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Que feliz!!! Hj o flickr colaborou comigooo.
Mel, esse é especial para vc! É o look do amigo oculto. Finalmente.. Rs...
Para ler, no tamanho grande fica melhor. Não tá gigante pq não tem muitos detalhes, então não precisa!
BEIJOS
I tried a tutorial from Nico Brons on the site theappwhisperer.com and partly it is my creativity inspired by a friend :)
I've posted a tutorial on how I photoshopped this image on my blog at cymagen.blogspot.com/2007/01/anatomy-of-psd-part-1.html
thank you so much Rowena R for the edit tutorial on this !
so i went to our school's rendevous, which is like a the jazz band sing all these great songs, and it was super cool and lots of fuuun.
things have just been really good lately ! :)
I made a picture tutorial for creating this image. It was done digitally in Paint Shop Pro X. I made the tutorial for my Smudgepainting group here on Flickr and for all my Digitalnuts friends.
Tutorial: How to Paint a Mountain Bluebird in Watercolor.
We’ll be using just three colors and white gouache.
You can find it at Doodlewash! dwsh.co/MountainBluebirdTutorial
To keep things simple, I’ve done a video and written a step by step with minimal instruction (you know the mnemonics anagram – KISS. Keep It Simple, Stupid. Something I have trouble remembering most of the time).
Da Vinci Sketching Stuff watercolor on Hahnemühle Agave Watercolor paper.
Did you know Mountain Bluebirds hover over their prey, to catch insects in mid air?
Hahnemühle @hahnemuehle_global @davincipaints #DaVinciMoment #sketchingstuff #Agave #HowToPaintAMountain Bluebird #WatercolorTutorial
metaversetutorials.blogspot.com/
I have been working on a tutorial site for some of the participants of a virtual conference session, those amongst them who are new to online 3D worlds:
isea2011.sabanciuniv.edu/metaverse-papers
The idea is to do it mostly with screenshots, onto which I have added numerical legends and arrows to show how things flow on the menus. So, hopefully it should only take a few hours to run through the basics of the interface, and also like a quick reference guide for when they are actually online.
Although the examples and locations used are all at NGrid, where the event will be held, I am hoping that novices at other grids can also get usage out of this.
Another build for RogueOlympics and this week’s category of “Risk”. With such a broad prompt it took me a while to decide how exactly to approach it. In the end I fell back on one of my favorite childhood themes, Power Miners. Which led to lots of fun, and even a simple function on the mining vehicle as when lowered the orange ‘drill’ rolls with the vehicle. 100 parts used this time.
More photos on Brickbuilt.
I have told you about GIMP, a free Image Manipulation Program. It works really well, and I´d say as well as Photoshop, and the bonus...IT´S FREE!
I took the originals of few of my photos that I´ve manipulated in Photoshop and re-did them in GIMP, getting the same results.
But as always, it´s best to start slowly and get to know the program and first of all, learn how to download GIMP. For those of you who don´t have gimp, here is a link to how to download it:
www.flickr.com/photos/soffia/2339766783/
The tutorial with explanation images is here: www.soffia.net/gimptutorial02.html
1. Select from the menu: File → Open and choose the Image you´re gonna work with
2. Select from the menu: Colors → Brightness-Contrast...
3. Drag the slider up to 20 or write the number 20 in the box next to contrast. Click OK. Play around with different numbers in both brightness and contrast.
This tutorial is done in Photoshop CS3, and you need some basic knowlegde to follow it. The numbers are the exact ones I used.
Step by step snapshots at www.soffia.net/tutorial.html
1. I duplicade the layer twise, on one layer I erase out carefully the mountain with soft eraser, opacity 100 flow around 60. (you can also use masks) One layer is just to have the photo as it is.
2. Name the layers ( image01) mountains, clouds and just_in_case_layer.
3. Go to creatae new fill or adjustment layer and choose Levels. (Image 02) I tweeked the 3 arrows untill I got 8 ~ 0,73 ~ 200
4. Go to creatae new fill or adjustment layer again but this time choose Brightness/Contrast. and put in -12 for brightness and contr. -28 (Image03)
5. Go to creatae new fill or adjustment layer again and choose Hue/Saturation. (Image 04)
take up saturation to 22
6. For now, I´m fairly happy with the mountains, so now I drag the Clouds layer on top of all the layers. (Image 05)
7. Then I merge the mountains with all the adjustment layers by selecting all the layers, and choose merge layers (Image 06)Name the Layer mountains again if it´s called hue/saturation.
8. Now we can work on the clouds, you can turn off the mountains layer by clicking on the eye on the left. Go to creatae new fill or adjustment layer and choose Levels. (Image 02) I tweeked the 3 arrows untill I got 18 ~ 0,84 ~ 215
9. I want a little more contrast in the big cloud so duplicade the clouds layer, name it cloud-contrast go to Image - Adjustment - Levels. Use 59~ 0,64~ 195. The reason why I choose levels from there is cause I only want it to affect the new cloud layer(Image 07)
10. with the cloud-contrast layer picked, go to Image - Adjustment - Brightness/Contrast and put brightness to +36 and contrast +17
11. I find the cloud too red, so go to Image - Adjustment - hue/saturation, in Edit: choose
Reds and take the saturation down to -42. After that I rease around it so the layer would look like this (Image 08)
12. Let´s go to the Clouds layer again, Go to creatae new fill or adjustment layer and choose Brightness/Contrast. put in +45 for brightness (Image03)
13. Go to create new fill or adjustment layer (Image 04) and choose Hue/Saturation. In Edit:
Blues hue: -13 sat: -67
Cyans hue: -10 sat: -57 (or tweek the numbers untill you´re happy with the colors......)
15. Merge the layers by selecting Cloud-contrast,clouds and the all the adjustment layers(image 06) (you can also select the layers and hit Ctrl + E )
16. Turn on the Mountains Layer. Flatten image. Then I did some more adjucstment with hue/sat, cyan -9 and -39 then blues -4 and -22 and Yelloes -35. And then I went to levels and did 8 ~ 1,16 ~ 255.
17. Then I put the lomo gradient fill with 40 % opacity on that layer
I did use the clone stamp to erase out a part of the sky, the dark bottom part... :P
And finally I ran it through Neat Image, a software I bought the other day. neatimage.com/
I could probably spend another hour tweeking and tuning. But let´s say this done for now.
Created for the Magnificent Manipulated Masterpieces
156th MMM UNDER THE SEA THEME Challenge
Tutorial. www.rafy-a.com/2017/04/the-bottle-photoshop-photo-manipul...
1 » foto original;
2 » Selecione o rosto sem selecionar olhos, boca e narinas;
3 » Após selecionar, copie (ctrl+c), cole (ctrl+v) e duplique a camada colada (ctrl+j). Na cama da meio, aplique um desfoque gaussiano (Menu Filtro/Desfoque/Desfoque gaussiano/5,0 OK). Na última camada (a de cima), você vai aplicar uma alta frequencia (Menu Filtro/Outros/Alta Frequencia - high pass/1,5 OK). A imagem ficará cinza, então mude para sobrepor (overlay) e una as camadas. Obs.: Caso precise arrumar alguma coisa que ficou "embaçada demais", vá na camada do desfoque gaussiano e passe uma borracha macia com uma opacidade baixa.
4 » Boca: Selecione a boca e vá em Menu Camada/Nova camada de preenchimento/Cor sólida. Escolha uma cor que fique boa pra boca e clique em OK. Caso fique borrado, é só usar a borracha macia (sempre usando a borracha macia =))
5 » Como fica a camada =)
6 » Olhos (oba!): Os olhos são que nem a boca. Você seleciona onde você quer a sombra e o lápis. Nesse passo, fiz o lápis e o delineador. Junto à foto tem as camadas. =)
7 » Mesma coisa. Selecione os olhos e pinte com o preenchimento de camada. Caso precise, dê um desfoque gaussiano pra ficar mais realista e tire um pouco da opacidade ou use a borracha, também. Mudei a cor dos olhos, também. Deixei mais viva a cor. É o mesmo passo. =)
8 » Como os olhos ficaram e o blush, que é a mesma coisa. Selecione as maçãs do rosto e vão em Menu Camada/Nova camada de preenchimento/Cor sólida/Escolha a cor OK e tire a opacidade. Será necessário dar uma desfocada (ctrl+f, caso tenha sido o último filtro que você usou =))
9 » Resultado.
Espero que tenham gostado e que eu tenha ajudado! hehe.
Qualquer dúvida, perguntem! =D
Second installment in my series of prize models for the Collaborative category of this year’s Summer Joust. There were a bunch of categories I was inspired by this year, so decided to incorporate quite a few with this series: 12×12 Vignette, Monastery, Asian Setting, and of course, Through the Seasons.
Check out the team category and get building to have a chance at winning this model!
Additional pictures on Brickbuilt.
Hey everyone. Here's a basic tutorial for the wall technique that you can find in my Wizard's Gate build.
1. Start with a row of headlight bricks attached together. This row can be as long as you want the wall to be.
2. Place one plate on the front-most headlight bricks and two plates on the bricks that are further back. add headlight bricks, alternating studs on the back row and 1x1 tiles on the front.
3. Attatch 1x1 with one stud out to the headlight bricks and 1x1 bricks to the studs left on the front row.
4. Add alternating clips on top of the front row as seen in the picture.
5. Attach 1x1 and 1x2 plates onto the clips leaving a small gap between each to achieve a stonework effect. In long sections of this wall, you will run out of space to slide the 1x2 tiles along the clip to acheive the horizontal gap. But that's ok! Just skip one stud and continue the pattern with the clips attached to the other side of the 1x2 plates.
6. You can achieve a streamlined base to the wall using a bracket or any other half plate offset and three plates on top of that. The wall is 3.5 plates out from the headlight bricks and 7 plates above the initial starting plate. Feel free to use your own brickmath to close those gaps, I just showed what worked for me.
Hope that this helps anyone who was wondering how the wall was constructed. Feel free to try it out for yourself!
What a releave this was, as I finally got to photograph a great sunrise during this years trip to Cornwall. The days before each morning when the alarm clock rang and I went out I couldn't see much more than 20 meters because of the dense coastal fog.
On this morning the fog cleared and I photographed this nice sunrise at Pednvounder Beach, which you can spot in the background.
Ever wondered how to build good tudor style walls?
Check out our latest tutorial by Titus V. on brickbuilt.
In this advanced Photoshop tutorial I will show you how to create a nice floating woman in a forest. We will turn the forest from day to night effect in Photoshop and we will mask the sky using Calculations. We will create realistic depth of field using a Depth Map and we’ll paint realistic hair and light effects.
Tutorial here: www.psdbox.com/tutorials/fantasy-photoshop-tutorial-float...
I create this image in my new video tutorial. It's all about Giants ;)
I shot the background in Dubai and the models in the studio ;)
If you like to see more: tutorial.adriansommeling.com
TUTORIAL ♥♥
A lot of people asked me how special shaped bokehs are done. I decided to put together a tutorial and explain things in details.
This is a single shot out of the camera! Nothing was added in Photoshop.
Special thanks to Tony who helped me with the picture formatting!
#28
Neist Point, Duirinish, Isle of Skye.
A portrait telephoto view of the landscape version below. Not sure which one I prefer, so I kept them both.
www.karlwilliamsphotography.co.uk
See www.karlwilliamsphotography.co.uk/tutorials for a tutorial on the use of the NDx1000 filter for long exposures.
As promised, here is the tutorial for my littler R0-XI Droid. I'd love to see your versions of it, so feel free to tag me in your post, if you use the design.
Want to make a neat semicircle tower for a gatehouse or other project? Then the latest tutorial on Brickbuilt is just what you need!
Tutorials | Creations | Featured Tutorials | Build Logs | Commissions
This tutorial explains how I built the 45° roof of my Riften Watchtower, and also shows the method I used to make the plank siding underneath the roof-line.
Check it out on brickbuilt.
Gostaria do tutorial destes box, para passar para uma amiga muito querida Lelê Ceschini, se alguém tiver, agradeço!
bjos
I was hoping to put this tutorial up a while ago, but never got the chance to complete it until now. I received a lot of requests from people who wanted to know the workflow on the Times Square image(below). It’s fairly similar to my previous tutorial (the first few stages relating to the camera setup and Photomatix processing are pretty much the same), although this one concentrates more on the post processing in Adobe Photoshop.
If anyone wants to practice with the original images, let me know and I’ll upload them. You can see my original HDR tutorial here.
* You can enlarge any of the screenshots below, by clicking on the image which will take you through to the larger image.
The tutorial can also be found over on my blog http://blog.sandmania.co.uk.
Working on a temple and decided to add an interior. Wanted to play around a bit with the floor and found some inspiration looking at -LittleJohn and Katie Walker’s work so I decided to make a tutorial :) Hopefully some people will find it useful. The full build should be done fairly soon so stay tuned ;)
This is the second tutorial geared around the frame warping and a little more on shadowing using PS CS2. Also see below for the first tutorial on creating a OOB as well. Please let me know of any errors or if you have questions here.
This month Chris Maddison shows the breakdown for his lovely cheese trees!
Check it out on brickbuilt.
Okay, so I made this tutorial a while back, and I shared it on my Facebook MOC page.
I've got the link to the rest of the tutorial below!It's relatively simple and decently sturdy. Plus, IMO it fits in pretty good with an Oriental setting. :)
Enjoy and God bless!
www.facebook.com/LEGObyNelson/photos/pcb.1083726751661965...
NEW VIDEO! iPhone Photography Tutorial: Lippen - Surreal Portrait #04 #video
Check link on my Instagram profile for my channel. OR here’s for direct link to video: youtu.be/Ok9e_PtsUGU
Enjoy!
#surreal #icolorama #superimpose #lensdistortions #mextures #iphoneart #mobileart #iphoneonly
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#instagram #mobileartistry #shotaward #artsick #fineartphg #expofilm #enter_imagination #graphicroozane #thecreativers #manipulationteam #moodcommunity #launchdsigns #milliondollarvisuals #imaginativeuniverse
#iphoneography #iphone #photography
These are the tutorials I managed to put together during 2018. Not that many, but still a number of them. Most of them were nature themed, and about half of them were a result of my Element Experimentation builds.
Making tutorials is a rather different experience as compared to normal building. It takes a great deal of time and effort to put a tutorial together, compared to making regular builds. You have to take many pictures, think through the flow of the technique and write good descriptive texts for each picture. Tutorials also play out differently on different platforms, so often you have to create multiple versions of the tutorial to fit the platforms you post on.
Also, for me, pretty much all tutorials I make are of techniques I've already showcased in builds before, so tutorials doesn't bring anything new to the table - it just shows how a previously used technique is made.
These two things combined makes tutorial making more of a chore than fun, to be honest. It's a lot of work and it doesn't result in a nice new build. So why do it?
I have personally learned loads from tutorials made by others, and so I have reaped the benefits of their hard work with very little effort on my side. So, making tutorials of your techniques is a way of contributing back to the LEGO community. It may not be the most fun, or get you the most likes or comments, but it's still a satisfying experience knowing that you have given something back.
And of course it puts a smile on your face when you see people starting to use your techniques in their own builds :) I have noticed that both my spruce techniques are seeing quite some use these days, so that's something I'm really happy about :)