View allAll Photos Tagged Textiles
Textiles visual response, inspired by Carol Rhodes- formed by stitchery, felting and layering with batik and ink.
From Adrian Wilson’s collection of textile trademark stamp materials, photographed at his talk for the Type Directors Club, “TEXTile: Typography of the 19th Century Textile Trade”, Jan 28, 2010
4-H Clover College is a four-day series of hands-on workshops for youth presented by Nebraska Extension in Lancaster County.
In the four-day “Electronic Textiles” workshop, youth used special thread and miniature computers to create electronic fabrics such as a bracelet, bookmark, stuffed e-monster and other items. Instructor: Nebraska 4-H staff.
In Nebraska, the 4-H youth development program for ages 5-18 is part of University of Nebraska-Lincoln Extension. Learn more about Lancaster County 4-H at lancaster.unl.edu/4h.
Tullie Textiles group meets on the second Sunday of the month at Tullie House Museum and Art Gallery between 2-4 pm. Each month we see a different object from the collections and I demonstrate a different textile skill or technique. The group is free to attend. March: Applique house portraits.
Fforio // Explore : Powys Textile Factory
Have been wanting to visit this site for years ! Finally accessed in May 2015 in an early morning visit. Spent a good three hours on site.
Returned in August to get some external shots. Site is now occupied.
Gemma Ormrod - Textiles
Degree Shows 2010
Wednesday 23rd - Tuesday 29th June 2010
Norwich University College of the Arts
Norwich, Norfolk, England, UK
From Adrian Wilson’s collection of textile trademark stamp materials, photographed at his talk for the Type Directors Club, “TEXTile: Typography of the 19th Century Textile Trade”, Jan 28, 2010
A weaver at El Gran Condor (lo siento, no sé su nombre) in Otavalo demonstrated traditional fiber preparation and the weaving techniques she uses now.
Untangling wool from the spindle before spinning.
Dimensions: 420cm by 549cm
Media: Print on paper
Description:This image represents one of the three final textile design wrapping paper products that I completed as my design practical, after thorough development and planning shown in my design journal. In this piece I felt that since the wrapping paper was meant to be produced in Africa I ought to take the local design themes and recurring aspects into account. I was inspired by the geometric style of much of the local African design, for example the many recycled pieces as well as the earthly colours that I saw most often in Zulu artwork and clothing.
Nike Air Max 1, ND, Have A Nike Day, GS, Size 7Y, Space Purple, Black, Bleached Coral, AT8131-001, UPC 00888409493087, Release Year 2018, tongue features "Have A Nike Day" textile eyelets, embroidered smiley face, mesh base, multi-color sole, White midsole, Woven tongue label, black Nike “Swoosh”, smiley face metal lace dubrae, smiley face logo on the heels, pastel-translucent outsole, Black overlays on the Swoosh and mudguard, Visible air sole unit, mesh and suede upper, pastel tones and smiley face logos, debut in 1987, Air-Sole unit, Air Max technology, impact absorption, runners
1st layer, fabric dye with different colours
2nd layer, using canting to draw flowers on the after the fabric dye is dry
what u gt is a beautiful flowers floating around