View allAll Photos Tagged Transhumanism
El Departamento de Relaciones Internacionales y Humanidades presentó el 7 de marzo de 2019 el libro de Carlos Beorlegui, catedrático emérito de Filosofía de la Universidad de Deusto, titulado “Humanos. Entre lo pre-humano y lo pos- o transhumano”. En el acto, el autor estuvo acompañado de Jonatan Caro, doctor en Filosofía y Mari Luz Suárez, directora del departamento de Relaciones Internacionales y Humanidades. Más información: www.deusto.es/cs/Satellite/deusto/es/universidad-deusto/v...
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TORLEY ISLAND =^_^= OMG! CYBERSPACE! DIGITAL FRONTIER! lulz
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WHAT IS A TORLEY LINDEN? >> bit.ly/torsl ... ARBITRARY KEYWORDS: cyberpunk tron blade runner mass effect grid minimalist aesthetic techno futuristic scifi game retro transhumanism avatar
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65536 m²
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44d2660e-e78b-e2eb-3263-9189496b7efa
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Torley (140,119,22)
Site 24: Michael Meneghetti and Southpaw collaboration - La Foca – a transhuman pinniped’s call of the wild
Shakinovsky collaborates with Gavronsky as the artist “rosenclaire”, as wives and as dedicated mentors who have run a renowned artists residency program in Tuscany for the past 30 years.
Claire Gavronsky (b. 1957, Johannesburg) works in a variety of mediums, most notably in painting and sculpture. Her work often uses visual references to historical paintings, and cues are sometimes taken from events from everyday life. Memory, racism, violence against women and children are some of the themes which run through her oeuvre.
Notable solo and group exhibitions include: Io e Me. Autoritratti nel Lockdown. Sala 1, Centro Internazionale d’Arte Contemporanea, Rome (2021); Speechless with Rose Shakinovsky, Goodman Gallery, Cape Town (2018); Right to the Future, Museum of 20th and 21st Century Art, St Petersburg (2017); Colour Theory with Rose Shakinovsky, Goodman Gallery, Cape Town (2014); Dakar Biennale, Dakar (2010); and Dystopia, collaboration with William Kentridge, Pretoria, Johannesburg, Ghent (2009-2010).
Rose Shakinovsky’s (b. 1953, Johannesburg) work defies any stylistic category as it consists of work that ranges from the re-presentation and decontextualization of found objects, found images and found situations, to delicately painted abstractions and ironic bronzes. The work concerns itself with current political and social discourses while simultaneously referencing and reconstructing art historical edifices. Her present research is concerned with discourses pertaining to the posthuman, transhuman and the consequences of climate change.