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Panel:

Professor Edward Scheer (AUS) is Director of Research in the School of the Arts and Media at the University of New South Wales, Australia.

 

Cody Poulton (CAN) is Professor of Japanese literature and theatre, and currently a Fellow at the International Research Center, "Interweaving Performance Cultures," at Berlin Freie Universität, preparing a book on "Transhumanities in Japanese Theatre: spirits, animals, technology."

 

Elizabeth Jochum (USA) is an Assistant Professor in the Department of Communication and Psychology at Aalborg University, Denmark and the co-founder of Robot Culture and Aesthetics research group at the University of Copenhagen.

 

For further information:

goo.gl/9ZvJ7q

 

IIM (Institute of Intermedia)

goo.gl/maps/59UE4HqWSbw

Hall H25 at FEL CVUT

Technická 2

CZ-160 00 Prague.

Czech Republic

Capitalism Careerism

Consumerism Darwinism Deconstructionism Dogmatism Economism Egoism Ethnocentrism Existentialism Fascism Free marketism Globalism Materialism Merchantilism Moral absolutism Nihilsim Personalism Physicalism Postmodernism Profitism Randianism Scientism Social darwinism Totalitarianism Transhumanism with black typewriter fonts printed.

 

dye-free 100 % cotton eco-friendly light weight tote bag.

Silverpoint of school in the year 2000 (far in the future).

'of what effect is our payer if God already knows the future?'

Capitalism Careerism

Consumerism Darwinism Deconstructionism Dogmatism Economism Egoism Ethnocentrism Existentialism Fascism Free marketism Globalism Materialism Merchantilism Moral absolutism Nihilsim Personalism Physicalism Postmodernism Profitism Randianism Scientism Social darwinism Totalitarianism Transhumanism with black typewriter fonts printed.

 

dye-free 100 % cotton eco-friendly light weight tote bag.

This captivating digital artwork by Duncan Rawlinson features a surreal eye-like structure radiating with electric, vein-like tendrils. The intricate pattern resembles a neural explosion or a microscopic biological network, set against a clean neutral backdrop. With its stark contrasts and vivid energy, this image merges science-inspired abstraction with an organic visual rhythm, inviting close inspection and interpretation.

 

Duncan.co/fractal-nerve-burst-surrounding-an-eye/

Polivariant Space of a Labyrinth With Applications to Artificial Intelligence and Robotics

Esprit n° 433 "Le problème technique", Mars/Avril 2017

 

esprit.presse.fr/tous-les-numeros/le-probleme-technique/853

 

Malgré ses prouesses, la technique présente des coûts humains, sociaux et écologiques démesurés. Grande pourvoyeuse de solutions, elle est devenue elle-même le problème, qui ne pourra être résolu de façon technique. C’est en effet de nous qu’il faut attendre un changement.

 

Avec, notamment, les articles suivants (voir ici la liste complète des articles) :

 

Le problème technique

 

Introduction

Camille Riquier

 

Nouveaux fragments d'une mémoire infinie

Maël Renouard

 

Ce que Gagarine a vu : condition orbitale et transcendance technique

DURING Élie

 

Le transhumanisme et Teilhard de Chardin, même combat ?

Jean-Louis Schlegel

 

Comment dire « non » quand les machines triomphent ?

Jean-Michel Besnier

 

L'émancipation technologique

VIOULAC Jean

 

Le mythe de la technologie salvatrice

Philippe Bihouix

 

Promesses robotiques et liquidation du politique

JARRIGE François

 

Critique de la raison impure. Entretien avec Bernard Stiegler

Bernard Stiegler

 

Le cercle de la technique

GARCIA Tristan

 

L'éthique des nanotechnologies

GUCHET Xavier

 

Comprendre la technique, repenser l'éthique avec Simondon

Irlande Saurin

 

Le problème technique | Un retour à la vie simple ?

Camille Riquier

Standing in front of my humble grotto palace, pondering the sheer volume of landscaping tasks still to be accomplished. You can barely see my cyber arm, alas.

Museum Ulm.

P1060663

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