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Read more about this installation by Ronan & Erwan Bouroullec.
www.londondesignfestival.com/content/2011-ronan-erwan-bou...
Photo © Ronan & Erwan Bouroullec
Just Pinned to textile.: Lately I have become re-obsessing with mustard. It all started with a linen tee-shirt that I picked up on holiday. And as with all my obsessions it usually begins in the wardrobe and takes over the… ift.tt/29e30WZ
This part of Guatemala is famous for its incredibly beautiful and colourful textiles. Of particular note are the blues and purples from one of the nearby towns.
My second dress for my AS level art textiles, based on coral I marbled and embroidered the fabric and then added ruffles. (Model Aimee)
These Fashion Textile samples are ones I did at the beginning of my course when experimenting with the heat press. I used materials like paper and safety pins to make marks on the fabric and I used foiling to make the silver effect of the safety pin mark. My brief for these samples was 'Heavy Metal' so I spent most of my time developing my original samples, because they came out too light, whereas I needed dark samples to match my colour samples. I used the safety pins and foiling to match the metalic concept of 'Heavy Metal'. Although some of my samples seem blurry, this is the actual effect on the fabric as the ink was starting to wear off the print, I think this is an effective print because it creates an illusion when you look at it.
The July challenge with BQL Group (Yahoo). This Bargello was not very successful, but I did learn something from it.
From Adrian Wilson’s collection of textile trademark stamp materials, photographed at his talk for the Type Directors Club, “TEXTile: Typography of the 19th Century Textile Trade”, Jan 28, 2010
This is a Key which was produced for a project titled "Magic Box". It was created using disperse dye on a man made fabric stuffed with cotton wool. The Key is found in the magic box hanging from the roof, and other aspects found within the box are created on the outside of the structure.
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