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March for Science, Portland, OR – 4/22/2017
#sciencemarchpdx #climatechange #saveourplanet #EarthDay
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Well, it arrived yesterday but I only got to properly play it today, I'm not sure why people would need 5 copies of the resisitance but obviously when each pack has a different goodie in it, you can't help but go for all of them in true muse fan style *shudders*.
Anyway, the flash stick was a bit poop since it doesn't really cater for mac users whilst the mp3s aren't even tagged nicely for us :( The best bit of the album was the limited 5.1 surround sound edition of the album. I just finished listening to it and wow, it was quite impressive. There are additional bits and bobs in the tracks that they've added as well as the fact that sounds are isolated enough for you to hear different parts.
Not sure where to put the damn thing though, Vinyls for me are quite cumbersome :( Anyway, I've uploaded a bonus teignmouth shot too just to celebrate the belated launch date of Muse (sorry man, was at a gig)
March for Science, Portland, OR – 4/22/2017
#sciencemarchpdx #climatechange #saveourplanet #EarthDay
Please follow me on My Website | Facebook | Google+ | tumblr |
New York activist choir Sing Out, Louise hosted the Not My President Sing A-long! (songs in the key of F*YOU) on February 17, 2020 a pop-up street performance under the arch at Washington Square Park. (Photo by Erik McGregor)
Concierto de MUSE en el estadio Vicente Calderón el 16 de Junio de 2010.
Primer tema de la noche "Uprising"
Vídeos en el tubo aquí:
Map of the Problematique.
www.youtube.com/watch?v=T2YEEVeLiSk
Resistance: www.youtube.com/watch?v=zVRdR2EZQ6g
Stockholm Syndrome: www.youtube.com/watch?v=FO4TUlTngTU
Time Is Running Out: www.youtube.com/watch?v=E3SkXqGpIgo
New Born: www.youtube.com/watch?v=eORtMuRUxyU
Canciones inspiradas en la novela 1984
Ocho obras inspiradas en la novela 1984 de George Orwell, + un Bonus Track Karaoke del álbum Siempre es Hoy de Gustavo Cerati.
infernomax.blogspot.com.ar/2016/12/canciones-inspiradas-e...
May the Fourth Be With You. Join the Resistance. Take 2. In celebration of #StarWarsDay. Original Photo & Photoshop by @brendamoffitt. Original photo taken: Women's March San Diego, January 21, 2017. A woman holds up a @womensmarch_sd sign showing Carrie Fisher as Princess Leia/General Organa, near a flag pole with a Photoshopped black sign, designed to look similar to the scrolling text at the start of each Star Wars movie, reading "May the Fourth Be with You. Join the Resistance." And yes, I know the font and the scroll angle are wrong. I know.
via Instagram ift.tt/2pNmPt8
Harrisburg, Pa. (January 20, 2017) -- Keystone Progress organized a gathering at the Pennsylvania State Capitol on inauguration day to "begin the nonviolent resistance to the Trump Agenda."
Hội Boardgames & Café 46 Nguyễn Chí Thanh Đà Nẵng
Chuyên mua bán & phân phối, cho thuê boardgame các loại. Cafe Boardgame đầu tiên tại Đà Nẵng. UNO, mèo nổ (exploding kittens), gián ăn gian (cheating moth), đua rùa (ribbit), Clue do Suspect, 11 Nimmt - Take 11, bang, avalon, ma sói, một đêm, sushi go, avalon, 7 wonders, death man's draw, Pandemic, lost cities, Pick Picknic, Sheriff of Nottingham, Carcassonne, Ticket To Ride: Europe - Chuyến tàu vòng quanh Châu Âu, The Resistance, korsar,
Muse make space for the music
Records full of sound and fury may signify nothing. Some of the most affecting albums are the ones that privilege sparseness
* Buzz up!
* Digg it
* Jude Rogers
*
o Jude Rogers
o The Guardian, Friday 28 August 2009
When is music too much? I'm not talking about the torrent of songs that surround us every day – I've argued how we should work with this excess. I'm being literal. I'm talking about songs being smothered with strings, bruised and bloodied by drums, and swaddled in vocals that are more multitracked than the approach to London Paddington. And I ask this, specifically, after hearing Muse's new album, The Resistance.
The Resistance will be the fifth LP in 10 years for the three-piece from Teignmouth, Devon. I interviewed the band recently, and Matt Bellamy, Dominic Howard and Chris Westenholme talked eloquently about their home town's quietness, and how it made their teenage selves yearn for clutter and clatter. Their music has certainly got more dramatic, with 2006's Black Holes and Revelations being a particularly clamorous creature – as you might expect from a record that references extraterrestrial voids and the apocalypse in its title.
On first listen, The Resistance bristles with bombast, too. The upcoming single, Uprising, summons the ghost of Delia Derbyshire – the BBC Radiophonic Workshop composer who turned the Dr Who theme tune into a spooky feast of electronics – and plugs her into the mains. Unnatural Selection has a great bassline, which pummels the eardrums, while Undisclosed Desires sounds like Radiohead with a serious cob on. Then, of course, there's United States of Eurasia, which has already been released online as an internet taster. Imagine George Orwell's 1984 turned into a Bohemian Rhapsody for the modern doom-monger, and revel in the gloom.
But then, something changes. At the end of the album, is something Bellamy has been working on for years: a three-part symphony called Exogenesis – an homage to the theory of life on earth having arrived from another planet. As a peculiar mixture of piano passages, synthesiser drones and wordless falsetto, it shouldn't work at all. Somehow it does, and I think I know why.
Muse's real moments of magic come because they are of space. By space, I mean those areas of absence; those moments of respite. Exogenesis, for all its fulsomeness, has swaths of the stuff. After a romantic melody, there's space, clear as a bell; before the soft sound effect of a plane making for the sky, there is another, potent and silent. These moments make us realise that if records are full of sound and fury alone, they may signify nothing. And Muse, of course, want their music to signify everything. This is especially important on The Resistance, which tries to say Important Things about a political system that is "losing control" (MK Ultra), to a complacent society of people who "don't know, or care, who's to blame".
Some of the most affecting albums are the ones that privilege sparseness. For a classic example, go to Joy Division's Closer, made utterly terrifying by Martin Hannett's tiny details – the soft whoosh at the start of The Eternal; the harsh knock of metal at the beginning of Decades, each of them emerging perfectly into the blankness. For a contemporary one, go to the xx, who showed off space in excelsis last week at the Hoxton Hall. With each lyric delivered into the crisp emptiness of the room clearly and cleanly, the gaps between them took on a life of their own.
On The Resistance, Muse are playing with these possibilities. What they have understood is that space in music is all about longing. For Joy Division's Ian Curtis, this longing was all about reprieve and redemption, for the xx, it is about young desires starting to bloom. Muse's quiet moments might make us long for the next fretboard-fingering riff, but they also make us long for the messages they want to blast at us, and fill their clatter and clutter with mettle and meaning. And if they continue in this madly marvellous way, their music will never be too much.
March for Science, Portland, OR – 4/22/2017
#sciencemarchpdx #climatechange #saveourplanet #EarthDay
Please follow me on My Website | Facebook | Google+ | tumblr |
Stars of the hit webseries LG15: The Resistance
(from left to right)
Jackson Davis, Marnette Patterson, Alexandra Dreyfus, Brett Ryback
I downloaded the new Muse song: "United States Of Eurasia/Collateral Damage" and I can't wait for their new album ("The Resistance") in September. I have been waiting for this album for well over a year. I can't get enough of them. Best live concert I've ever seen (at The Forum in 2007).
This album will be... I can't even explain it, part because I've only heard this song, but I just have this feeling it's going to be massive in scale.
I am sure I am going to be all over this album for a long time once it comes out.