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Crocheted and felted wool in hyperbolic form. Fringed with champagne eyelash fiber. Edged with baroque freshwater pearls. Needle felted focal point with glass beads.
Quilt 2897, c 1780-90. This was donated by Miss Susan Smee. Quilted textiles from the 18th century - Indian textile trade. It has colourful cottons, silks and calicos. By 1750, India was the top trader of cheap but high quality dyed textiles.
From Adrian Wilson’s collection of textile trademark stamp materials, photographed at his talk for the Type Directors Club, “TEXTile: Typography of the 19th Century Textile Trade”, Jan 28, 2010
Textiles: using patterns found from leotards to create interesting imagery to overlay on top of my silk screen prints.
A page from my textiles sketchbook. Using different environmental patterns and shapes and sewing into them with a sewing machine.
Gemma Ormrod - Textiles
Degree Shows 2010
Wednesday 23rd - Tuesday 29th June 2010
Norwich University College of the Arts
Norwich, Norfolk, England, UK
The fabric titled Textile Center Beach will soon be available on www.spoonflower.com.
This is a March 2012 contest entry for the Textile Center Urban Sightings design contest. Six photographs of city life provided inspiration, and parts of all six are included.
Designed in Illustrator, transferred to wholecloth, quilted with two battings and painted, using textile paint, dry pigments, inks and pencils.
Play Taiwanese Textile *3 here!
Processing version
www.choyenting.com/processing/taiwanesetextile/
Flash version
I love the blue sky/clouds fabric, and I knew exactly what I wanted to do with it when I found it. These came out mostly as I intended. Next time I'll probably embroider around the appliques. Thanks to Terry F for sharing her method of constructing the cards with me.
Live event VID art|science
Textile installation: Julia von Stietencron
in collaboration con Elisabetta Melotti
live music: Octandre
The early embryonic life: a Place harboring the information for our journey throughout the adulthood.
The textile artwork represents the primordial of life as the self-assembling of forms in the presence of physical energies (i.e. electromagnetic energy and mechanical/sound vibration) symbolized by dark/light patterning and colored beams spreading throughout a network of assembling morphogenetic layers.
A movie of the artwork (10 m long, 3 m high, 3 m wide) represented as an audio/video installation, with light and sound vibration is available at: www.youtube.com/watch?v=3ftWdExdpWA
Images of the artwork appeared as a cover image in Cell R4, an international Journal of regenerative medicine (Cell R4 Vol 2, issue 2), within the context of the article entitled: "Fashioning Cellular Rhythms with Magnetic energy and Sound Vibration: A new perspective for Regenerative Medicine” (Carlo Ventura, Cell R4 2(2): e839).
This is a Key which was produced for a project titled "Magic Box". It was created using disperse dye on a man made fabric stuffed with cotton wool. The Key is found in the magic box hanging from the roof, and other aspects found within the box are created on the outside of the structure.
This is some research, development and two final pieces I created whilst in a textiles rotation. The heading was shapes of the city so I extrapolated the triangular shape from photographs I had taken from Edinburgh city centre and used them as the basis for the design.
Printed Textiles taken from flowers printed onto handmade paper and using lace print printed onto Calico Fabric in the print room.
Medium: Calico Fabric, Handmade Paper and Lace