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The dye job on this turned out so well and the wool and the silk dyed wonderfully and made this nuno silk come to life!
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Neben dem Siebdruckkurs für EInsteiger und dem Aufbaukurs für mehrfarbige Drucke geben wir regelmäßig einen Muster-Druckkurs in unserem Berliner Atelier. Wir unerstützen Dich bei der Erstellung und Optimierung Deines Musters und drucken es gemeinsam auf Stoff.
Mehr Infos gibt es hier: www.nadjagirod.com/de/home/20-musterdruckkurs.html
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Print your own pattern - join our screenprint class. click the link to find out more: www.nadjagirod.com/en/home/20-musterdruckkurs.html
Inspired by Berlin based label Studio Nono, students were asked to design a collection suitable for Spring/Summer 19 collection. The outcome was 4 hand painted designs and 2 metre screen printed fabric length.
Studio Nono is a fashion and textiles label working to produce unique feminine textiles ad accessories. Inspired by Japanese and Northern European design, they aim to create their own visual language through unique prints on natural materials. Designing for this label I aimed to create a delicate feminine colour palette and aesthetic using stylised fruit, floral and plant imagery. Other techniques explored were embroidery and beading.
Shibori takes some time and it is always a bit of a surprise when opened, but that is what makes it so exciting! By the time the hot ''Cushing Perfection Acid Dye'' for wool and silk has been poured over the desired area for 10 to 15 minutes, and then rinsed.........the anticipation rises and you can hardly wait to unwrap it!!!!
Traded to Candyn29**.
Materials: Background (print of Akira Nonomura's textile design); border from Riita Rautio (Thanks!); image (print of a 1928 fashion); sticker; rhinestone.
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Last month, Michael and I had the opportunity to visit a fascinating vintage clothing exhibit at the Metropolitan Museum of Art in New York City.
Entitled, “Death Becomes Her: A Century of Mourning Attire”, it featured an historical progression of mourning attire spanning the years 1840 to 1916. Worn mainly by new widows, other family members, children, sisters, grandmothers, and even men might also dress in black.
These finely constructed, exquisite and expensive garments reflected the current styles of their era; however, with little or no color. I wandered the beautiful yet, somber vignettes studying the artistry ever mindful that a real person had worn the apparel in mourning for a lost loved one.
Last month, Michael and I had the opportunity to visit a fascinating vintage clothing exhibit at the Metropolitan Museum of Art in New York City.
Entitled, “Death Becomes Her: A Century of Mourning Attire”, it featured an historical progression of mourning attire spanning the years 1840 to 1916. Worn mainly by new widows, other family members, children, sisters, grandmothers, and even men might also dress in black.
These finely constructed, exquisite and expensive garments reflected the current styles of their era; however, with little or no color. I wandered the beautiful yet, somber vignettes studying the artistry ever mindful that a real person had worn the apparel in mourning for a lost loved one.