View allAll Photos Tagged TomWesselmann
Yayoi Kusama. All the Eternal Love I have for the Pumpkins (2016). © Yayoi Kusama / Victoria Miro Gallery, London
Tom Wesselmann1, né le 23 février 1931 à Cincinnati (Ohio) et mort à New York en 2004 est un peintre américain, et avec Roy Lichtenstein et Andy Warhol, l'un des représentants les plus connus du mouvement américain du Pop Art.
Tom Wesselmann1, born February 23, 1931 in Cincinnati (Ohio) and died in New York in 2004, is an American painter, and with Roy Lichtenstein and Andy Warhol, one of the best-known representatives of the American Pop Art movement.
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Tom Wesselmann
Still Life N° 30
1963
Oil, enamel and synthetic polymer paint on composition board with collage of printed advertisements, plastic flowers, refrigerator door, plastic replicas of 7-Up bottles, glazed and framed color reproduction, and stamped metal.
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Week 2 Stanley Kubrick (1256 – 1260) 2/13 -2/18/2022ID 1260
Tom Wesselmann American 1931 - 2004
Bedroom Painting No. 7 , 1967-69
Oil on canvas
Purchsed with the Adele Haas Turner and Beatrice Pastorius Turner Memorial Fund
1972-156-1
From the Placard: The Philadelphia Museum of Art, PA
en.wikipedia.org/wiki/Tom_Wesselmann
www.artsy.net/artist/tom-wesselmann
Film: Lolita 1962
Best Cinematic Shots from Stanley Kubrick Movies
American painter Tom Wesselmann (1931 – 2004) is regarded as one of the founding members of American Pop Art. Alongside his contemporaries Andy Warhol, Roy Lichtenstein, and James Rosenquist, Wessellmann produced artworks using imagery seen in everyday popular culture.
He is famous for his “Great American Nude” series beginning in the 1960s, which played on the “corruption of Eros by a consumer society.” This series feature female figures in highly suggestive forms and painted in very patriotic primary colors in red, white, yellow and blue.
In the 1970s, Wesselmann’s work became increasingly sculptural and started working with constructions and assemblages, but in his final years, Wesselmann returned to the female form in the “Sunset Nudes” series (pictured) with very simple lines and forms. The artist acknowledge the influence of Mondrian by choosing titles that recall the earlier painter’s works, and is he seen with his own still life painting, but painted in a style which bears influence from Henri Matisse.
Tom Wesselmann
Sunset Nude with Wesselmann Still Life, 2004
Oil on canvas
142.9 x 198.1 cm
56 1/4 x 78 inches
Signed and dated on canvas overlap verso: "Wesselmann 04"
www.artbaselhongkong-online.com/index.php5?id=1411584&...
# Tom Wesselmann
1931 Born Cincinnati, US
1949-1951 Hiram College, transferred to major in Psychology at the University of Cincinnati
1952 US Army
1954 Art Academy of Cincinnati
1956 Cooper Union
2004 Died (age 73)
Tom Wesselmann (February 23, 1931, Cincinnati – December 17, 2004) was an American artist associated with the Pop art movement who worked in painting, collage and sculpture.
en.wikipedia.org/wiki/Tom_Wesselmann
# Bernard Jacobson Gallery
17 East 71st Street
New York, NY 10021
USA
6 Cork Street
London W1S 3NX
United Kingdom
# SML Data
+ Date: 2013-05-23T16:58:47+0800
+ Dimensions: 3487 x 2459
+ Exposure: 1/30 sec at f/8.0
+ Focal Length:40 mm
+ ISO: 400
+ Camera: Canon EOS 6D
+ Lens: Canon EF 17-40 f/4L USM
+ GPS: 22°16'59" N 114°10'22" E
+ Location: 香港會議展覽中心 Hong Kong Convention and Exhibition Centre (HKCEC)
+ Workflow: Lightroom 4
+ Serial: SML.20130523.6D.14062
+ Series: 新聞攝影 Photojournalism, SML Fine Art, Art Basel Hong Kong 2013
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
“Painting by Tom Wesselmann: Sunset Nude with Wesselmann Still Life, 2004 (Oil on canvas)” / Bernard Jacobson Gallery / Art Basel Hong Kong 2013 / SML.20130523.6D.14062
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Still Life #30, April 1963
Oil, enamel and synthetic polymer paint on composition board with collage of printed advertisements, plastic flowers, refrigerator door, plastic replicas of 7-Up bottles, glazed and framed color reproduction, and stamped metal, 48 1/2 x 66 x 4" (122 x 167.5 x 10 cm).
Tom Wesselmann, American, 1931-2004
Gift of Philip Johnson
*
The Museum of Modern Art (MoMA) was founded in 1929 and is often recognized as the most influential museum of modern art in the world. Over the course of the next ten years, the Museum moved three times into progressively larger temporary quarters, and in 1939 finally opened the doors of its midtown home, located on 53rd Street between Fifth and Sixth Avenues in midtown.
MoMA's holdings include more than 150,000 paintings, sculptures, drawings, prints, photographs, architectural models and drawings, and design objects. Highlights of the collection inlcude Vincent Van Gogh's The Starry Night, Salvador Dali's The Persisence of Memory, Pablo Picasso's Les Demoiseels d'Avignon and Three Musicians, Claude Monet's Water Lilies, Piet Mondrian's Broadway Boogie Woogie, Paul Gauguin's The Seed of the Areoi, Henri Matisse's Dance, Marc Chagall's I and the Village, Paul Cezanne's The Bather, Jackson Pollack's Number 31, 1950, and Andy Warhol's Campbell's Soup Cans. MoMA also owns approximately 22,000 films and four million film stills, and MoMA's Library and Archives, the premier research facilities of their kind in the world, hold over 300,000 books, artist books, and periodicals, and extensive individual files on more than 70,000 artists.
Still Life #30, April 1963
Oil, enamel and synthetic polymer paint on composition board with collage of printed advertisements, plastic flowers, refrigerator door, plastic replicas of 7-Up bottles, glazed and framed color reproduction, and stamped metal, 48 1/2 x 66 x 4" (122 x 167.5 x 10 cm).
Tom Wesselmann, American, 1931-2004
Gift of Philip Johnson
*
The Museum of Modern Art (MoMA) was founded in 1929 and is often recognized as the most influential museum of modern art in the world. Over the course of the next ten years, the Museum moved three times into progressively larger temporary quarters, and in 1939 finally opened the doors of its midtown home, located on 53rd Street between Fifth and Sixth Avenues in midtown.
MoMA's holdings include more than 150,000 paintings, sculptures, drawings, prints, photographs, architectural models and drawings, and design objects. Highlights of the collection inlcude Vincent Van Gogh's The Starry Night, Salvador Dali's The Persisence of Memory, Pablo Picasso's Les Demoiseels d'Avignon and Three Musicians, Claude Monet's Water Lilies, Piet Mondrian's Broadway Boogie Woogie, Paul Gauguin's The Seed of the Areoi, Henri Matisse's Dance, Marc Chagall's I and the Village, Paul Cezanne's The Bather, Jackson Pollack's Number 31, 1950, and Andy Warhol's Campbell's Soup Cans. MoMA also owns approximately 22,000 films and four million film stills, and MoMA's Library and Archives, the premier research facilities of their kind in the world, hold over 300,000 books, artist books, and periodicals, and extensive individual files on more than 70,000 artists.
Week 4 LIPS (966 – 970) Id 966
Tom Wesselmann American, 1931-2004
Great American Nude #75, 1965
Illuminated painted molded plastic
In the early 1960s, Wesselmann inaugurated his long-running series of Great American Nudes, which place the suggestive lips and pert nipples of languidly posed women alongside American-flag motifs. In 1964, he began experimenting with vacuum-formed plastic works; he was particularly inspired by what he called “the beautiful intensity of gas station signs,” with their bas-relief surfaces—rising slightly from the picture plane—lit from within.
Wesselmann’s nudes were included in the group show Electric Art and in his first European solo exhibition, both at Gelerie Ileana Sonnabend in 1966. Sonnabend was delighted by his “new plastics” and reported that “everybody who saw them was very excited about them.” Soon she began to circulate Wesselmann’s work around Europe; a show in Italy that included some of his nudes prompted Sonnabend to send him a reassuring note: “Don’t worry, the censors haven’t been around—it’s too hot in Venice.”
Clair Wesselmann
From the Placard: MoMA Museum of Modern Art, New York, NY
en.wikipedia.org/wiki/Tom_Wesselmann
www.theartstory.org/artist-wesselmann-tom.htm
www.westword.com/arts/review-the-naked-truth-about-pop-ar...
Pop-Art By Tom Wesselmann
The Museum of Modern Art (MoMA) is an art museum located in Midtown Manhattan in New York City. It was established on November 7, 1929; 85 years ago and has been important in developing and collecting modernist art, and is often identified as the most influential museum of modern art in the world. Considered by many to have the best collection of modern Western masterpieces in the world, MoMA's holdings include more than 150,000 individual pieces in addition to approximately 22,000 films and 4 million film stills.
Source: en.wikipedia.org
Week 4 LIPS (966 – 970) Id 966
Tom Wesselmann American, 1931-2004
Great American Nude #75, 1965
Illuminated painted molded plastic
In the early 1960s, Wesselmann inaugurated his long-running series of Great American Nudes, which place the suggestive lips and pert nipples of languidly posed women alongside American-flag motifs. In 1964, he began experimenting with vacuum-formed plastic works; he was particularly inspired by what he called “the beautiful intensity of gas station signs,” with their bas-relief surfaces—rising slightly from the picture plane—lit from within.
Wesselmann’s nudes were included in the group show Electric Art and in his first European solo exhibition, both at Gelerie Ileana Sonnabend in 1966. Sonnabend was delighted by his “new plastics” and reported that “everybody who saw them was very excited about them.” Soon she began to circulate Wesselmann’s work around Europe; a show in Italy that included some of his nudes prompted Sonnabend to send him a reassuring note: “Don’t worry, the censors haven’t been around—it’s too hot in Venice.”
Clair Wesselmann
From the Placard: MoMA Museum of Modern Art, New York, NY
en.wikipedia.org/wiki/Tom_Wesselmann
www.theartstory.org/artist-wesselmann-tom.htm
www.westword.com/arts/review-the-naked-truth-about-pop-ar...
Roy Lichtenstein, Mujer en el baño, 1963; Tom Wesselmann, Desnudo n.º 1, 1970; David Hockney, En memoria de Cecchinno Bracci, 1962
Tom Wesselmann (American, 1931-2004)
April 1963.
Oil, enamel and synthetic polymer paint on composition board with collage of printed advertisements, plastic flowers, refrigerator door, plastic replicas of 7-Up bottles, glazed and framed color reproduction, and stamped metal, 48 1/2 x 66 x 4" (122 x 167.5 x 10 cm).
Exposition
Du 14/06/2017 au 10/09/2017
À l’été 2017, le Palais de Tokyo invite, avec Dioramas, à découvrir une source d’inspiration inattendue des artistes contemporains : le diorama. L’exposition déconstruit de manière inédite l’histoire du regard, au croisement de l’histoire, de l’histoire de l’art, du cinéma, du monde de la scène, des arts populaires et forains et de l’histoire des sciences et techniques.
Balzac qualifiait le diorama de « merveille du siècle »(1) : son invention au XIXème siècle a constitué une révolution optique, un moment clé de l’histoire du spectaculaire dans l’héritage des lanternes magiques du XVIIème siècle.
Du diorama de Daguerre consistant en une peinture de grande dimension soumise à de savants jeux d’éclairage, au célèbre diorama historique ou naturaliste connu des musées d’Histoire naturelle, formé d’une vitre, d’une toile de fond et d’éléments tridimensionnels, le diorama incarne le règne de la mise en scène et de l’illusion. En donnant, selon la forme inventée par Daguerre, l’impression du mouvement par des effets de lumière, il figure pour la première fois le passage du temps, et anticipe l’invention du cinéma. En offrant, dans sa seconde acception, la reconstitution d’une situation qui ne peut être vue pour des raisons spatiales ou temporelles, il donne naissance à une réalité virtuelle, et invite à croire, un instant, à l’authenticité de l’artifice.
S’il met en scène notre connaissance du monde, le diorama - dont l’étymologie signifie « voir à travers » - sert ainsi également de support de projection à l’imaginaire, et trouve notamment son origine dans le monde du théâtre.
Dans le sillage de l’exposition Le Bord des mondes (2015), le Palais de Tokyo poursuit ici son exploration des multiples territoires de l’art avec une constante ouverture à l’égard des différents champs de savoir. Ainsi, au-delà de l’histoire du diorama et de son influence sur des artistes majeurs du XXème et du XXIème siècle, l’exposition Dioramas invite à plonger dans les mécanismes cachés de ce dispositif. En démantelant ses stratégies d’illusionnisme, elle offre la possibilité d’élaborer une approche critique du pouvoir de représentation, et ouvre à des problématiques actuelles telles que la conscience écologique et l’héritage visuel du colonialisme.
Avec : Marcelle Ackein, Carl Akeley, Sammy Baloji, Richard Baquié, Richard Barnes, Erich Böttcher, Jacques Bouisset, Cao Fei, Philippe Chancel, Joseph Cornell, Louis Daguerre, Giovanni D’Enrico, Caterina De Julianis, Mark Dion, Jean Paul Favand, Claude-André Férigoule, Joan Fontcuberta, Diane Fox, Emmanuel Frémiet, Ryan Gander, Isa Genzken, Arno Gisinger, Ignazio Lo Giudice, Robert Gober, Duane Hanson, Edward Hart, Patrick Jacobs, Arthur August Jansson, Anselm Kiefer, Fritz Laube, Pierre Leguillon, William Robinson Leigh, Charles Matton, Mathieu Mercier, Kent Monkman, Armand Morin, Lorenzo Mosca, Dulce Pinzón, Walter Potter, Georges Henri Rivière, G-M Salgé, Gerrit Schouten, Ronan-Jim Sévellec, Pierrick Sorin, Peter Spicer, Hiroshi Sugimoto, Fiona Tan, Jules Terrier, Tatiana Trouvé, Jeff Wall, Rowland Ward, Tom Wesselmann
Berlin is the capital and largest city of Germany. The city is one of Germany's 16 federal states.
The first records of towns in the area of present-day Berlin date from the late 12th century. The central part of Berlin can be traced back to two towns. Cölln on the Fischerinsel is first mentioned in 1237 and Berlin, across the river Spree in 1244. The two towns over time formed close economic and social ties, and profited from the staple right on the two important trade routes Via Imperii and from Bruges to Novgorod.
The Neue Nationalgalerie (New National Gallery) is a museum for modern art, designed in 1962 by Ludwig Mies van der Rohe. Construction began in 1965 and was completed after almost three years in 1968, one year before Mies’ death.
The Neue Nationalgalerie is the only building that Mies van der Rohe built in Germany after the Second World War. The square pavilion, a steel and glass structure, sits on a 105 × 110 meter granite terrace that compensates for the slight slope along the banks of the Landwehr Canal. The square roof, which dominates the building, measures 64.8 meters in length.
Due to extensive renovation work on the museum was closed for five years at the beginning of 2015. The renovation cost approximately 140 million euros.
Bedroom Painting No 13 / 1969
Tom Wesselmann (1931 - 2005)