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silver paths
the year rests on
apples, a bottle, the moon
in mother orchard
the leaves are falling
Cotehele Full Bloom Renga April 25th 2010
The above two verses are from the two verse Autumn section of the Cotehele Full Bloom Renga.
Throughout the day Master Poet Paul Conneally and Host Poet John Hall were joined by vistors to Cotehele on the renga platform to write together a Renga poem.
Renga is a Japanese collaborative linked poetry form related to haiku poetry and dating back many hundreds of years. The process of writing the renga together in a particular place on a particular day is as important as the finished piece itself - maybe more so.
We cross cultures time place and space together.
The Full Bloom Renga is a piece devised for The National Trust Full Bloom Festival by Anne-Marie Culhane with Paul Conneally, Jo Salter and Alec Finlay.
Geilston gardens in Dumbartonshire have been owned by the National Trust for Scotland since 1989. They are part of the Geilston House estate and comprise a walled garden; various buildings, including a doocot; a garden surrounding the house and a woodland walk.
The current garden layout dates from c1797
Artist: Laura Fearn
Salisbury Cathedral is celebrating the 800th birthday of our Magna Carta, with a series of events through the year. One such event is the Barons' Charter, an art trail through the city to see these colourful sculptures.
The sculptures will be auctioned in Salisbury Cathedral on Thursday 1st October.
MODERATOR:
Masahiro Katsuno, General Manager, Interactive Media Business Division, HAKUHODO DY MEDIA PARTNERS INCORPORATED
PANELISTS:
Mitsuru Honma, Manager, Communication tech. strategic Web Planning, Kao Corporation
Yuichi Masuko, Senior Vice President, Sumitomo Mitsui Banking Corporation
Naohiko Oikawa, CEO, Dentsu Netyear ABeam Inc.
Mike Sheetal, CEO, PressArmy Inc
Erddig, Wrexham - 252.06ha (622.85acres) A late 17th century house, containing much of the furniture and textiles supplied for it in the 1720s, with an early 18th century formal garden. The magnificent state bedroom is decorated in the Chinese taste. An unusually rich history of master/servant relations includes a servants' hall with 18th century portraits of estate and household staff and there is a complete range of outbuildings with smithy, joiner's shop and bakery still in operation. The property was extensively restored in 1973-77 following severe mining subsidence. Given in 1973 with an extensive area of land, by Mr P.S.Yorke.
Othello at the Intiman (View Large)
The folks at the Intiman have been very excited about the extended run of Othello, but to me the real action was right outside the entrance.
Images from the two night dinner event for Trust America with Jeb Bush. Joel Silverman Photography, serving the Denver Metro area.
Toronto, May 2 - 2018 - In an age of misinformation, disinformation, AI and media manipulation, how can news organizations and platforms like Google build trust with audiences? Join our speakers: Richard Gingras, vice-president of news at Google, and Craig Silverman, media editor with BuzzFeed News; Hossein Derakhshan, a writer and researcher currently on a joint Harvard Shorenstein and MIT Media Lab fellowship; and and moderator Anna Maria Tremonti, host of CBC Radio One’s The Current.
Knole, Sevenoaks, Kent.
The National Trust.
The Orangery.
Procession of Three Women, c1775-1850.
Plaster panel in relief.
All three women face towards the right, two hold a staff and one holds a lyre. They process towards a small statue on a column on the right hand side of the scene, possibly a statue of Apollo. A plaster cast either taken from a Roman marble panel, or a late eighteenth century relief in the classical style. Possibly acquired by John Frederick Sackville, 3rd Duke of Dorset (1745-1799).
The Orangery, which now forms the south range of Green Court, was created in 1823 at the direction of Arabella Cope, widow of the 3rd Duke of Dorset, and her second husband, Lord Whitworth. It was converted from a much earlier space in an effort to bring an element of the Gothic Revival style, so popular at the beginning of the 19th century, to Knole.
The Orangery may have been planned as a gallery for the display of Classical sculptures as well as plants. An extensive collection of bas-reliefs, inscriptions and sculpture, both antique marble pieces and much later plaster casts, is fixed to the interior walls of the Orangery and may have been part of Cope and Whitworth’s original presentation of the building. They are mentioned in John Brady’s 1839 The Visitors Guide to Knole and may have been sourced from the Continent specifically for display here. Photographs reveal that by the mid-20th century the Orangery was used for the storage of other kinds of objects too. A black and white photo from 1945 shows the three-tiered Buzaglo stove, which dates to 1774 and previously stood in the Great Hall, had been moved to the Orangery. Before it was opened to the public in 2010, the Orangery was used for garden storage.
Calke Abbey - a National Trust property in Derbyshire.
The National Trust present Calke Abbey as an illustration of the English country house in decline. A massive amount of remedial work but no restoration has been done and interiors are almost as they were found in 1985 so the decay of the building and its interiors has been halted but not reversed. Before the National Trust work of the late 1980s everything had remained untouched since the 1880s.
Wikipedia, Calke Abbey, en.wikipedia.org/wiki/Calke_Abbey
"Blessed are those who trust in the Lord, whose trust is the Lord.
They shall be like a tree planted by water, sending out its roots by the stream.
It shall not fear when heat comes, and its leaves shall stay green; in the year of drought it is not anxious, and it does not cease to bear fruit."
-- Jeremiah 17:7-8 (NRSV)