[17][18]
The name often appears in writing in the abbreviated form Θεσ/νίκη
History
From antiquity to the Roman Empire
The city was founded around 315 BC by the King Cassander of Macedon, on or near the site of the ancient town of Therma and 26 other local villages.[20] He named it after his wife Thessalonike,[21] a half-sister of Alexander the Great and princess of Macedon as daughter of Philip II. Under the kingdom of Macedon the city retained its own autonomy and parliament[22] and evolved to become the most important city in Macedon.[21]
After the fall of the kingdom of Macedon in 168 BC, Thessalonica became a free city of the Roman Republic under Mark Antony in 41 BC.[21][23] It grew to be an important trade-hub located on the Via Egnatia,[24] the road connecting Dyrrhachium with Byzantium,[25] which facilitated trade between Thessaloniki and great centers of commerce such as Rome and Byzantium.[26] Thessaloniki also lay at the southern end of the main north-south route through the Balkans along the valleys of the Morava and Axios river valleys, thereby linking the Balkans with the rest of Greece.[27] The city later became the capital of one of the four Roman districts of Macedonia.[24] Later it became the capital of all the Greek provinces of the Roman Empire due to the city's importance in the Balkan peninsula. When the Roman Empire was divided into the tetrarchy, Thessaloniki became the administrative capital of one of the four portions of the Empire under Galerius Maximianus Caesar,[28][29] where Galerius commissioned an imperial palace, a new hippodrome, a triumphal arch and a mausoleum among others.[29][30][31]
In 379 when the Roman Prefecture of Illyricum was divided between the East and West Roman Empires, Thessaloniki became the capital of the new Prefecture of Illyricum.[24] In 390 Gothic troops under the Roman Emperor Theodosius I, led a massacre against the inhabitants of Thessalonica, who had risen in revolt against the Germanic soldiers. With the Fall of Rome in 476, Thessaloniki became the second-largest city of the Eastern Roman Empire.[26] Around the time of the Roman Empire Thessaloniki was also an important center for the spread of Christianity; some scholars hold that the First Epistle to the Thessalonians written by Paul the Apostle is the first written book of the New Testament.
Byzantine era and Middle Ages
From the first years of the Byzantine Empire, Thessaloniki was considered the second city in the Empire after Constantinople,[33][34][35] both in terms of wealth and size.[33] with an population of 150,000 in the mid 1100s.[36] The city held this status until it was transferred to Venice in 1423. In the 14th century the city's population exceeded 100,000 to 150,000,[37][38][39] making it larger than London at the time.[40]
During the 6th and 7th centuries the area around Thessaloniki was invaded by Avars and Slavs, who unsuccessfully laid siege to the city several times.[41] Traditional historiography stipulates that many Slavs settled in the hinterland of Thessaloniki,[42] however, this migration was allegedly on a much smaller scale than previously thought.[42][42][43] In the 9th century, the Byzantine Greek missionaries Cyril and Methodius, both natives of the city, created the first literary language of the Slavs, the Glagolic alphabet, most likely based on the Slavic dialect used in the hinterland of their hometown.[44][45][46][47][48]
An Arab naval attack in 904 resulted in the sack of the city.[49] The economic expansion of the city continued through the 12th century as the rule of the Komnenoi emperors expanded Byzantine control to the north. Thessaloniki passed out of Byzantine hands in 1204,[50] when Constantinople was captured by the forces of the Fourth Crusade and incorporated the city and its surrounding territories in the Kingdom of Thessalonica[51] — which then became the largest vassal of the Latin Empire. In 1224, the Kingdom of Thessalonica was overrun by the Despotate of Epirus, a remnant of the former Byzantine Empire, under Theodore Komnenos Doukas who crowned himself Emperor,[52] and the city became the Despotat's capital.[52][53] This era of the Despotate of Epirus is also known as the Empire of Thessalonica.[52][54][55] Following his defeat at Klokotnitsa however in 1230,[52][54] the Empire of Thessalonica became a vassal state of the Second Bulgarian Empire until it was recovered again in 1246, this time by the Nicaean Empire.[52] In 1342,[56] the city saw the rise of the Commune of the Zealots, an anti-aristocratic party formed of sailors and the poor,[57] which is nowadays described as social-revolutionary.[56] The city was practically independent of the rest of the Empire,[56][57][58] as it had its own government, a form of republic.[56] The zealot movement was overthrown in 1350 and the city was reunited with the rest of the Empire.[56]
In 1423, Despot Andronicus, who was in charge of the city, ceded it to the Republic of Venice with the hope that it could be protected from the Ottomans who were besieging the city (there is no evidence to support the oft-repeated story that he sold the city to them). The Venetians held Thessaloniki until it was captured by the Ottoman Sultan Murad II on 29 March 1430.
Ottoman period
When Sultan Murad II captured Thessaloniki and sacked it in 1430, contemporary reports estimated that about one-fifth of the city's population was enslaved.[60] Upon the conquest of Thessaloniki, some of its inhabitants escaped,[61] including intellectuals such as Theodorus Gaza "Thessalonicensis" and Andronicus Callistus.[62] However, the change of sovereignty from the Byzantine Empire to the Ottoman one did not affect the city's prestige as a major imperial city and trading hub.[63][64] Thessaloniki and Smyrna, although smaller in size than Constantinople, were the Ottoman Empire's most important trading hubs.[63] Thessaloniki's importance was mostly in the field of shipping,[63] but also in manufacturing,[64] while most of the city's trade was controlled by ethnic Greeks.[63]
During the Ottoman period, the city's population of mainly Greek Jews and Ottoman Muslims (including those of Turkish and Albanian, as well as Bulgarian Muslim and Greek Muslim convert origin) grew substantially. By 1478 Selânik (سلانیك), as the city came to be known in Ottoman Turkish, had a population of 4,320 Muslims, 6,094 Greek Orthodox and some Catholics, but no Jews. Soon after the turn of the 15th to 16th century, nearly 20,000 Sephardic Jews had immigrated to Greece from Spain following their expulsion by the 1492 Alhambra Decree.[65] By c. 1500, the numbers had grown to 7,986 Greeks, 8,575 Muslims, and 3,770 Jews. By 1519, Sephardic Jews numbered 15,715, 54% of the city's population. Some historians consider the Ottoman regime's invitation to Jewish settlement was a strategy to prevent the ethnic Greek population (Eastern Orthodox Christians) from dominating the city.[38]
Thessaloniki was the capital of the Sanjak of Selanik within the wider Rumeli Eyalet (Balkans)[66] until 1826, and subsequently the capital of Selanik Eyalet (after 1867, the Selanik Vilayet).[67][68] This consisted of the sanjaks of Selanik, Serres and Drama between 1826 and 1912.[69] Thessaloniki was also a Janissary stronghold where novice Janissaries were trained. In June 1826, regular Ottoman soldiers attacked and destroyed the Janissary base in Thessaloniki while also killing over 10,000 Janissaries, an event known as The Auspicious Incident in Ottoman history.[70] From 1870, driven by economic growth, the city's population expanded by 70%, reaching 135,000 in 1917.[71]
The last few decades of Ottoman control over the city were an era of revival, particularly in terms of the city's infrastructure. It was at that time that the Ottoman administration of the city acquired an "official" face with the creation of the Command Post[72] while a number of new public buildings were built in the eclectic style in order to project the European face both of Thessaloniki and the Ottoman Empire.[72][73] The city walls were torn down between 1869 and 1889,[74] efforts for a planned expansion of the city are evident as early as 1879,[75] the first tram service started in 1888[76] and the city streets were illuminated with electric lamp posts in 1908.[77] In 1888 Thessaloniki was connected to Central Europe via rail through Belgrade, Monastir in 1893 and Constantinople in 1896.
Since the 20th century
In the early 20th century, Thessaloniki was in the center of radical activities by various groups; the Bulgarian Internal Macedonian Revolutionary Organization, founded in 1897,[78] and the Greek Macedonian Committee, founded in 1903.[79] In 1903 an anarchist group known as the Boatmen of Thessaloniki planted bombs in several buildings in Thessaloniki, including the Ottoman Bank, with some assistance from the IMRO. The Greek consulate in Ottoman Thessaloniki (now the Museum of the Macedonian Struggle) served as the center of operations for the Greek guerillas. In 1908 the Young Turks movement broke out in the city, sparking the Young Turk Revolution.[80]
The Ottoman Feth-i Bülend being sunk in Thessaloniki in 1912 by a Greek ship during the First Balkan War.
Constantine I of Greece with George I of Greece and the Greek army enter the city.
As the First Balkan War broke out, Greece declared war on the Ottoman Empire and expanded its borders. When Eleftherios Venizelos, Prime Minister at the time, was asked if the Greek army should move towards Thessaloniki or Monastir (now Bitola, Republic of Macedonia), Venizelos replied "Salonique à tout prix!" (Thessaloniki, at all costs!).[81] As both Greece and Bulgaria wanted Thessaloniki, the Ottoman garrison of the city entered negotiations with both armies.[82] On 8 November 1912 (26 October Old Style), the feast day of the city's patron saint, Saint Demetrius, the Greek Army accepted the surrender of the Ottoman garrison at Thessaloniki.[83] The Bulgarian army arrived one day after the surrender of the city to Greece and Tahsin Pasha, ruler of the city, told the Bulgarian officials that "I have only one Thessaloniki, which I have surrendered".[82] After the Second Balkan War, Thessaloniki and the rest of the Greek portion of Macedonia were officially annexed to Greece by the Treaty of Bucharest in 1913.[84] On 18 March 1913 George I of Greece was assassinated in the city by Alexandros Schinas.[85]
In 1915, during World War I, a large Allied expeditionary force established a base at Thessaloniki for operations against pro-German Bulgaria.[86] This culminated in the establishment of the Macedonian Front, also known as the Salonika Front.[87][88] In 1916, pro-Venizelist Greek army officers and civilians, with the support of the Allies, launched an uprising,[89] creating a pro-Allied[90] temporary government by the name of the "Provisional Government of National Defence"[89][91] that controlled the "New Lands" (lands that were gained by Greece in the Balkan Wars, most of Northern Greece including Greek Macedonia, the North Aegean as well as the island of Crete);[89][91] the official government of the King in Athens, the "State of Athens",[89] controlled "Old Greece"[89][91] which were traditionally monarchist. The State of Thessaloniki was disestablished with the unification of the two opposing Greek governments under Venizelos, following the abdication of King Constantine in 1917.[86][91]
The 1st Battalion of the National Defence army marches on its way to the front.
Aerial picture of the Great Fire of 1917.
Most of the old center of the city was destroyed by the Great Thessaloniki Fire of 1917, which started accidentally by an unattended kitchen fire on 18 August 1917.[92] The fire swept through the centre of the city, leaving 72,000 people homeless; according to the Pallis Report, most of them were Jewish (50,000). Many businesses were destroyed, as a result, 70% of the population were unemployed.[92] Also a number of religious structures of the three major faiths were lost. Nearly one-quarter of the total population of approximately 271,157 became homeless.[92] Following the fire the government prohibited quick rebuilding, so it could implement the new redesign of the city according to the European-style urban plan[6] prepared by a group of architects, including the Briton Thomas Mawson, and headed by French architect Ernest Hébrard.[92] Property values fell from 6.5 million Greek drachmas to 750,000.[93]
After the defeat of Greece in the Greco-Turkish War and during the break-up of the Ottoman Empire, a population exchange took place between Greece and Turkey.[90] Over 160,000 ethnic Greeks deported from the former Ottoman Empire were resettled in the city,[90] changing its demographics. Additionally many of the city's Muslims were deported to Turkey, ranging at about 20,000 people.[94]
During World War II Thessaloniki was heavily bombarded by Fascist Italy (with 232 people dead, 871 wounded and over 800 buildings damaged or destroyed in November 1940 alone),[95] and, the Italians having failed to succeed in their invasion of Greece, it fell to the forces of Nazi Germany on 8 April 1941[96] and remained under German occupation until 30 October 1944 when it was liberated by the Greek People's Liberation Army.[97] The Nazis soon forced the Jewish residents into a ghetto near the railroads and on 15 March 1943 began the deportation process of the city's 56,000 Jews to its concentration camps.[98][99] They deported over 43,000 of the city's Jews in concentration camps,[98] where most were killed in the gas chambers. The Germans also deported 11,000 Jews to forced labor camps, where most perished.[100] Only 1,200 Jews live in the city today.
Part of Eleftherias Square during the Axis occupation.
The importance of Thessaloniki to Nazi Germany can be demonstrated by the fact that, initially, Hitler had planned to incorporate it directly in the Third Reich[101] (that is, make it part of Germany) and not have it controlled by a puppet state such as the Hellenic State or an ally of Germany (Thessaloniki had been promised to Yugoslavia as a reward for joining the Axis on 25 March 1941).[102] Having been the first major city in Greece to fall to the occupying forces just two days after the German invasion, it was in Thessaloniki that the first Greek resistance group was formed (under the name «Ελευθερία», Eleftheria, "Freedom")[103] as well as the first anti-Nazi newspaper in an occupied territory anywhere in Europe,[104] also by the name Eleftheria. Thessaloniki was also home to a military camp-converted-concentration camp, known in German as "Konzentrationslager Pavlo Mela" (Pavlos Melas Concentration Camp),[105] where members of the resistance and other non-favourable people towards the German occupation from all over Greece[105] were held either to be killed or sent to concentration camps elsewhere in Europe.[105] In the 1946 monarchy referendum, the majority of the locals voted in favour of a republic, contrary to the rest of Greece.[106]
After the war, Thessaloniki was rebuilt with large-scale development of new infrastructure and industry throughout the 1950s, 1960s and 1970s. Many of its architectural treasures still remain, adding value to the city as a tourist destination, while several early Christian and Byzantine monuments of Thessaloniki were added to the UNESCO World Heritage list in 1988.[107] In 1997, Thessaloniki was celebrated as the European Capital of Culture,[108] sponsoring events across the city and the region. Agency established to oversee the cultural activities of that year 1997 was still in existence by 2010.[109] In 2004 the city hosted a number of the football events as part of the 2004 Summer Olympics.[110]
Today Thessaloniki has become one of the most important trade and business hubs in Southeastern Europe, with its port, the Port of Thessaloniki being one of the largest in the Aegean and facilitating trade throughout the Balkan hinterland.[7] On 26 October 2012 the city celebrated its centennial since its incorporation into Greece.[111] The city also forms one of the largest student centres in Southeastern Europe, is host to the largest student population in Greece and will be the European Youth Capital in 2014
Geography
Geology
Thessaloniki lies on the northern fringe of the Thermaic Gulf on its eastern coast and is bound by Mount Chortiatis on its southeast. Its proximity to imposing mountain ranges, hills and fault lines, especially towards its southeast have historically made the city prone to geological changes.
Since medieval times, Thessaloniki was hit by strong earthquakes, notably in 1759, 1902, 1978 and 1995.[113] On 19–20 June 1978, the city suffered a series of powerful earthquakes, registering 5.5 and 6.5 on the Richter scale.[114][115] The tremors caused considerable damage to a number of buildings and ancient monuments,[114] but the city withstood the catastrophe without any major problems.[115] One apartment building in central Thessaloniki collapsed during the second earthquake, killing many, raising the final death toll to 51.[114][115]
Climate
Thessaloniki's climate is directly affected by the sea it is situated on.[116] The city lies in a transitional climatic zone, so its climate displays characteristics of several climates. According to the Köppen climate classification, it is a humid subtropical climate (Cfa) that borders on a semi-arid climate (BSk), with annual average precipitation of 450 millimetres (18 in) due to the Pindus rain shadow drying the westerly winds. However, the city has a summer precipitation between 20 to 30 millimetres (0.79 to 1.18 in), which borders it close to a hot-summer Mediterranean climate (Csa).
Winters are relatively dry, with common morning frost. Snowfalls are sporadic, but οccur more or less every winter, but the snow cover does not last for more than a few days. Fog is common, with an average of 193 foggy days in a year.[117] During the coldest winters, temperatures can drop to −10 °C (14 °F).[117] The record minimum temperature in Thessaloniki was −14 °C (7 °F).[118] On average, Thessaloniki experiences frost (sub-zero temperature) 32 days a year.[117] The coldest month of the year in the city is January, with an average 24-hour temperature of 6 °C (43 °F).[119] Wind is also usual in the winter months, with December and January having an average wind speed of 26 km/h (16 mph).[117]
Thessaloniki's summers are hot with rather humid nights.[117] Maximum temperatures usually rise above 30 °C (86 °F),[117] but rarely go over 40 °C (104 °F);[117] the average number of days the temperature is above 32 °C (90 °F) is 32.[117] The maximum recorded temperature in the city was 42 °C (108 °F).[117][118] Rain seldom falls in summer, mainly during thunderstorms. In the summer months Thessaloniki also experiences strong heat waves.[120] The hottest month of the year in the city is July, with an average 24-hour temperature of 26 °C (79 °F).[119] The average wind speed for June and July in Thessaloniki is 20 kilometres per hour (12 mph)
Government
According to the Kallikratis reform, as of 1 January 2011 the Thessaloniki Urban Area (Greek: Πολεοδομικό Συγκρότημα Θεσσαλονίκης) which makes up the "City of Thessaloniki", is made up of six self-governing municipalities (Greek: Δήμοι) and one municipal unit (Greek: Δημοτική ενότητα). The municipalities that are included in the Thessaloniki Urban Area are those of Thessaloniki (the city center and largest in population size), Kalamaria, Neapoli-Sykies, Pavlos Melas, Kordelio-Evosmos, Ampelokipoi-Menemeni, and the municipal unit of Pylaia, part of the municipality of Pylaia-Chortiatis. Prior to the Kallikratis reform, the Thessaloniki Urban Area was made up of twice as many municipalities, considerably smaller in size, which created bureaucratic problems.[123]
Thessaloniki Municipality
The municipality of Thessaloniki (Greek: Δήμος Θεσαλονίκης) is the second most populous in Greece, after Athens, with a population of 322,240[1] people (in 2011) and an area of 17.832 km2 (7 sq mi). The municipality forms the core of the Thessaloniki Urban Area, with its central district (the city center), referred to as the Kentro, meaning 'center' or 'downtown'.
The institution of mayor of Thessaloniki was inaugurated under the Ottoman Empire, in 1912. The first mayor of Thessaloniki was Osman Sait Bey, while the current mayor of the municipality of Thessaloniki is Yiannis Boutaris. In 2011, the municipality of Thessaloniki had a budget of €464.33 million[124] while the budget of 2012 stands at €409.00 million.[125]
According to an article in The New York Times, the way in which the present mayor of Thessaloniki is treating the city's debt and oversized administration problems could be used as an example by Greece's central government for a successful strategy in dealing with these problems.[126]
Other
Thessaloniki is the second largest city in Greece. It is an influential city for the northern parts of the country and is the capital of the region of Central Macedonia and the Thessaloniki regional unit. The Ministry of Macedonia and Thrace is also based in Thessaloniki, being that the city is the de facto capital of the Greek region of Macedonia.
It is customary every year for the Prime Minister of Greece to announce his administration's policies on a number of issues, such as the economy, at the opening night of the Thessaloniki International Trade Fair. In 2010, during the first months of the 2010 Greek debt crisis, the entire cabinet of Greece met in Thessaloniki to discuss the country's future.[127]
In the Hellenic Parliament, the Thessaloniki urban area constitutes a 16-seat constituency. As of the national elections of 17 June 2012 the largest party in Thessaloniki is New Democracy with 27.8%, followed by the Coalition of the Radical Left (27.0%) and the Panhellenic Socialist Movement (10.2%).[128] The table below summarizes the results of the latest elections.
Cityscape
Architecture
Architecture in Thessaloniki is the direct result of the city's position at the centre of all historical developments in the Balkans. Aside from its commercial importance, Thessaloniki was also for many centuries the military and administrative hub of the region, and beyond this the transportation link between Europe and the Levant (Syria, Lebanon, Jordan, and Israel / Palestine). Merchants, traders and refugees from all over Europe settled in the city. The need for commercial and public buildings in this new era of prosperity led to the construction of large edifices in the city center. During this time, the city saw the building of banks, large hotels, theatres, warehouses, and factories. Architects who designed some of the most notable buildings of the city, in the late 19th and early 20th century, include Vitaliano Poselli, Pietro Arrigoni, Xenophon Paionidis, Eli Modiano, Moshé Jacques, Jean Joseph Pleyber, Frederic Charnot, Ernst Ziller, Roubens Max, Levi Ernst, Angelos Siagas and others, using mainly the styles of Eclecticism and Art Nouveau.
The city layout changed after 1870, when the seaside fortifications gave way to extensive piers, and many of the oldest walls of the city were demolished, including those surrounding the White Tower, which today stands as the main landmark of the city. As parts of the early Byzantine walls were demolished, this allowed the city to expand east and west along the coast.[129]
The expansion of Eleftherias Square towards the sea completed the new commercial hub of the city and at the time was considered one of the most vibrant squares of the city. As the city grew, workers moved to the western districts, due to their proximity to factories and industrial activities; while the middle and upper classes gradually moved from the city-center to the eastern suburbs, leaving mainly businesses. In 1917, a devastating fire swept through the city and burned uncontrollably for 32 hours.[71] It destroyed the city's historic center and a large part of its architectural heritage, but paved the way for modern development and allowed Thessaloniki the development of a proper European city center, featuring wider diagonal avenues and monumental squares; which the city initially lacked – much of what was considered to be 'essential' in European architecture.
City Center
After the Great Thessaloniki Fire of 1917, a team of architects and urban planners including Thomas Mawson and Ernest Hebrard, a French architect, chose the Byzantine era as the basis of their (re)building designs for Thessaloniki's city center. The new city plan included axes, diagonal streets and monumental squares, with a street grid that would channel traffic smoothly. The plan of 1917 included provisions for future population expansions and a street and road network that would be, and still is sufficient today.[71] It contained sites for public buildings and provided for the restoration of Byzantine churches and Ottoman mosques.
The Metropolitan Church of Saint Gregory Palamas, designed by Ernst Ziller.
Today the city center of Thessaloniki includes the features designed as part of the plan and forms the point in the city where most of the public buildings, historical sites, entertainment venues and stores are located. The center is characterized by its many historical buildings, arcades, laneways and distinct architectural styles such as Art Nouveau and Art Deco, which can be seen on many of its buildings.
Also called the historic center, it is divided into several districts, of which include Ladadika (where many entertainment venues and tavernas are located), Kapani (were the city's central city market is located), Diagonios, Navarinou, Rotonta, Agia Sofia and Ippodromio (white tower), which are all located around Thessaloniki's most central point, Aristotelous Square.
The west point of the city center is home to Thessaloniki's law courts, its central international railway station and the port, while on its eastern side stands the city's two universities, the Thessaloniki International Exhibition Center, the city's main stadium, its archaeological and Byzantine museums, the new city hall and its central parklands and gardens, namely those of the ΧΑΝΘ/Palios Zoologikos Kipos and Pedio tou Areos. The central road arteries that pass through the city center, designed in the Ernest Hebrard plan, include those of Tsimiski, Egnatia, Nikis, Mitropoleos, Venizelou and St. Demetrius avenues.
Ano Poli
Ano Poli (also called Old Town and literally the Upper Town) is the heritage listed district north of Thessaloniki's city center that was not engulfed by the great fire of 1917 and was declared a UNESCO World Heritage Site by ministerial actions of Melina Merkouri, during the 1980s. It consists of Thessaloniki's most traditional part of the city, still featuring small stone paved streets, old squares and homes featuring old Greek and Ottoman architecture.
Ano Poli also, is the highest point in Thessaloniki and as such, is the location of the city's acropolis, its Byzantine fort, the Heptapyrgion, a large portion of the city's remaining walls, and with many of its additional Ottoman and Byzantine structures still standing. The area provides access to the Seich Sou Forest National Park[131] and features amphitheatric views of the whole city and the Thermaic Gulf. On clear days Mount Olympus, at about 100 km (62 mi) away across the gulf, can also be seen towering the horizon.
Southeastern Thessaloniki up until the 1920s was home to the city's most affluent residents and formed the outermost suburbs of the city at the time, with the area close to the Thermaic Gulf coast called Exoches, from the 19th century holiday villas which defined the area. Today southeastern Thessaloniki has in some way become a natural extension of the city center, with the avenues of Megalou Alexandrou, Georgiou Papandreou (Antheon), Vasilissis Olgas Avenue, Delfon, Konstantinou Karamanli (Nea Egnatia) and Papanastasiou passing through it, enclosing an area traditionally called Dépôt (Ντεπώ), from the name of the old tram station, owned by a French company. The area extends to Kalamaria and Pylaia, about 9 km (5.59 mi) from the White Tower in the city centre.
Some of the most notable mansions and villas of the old-era of the city remain along Vasilissis Olgas Avenue. Built for the most wealthy residents and designed by well known architects they are used today as museums, art galleries or remain as private properties. Some of them include Villa Bianca, Villa Ahmet Kapanci, Villa Modiano, Villa Mordoch, Villa Mehmet Kapanci, Hatzilazarou Mansion, Chateau Mon Bonheur (often called red tower) and others.
Most of southeastern Thessaloniki is characterized by its modern architecture and apartment buildings, home to the middle-class and more than half of the municipality of Thessaloniki population. Today this area of the city is also home to 3 of the city's main football stadiums, the Thessaloniki Concert Hall, the Posidonio aquatic and athletic complex, the Naval Command post of Northern Greece and the old royal palace (called Palataki), located on the most westerly point of Karabournaki cape. The municipality of Kalamaria is also located in southeastern Thessaloniki and has become this part of the city's most sought after areas, with many open spaces and home to high end bars, cafés and entertainment venues, most notably on Plastira street, along the coast
Northwestern Thessaloniki had always been associated with industry and the working class because as the city grew during the 1920s, many workers had moved there, due to its proximity near factories and industrial activities. Today many factories and industries have been moved further out west and the area is experiencing rapid growth as does the southeast. Many factories in this area have been converted to cultural centres, while past military grounds that are being surrounded by densely built neighborhoods are awaiting transformation into parklands.
Northwest Thessaloniki forms the main entry point into the city of Thessaloniki with the avenues of Monastiriou, Lagkada and 26is Octovriou passing through it, as well as the extension of the A1 motorway, feeding into Thessaloniki's city center. The area is home to the Macedonia InterCity Bus Terminal (KTEL), the Zeitenlik Allied memorial military cemetery and to large entertainment venues of the city, such as Milos, Fix, Vilka (which are housed in converted old factories). Northwestern Thessaloniki is also home to Moni Lazariston, located in Stavroupoli, which today forms one of the most important cultural centers for the city.
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Life is short, Break the Rules. Forgive quickly, Kiss slowly. Love truly. Laugh uncontrollably And never regret ANYTHING That makes you smile.
~Mark Twain~
I have no idea what this is. Sort of looks like an uncontrollable basket with skis to me. It's in the National Aviation Hall of Fame section of the US Air Force Museum at Wright-Patterson AFB, OH.
If anyone knows what it is, let me know, and I'll update this posting.
Long Lake Dam is a concrete gravity dam on the Spokane River, between Lincoln County and Stevens County about 30 miles (48 km) northwest of Spokane in eastern Washington. It forms Long Lake (Washington), a 23.5 mi (37.8 km) long reservoir, and has a hydroelectric generating capacity of 71 megawatts. The dam was built by Washington Water Power (now Avista Utilities), which operates five other dams along the Spokane.
Upon its completion in 1915, Long Lake Dam completely blocked salmon migrations to the upper portions of the Spokane River watershed, although much larger Grand Coulee Dam on the Columbia River extirpated salmon from the entire Spokane basin by 1942. The power plant was entered onto the National Register of Historic Places in 1988.
Photo of the Long Lake Dam captured via Minolta MD W.Rokkor-X 24mm F/2.8 Lens. Spokane River. At the Long Lake Dam Overlook. Selkirk Mountains Range. Northern Rockies Region. Inland Northwest. Stevens County, Washington. Late February 2018.
Exposure Time: 10 sec. * ISO Speed: ISO-100 * Aperture: F/16 * Bracketing: None * Filter: Vü Sion Filter ND-10 * Color Temperature: 5750 K * Film Plug-In: Kodak Portra 160 NC
C.London52w10: Natural Light
From the C.London website: Controlling natural light can be daunting as it is at first thought, well, uncontrollable. But, spoilers! You can control natural light. Find open shade, use a reflector/poster board, create shadows with your own hand. The possibilities are as boundless as your creativity.
I used my sunrise outing last Friday to kill two birds with one stone - 52Frames & C.London week 10 challenges.
This challenge for me was managing the natural light to create the image I had in mind rather than exercising control over that light. Or maybe they are the same…you be the judge. There were three primary considerations for capturing this image:
1. Position myself where people could walk between me and the rising sun
2. Shoot into the sun without the lens hood to create lens flare
3. Close down the aperture to result in a sun star
Sony A6600 @ f13 1/200 44mm (66mm equiv) ISO 100
Sony E PZ 18-105mm F4 G OSS
Photographed 3/5/21
#clondon52, #clondon52w10
**Paladin base med bay, 11:40 P.M:**
Connor: “Erin! Wake up!”
Jesse: “Shit, she’s gone deep inside his head. How do we reach her? Our powers ain’t working.”
Lyra: “I hope she can hear us though..”
Connor: “Whatever it is, we need to find a way to get in.”
**
I wake up inside a garden, one that looked like my home, the backyard Dad used to keep. Then I step into the house, I recognize my old place. The couches, the bathroom, the big kitchen. And in my old room. Ty is sitting there, in his younger self. He reminds me of the night that we first made love after confessing to each other weeks earlier.
Ty: “Erin?”
Erin: “Ty?”
Ty: “Look, I just made a rock. What do you think?
Erin: “With flowers? Is this for me?”
Ty: “Yes, just for you.”
Erin: “You’re so sweet...”
Then I hear a voice, an older man...the source of the voice is coming from my dad, walking up the stairs.
Rex: “What did you do to the garden? And why are you in your room! Erin! Who is this? Did you let this boy in?”
Erin: “No dad, I didn't do anything...he’s my boyfriend. He wanted to see my house. He's T--”
Rex: "I said no boys allowed! I don't care who it is!"
Erin: "Dad! He's my boyfriend! You know who he is!"
Rex: “I’m afraid not. You let him slip in. Now, get out! All of you!”
Dad shoves me out of my room, as Ty dissipates into thin air along with him, and I fall down the stairs...
***
I wake up with another jolt of shock. That must be some old memory me and Ty shared. I look around again, unfamiliar with my surroundings, as an older Ty, who is dressed in his suit the year before the Paladin accident. He approaches me slowly, comforting my arm.
Ty: “Hey sugarplum.”
Erin: “Ty? Can you tell me what’s going on?”
Ty: “Oh, just hanging out on the car mom gave me. I fixed it y’know. We’re going over to Jesse’s house.”
Erin: “Right now?”
Ty: “Yeah? You got something to do?”
Erin: “Nothing...it’s just that I remembered this was your sister’s favourite.”
Ty: “Ah, don’t mention it. It’s my mother’s.”
Erin: “But it is your sister’s...”
Ty: “Look, I don’t know wanna go through it, ok?”
Erin: “It is hers, Ty. Your mother never drove. She didn't want to.”
Ty: "That's enough, you don't know me."
Ty: “Stop it! I don’t want to hear it!”
He proceeds to shoot a blast through me, as I deflect with my shadow shields. He keeps shooting, but I begin to realize this is actually an old memory, also a mixture of it treasured by nightmares. Memories of us and our love. Before the heartbreak and becoming friends again. It can’t be real. Ty would never act over his emotions like that. I feel like I'm going to sob to myself, but I have to hold it in and be strong.
My eyes fade to the current sight of my fellow lover, letting my powers down. He then goes to sit over at a rock by himself as I follow him, and there are the sounds of a beach, the seas, a battlefield on the left side, and silhouettes of our family and friends on the right. What a dream.
Ty looks tired, and I rest my head on his shoulder. I can feel his scent. He is wearing normal clothes, just like me. I hold his arm tightly, before letting go and caressing his face. Our eyes meet, and he takes a deep sigh.
Erin: “I swear to god, please tell me this is the real you. I'm so gonna cry right now.”
Ty: “I don’t wanna go back right now....I can’t, Erin. I love you, but I don't want to.”
Erin: “Why? Come with me, we're in your head right now. Please...?”
Ty: “I know you're tired, Erinbug. You’ve tried too much. He brought out the worst in me. I killed my sister. I let her fall. And dad isn’t with us anymore.”
Erin: “Look, it wasn’t. It was all a damn accident. It's not your fault. No one could do anything. And your dad made his choice to leave you long ago. It’s not your fault, Ty.
Ty: “It was me, it was me! He didn’t love me enough… he made mom and sis suffer! Even Gran too! All of us!
Erin: “Ty, we’re doing this together, but I need you to understand there is so much going on right now. What's happened in the past stays there. We're here, living the moment this instant. If you’re not gonna tell me what happened to yourself, Riley and Harry at the landing, I’ll have no choice but leave you here without help. You’re stuck in nirvana forever, trapped in this loophole. Our friends are trying their best and you’re gonna give up now?!”
Ty: “What am I supposed to do? I didn’t want my dad to go either...you know what, I regret giving the ring to you.”
Erin: “You don't mean that, did you, Tyrone Wilcox Shore?”
Ty: “You’re not my mother. You don’t get to say or use my full name. Don't lecture me.”
Erin: “Ty, this isn't you. Stop it.”
Ty: "There is no real me, this is me, just like this. Are you happy?"
Erin: "No, it isn't. Stop being stubborn."
Ty: "Then stop being a bitch. Stop being so damn whiny. I'm not your plaything."
Erin: "This is the part where I’m going to lose myself too before you slip away into the path of sadness—even deeper and not coming back.”
Ty: “Who cares? That’s why I’m going to stay. I killed my sister, drove away father and I couldn’t do anything to stop them. I drove the wedge in my family.”
Erin: “And you’re gonna use that as an excuse over the woman you love? The real you wouldn’t be a coward like that. That influence is gonna eat you up inside the more you think about it. When I stepped into your head, I saw everything, from moment I laid my eyes on you, my dad not approving...we went through that. We survived great lengths and hell for each other—we’re still young! You told me we were gonna have kids...cute babies! And you can’t let go of the past? Tyrone, you’re a leader, a great role model for others...and you’re gonna grieve further because someone manipulated you? You need to let go...please...”
Gosh. That was such a fucking speech. I start bawling, tears streaming down my face as I hold him close to me, even if he doesn't respond. Every word from my mind is pulling my heartstrings and I’m in my fiance’s head, out in a world where he’s in a coma and now he’s acting like that...I feel so lost, so powerless.
I feel like I'm about to give up before I heard something...the voices of my friends. Two people, two brothers?
Jesse: “Not so fast yet, hermana. I’m here to fix your loverboy on the edge.”
Connor: “Nothing gets better than a proper reunion with the Arden brothers.”
Erin: “Jesse! Connor! You’re here!”
Connor: "Sorry if we're late. Caught up on things. If you can't convince him to leave..."
Jesse: “Yeah well we got through some big shit and ended up back in base...there is some ever bigger shit outside and thank you you’re safe like Gary, who’s out there fighting. And double thanks I didn’t have to pry open your head when Lyra almost insisted on it--"
Connor: “Save the talk later, little brother, we've got limited borrowed time. Hello Ty, we’re all here. We need you.”
Ty: “I said, I need nobody. Go somewhere else. Leave me alone. Fuck off.”
Connor: “You really don’t? Remember the time when I left everybody? It was hard as hell. But I held onto the thought of people I cared about. My brother, you—and Erin. Sam too."
Ty: "Go off. I don't need you here. Go off. Did I make myself clear."
Connor: "Yes, but don't you wanna remember our fun memories? I’ve said it once, and I'll say it again. Erin. she was pretty, smart, had everything I wanted for the perfect girl. I liked her, but you were always there for her. Got ahead before I had the chance, but I didn't interfere. I didn't step in. I admired both of you and I didn’t want to get in your ways because we’d be in a messy triangle. Instead I learnt more about myself as we supported you like us too. But the most important thing—you’re a sweet person, you're inspiring. You are one hell of a leader, daring to defy. You’re like a younger brother to me as well you know?”
Jesse: “Yeah Erin, she’s a great sister to me, man. We're all homies. But Ty, we've all known the truth already for ages...you didn’t kill Alecia. Your dad abandoning you guys wasn’t your fault. It was just an accident and just one of the shitty life stuff. You know I’m sorry for your loss.”
Ty: “How can you prove that you know something? You’re all just fake images. You don't care about my feelings. Alecia is real. Dad is real. You all are not.”
Jesse: “If it’s fake enough then we’d be voices who can put your shit together Tyrone. We already went through shit together. Who was the one who stood up for me? Who stood up for you? And your girl?What about the pranks we did? Everything mattered!" I spoke to Mrs Wilcox about it; and yeah it was hard opening up, but you did it in self defence. During infancy, your dad protected you when you had your house robbed, and when Alecia--"
Ty: "Stop talking about Alecia. You don't get to talk about her--"
Jesse: "Ty, Christ, let me continue. When she returned home from the army, her vehicle took a hit—your powers slipped. It was just a natural reaction. It was damn uncontrollable and there’s nobody to blame. You were a young kid back then and can’t put guilt on your shoulders, man.”
Ty: "But...but..."
Connor: “The real answer is because North had special pheromones unleashed all over, targeting those with especially painful memories. I know PTSD isn’t easy to treat and cope for everyone, and it'll take time to heal, but you were under the influence that you killed them. You didn't kill anyone. So come back, come back to the real world and take the fight against it. You’re not the only person here who's being oppressed when the agency is in dire hands! Wake up, Ty! Wake up!”
***
My mind fades again. Hopefully it’s the last as I wake up next to my still comatose fiancé, and I see Jesse and Connor on the opposite side of the bed. I take a big sigh.
The systems still work, thankfully. I assume things are really shit like they said when I hear gunfire. Jesse wakes up next, followed by Connor, while a worried Lyra shows relief on her face as she frenetically walks around in circles. Then she notices me and gives me a bear hug.
Lyra: “Thank god you all made it back! Erin, I thought I was gonna lose you! I don’t know what happened inside, but at least Ty's signs are normal now. Me and Navin had to move you and Riley to stabilized beds.”
Erin: "Hey, right back at you. I owe you and Riley."
Ty: “Ugggh....”
Erin: “Shiro! You’re back!”
Ty: “Sure...I guess. Hey gorgeous. I felt like had a weird dream and you three went inside huh? Wait...you guys did. I feel so much better after opening up. And you guys opening up to me."
Jesse: “Yeah. But we got bigger problems to solve. North is here and we’re running out of time actually. How long was the process, Lyra?”
Lyra: “Just 10. ”
Jesse: “See? Long enough in your head, and just a couple minutes here. Your wife is totally a badass chick with that power upgrade.”
Erin: “Hold on, wife? What? Like now?—“
Connor: “Ugh Jesse please don’t spoil and skip things; I mean you'll easily figure that out later, soon-to-be-married as Mrs Wilcox. You need to fix Riley and Harry ASAP too. This is what Edens left behind as a wake up injector. It will free their minds, some chemical solution of sorts. Make it fast. We’re gonna need to help our friends. Lyra, you’re coming too.”
The three of them rush out the medical room, leaving the two of us behind with virtually a mess on the outside. I help Ty get out of his bed as his weapons and gadgets are there. He looks into one of the drawers and puts on a new pair of socks before slipping into his boots.
Erin: “Did you tell them something before we woke?”
Ty: “Yeah. I did. But y’know I gotta get knives and guns up and ready.”
Erin: “I can now go if you want....”
Ty: “No, Erinbug. I am not leaving you, never ever. When we’re done we’re definitely getting married.”
Erin: “Aww. Shiro...you're just charming aren't you?”
Ty: “I realised we haven’t called each other nicknames in a while, but then, we gotta help friends and catch up, whaddya say?”
Erin: "Yes, absolutely. We gotta use these little things."
Ty stands up, grabs my hand and leans in for a deep kiss. He pulls me into a hug, which feels longer than expected and...I'm not complaining. Honestly I want to forget everything and just focus on this moment that I don’t want to let go.
But responsibility is right in front of me...and this time with my powers in motion, I’m gonna have to fix it right where they are.
I tested 1 box of SX-70 films these days.
awwww, too bad... ;(
bcuz it's overdue for a while.
expired films are definitely uncontrollable.
but I like some dark blue colors on it.
well, I just have 2 boxes now... *weep*
Phedora. - "Constance" Boots Available at The Warehouse Sale ♂️
Whether you're storming the castle, attending a wizard duel, or just trying to out-walk NPCs, these lace-up beauties have got you covered. Crafted with +35 color customization,Rigged for Anatomy, EBody Reborn,Legacy F & M(Athletic), Maitreya & LaraX,they’re perfect for rogues, necromancers, & slightly unhinged Victorian poets. Warning: Wearing these may cause spontaneous villain monologues and an uncontrollable urge to challenge someone to a duel.
❥ LM : maps.secondlife.com/secondlife/Rotten/121/111/23
❥Wear your group tag for 10% off!
❥Join our group inworld for 10% discount: Phedora Updates
❥ALWAYS TRY DEMO FIRST
USEFUL LINKS
#phedorasl #sl #secondlife #second_life #phedora #shoes #boots #Virtualshoes #fashion #event #larax #maitreya #legacy #ebody #ebodyreborn #heels #legacymale #anatomy #bellezajake #warehouse #warehousesale
The prompt asked for Your Computer Mouse. This isn't my favourite computer mouse. It's not even among the ones I use often. My favourite is my Logitech Bluetooth mouse. Next favourite is my Logitech wireless mouse. Both of these work almost faultlessly which is not something I can say about my Apple Magic Mouse 2. Beautiful shape but absolutely useless as a tool. Uncontrollable at best. All three have the same problem. They all rely on battery power. When the battery dies, it's late and you don't have a spare battery then, if you're like me on my iMac, you stop work. Not so if you have a wired mouse. No batteries required. It draws its power from the computer. That's why it's indispensable. Old tech sometimes wins the day!
Thank you all for your comments and likes over the last month. I was a late entrant, but I did have a blast. Great set of prompts too. Hope to see you next year DV.
Palomino Blackwing soft pencil
Seawhite sketch book
Shall I go?
Shall I stay?
107 light years away, many times, so many doubts...
But no reason to talk about...
Mission is over, mission is done,
I'll miss you children of the sun
But it's time to go away, Goodbye, Goodbye Milky way!
For a better world without hate, from your heart believe in fate
Only visions and the mind will guide you to the light.
Those were the words of the song i was listening to while experiencing one of the most spiritual moments in my entire life.... I was sitting on a sand dune. One sign of God's mercy is the reflection of his beauty on his creation... with simple yellow sand particles, God draws deserts in astounding smoothness and simply creating the best contrast with the blue sky.
I was there on that very sand dune watching the might of his creation on earth... Staring at the sunset... Feeling God's grandeur, imagining how small and worthless we are...
I was in the Farafra oasis for only one purpose... A retreat from the daily routine and problems.... I was out with a group of Homeopaths in search for serenity... At the same time learning about our shadows and lights, feelings and passions, love and hate, you and yourself....
On this journey i learned how to deal with my feelings, wither it resonates somewhere in my body or not, how to locate it, how to accept it and how to release...
I was there on that very dune when i felt the presence. The presence of the Almighty.... We all know and admit God is everywhere all the time... But i just "Felt" it so magnified in a way that i got so emotional... Which typically resonated somewhere in my body.... I tried to catch it... But actually i started to soften the edges... Let it grow...Even move... It expanded... So much that i opened my eyes letting the sunset rays narrow my iris, being shocked with the light and the unbelievable expansion taking place in my torso, i felt i am the world... No actually much wider as i so clearly felt the horizon in my arms.... I was so in ecstasy that i uncontrollably cried... and i even wet my shirt because of that..... It was an unexplainable feeling... I felt the Oneness!! I am me, i am the desert, i am the wind, i am the sun, i am the world, i am the universe, i am the presence! It was all me and i am all... A moment not for so long but was so strong that it changed my life...
Model: _Nomad_
Place: The White Desert - Farafra - Egypt
Lyrics: Enigma
Thanks to Janet for pressing the shutter :)
3 February at 13.00 - 16.00 Rasmussen Quinteto feat. Leo Minax
Sophisticated jazzy folklore based on the highlands of Brazil! Steen Rasmussen has once again invited Leo Minax, one of Brazil's great vocalists, to Denmark. Together they deliver contemporary Brazilian music as we know it from Gilberto Gil, among others. Sophisticated jazzy folklore based on Brazil's highlands,
Minas Gerais, where Leo Minax has his roots. In addition, they delve into the songs of the bossanova's first man, Antonio Carlos Jobim, which Leo Minax interprets uncontrollably beautifully. Line-up: Leo Minax (BR, voc, g), Steen Rasmussen (p), Lis Wessberg (tb), Bastian Sjelberg (b), Martin Andersen (dm) 10 February at 13.00 - 16.00
Lis Wessberg is among the leading trombonists in Denmark. Known for her beautiful tone and unique feeling on the instrument.
Has played with numerous of Danish top artists in jazz and pop music including Marilyn Mazur, Fredrik Lundin, Lennart Ginman, Jan Kaspersen, Claus Høxbroe, DR Bigband, Hanne Boel and many others.
For Wessberg, a good melody and a full, rich sound are the two most important elements of her performing and composing. Her trombone playing resembles a singer's voice, filled with warmth and emotion. Her compositions are soulful and thoughtful, while her arrangements have an almost dreamy quality.
Wessberg has performed on more than 50 albums.
Lis Wessberg released her debut album, Yellow Map, October 1st 2021.
She has also toured extensively in both Denmark and abroad, often at big festivals, sharing the stage with some of biggest stars in the music firmament, like Joyce Moreno, Kid Creole & The Coconuts, Ernie Wilkins Almost Big Band feat. Randy Brecker, to name just a few.
Her career as a trombonist came about quite by chance. When she was just 8 years old, she dreamed of playing in Herlev's local harmony orchestra. When the opportunity arose, the only instrument available was the trombone. Although the choice of instrument was random, she studied assiduously for many years with inspiring teachers, and she became skilled enough at the age of 19 to be admitted to the Rhythmic Music Conservatory in Copenhagen. Wessberg completed her education in 1991 and soon began her career as a professional jazz musician.
Lis Wessberg’s influences are Miles Davis, Lee Konitz, Ben Webster, Chet Baker, Radiohead and Mark Hollis of Talk Talk.
Costco had the Gopro Hero 8 bundle on sale for hella good price. Since I am at home, bored, and ready to something new, I bought it.
Maybe I can TikTok, but I don't dance and try not to make a habit of doing stupid stuff on video that will come back to haunt me.
Maybe I can make a Youtube channel and rake in millions of dollars a year but I'm not a bikini model and again I don't do stupid stuff on video that will come back to haunt me.
I do have a little down time when I am out taking street photos. I guess one idea, off the top of my head. would be to do some pov videos. I would want to film from the moment I found my subject, through how I got the shot, and finally through the editing process. There's probably just a few million people on Youtube doing that now. Most all who can do it better that I could if I knew what I was doing.
Since I watch cat videos 4 to 6 hours a day maybe I could get into that. My cats have no interest in fame I guess that I would have to film myself watching said cat videos and laughing uncontrollably.I'm sure my endorsement deals will be piling up by the end of the day!!!
The Postcard
A Valentine's Series postcard with photography by Lafayette of Dublin. The date of posting is not legible, but it was posted prior to the 3rd. June 1918, because the card only bears a half-penny stamp, and on the 3rd. June 1918, the UK inland postal rate for postcards was raised to one penny in order to help pay for the Great War.
The card was posted to:
Mr. E. King,
83, Winchelsea Road,
Tottenham,
London N.W.
The pencilled message on the divided back of the card was as follows:
"Dear Dad,
I hope you got back
alright on Sunday night.
I have been to school
today.
Aunt Mabel has not
been up today.
I went on the pond this
afternoon.
I wish you were with me.
Love from Violet & Mum.
xx"
Madame Sarah Bernhardt
Sarah Bernhardt was born Henriette-Rosine Bernard on the 22nd. or 23rd. October 1844. The exact date is not known.
Sarah was a French stage actress who starred in some of the most popular French plays of the late 19th. and early 20th. centuries, including 'La Dame Aux Camelias' by Alexandre Dumas, 'Ruy Blas' by Victor Hugo; 'Fédora' and 'La Tosca' by Victorien Sardou; and 'L'Aiglon' by Edmond Rostand.
Sarah also played male roles, including Shakespeare's 'Hamlet'.
Rostand called her "The Queen of the Pose and the Princess of the Gesture", while Hugo praised her "Golden Voice".
Sarah made several theatrical tours around the world, and was one of the first prominent actresses to make sound recordings and to act in motion pictures.
Sarah Bernhardt - The Early Years
Henriette-Rosine Bernard was born at 5 Rue de L'École-de-Médecine in the Latin Quarter of Paris. She was the illegitimate daughter of Judith Bernard, a Dutch-Jewish courtesan with a wealthy clientele.
The name of Sarah's father is not recorded. Bernhardt later wrote that her father's family paid for her education, insisted she be baptised as a Catholic, and left a large sum to be paid when she came of age. Her mother travelled frequently, and saw little of her daughter. She placed Sarah with a nurse in Brittany, then in a cottage in the Paris suburb of Neuilly-sur-Seine.
When Sarah was seven, her mother sent her to a boarding school for young ladies in the Paris suburb of Auteuil, paid with funds from her father's family. There, she acted in her first theatrical performance in the play 'Clothilde', where she held the role of the Queen of the Fairies, and performed the first of many dramatic death scenes.
While she was at the boarding school, Sarah's mother rose to the top ranks of Parisian courtesans, consorting with politicians, bankers, generals, and writers. Her patrons and friends included Charles, Duke of Morny, the half-brother of Emperor Napoleon III and President of the French legislature.
At the age of 10, with the sponsorship of Morny, Bernhardt was admitted to Grandchamp, an exclusive Augustine convent school near Versailles. At the convent, she performed the part of the Archangel Raphael in 'Tobias and the Angel'.
Sarah declared her intention to become a nun, but did not always follow convent rules; she was accused of sacrilege when she arranged a Christian burial, with a procession and ceremony, for her pet lizard.
She received her first communion as a Roman Catholic in 1856, and thereafter she was fervently religious. However, she never forgot her Jewish heritage. When asked years later by a reporter if she were a Christian, she replied:
"No, I'm a Roman Catholic, and a
member of the great Jewish race.
I'm waiting until Christians become
better."
Sarah accepted the last rites shortly before her death.
In 1859, Bernhardt learned that her father had died overseas. Her mother summoned a family council, including Morny, to decide what to do with her. Morny proposed that Bernhardt should become an actress, an idea that horrified Sarah, as she had never been inside a theatre.
Morny arranged for her to attend her first theatre performance at the Comédie Française in a party which included her mother, Morny, and his friend Alexandre Dumas Père. The play they attended was 'Brittanicus', by Jean Racine, followed by the classical comedy 'Amphitryon' by Plautus.
Bernhardt was so moved by the emotion of the play, she began to sob loudly, disturbing the rest of the audience. Morny and others in their party were angry with her and left, but Dumas comforted her, and later told Morny that he believed that she was destined for the stage. After the performance, Dumas called her "My little star".
Sarah Bernhardt and the Paris Conservatory
Morny used his influence with the composer Daniel Auber, the head of the Paris Conservatory, to arrange for Bernhardt to audition. She began preparing, as she described it in her memoirs:
"With that vivid exaggeration with
which I embrace any new enterprise."
Dumas coached her. The jury comprised Auber and five leading actors and actresses from the Comédie Française. Sarah was supposed to recite verses from Racine, but no one had told her that she needed someone to give her cues as she recited.
Sarah told the jury she would instead recite the fable of the Two Pigeons by La Fontaine. The jurors were sceptical, but the fervour and pathos of her recitation won them over, and she was invited to become a student.
Bernhardt studied acting at the Conservatory from January 1860 until 1862 under two prominent actors of the Comédie Française, Joseph-Isidore Samson and Jean-Baptiste Provost. She wrote in her memoirs that Provost taught her diction and grand gestures, while Samson taught her the power of simplicity.
For the stage, Sarah changed her name from 'Bernard' to 'Bernhardt'. While studying, she also received her first marriage proposal, from a wealthy businessman who offered her 500 thousand francs. He wept when she refused. Bernhardt later wrote:
"I was confused, sorry, and delighted -
because he loved me the way people
love in plays at the theatre".
Before the first examination for her tragedy class, she tried to straighten her abundance of frizzy hair, which made it even more uncontrollable, and came down with a bad cold, which made her voice so nasal that she hardly recognized it.
Furthermore, the parts assigned for her performance were classical and required carefully stylized emotions, while she preferred romanticism and fully and naturally expressing her emotions. The teachers ranked her 14th. in tragedy, and 2nd. in comedy.
Sarah Bernhardt and The Théâtre Français
Once again, Morny came to her rescue. He put in a good word for her with the National Minister of the Arts, Camille Doucet. Doucet recommended her to Edouard Thierry, the chief administrator of the Théâtre Français, who offered Bernhardt a place as a pensionnaire at the theatre, at a minimum salary.
Bernhardt made her debut with the company on the 31st. August 1862 in the title role of Racine's 'Iphigénie'. Her premiere was not a success. She experienced stage fright and rushed her lines. Furthermore some audience members made fun of her thin figure.
When the performance ended, Provost was waiting in the wings, and she asked his forgiveness. He told her:
"I can forgive you, and you'll
eventually forgive yourself,
but Racine in his grave never
will."
Francisque Sarcey, the influential theatre critic of 'L'Opinion Nationale' and 'Le Temps', wrote:
'She carries herself well and pronounces
with perfect precision. That is all that can
be said about her at the moment.'
Bernhardt did not remain long with the Comédie-Française. She played Henrietta in Molière's 'Les Femmes Savantes' and Hippolyte in 'L'Étourdi', and the title role in Scribe's 'Valérie', but did not impress the critics, or the other members of the company, who had resented her rapid rise.
The weeks passed, but she was given no further roles. Her hot temper also got her into trouble; when a theatre doorkeeper addressed her as "Little Bernhardt", she broke her umbrella over his head. She apologised profusely, and when the doorkeeper retired 20 years later, she bought him a cottage in Normandy.
At a ceremony honouring the birthday of Molière on the 15th. January 1863, Bernhardt invited her younger sister, Regina, to accompany her. Regina accidentally stood on the train of the gown of a leading actress of the company, Zaire-Nathalie Martel (1816–1885). Madame Nathalie pushed Regina off the gown, causing her to strike a stone column and gash her forehead.
Regina and Madame Nathalie began shouting at one another, and Bernhardt stepped forward and slapped Madame Nathalie on the cheek. The older actress fell onto another actor. Thierry asked that Bernhardt apologise to Madame Nathalie. Bernhardt refused to do so until Madame Nathalie apologised to Regina.
Bernhardt had already been scheduled for a new role with the theatre, and had begun rehearsals. Madame Nathalie demanded that Bernhardt be dropped from the role unless she apologised. Since neither would yield, and Madame Nathalie was the more senior member of the company, Thierry was forced to ask Bernhardt to leave.
The Gymnase and Brussels (1864–1866)
Sarah's family could not understand her departure from the theatre; it was inconceivable to them that anyone would walk away from the most prestigious theatre in Paris at the age of 18.
Instead, Sarah went to a popular theatre, the Gymnase, where she became an understudy to two of the leading actresses. She almost immediately caused another offstage scandal, when she was invited to recite poetry at a reception at the Tuileries Palace hosted by Napoleon III and the Empress Eugenie, along with other actors from the Gymnase.
Sarah chose to recite two romantic poems by Victor Hugo, unaware that Hugo was a bitter critic of the Emperor. Following the first poem, the Emperor and Empress rose and walked out, followed by the court and all the other guests.
Her next role at the Gymnase, as a foolish Russian princess, was entirely unsuited for her; her mother told her that her performance was "ridiculous". She decided abruptly to quit the theatre to travel, and like her mother, to take on lovers. She went briefly to Spain, then, at the suggestion of Alexandre Dumas, to Belgium.
Sarah carried to Brussels letters of introduction from Dumas, and was admitted to the highest levels of society. She attended a masked ball in Brussels where she met the Belgian aristocrat Henri, Prince de Ligne, and had an affair with him. However the affair was cut short when she learned that her mother had suffered a heart attack. She returned to Paris, where she found that her mother was better, but that she herself was pregnant from her affair with the Prince.
She did not notify the Prince. Her mother did not want the fatherless child born under her roof, so Sarah moved to a small apartment on Rue Duphot, and on the 22nd. December 1864, the 20-year-old actress gave birth to her only child, Maurice Bernhardt.
Sarah never discussed Maurice's parentage with anyone. When asked who his father was, she sometimes answered:
"I could never make up my mind
whether his father was Gambetta,
Victor Hugo, or General Boulanger."
Many years later, in January 1885, when Bernhardt was famous, the Prince came to Paris and offered to formally recognise Maurice as his son, but Maurice politely declined, explaining he was entirely satisfied to be the son of Sarah Bernhardt.
Sarah Bernhardt and the Théâtre de l'Odéon (1866–1872)
To support herself after the birth of Maurice, Bernhardt played minor roles and understudies at the Porte-Saint-Martin, a popular melodrama theatre.
In early 1866, she obtained a reading with Felix Duquesnel, director of the Théâtre de L’Odéon on the Left Bank. Duquesnel described the reading years later, saying:
"I had before me a creature who
was marvellously gifted, intelligent
to the point of genius, with enormous
energy under an appearance frail and
delicate, and a savage will."
The co-director of the theatre, Charles de Chilly, wanted to reject Sarah as unreliable and too thin, but Duquesnel was enchanted; he hired her for the theatre at a modest salary of 150 francs a month, which he paid out of his own pocket.
The Odéon was second in prestige only to the Comédie Française, and unlike that very traditional theatre, specialised in more modern productions. The Odéon was popular with the students of the Left Bank.
Sarah's first performances at the Odéon were not successful. She was cast in highly stylised and frivolous 18th.-century comedies, whereas her strong point on stage was her complete sincerity.
Sarah's thin figure also made her look ridiculous in the ornate costumes. Dumas, her strongest supporter, commented after one performance:
"She has the head of a virgin
and the body of a broomstick."
Soon, however, with different plays and more experience, her performances improved; Sarah was praised for her performance of Cordelia in 'King Lear'. In June 1867, she played two roles in 'Athalie' by Jean Racine: the part of a young woman and a young boy, Zacharie, the first of many male parts she played in her career. The influential critic Sarcey wrote
'She charmed her audience
like a little Orpheus.'
Sarah's breakthrough performance was in the 1868 revival of 'Kean' by Alexandre Dumas, in which she played the female lead part of Anna Danby. The play was interrupted in the beginning by disturbances in the audience by young spectators who called out:
"Down with Dumas!
Give us Hugo!"
Bernhardt addressed the audience directly:
"Friends, you wish to defend the
cause of justice. Are you doing it
by making Monsieur Dumas
responsible for the banishment of
Monsieur Hugo?"
With this, the audience laughed and applauded, and then fell silent. At the final curtain, she received an enormous ovation, and Dumas hurried backstage to congratulate her. When she exited the theatre, a crowd had gathered at the stage door and tossed flowers at her. Her salary was immediately raised to 250 francs a month.
Sarah's next success was her performance in François Coppée's 'Le Passant', which premiered at the Odéon on the 14th. January 1868, playing the part of the boy troubadour, Zanetto, in a romantic renaissance tale. Critic Theophile Gautier described the 'delicate and tender charm' of her performance.
'Le Passant' played for 150 performances, plus a command performance at the Tuileries Palace for Napoleon III and his court. Afterwards, the Emperor sent her a brooch with his initials written in diamonds.
In her memoirs, Sarah wrote of her time at the Odéon:
"It was the theatre that I loved the most,
and that I only left with regret. We all
loved each other. Everyone was gay.
The theatre was a like a continuation of
school. All the young came there...
I remember my few months at the
Comédie Française. That little world was
stiff, gossipy, jealous.
I remember my few months at the Gymnase.
There they talked only about dresses and
hats, and chattered about a hundred things
that had nothing to do with art.
At the Odéon, I was happy. We thought only
of putting on plays. We rehearsed mornings,
afternoons, all the time. I adored that."
Bernhardt lived with her longtime friend and assistant Madame Guerard and her son in a small cottage in the suburb of Auteuil, and drove herself to the theatre in a small carriage. She developed a close friendship with the writer George Sand, and performed in two plays that she had written.
Sarah received celebrities in her dressing room, including Gustave Flaubert and Leon Gambetta. In 1869, as she became more prosperous, she moved to a larger seven-room apartment at 16 Rue Auber in the centre of Paris. Her mother began to visit her for the first time in years, and her Orthodox Jewish grandmother moved into the apartment to take care of Maurice.
Bernhardt added a maid and a cook to her household, as well as the beginning of a collection of animals; she had one or two dogs with her at all times, and two turtles moved freely around the apartment.
In 1868, a fire completely destroyed Sarah's apartment, along with all of her belongings. She had neglected to purchase insurance. The brooch presented to her by the Emperor and her pearls melted, as did the tiara presented by one of her lovers, Khalid Bey. She found the diamonds in the ashes.
The managers of the Odéon organized a benefit performance for Sarah. The most famous soprano of the time, Adelina Patti, performed for free. In addition, the grandmother of her father donated 120,000 francs. Bernhardt was able to buy an even larger residence, with two salons and a large dining room, at 4 Rue de Rome.
Sarah Bernhardt's Wartime service at the Odéon (1870–1871)
The outbreak of the Franco-Prussian War abruptly interrupted Sarah's theatrical career. The news of the defeat of the French Army, the surrender of Napoleon III at Sedan, and the proclamation of the Third French Republic on the 4th. September 1870 was followed by a siege of the city of Paris by the Prussian Army.
Paris was cut off from news and from its food supply, and the theatres were closed. Bernhardt took charge of converting the Odéon into a hospital for soldiers wounded in the battles outside the city. She organized the placement of 32 beds in the lobby and in the foyers, brought in her personal chef to prepare soup for the patients, and persuaded her wealthy friends and admirers to donate supplies to the hospital.
Besides organising the hospital, Sarah worked as a nurse, assisting the chief surgeon with amputations and operations. When the coal supply of the city ran out, Bernhardt used old scenery, benches, and stage props for fuel to heat the theatre. In early January 1871, after 16 weeks of siege, the Germans began to bombard the city with long-range artillery. The patients had to be moved to the cellar, and before long, the hospital was forced to close.
Bernhardt arranged for serious cases to be transferred to another military hospital, and she rented an apartment on Rue de Provence to house the remaining 20 patients. By the end of the siege, Bernhardt's hospital had cared for more than 150 wounded soldiers, including a young undergraduate from the École Polytechnique, Ferdinand Foch, who later commanded the Allied armies in the First World War.
The French government signed an armistice on the 19th. January 1871, and Bernhardt learned that her son and family had been moved to Hamburg. She went to the new chief executive of the French Republic, Adolphe Thiers, and obtained a pass to go to Germany to bring them back.
When she returned to Paris several weeks later, the city was under the rule of the Paris Commune. She moved again, taking her family to Saint-Germain-en-Laye. She later returned to her apartment on the Rue de Rome in May, after the Commune was defeated by the French Army.
The Tuileries Palace, the City Hall of Paris, and many other public buildings had been burned by the Commune or damaged in the fighting, but the Odéon was still intact.
Charles-Marie Chilly, the co-director of the Odéon, came to her apartment, where Bernhardt received him reclining on a sofa. He announced that the theatre would re-open in October 1871, and he asked her to play the lead in a new play, 'Jean-Marie' by André Theuriet. Bernhardt replied that she was finished with the theatre, and was going to move to Brittany in order to start a farm.
Chilly, who knew Bernhardt's moods well, told her that he understood and accepted her decision, and would give the role to Jane Essler, a rival actress. According to Chilly, Bernhardt immediately jumped up from the sofa and asked:
"When are the rehearsals beginning?"
'Jean-Marie', featuring a young Breton woman forced by her father to marry an old man she did not love, was another critical and popular success for Bernhardt. The critic Sarcey wrote:
'She has the sovereign grace, the
penetrating charm, the I don't
know what. She is a natural artist,
an incomparable artist.'
The directors of the Odéon next decided to stage 'Ruy Blas', a play written by Victor Hugo in 1838, with Bernhardt playing the role of the Queen of Spain. Hugo himself attended all the rehearsals. At first, Bernhardt pretended to be indifferent to him, but he gradually won her over, and she became a fervent admirer.
The play premiered on the 16th. January 1872. The opening night was attended by the Prince of Wales and by Hugo himself; after the performance, Hugo approached Bernhardt, dropped to one knee, and kissed her hand. After the 100th. performance of 'Ruy Blas', Hugo gave a dinner for Bernhardt and her friends, toasting:
"My adorable Queen
and her Golden Voice."
'Ruy Blas' played to packed houses. A few months after it opened, Bernhardt received an invitation from Emile Perrin, Director of the Comédie Française, asking if she would return, and offering her 12,000 francs a year, compared with less than 10,000 at the Odéon. Bernhardt asked Chilly if he would match the offer, but he refused.
Always pressed by her growing expenses and growing household to earn more money, she announced her departure from the Odéon when she finished the run of 'Ruy Blas'. Chilly responded with a lawsuit, and she was forced to pay 6,000 francs in damages.
Sarah Bernhardt and the Comédie Française
Sarah returned to the Comédie Française on the 1st. October 1872, and quickly took on some of the most famous and demanding roles in French theatre. She played Junie in 'Britannicus' by Jean Racine, the male role of Cherubin in 'The Marriage of Figaro' by Pierre Beaumarchais, and the lead in Voltaire's five-act tragedy 'Zaïre'.
In 1873, with just 74 hours to learn the lines and practise the part, Sarah played the lead in Racine's 'Phédre', playing opposite the celebrated tragedian, Jean Mounet-Sully, who soon became her lover. The leading French critic Sarcey wrote:
'This is nature itself served by marvellous
intelligence, by a soul of fire, by the most
melodious voice that ever enchanted
human ears. This woman plays with her
heart, with her entrails.'
Phédre became her most famous classical role, performed over the years around the world, often for audiences who knew little or no French; she made them understand by her voice and gestures.
In 1877, Sarah had another success as Dona Sol in 'Hernani', a tragedy written 47 years earlier by Victor Hugo. Her lover in the play was her lover off-stage, as well, Mounet-Sully. Hugo himself was in the audience. The next day, he sent her a note:
"Madame, you were great and charming;
you moved me, me the old warrior, and,
at a certain moment when the public,
touched and enchanted by you, applauded,
I wept. The tear which you caused me to
shed is yours. I place it at your feet."
The note was accompanied by a tear-shaped pearl on a gold bracelet.
Sarah maintained a highly theatrical lifestyle in her house on the Rue de Rome. She kept a satin-lined coffin in her bedroom, and occasionally slept in it, or lay in it to study her roles, though, contrary to popular belief, she never took it with her on her travels.
Sarah cared for her younger sister who was ill with tuberculosis, and allowed her to sleep in her own bed, while she slept in the coffin. She posed in it for photographs, adding to the legends she created about herself.
Bernhardt repaired her old relationships with the other members of the Comédie Française; she participated in a benefit for Madame Nathalie, the actress she had once slapped. However, she was frequently in conflict with Perrin, the director of the theater.
In 1878, during the Paris Universal Exposition, she took a flight over Paris with balloonist Pierre Giffard, in a balloon decorated with the name of her current character, Dona Sol. However, an unexpected storm carried the balloon far outside of Paris to a small town.
When she returned by train to the city, Perrin was furious; he fined Bernhardt a thousand francs, citing a theatre rule which required actors to request permission before they left Paris. Bernhardt refused to pay, and threatened to resign from the Comédie. Perrin recognised that he could not afford to let her go. Perrin and the Minister of Fine Arts arranged a compromise; she withdrew her resignation, and in return was raised to a Societaire, the highest rank of the theatre.
Triumph in London and Departure from the Comédie Française (1879–1880)
Bernhardt was earning a substantial amount at the theatre, but her expenses were even greater. By this time she had eight servants, and she built her first house, an imposing mansion on rue Fortuny, not far from the Parc Monceau. She looked for additional ways to earn money.
In June 1879, while the theatre of the Comédie Française in Paris was being remodelled, Perrin took the company on tour to London. Shortly before the tour began, a British theatre impresario named Edward Jarrett travelled to Paris and proposed that she give private performances in the homes of wealthy Londoners; the fee she would receive for each performance was greater than her monthly salary with the Comédie.
When Perrin read in the press about the private performances, he was furious. Furthermore, the Gaiety Theatre in London demanded that Bernhardt star in the opening performance, contrary to the traditions of Comédie Française, where roles were assigned by seniority, and the idea of stardom was scorned.
When Perrin protested, saying that Bernhardt was only 10th. or 11th. in seniority, the Gaiety manager threatened to cancel the performance; Perrin had to give in. He scheduled Bernhardt to perform one act of 'Phèdre' on the opening night, between two traditional French comedies, 'Le Misanthrope' and 'Les Précieuses'.
On the 4th. June 1879, just before the opening curtain of her premiere in 'Phèdre', she suffered an attack of stage fright. She wrote later that she also pitched her voice too high, and was unable to lower it. Nonetheless, the performance was a triumph. Though most of the audience could not understand Racine's classical French, she captivated them with her voice and gestures; one member of the audience, Sir George Arthur, wrote that:
"She set every nerve and fibre in
their bodies throbbing, and held
them spellbound."
In addition to her performances of 'Zaire', 'Phèdre', 'Hernani', and other plays with her troupe, she gave the private recitals in the homes of British aristocrats arranged by Jarrett, who also arranged an exhibition of her sculptures and paintings in Piccadilly. This was attended by both the Prince of Wales and Prime Minister Gladstone.
While in London, Sarah added to her personal menagerie of animals by buying three dogs, a parrot, and a monkey. She also made a side trip to Liverpool, where she purchased a cheetah, a parrot, and a wolfhound, as well as receiving a gift of six chameleons, which she kept in her rented house on Chester Square, before taking them all back to Paris.
Having returned to Paris, Sarah was increasingly discontented with Perrin and the management of the Comédie Française. He insisted that she perform the lead in a new play, 'L'Aventurière' by Emile Augier, a play which she thought was mediocre. When she rehearsed the play without enthusiasm, and frequently forgot her lines, she was criticised by the playwright.
She responded:
"I know I'm bad, but not
as bad as your lines."
The play went ahead, but was a failure. She wrote immediately to Perrin:
"You forced me to play when I
was not ready... what I foresaw
came to pass... this is my first
failure at the Comédie and my
last."
Sarah sent a resignation letter to Perrin, made copies, and sent them to all the major newspapers. Perrin sued her for breach of contract; the court ordered her to pay 100,000 francs, plus interest, and she lost her accrued pension of 43,000 francs. She did not settle the debt until 1900.
Later, however, when the Comédie Française theatre was nearly destroyed by fire, she allowed her old troupe to use her own theatre.
'La Dame aux Camélias' and the first American tour (1880–1881)
In April 1880, as soon as he learned Bernhardt had resigned from the Comédie Française, the impresario Edward Jarrett hurried to Paris and proposed that she make a theatrical tour of England and then the United States. She could select her repertoire and the cast. She would receive 5,000 francs per performance, plus 15% of any earnings over 150,000 francs, plus all of her expenses, plus an account in her name for 100,000 francs, the amount she owed to the Comédie Française. Sarah accepted immediately.
Now on her own, Bernhardt first assembled and tried out her new troupe at the Théâtre de la Gaîté-Lyrique in Paris. She performed for the first time 'La Dame aux Camélias', by Alexandre Dumas. She did not create the role; the play had first been performed by Eugénie Dochein in 1852, but it quickly became Sarah's most performed and most famous role. She eventually played the role more than a thousand times, and acted regularly and successfully in it until the end of her life. Audiences were often in tears during her famous death scene at the end.
Sarah could not perform 'La Dame aux Camélias' on a London stage because of British censorship laws; instead, she put on four of her proven successes, including 'Hernani' and 'Phèdre', plus four new roles, including 'Adrienne Lecouvreur' by Eugène Scribe and the drawing-room comedy 'Frou-Frou' by Meilhac-Halévy, both of which were highly successful in London.
In six of the eight plays in her repertoire, Sarah died dramatically in the final act. When she returned to Paris from London, the Comédie Française asked her to come back, but she refused their offer, explaining that she was making far more money on her own. Instead, she took her new company and new plays on tour to Brussels and Copenhagen, and then on a tour of French provincial cities.
Sarah and her troupe departed from Le Havre for America on the 15th. October 1880, arriving in New York on the 27th. October. On the 8th. November, she performed Scribe's 'Adrienne Lecouvreur' at Booth's Theatre before an audience which had paid a top price of $40 for a ticket, an enormous sum at the time.
Few in the audience understood French, but it was not necessary; her gestures and voice captivated the audience, and she received a thunderous ovation. She thanked the audience with her distinctive curtain call; she did not bow, but stood perfectly still, with her hands clasped under her chin, or with her palms on her cheeks, and then suddenly stretched them out to the audience.
After her first performance in New York, she made 27 curtain calls. However, although she was welcomed by theatre-goers, she was entirely ignored by New York high society, who considered her personal life scandalous.
Bernhardt's first American tour carried her to 157 performances in 51 cities. She travelled on a special train with her own luxurious palace car, which carried her two maids, two cooks, a waiter, her maitre d'hôtel, and her personal assistant, Madame Guérard. It also carried an actor named Édouard Angelo whom she had selected to serve as her leading man, and, according to most accounts, her lover during the tour.
From New York, Sarah made a side trip to Menlo Park, where she met Thomas Edison, who made a brief recording of her reciting a verse from Phèdre, which has not survived. She crisscrossed the United States and Canada from Montreal and Toronto to Saint Louis and New Orleans, usually performing each evening, and departing immediately after the performance.
Sarah gave countless press interviews, and in Boston posed for photos on the back of a dead whale. She was condemned as immoral by the Bishop of Montreal and by the Methodist press, which only increased ticket sales.
Sarah performed 'Phèdre' six times and 'La Dame aux Camélias' 65 times (which Jarrett had renamed 'Camille' to make it easier for Americans to pronounce, despite the fact that no character in the play has that name).
On the 3rd. May 1881, Sarah gave her final performance of 'La Dame aux Camélias' in New York. Throughout her life, she always insisted on being paid in cash. When Bernhardt returned to France, she brought with her a chest filled with $194,000 in gold coins. She described the result of her trip to her friends:
"I crossed the oceans, carrying my
dream of art in myself, and the genius
of my nation triumphed.
I planted the French verb in the heart
of a foreign literature, and it is that of
which I am most proud."
Return to Paris, European tour, Fédora to Theodora (1881–1886)
No crowd greeted Bernhardt when she returned to Paris on the 5th. May 1881, and theatre managers offered no new roles; the Paris press ignored her tour, and much of the Paris theatre world resented her leaving the most prestigious national theatre to earn a fortune abroad.
When no new plays or offers appeared, she went to London for a successful three-week run at the Gaiety Theatre. This London tour included the first British performance of 'La Dame aux Camelias' at the Shaftesbury Theatre; her friend, the Prince of Wales, had persuaded Queen Victoria to authorise the performance. Many years later, Sarah gave a private performance of the play for the Queen while she was on holiday in Nice.
When she returned to Paris, Bernhardt contrived to make a surprise performance at the annual 14th. July patriotic spectacle at the Paris Opera, which was attended by the President of France, and a houseful of dignitaries and celebrities.
Sarah recited the Marseillaise, dressed in a white robe with a tricolor banner, and at the end dramatically waved the French flag. The audience gave her a standing ovation, showered her with flowers, and demanded that she recite the song two more times.
With her place in the French theatre world restored, Bernhardt negotiated a contract to perform at the Vaudeville Theatre in Paris for 1,500 francs per performance, as well as 25 percent of the net profit. She also announced that she would not be available to begin until 1882.
She departed on a tour of theatres in the French provinces, and then on to Italy, Greece, Hungary, Switzerland, Belgium, Holland, Spain, Austria, and Russia. In Kiev and Odessa, she encountered anti-Semitic crowds who threw stones at her; pogroms were being conducted, forcing the Jewish population to leave.
However, in Moscow and St. Petersburg, she performed before Czar Alexander III, who broke court protocol and bowed to her. During her tour, she also gave performances for King Alfonso XII of Spain, and the Emperor Franz Joseph I of Austria.
The only European country where she refused to play was Germany, due to the German annexation of French territory after the 1870–71 Franco-Prussian War.
When she returned to Paris, she was offered a new role in 'Fédora', a melodrama written for her by Victorien Sardou. It opened on the 12th. December 1882, with her husband Damala as the male lead. The play received good reviews. Critic Maurice Baring wrote:
'A secret atmosphere emanated from her,
an aroma, an attraction, which was at once
exotic and cerebral. She literally hypnotised
her audience.'
Another journalist wrote,
'She is incomparable ... The extreme love,
the extreme agony, the extreme suffering.'
However, the abrupt end of her marriage shortly after the premiere put her back into financial distress. She had leased and refurbished a theatre, the 'Ambigu', specifically to give her husband Damala leading roles, and made her 18-year-old son Maurice, who had no business experience, the manager.
'Fédora' ran for just 50 performances and lost 400,000 francs. She was forced to give up the Ambigu, and then, in February 1883, to sell her jewellery, her carriages, and her horses at an auction.
When Damala left, she took on a new leading man and lover, the poet and playwright Jean Richepin, who accompanied her on a quick tour of European cities to help pay off her debts. She renewed her relationship with the Prince of Wales, the future King Edward VII.
When they returned to Paris, Bernhardt leased the theatre of Porte-Saint-Martin and starred in a new play by Richepin, 'Nana-Sahib', a costume drama about love in British India in 1857. The play and Richepin's acting were poor, and it quickly closed. Richepin then wrote an adaptation of 'Macbeth' in French, with Bernhardt as Lady Macbeth, but it was also a failure.
The only person who praised the play was Oscar Wilde, who was then living in Paris. He began writing a play, 'Salomé', in French, especially for Bernhardt, though it was quickly banned by British censors, and Sarah never performed it.
Bernhardt then performed a new play by Sardou, 'Theodora' (1884), a melodrama set in sixth-century Byzantium. Sardou wrote a non-historic but dramatic new death scene for Bernhardt; in his version, the empress was publicly strangled, whereas the historical empress died of cancer.
Bernhardt travelled to Ravenna, Italy, to study and sketch the costumes seen in Byzantine mosaic murals, and had them reproduced for her own costumes. The play opened on the 26th. December 1884 and ran for 300 performances in Paris, and 100 in London, and was a financial success.
Sarah was able to pay off most of her debts, and bought a lion cub, which she named Justinian, for her home menagerie. She also renewed her love affair with her former lead actor, Philippe Garnier.
World tours (1886–1892)
Theodora was followed by two failures. In 1885, in homage to Victor Hugo, who had died a few months earlier, she staged one of his older plays, 'Marion Delorme', written in 1831, but the play was outdated, and her role did not give her a chance to show her talents. She next put on 'Hamlet', with Philippe Garnier in the leading role and Bernhardt in the relatively minor role of Ophelia. The critics and audiences were not impressed, and the play was unsuccessful.
Bernhardt had built up large expenses, which included a 10,000 francs a month allowance paid to her son Maurice, a passionate gambler. Bernhardt was forced to sell her chalet in Sainte-Addresse and her mansion on Rue Fortuny, and part of her collection of animals.
Her impresario, Edouard Jarrett, immediately proposed she make another world tour, this time to Brazil, Argentina, Uruguay, Chile, Peru, Panama, Cuba, and Mexico, then on to Texas, New York, England, Ireland, and Scotland.
Sarah was on tour for 15 months, from early 1886 until late 1887. On the eve of departure, she told a French reporter:
"I passionately love this life of adventures.
I detest knowing in advance what they are
going to serve at my dinner, and I detest a
hundred thousand times more knowing
what will happen to me, for better or worse.
I adore the unexpected."
In every city she visited, she was feted and cheered by audiences. Emperor Pedro II of Brazil attended all of her performances in Rio de Janeiro, and presented her with a gold bracelet with diamonds, which was almost immediately stolen from her hotel.
The two leading actors both fell ill with yellow fever, and her long-time manager, Edward Jarrett, died of a heart attack. Bernhardt was undaunted, however, and went crocodile hunting at Guayaquil, and also bought more animals for her menagerie.
Her performances in every city were sold out, and by the end of the tour, she had earned more than a million francs. The tour allowed her to purchase her final home, which she filled with her paintings, plants, souvenirs, and animals.
From then on, whenever she ran short of money (which generally happened every three or four years), she went on tour, performing both her classics and new plays. In 1888, she toured Italy, Egypt, Turkey, Sweden, Norway, and Russia. She returned to Paris in early 1889 with an enormous owl given to her by the Grand Duke Alexis Alexandrovich, the brother of the Czar.
Sarah's 1891–92 tour was her most extensive, including much of Europe, Russia, North and South America, Australia, New Zealand, Hawaii, and Samoa. Her personal luggage consisted of 45 costume crates for her 15 different productions, and 75 crates for her off-stage clothing, including her 250 pairs of shoes. She carried a trunk for her perfumes, cosmetics and makeup, and another for her sheets and tablecloths and her five pillows.
After the tour, she brought back a trunk filled with 3,500,000 francs, but she had also suffered a painful injury to her knee when she leaped off the parapet of the Castello Sant' Angelo in 'La Tosca'. The mattress on which she was supposed to land was misplaced, and she landed on the boards.
La Tosca to Cleopatra (1887–1893)
When Bernhardt returned from her 1886–87 tour, she received a new invitation to return to the Comédie Française. The theatre management was willing to forget the conflict of her two previous periods there, and offered a payment of 150,000 francs a year.
The money appealed to her, and she began negotiations. However, the senior members of the company protested the high salary offered, and conservative defenders of the more traditional theatre also complained; one anti-Bernhardt critic, Albert Delpit of 'Le Gaulois', wrote:
'Madame Sarah Bernhardt is forty-three;
she can no longer be useful to the Comédie.
Moreover, what roles could she have?
I can only imagine that she could play mothers'.
Bernhardt was deeply offended, and immediately broke off negotiations. She turned once again to Sardou, who had written a new play for her, 'La Tosca', which featured a prolonged and extremely dramatic death scene at the end.
The play was staged at the Porte-Saint-Martin Theatre, opening on the 24th. November 1887. It was extremely popular, and critically acclaimed. Bernhardt played the role for 29 consecutive sold-out performances.
The success of 'La Tosca' allowed Bernhardt to buy a new pet lion for her household menagerie. She named him Scarpia, after the villain of 'La Tosca'. The play inspired Giacomo Puccini to write one of his most famous operas, 'Tosca' (1900).
Following this success, Sarah acted in several revivals and classics, and many French writers offered her new plays. In 1887, she acted in a stage version of the controversial drama 'Thérèse Raquin' by Emile Zola. Zola had previously been attacked due to the book's confronting content. Asked why she chose this play, she declared to reporters:
"My true country is the free air,
and my vocation is art without
constraints."
The play was unsuccessful; it ran for just 38 performances. She then performed another traditional melodrama, 'Francillon' by Alexandre Dumas in 1888. A short drama Sarah wrote herself, 'l'Aveu', disappointed both critics and the audience, and lasted only 12 performances.
Sarah had considerably more success with 'Jeanne d'Arc' by the poet Jules Barbier, in which the 45-year-old actress played Joan of Arc, a 19-year-old martyr.
Sarah's next success was another melodrama by Sardou and Moreau, 'Cleopatra', which allowed her to wear elaborate costumes and finished with a memorable death scene. For this scene, she kept two live garter snakes, which played the role of the poisonous asp which bites Cleopatra. For realism, she painted the palms of her hands red, though they could hardly be seen from the audience. Sarah explained:
"I shall see them. If I catch sight
of my hand, it will be the hand
of Cleopatra."
Bernhardt's violent portrayal of Cleopatra led to the theatrical story of a matron in the audience exclaiming to her companion:
"How unlike, how very unlike, the
home life of our own dear Queen!"
Théâtre de la Renaissance (1893–1899)
Bernhardt made a two-year world tour (1891–1893) to replenish her finances. Upon returning to Paris, she paid 700,000 francs for the Théâtre de la Renaissance, and from 1893 until 1899, was its artistic director and lead actress.
She managed every aspect of the theatre, from the finances to the lighting, sets, and costumes, as well as appearing in eight performances a week.
Sarah imposed a rule that women in the audience, no matter how wealthy or famous, had to take off their hats during performances, so the rest of the audience could see, and eliminated the prompter's box from the stage, declaring that actors should know their lines.
She abolished in her theatre the common practice of hiring claqueurs in the audience to applaud stars. She used the new technology of lithography to produce vivid colour posters, and in 1894, she hired Czech artist Alphonse Mucha to design the first of a series of posters for her play 'Gismonda'. He continued to make posters for her for six years.
In five years, Bernhardt produced nine plays, three of which were financially successful. The first was a revival of her performance as 'Phédre', which she took on tour around the world. In 1898, she had another success, in the play 'Lorenzaccio', playing the male lead role in a Renaissance revenge drama written in 1834 by Alfred de Musset, but never before actually staged.
As her biographer Cornelia Otis Skinner wrote, she did not try to be overly masculine when she performed male roles:
'Her male impersonations had the
sexless grace of the voices of
choirboys, or the not quite real
pathos of Pierrot.'
Anatole France wrote of her performance in 'Lorenzaccio':
'She formed out of her own self
a young man melancholic, full of
poetry and of truth.'
This was followed by another successful melodrama by Sardou, 'Gismonda', one of Bernhardt's few plays not finishing with a dramatic death scene. Her co-star was Lucien Guitry, who also acted as her leading man until the end of her career. Besides Guitry, she shared the stage with Edouard de Max, her leading man in 20 productions, and Constant Coquelin, who frequently toured with her.
In April 1895, she played the lead role in a romantic and poetic fantasy, 'Princess Lointaine', by the little-known 27-year-old poet Edmond Rostand. It was not a monetary success and lost 200,000 francs, but it began a long theatrical relationship between Bernhardt and Rostand. Rostand went on to write 'Cyrano de Bergerac' and became one of the most popular French playwrights of the period.
In 1898, she performed the female lead in the controversial play 'La Ville Morte' by the Italian poet and playwright Gabriele D'Annunzio; the play was fiercely attacked by critics because of its theme of incest between brother and sister.
Along with Emile Zola and Victorien Sardou, Bernhardt also became an outspoken defender of Alfred Dreyfus, a Jewish army officer falsely accused of betraying France. The issue divided Parisian society; a conservative newspaper ran the headline:
'Sarah Bernhardt has joined
the Jews against the Army'.
Even Bernhardt's own son Maurice condemned Dreyfus; he refused to speak to her for a year.
At the Théâtre de la Renaissance, Bernhardt staged and performed in several modern plays, but she was not a follower of the more natural school of acting that was coming into fashion at the end of the 19th. century, preferring a more dramatic expression of emotions. She declared:
"In the theatre the natural is good,
but the sublime is even better."
Théâtre Sarah Bernhardt (1899–1900)
Despite her successes, Sarah's debts continued to mount, reaching two million gold francs by the end of 1898. Bernhardt was forced to give up the Renaissance, and was preparing to go on another world tour when she learned that a much larger Paris theatre, the Théâtre des Nations on the Place du Châtelet, was for lease. The theatre had 1,700 seats, twice the size of the Renaissance, enabling her to pay off the cost of performances more quickly; it had an enormous stage and backstage, allowing her to present several different plays a week; and since it was originally designed as a concert hall, it had excellent acoustics. On the 1st. January 1899, she signed a 25-year lease with the City of Paris, though she was already 55 years old.
She renamed it the Théâtre Sarah Bernhardt, and began to renovate it to suit her needs. The façade was lit by 5,700 electric bulbs, 17 arc lights, and 11 projectors. She completely redecorated the interior, replacing the red plush and gilt with yellow velvet, brocade, and white woodwork. The lobby was decorated with life-sized portraits of her in her most famous roles.
Her dressing room was a five-room suite, which, after the success of her Napoleonic play 'l'Aiglon', was decorated in Empire Style, featuring a marble fireplace with a fire Bernhardt kept burning all year round, a huge bathtub that was filled with the flowers she received after each performance, and a dining room seating 12 people, where she entertained guests after the final curtain.
Bernhardt opened the theatre on the 21st. January 1899 with a revival of Sardou's 'La Tosca', which she had first performed in 1887. This was followed by revivals of her other major successes, including 'Phédre', 'Theodora', 'Gismonda', and 'La Dame aux Camélias', plus Octave Feuillet's 'Dalila', Gaston de Wailly's 'Patron Bénic', and Rostand's 'La Samaritaine'.
On the 20th. May, Sarah premiered one of her most famous roles, playing the titular character of Hamlet in a prose adaptation. She played Hamlet in a manner which was direct, natural, and very feminine. Her performance received largely positive reviews in Paris, but mixed reviews in London. The British critic Max Beerbohm wrote:
'The only compliment one can
conscientiously pay her is that
her Hamlet was, from first to last,
a truly grand dame.'
In 1900, Bernhardt presented 'l'Aiglon', a new play by Rostand. She played the Duc de Reichstadt, the son of Napoleon Bonaparte, imprisoned by his unloving mother and family until his melancholy death in the Schönbrunn Palace in Vienna. 'l'Aiglon' was a verse drama, six acts long.
The 56-year-old actress studied the walk and posture of young cavalry officers, and had her hair cut short to impersonate the young Duke. The Duke's stage mother, Marie-Louise of Austria, was played by Maria Legault, an actress 14 years younger than Bernhardt. The play ended with a memorable death scene; according to one critic:
'She died as dying angels would
die if they were allowed to."
The play was extremely successful; it was especially popular with visitors to the 1900 Paris International Exposition, and ran for nearly a year, with standing-room places selling for as much as 600 gold francs.
The play inspired the creation of Bernhardt souvenirs, including statuettes, medallions, fans, perfumes, postcards of her in the role, uniforms and cardboard swords for children, and pastries and cakes; the famed chef Escoffier added Peach Aiglon with Chantilly Cream to his repertoire of desserts.
Bernhardt continued to employ Mucha to design her posters, and expanded his work to include theatrical sets, programs, costumes, and jewellery props. His posters became icons of the Art Nouveau style. To earn more money, Bernhardt set aside a certain number of printed posters of each play to sell to collectors.
Farewell tours (1901–1913)
After her season in Paris, Bernhardt performed 'l'Aiglon' in London, and then made her sixth tour of the United States. On this tour, she travelled with Constant Coquelin, then the most popular leading man in France.
Bernhardt played the secondary role of Roxanne to his Cyrano de Bergerac, a role which he had premiered, and he co-starred with her as Flambeau in 'l'Aiglon' and as the first grave-digger in 'Hamlet'.
Sarah also changed, for the first time, her resolution not to perform in Germany or the "occupied territories" of Alsace and Lorraine. In 1902, at the invitation of the French Ministry of Culture, she took part in the first cultural exchange between Germany and France since the 1870 war. She performed 'l'Aiglon' 14 times in Germany; Kaiser William II of Germany attended two performances and hosted a dinner in her honour in Potsdam.
During her German tour, she began to suffer agonising pain in her right knee, probably connected with the fall she had suffered on stage during her tour in South America. She was forced to reduce her movements in l'Aiglon.
A German doctor recommended that she halt the tour immediately and have surgery, followed by six months of complete immobilisation of her leg. Bernhardt promised to see a doctor when she returned to Paris, but continued the tour.
In 1903, she had another unsuccessful role playing another masculine character in the opera 'Werther', a gloomy adaptation of the story by German writer Johann Wolfgang von Goethe.
However, Sarah quickly came back with another hit, 'La Sorcière' by Sardou. She played a Moorish sorceress in love with a Christian Spaniard, leading to her persecution by the church. This story of tolerance, coming soon after the Dreyfus affair, was financially successful, with Bernhardt often giving both a matinee and evening performance.
Between 1904 and 1906, Sarah appeared in a wide range of parts, including in 'Francesca di Rimini' by Francis Marion Crawford, the role of Fanny in 'Sappho' by Alphonse Daudet, the magician Circe in a play by Charles Richet, and the part of Marie Antoinette in the historical drama 'Varennes' by Lavedan and Lenôtre.
Sarah also played the part of the prince-poet Landry in a version of 'Sleeping Beauty' by Richepin and Henri Cain, and a new version of the play 'Pelléas and Mélissande' by Maurice Maeterlinck, in which she played the male role of Pelléas with the British actress Mrs Patrick Campbell as Mélissande.
Sarah also starred in a new version of 'Adrienne Lecouvreur', which she wrote herself, departing from the earlier version which had been written for her by Scribe.
During this time, she wrote a drama, 'Un Coeur d'Homme', in which she had no part, which was performed at the Théâtre des Arts, but lasted only three performances. She also taught acting briefly at the Conservatory, but found the system there too rigid and traditional. Instead, she took aspiring actresses and actors into her company, trained them, and used them as unpaid extras and bit players.
Bernhardt made her first American Farewell Tour in 1905–1906, the first of four farewell tours she made to the US, Canada, and Latin America, with her new managers, the Shubert brothers.
Sarah attracted controversy and press attention when, during her 1905 visit to Montreal, the Roman Catholic bishop encouraged his followers to throw eggs at Bernhardt, because she portrayed prostitutes as sympathetic characters.
The US portion of the tour was complicated due to the Shuberts' competition with the powerful syndicate of theatre owners who controlled nearly all the major theatres and opera houses in the United States. The syndicate did not allow outside producers to use their stages.
As a result, in Texas and Kansas City, Bernhardt and her company performed under an enormous circus tent, seating 4,500 spectators, and in skating rinks in Atlanta, Savannah, Tampa, and other cities.
Her private train took her to Knoxville, Dallas, Denver, Tampa, Chattanooga, and Salt Lake City, then on to the West Coast. She could not play in San Francisco because of the recent 1906 earthquake, but she performed across the bay in the Hearst Greek Theatre at the University of California at Berkeley.
Sarah also gave a recital, entitled 'A Christmas Night during the Terror', for inmates at San Quentin penitentiary. (Johnny Cash - Sarah did it first!)
In April 1906 Bernhardt toured the ruins of San Francisco after the earthquake and fire, escorted by the critic Ashton Stevens.
Sarah's tour continued into South America, where it was marred by a more serious event: at the conclusion of 'La Tosca' in Rio de Janeiro, she leaped, as always, from the wall of the fortress to plunge to her death in the Tiber. This time, however, the mattress on which she was supposed to land had been positioned incorrectly.
She landed on her right knee, which had already been damaged in earlier tours. She fainted, and was taken from the theatre on a stretcher, but refused to be treated in a local hospital. She later sailed by ship from Rio to New York. When she arrived, her leg had swollen, and she was immobilised in her hotel for 15 days before returning to France.
In 1906–1907, the French government finally awarded Bernhardt the Legion of Honour, but only in her role as a theatre director, not as an actress. The award at that time required a review of the recipient's moral standards, and Bernhardt's behaviour was still considered scandalous.
Bernhardt ignored the snub, and continued to play both inoffensive and controversial characters. In November 1906, she starred in 'La Vierge d'Avila, ou La Courtisan de Dieu', by Catulle Mendes, playing Saint Theresa, followed on the 27th. January 1907 by 'Les Bouffons', by Miguel Zamocois, in which she played a young and amorous medieval lord.
In 1909, she again played the 19-year-old Joan of Arc in 'Le Procès de Jeanne d'Arc' by Émile Moreau. French newspapers encouraged schoolchildren to view her personification of French patriotism.
Despite the injury to her leg, Sarah continued to go on tour every summer, when her own theatre in Paris was closed. In June 1908, she made a 20-day tour of Great Britain and Ireland, performing in 16 different cities.
In 1908–1909, she toured Russia and Poland. Her second American farewell tour (her eighth tour in America) began in late 1910. She took along a new leading man, the Dutch-born Lou Tellegen, a very handsome actor who had served as a model for the sculpture 'Eternal Springtime' by Auguste Rodin, and who became her co-star for the next two years, as well as her escort to all events, functions, and parties.
Lou was not a particularly good actor, and had a strong Dutch accent, but he was successful in roles such as Hippolyte in 'Phédre', where he could take off his shirt and show off his physique.
In New York, Sarah created yet another scandal when she appeared in the role of Judas Iscariot in 'Judas' by the American playwright John Wesley De Kay. It was performed in New York's Globe Theatre for only one night in December 1910 before it was banned by local authorities. It was also banned in Boston and Philadelphia.
In April 1912, Bernhardt presented a new production in her theatre, 'Les Amours de la Reine Élisabeth', a romantic costume drama by Émile Moreau about Queen Elizabeth's romances with Robert Dudley and Robert Devereux.
It was lavish and expensive, but was a financial failure, lasting only 12 performances. Fortunately for Bernhardt, she was able to pay off her debt with the money she received from the American producer Adolph Zukor for a film version of the play.
Sarah departed on her third farewell tour of the United States in 1913–1914, when she was 69. Her leg had not yet fully healed, and she was unable to perform an entire play, only selected acts. She also separated from her co-star and lover of the time, Lou Tellegen. When the tour ended, he remained in the United States, where he briefly became a silent movie star, while she returned to France in May 1913.
Amputation of Sarah's Leg and Wartime Performances (1914–1918)
In December 1913, Bernhardt achieved another success with the drama 'Jeanne Doré'. On the 16th. March, she was made a Chevalier of the Legion d'Honneur. Despite her successes, she was still short of money. She had made her son Maurice the director of her new theatre, and permitted him to use the receipts of the theatre to pay his gambling debts, eventually forcing her to pawn some of her jewels to pay her bills.
In 1914, she went as usual to her holiday home on Belle-Île with her family and close friends. There, she received the news of the assassination of the Archduke Franz Ferdinand, and the beginning of the Great War.
Sarah hurried back to Paris, which was threatened by an approaching German army. In September, Bernhardt was asked by the Minister of War to move to a safer place. She departed for a villa on the Bay of Arcachon, where her physician discovered that gangrene had developed on her injured leg.
She was transported to Bordeaux, where on the 22nd. February 1915, a surgeon amputated her leg almost to the hip. She refused the idea of an artificial leg, crutches, or a wheelchair, and instead was usually carried in a palanquin she had designed, supported by two long shafts and carried by two men. She had the chair decorated in the Louis XV style, with white sides and gilded trim.
She returned to Paris on the 15th. October, and, despite the loss of her leg, continued to go on stage at her theatre; scenes were arranged so she could be seated, or supported by a prop with her leg hidden. She took part in a patriotic 'scenic poem' by Eugène Morand, 'Les Cathédrales', playing the part of Strasbourg Cathedral; first, while seated, she recited a poem; then she hoisted herself up on her one leg, leaned against the arm of the chair, and declared:
"Weep, weep, Germany! The German
eagle has fallen into the Rhine!"
Bernhardt joined a troupe of famous French actors and travelled to the Battle of Verdun and the Battle of the Argonne, where she performed for soldiers who had just returned or were about to go into battle.
Propped on pillows in an armchair, she recited her patriotic speech at Strasbourg Cathedral. Another actress present at the event, Beatrix Dussanne, described her performance:
"The miracle again took place; Sarah,
old, mutilated, once more illuminated
a crowd by the rays of her genius.
This fragile creature, ill, wounded and
immobile, could still, through the magic
of the spoken word, re-instil heroism in
those soldiers weary from battle."
Sarah returned to Paris in 1916 and made two short films on patriotic themes, one based on the story of Joan of Arc, the other called 'Mothers of France'.
Sarah then embarked on her final American farewell tour. Despite the threat of German submarines, she crossed the Atlantic and toured the United States, performing in major cities including New York and San Francisco.
Bernhardt was diagnosed with uremia, and had to have an emergency kidney operation. She recuperated in Long Beach, California, for several months, writing short stories and novellas for publication in French magazines. In 1918, she returned to New York and boarded a ship to France, landing in Bordeaux on the 11th. November 1918, the day that the Armistice was signed ending the First World War.
Sarah Bernhardt - The Final years (1919–1923)
In 1920, Sarah resumed acting in her theatre, usually performing single acts of classics such as Racine's 'Athelée', which did not require much movement. For her curtain calls, she stood, balancing on one leg and gesturing with one arm.
She also starred in a new play, 'Daniel', written by her grandson-in-law, playwright Louis Verneuil. She played the male lead role, but appeared in just two acts. She took the play and other famous scenes from her repertory on a European tour and then for her last tour of England, where she gave a special performance for Queen Mary.
In 1921, Bernhardt made her last tour of the French provinces, lecturing about the theatre and reciting the poetry of Rostand. Later that year, she produced a new play by Rostand, 'La Gloire', and another play by Verneuil, 'Régine Arnaud' in 1922. She continued to entertain guests at her home. One such guest, French author Colette, described being served coffee by Bernhardt:
"The delicate and withered hand offering
the brimming cup, the flowery azure of the
eyes, so young still in their network of fine
lines, the questioning and mocking coquetry
of the tilted head, and that indescribable
desire to charm, to charm still, to charm
right up to the gates of death itself."
In 1922, Sarah began rehearsing a new play by Sacha Guitry, called 'Un Sujet de Roman'. On the night of the dress rehearsal she collapsed into a coma for an hour, then awakened with the words, "When do I go on?"
She recuperated for several months, before preparing for a new role as Cleopatra in 'Rodogune' by Corneille, and agreed to make a new film called 'La Voyante', for a payment of 10,000 francs a day.
The Death of Sarah Bernhardt
Sarah was too weak to travel, so a room in her house on Boulevard Pereire was set up as a film studio, with scenery, lights, and cameras. However, on the 21st. March 1923, Sarah collapsed again, and never recovered. She died at the age of 78 from uremia on the 26th. March 1923.
Sarah died peacefully in the arms of her son. At her request, her Funeral Mass was celebrated at the church of Saint-François-de-Sales, which she attended when she was in Paris.
The following day, 30,000 people attended her funeral to pay their respects, and an enormous crowd followed her casket from the church to Père Lachaise Cemetery.
Well, that was a shorter than expected break. Couldn't wait to get back into it, so I've started a few months early. I'm not a big fan of this panel style, just because of the gaps. Mights adopt it for future issues though, I'll see what you lot think. So, enough description, let's get to it. As always, lemme know what you think :D
Above the clouds
The hum of the batwings engines are unheard by her passengers. A former concoction of Wayne techs R&D department, she's cutting edge. But that doesn't matter. For all her firepower and speed, she could do nothing to stop what happened on the beach. Her passengers are quiet, still. They fear for their teammates safety, down there, facing off against a God. They pray that the mission went well, but know in their hearts that there is every chance their comrades failed. They could have been captured, or worse. A flash of light illuminates the cabin, and the team is reunited. But not entirely.
The clanging of the trident falling to the floor is the first indicator that something is wrong. Mera drops the trident, and falls to her knees, weeping uncontrollably. Martian Manhunter kneels beside her, his hand oh her shoulder. He is visibly shaken, something not often seen in him. "Shit!" Zataro screams, slamming his fist against the metal wall, the clang emanating through the cabin. The team is split in two: those who stayed, and those who faced Superman. No one speaks.
After a few seconds, Green Arrow breaks the silence. "How...how bad was it?" He asks, worry in his voice. General Zod steps forward. "There were...factors we never saw coming. We never saw them coming. Saw *her* coming"
"Wonder woman?" Artemis asks.
"Yes. Did you know?"
"What?"
Zod asks again, this time louder. "Did you know she had a demon inside her?"
"What...what are you saying Zod? I don't understand you"
Zataro turns. "Wonder woman was possessed by an ancient entity. She turned and...murdered Arthur. I've never seen magic on that scale. So much power...There was nothing we could-"
"Where's Bruce?" Elizabeth turns in her chair, looking into the small crowd, scanning their faces, unable to find him. The group goes silent. Huntress guesses. "He's dead...isn't he"
The silence is tangible. Again, Zod speaks. "I'm sorry. There was nothing any of us could do. It all happened so-"
Huntress punches the wall, so hard her glove splits, her knuckles making contact with the metal and leaving a bloody smear on the panel. She falls to the ground, weeping. Elizabeth goes to comfort her. They have both suffered a huge loss, one that can never be fixed. Zod walks over, placing his hand her shoulder. "I'm so sorry Elizabeth. He was a good man".
The team stand in silence, no one saying a word. What can they say? Then, out of the silence, Lucius Fox addresses the cabin "I don't wish to alarm anyone, but we've got several bogey's on our tail". He uses the rear camera to zoom in. "Oh god!" He exclaims, terror in his voice. He was expecting missiles, or other aircraft but... "It's them it's the Furies"
so many japanese parents take their children to fuji rock.
they're really cute but uncontrollable!!!
the best thing is japanese children seem enjoy the music and always can follow the tempo. that's why japanese music industry is such successful than some.
we're still in tokyo, sure we took many many photos but I don't have a scanner by now. so please wait moments. ;)
these days we met some friendly flickr friends in japan. they're really really niiiiiiice!!!!! ♥ ♥ ♥
After parting ways with the Greenes, and leaving the mercenaries for them to incarcerate, Jason and the Outlaws found themselves sitting in one of Jay Greenes’ convoy trucks heading straight for Gotham. The first leg of their drive was in silence. Not the uncomfortable kind, but the happy and anxious kind. Roy sat in the back of the vehicle, tinkering with Jason’s remaining taser gun, while Jason drove and Scarlet rested on his shoulder in the passenger seat. She had not taken her eyes off of the ring Jason had proposed to her with since he had, and Jason focused on driving while Roy focused on his work. Jason was clad in one of Jay Greene’s militia’s jackets, of which Scarlet quietly rested her head on. It took a loud, uncontrollable cough from Jason to stir the group into conversing once more.
“Are you ok?” Scarlet asked as she finally sat up straight and stretched out. Clearing his throat several times, Jason answered in a somewhat raspy voice,
“Yeah…sorry. Don’t know what that was. Sorry for the interruption Mrs. Todd.” Scarlet beamed with happiness as Roy placed the finished taser gun on the divider between the driver and passenger seats, saying,
“Boom. I finished. Batman cranked the dial on those things pretty low so I just turned it all the way back up. Now it’ll only take one shot from this to completely incapacitate someone. On top of being able to load any type of bullet into it.”
“How about water bullet?” Jason asked sarcastically.
“Pfft…I don’t see why not.” Roy answered, unsure.
“Ok…ok…hear me out here…” Scarlet said, talking with exaggerated hand motions, “Ice cream bullet.”
“No way.” Jason said as Roy answered,
“I mean…I guess if it didn’t melt…Has Freeze ever done something like that? I know he’s got the ice but…”
“I don’t think so. Could’ve with Dick or Tim but that’s beyond me. All I know is that’s the way I want to go.” The Outlaws laughed, followed by a moment of silence which was interrupted by Scarlet,
“What do you expect in Gotham?” Sighing, Jason shrugged,
“No idea, really. I’d heard rumors, you know, this and that. The mayor did this, some guy in a red ninja costume did that. Usual Gotham headlines.”
“Do you think Ra’s is really the guy behind all this?” Roy asked, examining the anti-Lazarus formula he had in his pocket.
“I really hope not,” Jason said, turning to Scarlet and Roy quickly in between looking at the road as he continued, “What scares me is that Batman needs us. Batman. Of all people. This guy has contingencies for his contingencies. He’s got a Robin lined up five minutes after the current one drops dead. But he needs our help to fight whatever’s coming. That can only mean one thing: Endgame.”
“Endgame?” Roy asked.
“Endgame. Knightfall. Whatever you want to call it. It’s basically the self-destruct button on Batman’s holdings in Gotham, to make sure no one can get to them. But it also works as a distress call, to any and all who are strong and willing to fight a common enemy. An ultimate enemy. Endgame’s an end of days precautionary scenario. It’s…it’s the last contingency. The one last ace up Batman’s sleeve in the face of total annihilation.”
“So we were the first wave of this Endgame? Because we were summoned first?” Scarlet asked. Grimacing, Jason replied,
“There’s only one way to tell.”
————————————————————————————————
A short while later, just as the sun began to set over the Gotham harbor, Jason and the Outlaws arrived on the outskirts of the great city.
“Wait…does anyone else smell smoke?” Scarlet asked. This prompted Jason to pull over next to the bridge leading into Gotham just as he noticed something: the traffic leaving Gotham was extensive. By the looks of it, there seemed to be a full-scale evacuation. Grabbing his upgraded taser gun and mask, Jason stepped out of the car and looked across the waterway into Gotham. His mouth dropped slightly out of disbelief as Roy and Scarlet joined him outside.
“What is-wait…is that what I think it is?” Roy asked as he noticed what Jason was staring at: Wayne Manor, engulfed in flames and crumbling apart. While he could not see if the Batcave was decimated beneath the wreckage, this was enough to confirm Jason’s suspicions,
“It’s…Endgame.”
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End of Volume 10