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Images from the two night dinner event for Trust America with Jeb Bush. Joel Silverman Photography, serving the Denver Metro area.
Former British Rail Class 31 diesel loco 31206 (new 1957 as D5630) and Pressed Steel class 121 "bubble car" 55029 are seen at Rushden on 9 October 2025, neither bearing any numbering.
i'll be here when you need me
you'll be safe here
and when you
finally trust me
finally believe in me
i will
let you down
Photographs from the Sutton Trust Summer School in Law at the University of Cambridge Faculty of Law on 17 July 2015.
Knole, Sevenoaks, Kent.
The National Trust.
The Orangery.
The Orangery, which now forms the south range of Green Court, was created in 1823 at the direction of Arabella Cope, widow of the 3rd Duke of Dorset, and her second husband, Lord Whitworth. It was converted from a much earlier space in an effort to bring an element of the Gothic Revival style, so popular at the beginning of the 19th century, to Knole.
The Orangery may have been planned as a gallery for the display of Classical sculptures as well as plants. An extensive collection of bas-reliefs, inscriptions and sculpture, both antique marble pieces and much later plaster casts, is fixed to the interior walls of the Orangery and may have been part of Cope and Whitworth’s original presentation of the building. They are mentioned in John Brady’s 1839 The Visitors Guide to Knole and may have been sourced from the Continent specifically for display here. Photographs reveal that by the mid-20th century the Orangery was used for the storage of other kinds of objects too. A black and white photo from 1945 shows the three-tiered Buzaglo stove, which dates to 1774 and previously stood in the Great Hall, had been moved to the Orangery. Before it was opened to the public in 2010, the Orangery was used for garden storage.
Images from the two night dinner event for Trust America with Jeb Bush. Joel Silverman Photography, serving the Denver Metro area.
For my first National Trust property visit of 2021, a return to Upton House and Garden. Last went here in 2016.
Under current restrictions, the house is closed to visitors, but you can go around the garden in a one way route.
Fine Spring weather as well.
Estate gate from the drive.
Kedleston Hall, Derbyshire, 1758-65.
The National Trust.
By Matthew Brettingham (1699-1769), James Paine (1717-1789) & Robert Adam (1728-1792).
Interiors complete by the 1780s.
For Nathaniel Curzon, 1st Baron Scarsdale (1726-1804).
Grade l listed.
The Saloon.
The Saloon is one of the grandest rooms in the house. Modelled on the Pantheon in Rome, it is a domed rotunda with four alcoves symmetrically positioned around the walls. In each alcove is a cast iron stove (for heating) designed to resemble a Roman altar, added in the late 1780s. The chairs lining the walls were designed to fit the curved space by John Linnell (1729-1796).
Kedleston Hall is an extravagant temple to the arts. Commissioned in the 1750s by Nathaniel Curzon whose ancestors had resided at Kedleston since the 12th century. The house is framed by historic parkland and boasts opulent interiors intended to impress.
Designed for lavish entertaining, Kedleston Hall displays an extensive collection of paintings, sculpture and original furnishings, reflecting both the tastes of its creators and their fascination with the classical world of the Roman Empire.
Inherited by George Nathaniel Curzon, Viceroy of India between 1899 and 1905, the hall also houses the many objects he amassed during his travels in South Asia and the Middle East, and in his role leading British rule in India.
Too much light, but you can see the wires and the marbles suspended within Bleigiessen - a scuplture by Thomas Heatherwick.