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Neben dem Siebdruckkurs für EInsteiger und dem Aufbaukurs für mehrfarbige Drucke geben wir regelmäßig einen Muster-Druckkurs in unserem Berliner Atelier. Wir unerstützen Dich bei der Erstellung und Optimierung Deines Musters und drucken es gemeinsam auf Stoff.
Mehr Infos gibt es hier: www.nadjagirod.com/de/home/20-musterdruckkurs.html
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Print your own pattern - join our screenprint class. click the link to find out more: www.nadjagirod.com/en/home/20-musterdruckkurs.html
When designing the textile, think of it as your body of work and what message are you trying to send out to the world? Textile design is amazing because you can take pride in seeing your original artwork displayed on people all over the world!
So fun!
merci
Sarah L. Hunt (in the red dress) and Elizabeth J. Smith (in the checkered dress) in their installation.
Pictured here is our installation at The Midwives Collective & Gallery show: REDefined.
We designed and handpainted the wallpaper panel (8ftx8ft) as well as the fabrics. The fabrics were first designed on paper, transferred to board and handpainted with gouache, scanned, then set into repeat and digitally printed onto a cotton/linen mix fabric. Then we upholstered a vintage chair and made pillows with these fabrics.
Photo: Kelly Burkhardt
Kevin had all kinds dried plant material from the prairie available for us to look at and touch.
Photo by Angela Richardson
Adventures in Film~in my village
APRIL 2012
shot with Contax G2 on Fuji Superior 200
developed printed & scanned by Jessops in Reading
Im still learning about film-or remembering what I knew 30 odd years ago
Chris Gray is a contemporary textile designer, artist and embroiderer who teaches wonderful sewing crafts.
To learn more see her website
Chris Gray is a contemporary textile designer, artist and embroiderer who teaches wonderful sewing crafts.
To learn more see her website
some prints I designed to be printed on fabrics
blog.smil.biz/2013/03/chidrens-fabrics-kinderstoffe-aus-b...
Chris Gray is a contemporary textile designer, artist and embroiderer who teaches wonderful sewing crafts.
To learn more see her website
Spanish tiles. Bright geometric floral pattern. Watercolor drawing. Decorate your kitchen, children's room, bedroom. For wallpaper, upholstery, home textiles, gift wrapping. www.spoonflower.com/fabric/7121506-spanish-tiles-watercol...
© Josephine Kimberling 2013, All rights reserved
www.josephinekimberling.blogspot.com
photography by natalie g. | photography
Hot! Hot! Hot! What a great color combination and effect this shibori chiffon and nuno felt wrap around skirt make! This skirt would make anyone melt and want to wear it! Have fun wearing it out on the dance floor! Super job with all the work you have done on this piece!
Kim Erdmann displayed the miniature paper dresses that she created with paper made from plants she collected in the prairie.
Photo by Angela Richardson
Keeping the wrap tight is important! The idea behind shibori is to resist the dye with the string and so tension plays an import roll in creating a shibori dyed fabric.
I am exploring imagery of modern airplane travel. Banned items such as scissors, nail clippers, snow globes and lighters are a part of this design. I envision this textile design is for a Japanese furoshiki wrapping cloth.
Last month, Michael and I had the opportunity to visit a fascinating vintage clothing exhibit at the Metropolitan Museum of Art in New York City.
Entitled, “Death Becomes Her: A Century of Mourning Attire”, it featured an historical progression of mourning attire spanning the years 1840 to 1916. Worn mainly by new widows, other family members, children, sisters, grandmothers, and even men might also dress in black.
These finely constructed, exquisite and expensive garments reflected the current styles of their era; however, with little or no color. I wandered the beautiful yet, somber vignettes studying the artistry ever mindful that a real person had worn the apparel in mourning for a lost loved one.
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This scarf is incorporating the wool yarn used in dyeing the piece. It will make a harmonizing color scheme since it all came out of the same vat. She is letting olive oil soap suds fall on the wool before agitating the wool to begin the nuno felt process. This prevents your hands from sticking to the wet wool and it helps your hands glide smoothly and lightly over the surface without disturbing the design.
Last month, Michael and I had the opportunity to visit a fascinating vintage clothing exhibit at the Metropolitan Museum of Art in New York City.
Entitled, “Death Becomes Her: A Century of Mourning Attire”, it featured an historical progression of mourning attire spanning the years 1840 to 1916. Worn mainly by new widows, other family members, children, sisters, grandmothers, and even men might also dress in black.
These finely constructed, exquisite and expensive garments reflected the current styles of their era; however, with little or no color. I wandered the beautiful yet, somber vignettes studying the artistry ever mindful that a real person had worn the apparel in mourning for a lost loved one.
Exhibition catalog: Vision in Textiles, from tradition to textile art / design of tomorrow, 2005.
A serie of five room dividers woven in complex gauze and with the use of a fan reed /yoroke. The materials are monofilament, polyester and coated polyurethane.
One of the room dividers have been awarded with a bronze medal by the Arts and Crafts Award of 1879.
Photographer: Ole Akhøj.
Last month, Michael and I had the opportunity to visit a fascinating vintage clothing exhibit at the Metropolitan Museum of Art in New York City.
Entitled, “Death Becomes Her: A Century of Mourning Attire”, it featured an historical progression of mourning attire spanning the years 1840 to 1916. Worn mainly by new widows, other family members, children, sisters, grandmothers, and even men might also dress in black.
These finely constructed, exquisite and expensive garments reflected the current styles of their era; however, with little or no color. I wandered the beautiful yet, somber vignettes studying the artistry ever mindful that a real person had worn the apparel in mourning for a lost loved one.