View allAll Photos Tagged Transforms
BlackJAC (Justice Armored Car) transforms into a batmobile from Batman Vs Superman / Justice League movie!
For more photos...
alanyuppie.blogspot.com/2018/08/lego-batman-batmobile-tra...
This weekend, I made progress on Violet’s Journey, our animated fairy tale featuring Natalina’s art ducks.
These new mockups show what Violet could look like with a beaded skirt and a new pair of wings, against different backgrounds. For this prototype, I mounted an oval plate between her belly and the robot base, then loosely hung some of Natalina's beads, for discussion purposes. I then superimposed my green screen capture of this prototype against some of the nature photos we used for the first storyboard, as well as a simpler backdrop using silhouetted shapes and gradient lighting.
Our first goal for this test is to cover the wheels and robot parts below the duck’s belly, as they seem out of place for a fairy tale. To that end, we plan to create a beaded curtain, using necklaces from Natalina’s treasure trove of jewels.
The second goal is to make Violet more expressive, as the decoy ducks are static and can’t show their feelings very well. To that end, we’re considering giving her new wings that could flap in different ways to show a range of emotions. These wings could be laser cut out of white or translucent acrylic, backlit with neopixels and made to flap gently with a servo motor attached to the oval float.
Lastly, we are experimenting with different background styles, ranging from photo-realistic backdrops to simpler landscapes with painted shapes and lighting. These simple shapes could be cut out on cardboard -- or laser cut on thin wood: I now have tons of vector files to choose from, besides the chinese landscape I used in this test. Both the forest and the cave would seem easy to implement. This first mockup is very flat, but we can add more color and texture over the laser cut shapes, to make them more real.
What do you think? Is it OK that Violet is not floating on water like a normal duck, but hovering over the ground with a beaded skirt and twitchy wings? How do you like the new backdrop idea? I think this could work if we set it up in a magical world, with surreal landscapes not just photo-realistic nature shots.
View more photos of Violet’s Journey and the Wonderbots experiment: bit.ly/wonderbot-photos
Check out our story guide for this work progress:
docs.google.com/document/d/1ceHph_XI-3m1mBk4lpduQ-JgCzGrH...
The moment you have in your heart this extraordinary thing called love and feel the depth, the delight, the ecstasy of it, you will discover that for you the world is transformed.
~ Jiddu Krishnamurti
Once just a fence, now transformed into a memorial to the 51 people who died and the many who were injured in the Christchurch massacre. this is just a very very small part of the flowers and messages left by the people of Christchurch in support of the Muslim community of Christchurch. And appalling tragedy.
FAVELAS DA PENHA
Uma imagem vale mais que mil palavras. Na foto do link abaixo uma panorâmica de algumas favelas do Complexo da Penha no bairro de mesmo nome. Fotos do Jornal O GLOBO..
A maioria dos moradores da comunidade são pessoas honestas e trabalhadoras. O local pode ser confirmado AQUI NO GOOGLE STREET VIEW do Google Mapas. Note que o carro do Google capturou a foto da entrada da rua bloqueada por trilhos de trem espetados em buracos no asfalto e blocos grandes de cimento para impedir a entrada da polícia pela rua ou calçada.
Não conheço ninguém que more nesta comunidade. Não faço a mínima ideia quem more nesta comunidade da Penha aqui no Flickr.
Esta Rua Cabreúva liga o Morro do Caracol a temida Vila Cruzeiro criada em 1956, conforme este registro oficial da Câmara Municipal para a Prefeitura do Rio, o QG da Criminalidade no Rio de Janeiro.
Nestas comunidades falta tudo: Limpeza urbana, água e esgoto canalizado pois detritos são jogados em rios ou valões sem tratamento e existe a falta de água por ser fim de linha de abastecimento com agravante da falta de pressão de bombas da Cia de Água e Esgotos do Rio para fazer subir a água pelas ladeiras e aclives.
As comunidades não tinham internet na sua maioria até 2009 e quase todas até 2010 quando as UPPs foram implantadas, facilitando assim o acesso a computadores apoiados por projetos de inclusão social do atual governo e de ONGs.
A população destas e localidades ainda sofrem também com a negativa de lojas como Casas Bahia, Ponto Frio e até os correios a entregarem produtos nas comunidades alegando área de risco. Existem diversos relatos e reclamações na internet e a situação só não é pior porque os compradores são informados na hora da compra que a loja não irá entregar o produto em domicílio.
Falta luz elétrica estável devido a fraca rede elétrica, pois eram e ainda infelizmente são constantes as quedas de energia devido aos “gatos” nos fios elétricos e os tiros nos transformadores para que a escuridão ajude todos a se esconder da polícia.
A falta de oportunidades de trabalho também empurram às vezes alguns moradores para a criminalidade. Ninguém escolhe na verdade o crime ou quer isto para o futuro do filho.
A foto resume a dura realidade de alguns lugares do Rio e de todo Brasil. Nem tudo na Cidade Maravilhosa e bonito de se ver. A falta de política de habitação e de justiça social é que muitas vezes obriga a população mais carente a ter somente esta opção de moradia usada por 20% dos moradores da cidade.
Outros serviços públicos auxiliares acabam sendo ocupados por moradores que tentam fornecer serviços complementares como mototáxi onde o poder público deixou tudo no mais completo abandono e na imagem a situação é inegável de se desmentir.
Habitação, saúde e educação são a base do bem estar social e sem eles, não existe justiça social.
Pense nisto antes de votar nas próximas eleições. Compare o Brasil, seu Estado e sua cidade como eram e como estão agora. Compare com os dez anos anteriores, vinte anos anteriores e pense se o seu estado acompanhou o crescimento do Brasil , se não avançou nada ou se piorou.
Pesquise a vida do seu candidato escrevendo ao lado dele a frase “acusado de” ou “condenado por”.
Cuide bem do seu voto no presente e lembre-se. O Brasil do futuro depende dos filhos que você deixar para este país.
♪ ≡ ♫ =♪ =♫ ≡ ♪ =♫
♫ ESPECIAL DO DIA com DUAS MÚSICAS:
[ ♪ ] Reza Vela
[ ♪ ] SANDI PATTY - How Great Thou Art
♪ ≡ ♫ = ♪ = ♫ + ♪ = ♫
Não é verdade que todos os bairros do Rio tenha comunidades em favelas ou sejam perigoso de viver.
Os bairros de Sulacap, Jardim Guanabara e Todos os Santos, por exemplo, não tem favelas.
A isenção de favelas faz até que bairros como Jardim Guanabara ocupe a 3° colocação em IDH na Cidade do Rio e o Bairro de Todos os santos a 19° posição entre os 126 bairros da Cidade do Rio de Janeiro e à frente de bairros da Zona Sul como Catete(26°), Cosme Velho, (34°) ou São Conrado em 38° no IDH.
fonte: Prefeitura do Rio de Janeiro - GEO Rio.
Não use palavras como favelado ou pratique preconceito nos comentários, os moradores na sua imensa maioria não tem culpa de política habitacional do Brasil da injustiça social.
Muitos moradores também moram nestas comunidades e negam apenas morar no morro, mas isto é apenas em alguns casos uma DISSIMULAÇÃO, pois morro não é sinônimo de favela e a Cidade de Deus retratada em filme prova justamente isto.
Ao contrário dos dissimuladores, muitos moradores de comunidades tem verdadeiro orgulho delas e algumas são bem famosas como Mangueira, Salgueiro ou a Rocinha recebendo mais turistas internacionais que muitos museus e igrejas do Rio.
This year's first visit to Thorpe Park was today (May 5th 2016) and what a glorious day it was! However with only 3 visiting coaches, I also sought permission to visit the First School Bus depot adjacent to the theme park.
Here, First Beeline BMC Falcon 1100FE B60F rests away from the Bluebirds.
Transformative Space
Enter a cathartic pursuit. The passage entrance was small and did not indicate what we were to experience—assessing the unknowns in space, shifting dramatically from concept to academic self-questioning to a deconstructed disorientation. I followed our seers upstairs, through multiple room scapes, and down corridors, to when and where I finally realised. I had to select which self-delusion was best for me. In hindsight, I have re-entered these rooms my entire life, and my disconnection between acting and actioning required resolution. To begin a transformation and build a manifestation of social-spatial exclusiveness. To play as one within this curated experience, as a spectator and participant. A paradox in finding meaning and fulfilment.
Graphic Novel - Contemporary Art by JJFBbennett.
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www.jjfbbennett.com/2022/10/the-defined-transformative-sp...
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Opensea NFT
opensea.io/assets/matic/0x2953399124f0cbb46d2cbacd8a89cf0...
via @opensea
TSCHE-CHU-CHU-CHU-TSCHE
Lego Sideswipe - Masterpiece Brickformer (MB-03).
Fully transformable without removing pieces.
I started work on this before Soundwave and Nemesis but his transformation was so difficult that it took the longest to build. wrapping his arms (doors) around the front wheels was the biggest challenge. But I am most proud of the feet - as they turn into the seats when in vehicle mode.
This weekend, I made progress on Violet’s Journey, our animated fairy tale featuring Natalina’s art ducks.
These new mockups show what Violet could look like with a beaded skirt and a new pair of wings, against different backgrounds. For this prototype, I mounted an oval plate between her belly and the robot base, then loosely hung some of Natalina's beads, for discussion purposes. I then superimposed my green screen capture of this prototype against some of the nature photos we used for the first storyboard, as well as a simpler backdrop using silhouetted shapes and gradient lighting.
Our first goal for this test is to cover the wheels and robot parts below the duck’s belly, as they seem out of place for a fairy tale. To that end, we plan to create a beaded curtain, using necklaces from Natalina’s treasure trove of jewels.
The second goal is to make Violet more expressive, as the decoy ducks are static and can’t show their feelings very well. To that end, we’re considering giving her new wings that could flap in different ways to show a range of emotions. These wings could be laser cut out of white or translucent acrylic, backlit with neopixels and made to flap gently with a servo motor attached to the oval float.
Lastly, we are experimenting with different background styles, ranging from photo-realistic backdrops to simpler landscapes with painted shapes and lighting. These simple shapes could be cut out on cardboard -- or laser cut on thin wood: I now have tons of vector files to choose from, besides the chinese landscape I used in this test. Both the forest and the cave would seem easy to implement. This first mockup is very flat, but we can add more color and texture over the laser cut shapes, to make them more real.
What do you think? Is it OK that Violet is not floating on water like a normal duck, but hovering over the ground with a beaded skirt and twitchy wings? How do you like the new backdrop idea? I think this could work if we set it up in a magical world, with surreal landscapes not just photo-realistic nature shots.
View more photos of Violet’s Journey and the Wonderbots experiment: bit.ly/wonderbot-photos
Check out our story guide for this work progress:
docs.google.com/document/d/1ceHph_XI-3m1mBk4lpduQ-JgCzGrH...
For Layers of Color: All images except the black cat and long-necked bird are from antique books or magazines
Bordeaux-Euratlantique représente un des sous-projets du programme de modernisation de Bordeaux « Bordeaux 2030 ». Il cadre l'aménagement de 738 hectares, centrés sur la gare Saint-Jean, dont la fin estimée vise 2027. Les villes de Bègles et Floirac sont également concernées. Ce programme a été créé à la suite du lancement de la ligne LGV Bordeaux-Paris et à la volonté d'augmenter le poids de Bordeaux à l'échelle européenne.
The raindrops were trying had to fall. I had to full in tow hours between scans to lit the Radiation Dye go around my body. They were looking for a brake in my leg..they did find a creak in my lower femur. I was in plaster for six weeks so no more walking around the city for a while.
November 30, 2015 Christchurch New Zealand.
Alva Noto
CD :
Alva Noto
For Gerd Müller
Noton
N-067
Sounds . Carsten Nicolai
Design . Carsten Nicolai . Nibo
Noton . Archiv Für Ton Und Nichtton
Postcard :
Gerd Müller
Mannschaft
1974
Use Hearing Protection
GMA
hrough one of the alternate plain glass windows in the Round Church (1185) - Temple Church, London. Built by the Knights Templar, the soldier monks who protected pilgrims to the Holy Land during the crusades.
The cold, grey and windy day outside was transformed by the random ripples in the old glass.
My sexy transform roommates comics 54
sissy.silicone-breast.com/2016/09/06/my-sexy-transform-ro...
imgur.com/gjnnrXL.jpg?utm_source=rss&utm_medium=rss
Notice : Releasing this comic on every Monday to Thursday !
Sale!
Men’s Attractive Adjusted Straps Lace Corset ( L- 6XL size available) 43%OFF
$41.00 $17.67
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Smooth black underwear hip pads T-11B
$42.00 $39.00
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Alva Noto
Book :
Hannettica
Homage To A Typeface
Lars Müller
2007
CD :
Joy Division
Unknown Pleasures
Factory
FAC10
Design . Peter Saville
iMusic :
Alva Noto
Prototypes
Noton
N-012
GMHA ...
© 2011 David Young-Wolff All rights reserved
davidyoung-wolff.blogspot.com/
Here is what the artist Naomi says about this piece of art,
This mask was created for many coinciding purposes, but most importantly with the intent to
transform. Although clearly not a traditional mask, and indeed to the contrary, a mask that was
designed for war and, arguably, a tool of fear and genocide; it is my intent to recreate the mask
through art. By decorating the mask as I have, I seek to transcend the bleakness of its origin and
to breathe new life into its rigid man-made material through the real and symbolic act of layering it
with the organic life of the deer hide. In some way, the mask has been reborn with its own
power to transform; though perhaps not to transform the wearer into spirit, certainly to alter the
character of the wearer’s spirit.
British postcard by Art Photo, no. 62.
American singer and actor Dick Powell (1904-1963) was also a film producer, film director, and studio head. Though he came to stardom as a juvenile lead in the Warner backstage musicals, Powell showed versatility and successfully transformed into a hardboiled leading man in Film Noirs. He was the first actor to portray the private detective Philip Marlowe on screen.
Richard Ewing Powell was born in Mountain View, the seat of Stone County in northern Arkansas. Powell was the son of Ewing Powell and Sallie Rowena Thompson. He was one of three brothers. His brothers were Luther and Howard Powell, who ended up as vice president of the Illinois Central Railroad. The family moved to Little Rock in 1914, where Powell sang in church choirs and with local orchestras and started his own band. Powell attended the former Little Rock College before he started his entertainment career as a singer and banjo player with the Royal Peacock Band. He then got a gig with the Charlie Davis band and toured with them throughout the mid-west, appearing at dance halls and picture theatres. In 1925, he married Mildred Maund, a model, but she found being married to an entertainer, not to her liking. After a final trip to Cuba together, Mildred moved to Hemphill, Texas, and the couple divorced in 1932. He recorded a number of records with Davis and on his own, for the Vocalion label in the late 1920s. Powell moved to Pittsburgh, where he found great local success as the Master of Ceremonies at the Enright Theater and the Stanley Theater. In April 1930, Warner Bros. bought Brunswick Records, which at that time owned Vocalion. Warner Bros. was sufficiently impressed by Dick Powell's singing and stage presence to offer him a film contract in 1932. He made his film debut as a singing bandleader in Blessed Event (Roy Del Ruth, 1932) with Lee Tracy and Mary Brian. He was borrowed by Fox to support Will Rogers in Too Busy to Work (John G. Blystone, 1932). He was a boyish crooner, the sort of role he specialised in for the next few years. Back at Warners, he supported George Arliss in The King's Vacation (John G. Adolfi, 1933). Then he was the love interest for Ruby Keeler in 42nd Street (Lloyd Bacon, 1933), which was a massive hit. Warner let him repeat the role in Gold Diggers of 1933 (Mervyn LeRoy, 1933), which was another big success. Looking rather younger than his actual years, Powell soon found himself typecast as clean-cut singing juveniles. Another hit was Footlight Parade (Lloyd Bacon, 1933), with Keeler, Joan Blondell, and James Cagney. Powell was upped to star for College Coach (William A. Wellman, 1933), then went back to more ensemble pieces including 42nd Street (Lloyd Bacon, 1933), Convention City (Archie Mayo, 1933), and Dames (Ray Enright, Busby Berkeley, 1934). He was top-billed in Gold Diggers of 1935 (Busby Berkeley, 1935), with Joan Blondell. He supported Marion Davies in Page Miss Glory (Mervyn LeRoy, 1935), made for Cosmopolitan Pictures, a production company financed by Davies' lover William Randolph Hearst who released through Warners. Warners gave Dick Powell a change of pace, casting him as Lysander in A Midsummer Night's Dream (William Dieterle, Max Reinhardt, 1935). He did two films with Blondell, Stage Struck (Busby Berkeley, 1936) and Gold Diggers of 1937 (Lloyd Bacon, 1937). Then 20th Century Fox borrowed him for On the Avenue (Roy Del Ruth, 1937) with Madeleine Carroll. Back at Warners, he appeared in Hard to Get (Ray Enright, 1938) with Olivia de Havilland, and Naughty but Nice (Ray Enright, 1939), starring Ann Sheridan. Fed up with the repetitive nature of his roles, Powell left Warner Bros and went to work for Paramount.
At Paramount, Dick Powell and his then-wife, Joan Blondell were in another musical, I Want a Divorce (Ralph Murphy, 1940). Then Powell got a chance to appear in a non-musical and starred opposite Ellen Drew in the sparkling Preston Sturges comedy Christmas in July (1940). I.S. Mowis at IMDb cites Powell saying: "I knew I wasn't the greatest singer in the world and I saw no reason why an actor should restrict himself to any one particular phase of the business". Universal borrowed him to support Abbott and Costello in In the Navy (Arthur Lubin, 1941), one of the most popular films of 1941. He was in a fantasy comedy directed by René Clair, It Happened Tomorrow (1944) then went over to MGM to appear opposite Lucille Ball in Meet the People (Charles Reisner, 1944), which was a box office flop. During this period, Powell starred in the musical program Campana Serenade, which was broadcast on NBC radio (1942–1943) and CBS radio (1943–1944). I.S. Mowis at IMDb: "Few actors ever managed a complete image transition as thoroughly as did Dick Powell: in his case, from the boyish, wavy-haired crooner in musicals to rugged crime fighters in films noir." By 1944, Powell felt he was too old to play romantic leading men anymore. Still dissatisfied with lightweight roles, Powell lobbied hard to get the lead in Double Indemnity. He lost out to Fred MacMurray, another Hollywood nice guy. MacMurray's success, however, fueled Powell's resolve to pursue projects with greater range. Instead, he was slotted into more of the same fare, refused to comply and was suspended. Powell tried his luck at RKO and at last, managed to secure a lucrative role: that of hard-boiled private eye Philip Marlowe in Raymond Chandler's Murder, My Sweet (Edward Dmytryk, 1944). He was the first actor to play Marlowe – by name – in motion pictures. Hollywood had previously adapted some Marlowe novels, but with the lead character changed. Later, Powell was the first actor to play Marlowe on radio, in 1944 and 1945, and on television, in an episode of Climax! (1954). Murder My Sweet was a big hit. Bosley Crowther in the New York Times: " ...and while he may lack the steely coldness and cynicism of a Humphrey Bogart, Mr. Powell need not offer any apologies. He has definitely stepped out of the song-and-dance, pretty-boy league with this performance". Powell had successfully reinvented himself as a dramatic actor. His career changed dramatically: he was cast in a series of Films Noirs. On the radio, Powell played detective Richard Rogue in the series Rogue's Gallery beginning in 1945. On-screen, Dmytryk, and Powell reteamed to make the film Cornered (Edward Dmytryk, 1945), a gripping, post-World War II thriller that helped define the Film Noir style. For Columbia, he played a detective in Johnny O'Clock (Robert Rossen, 1947) and made To the Ends of the Earth (Robert Stevenson, 1948) with Signe Hasso. In 1948, he stepped out of the brutish type when he starred in Pitfall (André De Toth, 1948), a Film Noir in which a bored insurance company worker falls for an innocent but dangerous woman, played by Lizabeth Scott. He broadened his range appearing in a Western, Station West (Sidney Lanfield, 1948), and a French Foreign Legion tale, Rogues' Regiment (Robert Florey, 1949) with Marta Toren. He was a Mountie in Mrs. Mike (Louis King, 1950). From 1949 to 1953, Powell played the lead role in the NBC radio theater production Richard Diamond, Private Detective. His character in the 30-minute weekly was a likable private detective with a quick wit. Many episodes were written by Blake Edwards and many ended with Detective Diamond having an excuse to sing a little song to his date.
Dick Powell took a break from tough-guy roles in The Reformer and the Redhead (Melvin Frank, Norman Panama, 1950), opposite his new wife June Allyson. Then it was back to tougher movies: Cry Danger (Robert Parrish, 1951), as an ex-con; and The Tall Target (Anthony Mann, 1951), as a detective who tries to prevent the assassination of Abraham Lincoln. He returned to comedy with You Never Can Tell (Lou Breslow, 1951). He had a good role as best-selling novelist James Lee Bartlow in the popular melodrama, The Bad and the Beautiful (Vincente Minnelli, 1952). His final film performance was in a romantic comedy Susan Slept Here (1954) for director Frank Tashlin. Even when he appeared in lighter fare such as Susan Slept Here (Frank Tashlin, 1954), he never sang in his later roles. It was his final onscreen appearance in a feature film and included a dance number with co-star Debbie Reynolds. By this stage, Powell had turned director. His feature debut was Split Second (1953) with Stephen McNally and Alexis Smith. He followed it with The Conqueror (1956), coproduced by Howard Hughes starring John Wayne as Genghis Khan. The exterior scenes were filmed in St. George, Utah, downwind of U.S. above-ground atomic tests. The cast and crew totaled 220, and of that number, 91 had developed some form of cancer by 1981, and 46 had died of cancer by then, including Powell and Wayne. He directed Allyson opposite Jack Lemmon in You Can't Run Away from It (1956). Powell then made two war films at Fox with Robert Mitchum, The Enemy Below (1957) and The Hunters (1958). In the 1950s, Powell was one of the founders of Four Star Television, along with Charles Boyer, David Niven, and Ida Lupino. He appeared in and supervised several shows for that company. Powell played the role of Willie Dante in episodes of Four Star Playhouse, and guest-starred in numerous Four Star programs. Shortly before his death, Powell sang on camera for the final time in a guest-star appearance on Four Star's Ensign O'Toole, singing 'The Song of the Marines', which he first sang in his film The Singing Marine (Ray Enright, 1937). He hosted and occasionally starred in his Dick Powell's Zane Grey Theater on CBS from 1956–1961, and his final anthology series, The Dick Powell Show on NBC from 1961 through 1963; after his death, the series continued through the end of its second season (as The Dick Powell Theater), with guest hosts. He married three times: Mildred Evelyn Maund (1925-1932), Joan Blondell (1936-1944) and June Allyson ( 1945, until his death in 1963). He adopted Joan Blondell's son from a previous marriage, Norman Powell, who later became a television producer; the couple also had one child together, Ellen Powell. He had two children with Allyson, Pamela (adopted) and Richard 'Dick' Powell, Jr. Powell's ranch-style house was used for exterior filming on the ABC TV series, Hart to Hart. Powell was a friend of Hart to Hart actor Robert Wagner and producer Aaron Spelling. In 1962, Powell acknowledged rumors that he was undergoing treatment for cancer. The disease was originally diagnosed as an allergy, with Powell first experiencing symptoms while traveling East to promote his program. Upon his return to California, Powell's personal physician conducted tests and found malignant tumors on his neck and chest. Powell died at the age of 58 in 1963. His body was cremated and his remains were interred in the Columbarium of Honor at Forest Lawn Memorial Park in Glendale, California. In The Day of the Locust (1975), Powell was portrayed by his son Dick Powell Jr.
Sources: I.S. Mowis (IMDb), Wikipedia and IMDb.
And, please check out our blog European Film Star Postcards.
Transforming the world by pointing the camera straight ahead and then rotating it on its horizontal axis. A slow shutter is also essential for this effect. Another "twist" on the ICM (Intentional Camera Movement) technique.
Wiener Linien GmbH & Co KG (a company of Wiener Stadtwerke Holding AG): The U6 line of the Vienna Metropolitan Railway is quite unique. Between 1898 and 1901 an elevated urban railway, known as "Wiener Stadtbahn", was put into service. It was electrified in 1925 and for its exploitation long tramway compositions were used, consisting of motor cars of two axes of Class N and trailers of Class n and n1, rebuilt between the fifties and sixties as N1 and n2. In the eighties they were replaced by six-axle Class E6 articulated trams, with Class c6 trailers. In 1989 the railway was transformed into the subway line U6 (being extended later, until 1995), although the service is still provided with Classes T and T1 tram vehicles. These vehicles were built by Bombardier between 1993 and 2000 (type T, 78 trams numbers 2601-2678) and between years 2007 and 2014 (type T1, 66 trams numbers 2679-2744).
Here we see a train with four T and T1 trams in Spittelau station working a service in the U6 metro line to Florisdorf.
Sara Pantuliano, Managing Director, Overseas Development Institute, United Kingdom, and Ion Yadigaroglu, Managing Partner, Capricorn Investment Group, USA, speaking during the session, Transforming Humanitarian Finance, at the Annual Meeting 2018 of the World Economic Forum in Davos, January 25, 2018. Copyright by World Economic Forum / Ciaran McCrickard
ONE OF THE WAY TO TRAIN THE "THE AWARENESS MUSCLE
is the critical run
and other emergency art format
CRITICAL RUN / Debate Format
Critical Run is an Art Format created by Thierry Geoffroy/Colonel
debate while running .
Debate and Run together,Now,before it is too late.
www.emergencyroomscanvas todo .org/criticalrun.html
The Art Format Critical Run has been activated in 30 differents countries with 120 different burning debates
New York,Cairo,London,Istanbul,Athens,Hanoi,Paris,Munich,Amsterdam Siberia,Copenhagen,Johanesburg,Moskow,Napoli,Sydney,
Wroclaw,Bruxelles,Rotterdam,Barcelona,Venice,Virginia,Stockholm,Århus,Kassel,Lyon,Trondheim, Berlin ,Toronto,Hannover ...
CRITICAL RUN happened on invitation from institution like Moma/PS1, Moderna Muset Stockholm ,Witte de With Rotterdam,ZKM Karlsruhe,Liverpool Biennale;Sprengel Museum etc..or have just happened on the spot because
a debate was necessary here and now.
In 2020 the Energy Room was an installation of 40 Critical Run at Museum Villa Stuck /Munich
part of Colonel solo show : The Awareness Muscle Training Center
----
Interesting publication for researches on running and art
www.emergencyrooms.org/formats.html
14 Performances. Relation Work (1976 - 1980). Filmed by Paolo Cardazzo. Marina Abramović/ Ulay. Neuer Berliner Kunstverein, Berlin, Germany.
Abramović, Marina. Student Body: Workshops 1979 - 2003: Performances 1993 - 2003. Milano: ed. Charta, 2003.
Bergson, Henri. Creative Evolution. London: Macmillan and Co., 1911.
Bergson, Henri. Key Writings. Edited by Keith Ansell-Pearson and John Mullarkey. New York:
Continuum, 2002.
Bergson, Henri. Matter and Memory. New York: Zone Books, 1988.
Blaikie, William. “Common Sense Physical Training.” In Athletics and Health: Modern Achievement: Advice and Instruction upon the Conduct of Life, Principles of Business, Care of Health, Duties of Citizenship, etc. Edited by Edward Everett Hale. New York: P.F. Collier & Son, 1902.
Blaikie, William. How to Get Strong and How to Stay So. New York: Harper & Brothers Publishers, 1883.
Cunningham, Merce. Changes: Notes on Choreography. New York: Something Else Press, 1969.
de Balzac, Honoré. The Human Comedy. EBook: Project Gutenberg, 2010. de Balzac, Honoré. Théorie de la démarche. 1833, 1853.
de Biran, Maine. “Opposition du principe de Descartes avec celui d’une science de l’homme. Première base d’une division des faits psychologiques et physiologiques. Perception et sensation animale.” In Maine de Biran. Librairie Philosophique J. VRIN, 1990.
de Tocqueville, Alexis. The Old Regime and the Revolution. New York: Harper & Brothers, Publishers, 1856.
Delaumosne, M. L’Abbe. “The Delsarte System.” Translated by Frances A. Shaw. In Delsarte System of Oratory, 4th Ed. New York: Edgar S. Werner, 1893.
Descartes, René. Méditations metaphysiques. 1641.
Gropius, Walter, and Arthur S. Wensinger, eds. The Theater of the Bauhaus: Oskar Schlemmer, Laszlo Moholy-Nagy, Farkas Molnár. Translated by Arthur S. Wensinger. Middleton, Conn.: Wesleyan University, 1961.
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------------about Venice Biennale history from wikipedia ---------
curators previous
* 1948 – Rodolfo Pallucchini
* 1966 – Gian Alberto Dell'Acqua
* 1968 – Maurizio Calvesi and Guido Ballo
* 1970 – Umbro Apollonio
* 1972 – Mario Penelope
* 1974 – Vittorio Gregotti
* 1978 – Luigi Scarpa
* 1980 – Luigi Carluccio
* 1982 – Sisto Dalla Palma
* 1984 – Maurizio Calvesi
* 1986 – Maurizio Calvesi
* 1988 – Giovanni Carandente
* 1990 – Giovanni Carandente
* 1993 – Achille Bonito Oliva
* 1995 – Jean Clair
* 1997 – Germano Celant
* 1999 – Harald Szeemann
* 2001 – Harald Szeemann
* 2003 – Francesco Bonami
* 2005 – María de Corral and Rosa Martinez
* 2007 – Robert Storr
* 2009 – Daniel Birnbaum
* 2011 – Bice Curiger
* 2013 – Massimiliano Gioni
* 2015 – Okwui Enwezor
* 2017 – Christine Macel[19]
* 2019 – Ralph Rugoff[20]
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#art #artist #artistic #artists #arte #artwork
Pavilion at the Venice Biennale #artcontemporain contemporary art Giardini arsenal
venice Veneziako VenecijaVenècia Venedig Venetië Veneetsia Venetsia Venise Venecia VenedigΒενετία( Venetía Hungarian Velence Feneyjar Venice Venezia Venēcija Venezja Venezia Wenecja Veneza VenețiaVenetsiya BenátkyBenetke Venecia Fenisוועניס Վենետիկ ভেনি স威尼斯 (wēinísī) 威尼斯 ვენეციისવે નિસवेनिसヴェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya
art umjetnost umění kunst taide τέχνη művészetList ealaín arte māksla menasarti Kunst sztuka artă umenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미술(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist
other Biennale :(Biennials ) :
Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale .Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art ,DOCUMENTA KASSEL ATHENS
* Dakar
kritik [edit] kritikaria kritičar crític kritiker criticus kriitik kriitikko critique crítico Kritiker κριτικός(kritikós) kritikus Gagnrýnandi léirmheastóir critico kritiķis kritikas kritiku krytyk crítico critic crítico krytyk beirniad קריטיקער
Basque Veneziako Venecija [edit] Catalan Venècia Venedig Venetië Veneetsia Venetsia Venise Venecia Venedig Βενετία(Venetía) Hungarian Velence Feneyjar Venice Venezia Latvian Venēcija Venezja Venezia Wenecja Portuguese Veneza Veneția Venetsiya Benátky Benetke Venecia Fenis וועניס Վենետիկ ভেনিস 威尼斯 (wēinísī) 威尼斯 Georgian ვენეციის વેનિસ वेनिस ヴェネツィア ವೆನಿಸ್ 베니스 வெனிஸ் వెనిస్ เวนิซ وینس Venetsiya
Thierry Geoffroy / Colonel
#thierrygeoffroy #geoffroycolonel #thierrygeoffroycololonel #lecolonel #biennalist
#artformat #formatart
#emergencyart #urgencyart #urgentart #artofthenow #nowart
emergency art emergency art urgency artist de garde vagt alarm emergency room necessityart artistrole exigencyart predicament prediction pressureart
#InstitutionalCritique
#venicebiennale #venicebiennale2017 #venicebiennale2015
#venicebiennale2019
#venice #biennale #venicebiennale #venezia #italy
#venezia #venice #veniceitaly #venicebiennale
#pastlife #memory #venicebiennale #venice #Venezia #italy #hotelveniceitalia #artexhibit #artshow #internationalart #contemporaryart #themundane #summerday
#biennalevenice
Institutional Critique
Identity Politics Post-War Consumerism, Engagement with Mass Media, Performance Art, The Body, Film/Video, Political, Collage, , Cultural Commentary, Self as Subject, Color Photography, Related to Fashion, Digital Culture, Photography, Human Figure, Technology
Racial and Ethnic Identity, Neo-Conceptualism, Diaristic
Contemporary Re-creations, Popular Culture, Appropriation, Contemporary Sculpture,
Culture, Collective History, Group of Portraits, Photographic Source
, Endurance Art, Film/Video,, Conceptual Art and Contemporary Conceptualism, Color Photography, Human Figure, Cultural Commentary
War and Military, Political Figures, Social Action, Racial and Ethnic Identity, Conflict
Personal Histories, Alter Egos and Avatars
Use of Common Materials, Found Objects, Related to Literature, Installation, Mixed-Media, Engagement with Mass Media, Collage,, Outdoor Art, Work on Paper, Text
Appropriation (art) Art intervention Classificatory disputes about art Conceptual art Environmental sculpture Found object Interactive art Modern art Neo-conceptual art Performance art Sound art Sound installation Street installations Video installation Conceptual art Art movements Postmodern art Contemporary art Art media Aesthetics Conceptualism
Post-conceptualism Anti-anti-art Body art Conceptual architecture Contemporary art Experiments in Art and Technology Found object Happening Fluxus Information art Installation art Intermedia Land art Modern art Neo-conceptual art Net art Postmodern art Generative Art Street installation Systems art Video art Visual arts ART/MEDIA conceptual artis
—-
CRITICAL RUN is an art format developed by Thierry Geoffroy / COLONEL, It follows the spirit of ULTRACONTEMPORARY and EMERGENCY ART as well as aims to train the AWARENESS MUSCLE.
Critical Run has been activated on invitation from institutions such as Moderna Muset Stockholm, Moma PS1 ,Witte de With Rotterdam, ZKM Karlsruhe, Liverpool Biennale, Manifesta Biennial ,Sprengel Museum,Venice Biennale but have also just happened on the spot because a debate was necessary here and now.
It has been activated in Beijing, Cairo, London, Istanbul, Athens, Kassel, Sao Paolo, Hanoi, Istanbul, Paris, Copenhagen, Moskow, Napoli, Sydney, Wroclaw, Bruxelles, Rotterdam, Siberia, Karlsruhe, Barcelona, Aalborg, Venice, Virginia, Stockholm, Aarhus, Rio de Janeiro, Budapest, Washington, Lyon, Caracas, Trondheim, Berlin, Toronto, Hannover, Haage, Newtown, Cartagena, Tallinn, Herning, Roskilde;Mannheim ;Munich etc...
The run debates are about emergency topics like Climate Change , Xenophobia , Wars , Hyppocrisie , Apathy ,etc ...
Participants have been very various from Sweddish art critics , German police , American climate activist , Chinese Gallerists , Brasilian students , etc ...
Critical Run is an art format , like Emergency Room or Biennalist and is part of Emergency Art ULTRACONTEMPORARY and AWARENESS MUSCLE .
www.emergencyrooms.org/criticalrun.html
www.emergencyrooms.org/formats.html
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In 2020 a large exhibition will show 40 of the Critical Run at the Museum Villa Stuck in Munich / part of the Awareness Muscle Training Center
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for activating the format or for inviting the installation
please contact 1@colonel.dk
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critical,run,art,format,debate ,artformat,formatart,moment,clarity,emergency,kunst,
Sport,effort,curator,artist,urgency,urgence,criticalrun,emergencies,ultracontemporary
,rundebate,sport,art,activism, critic,laufen,Thierry Geoffroy , Colonel,kunstformat
,now art,copenhagen,denmark