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New textile bookmarks in the Shop - interfaced for increased durability, but thin and flexible enough to mark any book without deforming it.
I make these bookmarks with fabric leftovers from larger items, for a more sustainable making and lifestyle.
via Instagram instagr.am/p/Csvoa9vseED/
Inspired by a muffin that I had for breakfast on the way to college and when I look at it in my hand the composition had to explored further. It has bold colours and very intriguing small details that I developed. Layered tissue paper and used softer media to represent my skin and the scrunches round my wrist - the final look of it reminds me of 1920's lady wearing a cloche hat.
Textile Field by Ronan & Erwan Bouroullec in the Rafael Court of the V&A with the support of Kvadrat
London Design Festival 2011
©Susan Smart
Work from Carleton Day Centre's Wednesday Art Group. A partnership project between Carlisle Day Services and Prism Arts. In this block of sessions we're exploring textiles and our theme is the Natural World. January-March 2017.
CA’s Spring Semester Student Art Show & Reception took place on Friday, May 23. Students, faculty, staff, and guests convened to look at dozens of works on display over three separate floors. The works included brilliantly designed textiles, sculptures, photographs, and paintings, and more.
Fragments of beaded and embroidered mesh from a 1920s dress. These pieces are among my favourite treasures.
I've always loved textiles and clothing design. When I was 11, I designed these 1968 dresses and my Mom, knowing I needed a joint/safe project sewed them all meticulously for me. Since then a younger cousin wore them as hand-me-downs and loved them too. She even thought the next generation of her grand-nieces probably wore them and wore them out. So to our surprise she recently found them in her Mother's (my aunt's) closet and returned them all to me :>)) This eases the pain of turning 60 today (somewhat)!!
Visits to a textile museum and the workshop of the Quito School woodworkers in San Antonio de Ibarra, Ecuador.
Tullie Textiles group meets on the second Sunday of the month at Tullie House Museum and Art Gallery between 2-4 pm. Each month we see a different object from the collections and I demonstrate a different textile skill or technique. The group is free to attend. June: Beaded Buttons
We also had a selection of work from a participatory project run by artist Carol Parker called 'From Lincolnshire and Back.'
Experimental Printed Textiles in Fashion - WLCI Fashion School
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I have developed my logo to look this way to reflect all the different elements to my style. The mannequin reflects my main study area of textiles for fashion. The repetitive text that sort of merges into the back ground shows how I like to use text within my designs in a way that you don’t even realise it is really there. And finally the masks represent two things, the first being sometimes my work is disguised and you can’t always see the true design until you look closer, and the second, I like being quite over the top using really unusual media and detail.