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Judy Steckler of Land Trust for the Mississippi Coastal Plan and guest with Larry Kueter and Tammara Van Ryn.
Photo by Francesca Dalleo
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'Er indoors and I decided on morning coffee at our local NT site, Sizergh castle. The trees are starting to change into their autumn coats and it looks lovely.
Kedleston Hall, Derbyshire, 1758-65.
The National Trust.
By Matthew Brettingham (1699-1769), James Paine (1717-1789) & Robert Adam (1728-1792).
Interiors complete by the 1780s.
For Nathaniel Curzon, 1st Baron Scarsdale (1726-1804).
Grade l listed.
The Saloon - Wall Sconce.
The Saloon is one of the grandest rooms in the house. Modelled on the Pantheon in Rome, it is a domed rotunda with four alcoves symmetrically positioned around the walls. In each alcove is a cast iron stove (for heating) designed to resemble a Roman altar, added in the late 1780s. The chairs lining the walls were designed to fit the curved space by John Linnell (1729-1796).
Kedleston Hall is an extravagant temple to the arts. Commissioned in the 1750s by Nathaniel Curzon whose ancestors had resided at Kedleston since the 12th century. The house is framed by historic parkland and boasts opulent interiors intended to impress.
Designed for lavish entertaining, Kedleston Hall displays an extensive collection of paintings, sculpture and original furnishings, reflecting both the tastes of its creators and their fascination with the classical world of the Roman Empire.
Inherited by George Nathaniel Curzon, Viceroy of India between 1899 and 1905, the hall also houses the many objects he amassed during his travels in South Asia and the Middle East, and in his role leading British rule in India.
KILLIE TRUST
Mission and Objectives
Our Mission
“To promote, develop and support Kilmarnock FC and sport in the community”
Through membership from the supporters of Kilmarnock FC, we will aim to provide direct and indirect influence over the running of the football club, ensuring the opinions of the supporters are considered before decisions are made by the board of directors at the club.
We will create and develop a working relationship with the people and organisations responsible for the day to day running and long-term planning of Kilmarnock Football Club.
The need to continue to strengthen the bonds of our relationship with the club and interests of Ayrshire can only benefit the needs of all concerned. The Trust will also strive to benefit present and future members of the community by promotion, encouragement and furthering the sport of football in Ayrshire. In the long term, this also includes helping to further the sport at our national and international level.
The Trust will also encourage Kilmarnock FC to take proper account of the interests and safety of its supporters and the community in which the club serves when decisions of such matters are made.
At all times, the Trust will respect the rights of all members of the community served by the club and will strive to provide information to the people of Ayrshire and conduct the Trust affairs in accessible and appropriate ways.
Our Objectives
The Killie Trust has eight Clear Objectives in its constitution, which it will continue to deliver upon as the business moves forward:
1. To strengthen the bonds between the Club and the community which it serves and to represent the interests of the community in the running of the Club;
2. To benefit present and future members of the community served by the Club by promoting encouraging and furthering the game of football as a recreational facility, sporting activity and focus for community involvement;
3. To further the development of the game of football nationally and internationally and the upholding of its rules;
4. To encourage the Club to take proper account of the interests of its supporters and of the community it serves in its decisions;
5. To encourage and promote the principle of supporter representation on the board of any company owning or controlling the Club and ultimately to be the vehicle for democratic elections to the board;
6. To promote, develop and respect the rights of members of the community served by the Club and people dealing with the Society as set out in the Charter of Fundamental Rights of the European Union, having regard in particular to the need to provide information to members and conduct the affairs of the Society in accessible and appropriate ways;
7. To encourage Society members who are Club shareholders to assign their proxy vote to the Society;
8. To promote and support Youth Development within the district of Ayrshire, for the future benefit of Kilmarnock Football Club.
Our rental Forrester. By the end of the trip, I'd be sad to let it go. We only traveled around about 1/3 of the circumference of the island, but some of the conditions were insane - think "whiteout" and 60+ mph winds in some spots.
Shown here pulled over to shoot some Icelandic horse portraiture.
Steven J. Gayle and Sha Agate are from Magicus Quest, an online Gothic Fantasy graphic novel by Celestial Time Miracles Studios.
For our most recent uni project on physiognomy (basically portrait really)
I ended up approaching strangers on the street I felt looked untrustworthy and may normally avoid. I asked them if I could take a photo and took 1 shot of each.
I wanted to see if my assumption was changed in any way and similarities between each person.
Here are some of my designs for the Onesie. The trust picked one of my original designs that I created for a dance project for "The Nutcracker" and I had to develop that into a fashionable wearable Onesie for a man. I will then finalise my designs and make them for the trust to copyright and sell my Onesie designs. Also inspired by my observational drawing of a cabbage leaf, also looking at the drape.
All Saints, Harewood, West Yorkshire.
Churches Conservation Trust.
West Window, 1894.
By Charles Eamer Kempe.
Memorial Window to Henry Thynne Lascelles (1824-1892), 4th Earl of Harewood.
To the glory of God and in memory of Henry Thynne, Earl of Harewood, who died on the Nativity of St John the Baptist June 24th 1892, aged 68 years and was buried in this church on the Festival of St Peter.
Charles Eamer Kempe (1837-1907) was a painter of walls, ceilings and woodwork of churches in the 1860s. The style then in vogue reflected a resurgence of interest to high church practices. Kempe's training served him well, and he started his own stained glass company, CE Kempe & Co in London, in 1868. He was not a trained artist, but was nevertheless artistic, and able to suggest ideas which could be developed by his artists and cartoonists. He insisted that only the firm's name should take the credit for the standard of work produced, and that individual members of the studio remain anonymous.
Kempe perfected the use of silver stain on clear glass, which leaves a yellow tint, which could be delicate or deep depending on the amount of stain. His greatest stylistic influence was the stained glass of Northern Germany and Flanders from the 16th Century. He took many trips to Europe, often taking the Kempe Company artists with him. The insignia of Kempe, from about 1895 until his death in 1907 was a wheatsheaf, from his family's coat of arms. After his death, the firm was run by four of his directors, including his cousin, Walter Tower. The insignia then changed to a wheatsheaf with a black tower.
The Raven House Trust collection van, for which money was raised by Monmouth School. This picture was taken at the school Speech Day, July 2008.
TRUST IN ENERGY TRUST
Energy Trust of Oregon helps Oregonians make decisions that will reduce their energy costs, environmental impact, and improve the economy. People knew who they were, but misunderstood precisely what they did. We helped them simplify their messaging and describe their mission in a more accessible manner, more than tripling their name recognition in the two years we worked together.
Trerice, Kestle Mill, Cornwall.
The National Trust.
Lion Sculpture - one of two. C16. Granite.
Grade ll listed.
Two freestanding garden ornaments in the form of crouching lions, flanking the path from the road to the house.
The lions were found at Kenegie in Gulval and were returned to Trerice by the National Trust in 1973.
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By the 16th century the Arundell family had become well-established and was connected by marriage to nearly all the other landed families in Cornwall.
The status of the family increased through various members gaining good positions at the Royal court. Their legacy is this grand manor on a Cornish scale.
The Arundells inherited Trerice through marriage around 700 years ago. By 1572 John Arundell V had begun building the house we know today. Ten years earlier his income had been boosted by marrying well. Son of the builder of Trerice, Sir John Arundell VI earned the title John for the King due to his role in the Civil War, especially his defence of Pendennis Castle in Falmouth for Charles I.
After the restoration of Charles II, Richard Arundell became Baron Arundell in recognition of the support he and his father had given Charles I. We know little about how the Arundell family lived at Trerice. The Arundell line died out in 1768, and Trerice passed to the Aclands.
It was the marriage of John, 2nd Baron Arundell to Margaret Acland in 1675 that eventually led to the great Devonian family based at Killerton inheriting Trerice. Sir Thomas Dyke Acland never lived at Trerice but often stayed on his political forays into Cornwall. He also used the Great Hall for entertaining.
Initially arriving at Trerice as tenants of its last private owner, the Eltons took on the tenancy from the National Trust in 1953. At his own expense John Elton paid for the repair of the remaining parts of Trerice - and went on to rebuild the fallen north wing. His aim was to create a comfortable family home.