View allAll Photos Tagged Testing.
Jeff B., one of my favorite Disney Photographers, took a shot very similar to this that was the inspiration for this photo. Until I saw Jeff's photo, I had never even noticed these conveyor belts overhead when exiting Test Track.
Here is Jeff's shot for reference:
www.flickr.com/photos/jeffbpictures/1954486302/in/set-721...
I can't compete with him, but I can give it my best shot :-)
Testing with a budget lighting setup;
Yongnuo 560 II in an umbrella & an old praktica 1600a.
Praktica was triggered with a Yongnuo radio trigger and the Yongnuo 560 II triggered in slave mode.
Still learning how to use a flash - it's like learning photography all over again.
Official testing for Petronas Asia Road Racing Championship 2013 at Sepang International Circuit. Top racers : Katsuaki Fujiwara, Azlan Shah Kamaruzaman, Zamri Baba, Ahmad Fuad Baharudin, M. Fadli, M. Zaqhwan.
Testing the Sigma 30 mm on a D70s at Ritz camera, I took this pic and the next through the open door. At f8-10 its sharp.
Testing Voxels performance, Voxel certainly have more feature than BlockArt, copy paste selection, paint blocks, adaptive grid system, light placement and color and all, but the two finger rotate view is weird gesture imo, consistently made mistakes with this gesture, rotating or zooming, one at a time, can't be both.
Sergio Perez (MEX) Sahara Force India F1 VJM07..
Formula One Testing, Bahrain Test One, Day Three, Friday 21st February 2014. Sakhir, Bahrain.
Before anything, test your controls, and the ability to create water at a certain temperature setpoint. Here you can see the silly cardboard wind tunnel for the Relay Heatsink... Turns out that it didn't really get hot at all, and thus didn't need such of an overkill cooling system.
Teste de fotografia ao dirigir.
Utilizei um tripé e um disparador remoto. Para a primeira vez acho que ficou razoável.
testing the flickrbooth plugin on my macbook.
yes we keep the office dark.
yes I need a hair cut, which is why I've been wearing a hat for a straight week.
if you have an isight camera and a copy of photobooth on your mac you can try out flickrbooth at www.otierney.net/flickrbooth
A bit hard to get a sharp focus on the petal point with handheld.
My shaky hands is to hard for the Mega OIS to correct?
Looks good on LCD preview but upon scrutiny on my laptop was not so sharp :-(
Any one know how to select focus point and increase DoF while on iA mode?
Tri-X nocturnal: test of 6 push developing techniques on Arista Premium 400 AKA Tri-X exposed under the candle light. Download ~3MB pdf from here:
emirco.net/photo/projects/Tri-X_Test_3200_6400_2011/Tri-X...
elvis was not so thrilled to be our test baby to the grocery store...but you know .....we gotta work out the kinks....
I took the lens from a projector made in the 70s (the kind with a cassette tape built in for educational use) and 'attached' it to my point and shoot camera (the camera I use for all the photos on Flickr.)
Result = good.
This is a small need/thread from the cactus that tequila is made from. I got it (yay pockets) while in Mexico earlier this year.
This photo is completely unedited.
Fashion design is the art of the application of design and aesthetics or natural beauty to clothing and accessories. Fashion design is influenced by cultural and social latitudes, and has varied over time and place. Fashion designers work in a number of ways in designing clothing and accessories such as bracelets and necklace, because of the time required to bring a garment onto the market, must at times anticipate changing consumer tastes.
Fashion designers attempt to design clothes which are functional as well as aesthetically pleasing. They must consider who is likely to wear a garment and the situations in which it will be worn. They have a wide range and combinations of materials to work with and a wide range of colors, patterns and styles to choose from. Though most clothing worn for everyday wear falls within a narrow range of conventional styles, unusual garments are usually sought for special occasions such as evening wear or party dresses.
Some clothes are made specifically for an individual, as in the case of haute couture or bespoke tailoring. Today, most clothing is designed for the mass market, especially casual and every-day wear.
Structure[edit]
Fashion designers can work in a number of many ways. Fashion designers may work full-time for one fashion as 'in-house designers' which owns the designs. They may work alone or as part of a team. Freelance designers work for themselves, selling their designs to fashion houses, directly to shops, or to clothing manufacturers. The garments bear the buyer's label. Some fashion designers set up their own labels, under which their designs are marketed. Some fashion designers are self-employed and design for individual clients. Other high-fashion designers cater to specialty stores or high-fashion department stores. These designers create original garments, as well as those that follow established fashion trends. Most fashion designers, however, work for apparel manufacturers, creating designs of men’s, women’s, and children’s fashions for the mass market. Large designer brands which have a 'name' as their brand such as Abercrombie & Fitch, Justice, or Juicy are likely to be designed by a team of individual designers under the direction of a designer director.
Designing a garment[edit]
Fashion designers work in different ways. Some sketch their ideas on paper, while others drape fabric on a dress form. When a designer is completely satisfied with the fit of the toile (or muslin), he or she will consult a professional pattern maker who then makes the finished, working version of the pattern out of card or via a computerized system. The pattern maker's job is very precise and painstaking. The fit of the finished garment depends on their accuracy. Finally, a sample garment is made up and tested on a model to make sure it is an operational outfit.
Fashion design is generally considered to have started in the 19th century with Charles Frederick Worth who was the first designer to have his label sewn into the garments that he created. Before the former draper set up his maison couture (fashion house) in Paris, clothing design and creation was handled by largely anonymous seamstresses, and high fashion descended from that worn at royal courts. Worth's success was such that he was able to dictate to his customers what they should wear, instead of following their lead as earlier dressmakers had done. The term couturier was in fact first created in order to describe him. While all articles of clothing from any time period are studied by academics as costume design, only clothing created after 1858 are considered as fashion design.
It was during this period that many design houses began to hire artists to sketch or paint designs for garments. The images were shown to clients, which was much cheaper than producing an actual sample garment in the workroom. If the client liked their design, they ordered it and the resulting garment made money for the house. Thus, the tradition of designers sketching out garment designs instead of presenting completed garments on models to customers began as an economy.
The garments produced by clothing manufacturers fall into three main categories, although these may be split up into additional, more specific categories
Haute couture[edit]
Main article: Haute couture
Until the 1950s, fashion clothing was predominately designed and manufactured on a made-to-measure or haute couture basis (French for high-sewing), with each garment being created for a specific client. A couture garment is made to order for an individual customer, and is usually made from high-quality, expensive fabric, sewn with extreme attention to detail and finish, often using time-consuming, hand-executed techniques. Look and fit take priority over the cost of materials and the time it takes to make.[1][2] Due to the high cost of each garment, haute couture makes little direct profit for the fashion houses, but is important for prestige and publicity.[3]
Ready-to-wear (pret-a-porter)[edit]
Main article: Ready-to-wear
Ready-to-wear clothes are a cross between haute couture and mass market. They are not made for individual customers, but great care is taken in the choice and cut of the fabric. Clothes are made in small quantities to guarantee exclusivity, so they are rather expensive. Ready-to-wear collections are usually presented by fashion houses each season during a period known as Fashion Week. This takes place on a city-wide basis and occurs twice a year. The main seasons of Fashion Week include, spring/summer, fall/winter, resort, swim, and bridal.
Mass market[edit]
Main article: Mass market
Currently the fashion industry relies more on mass market sales. The mass market caters for a wide range of customers, producing ready-to-wear garments using trends set by the famous names in fashion. They often wait around a season to make sure a style is going to catch on before producing their own versions of the original look. In order to save money and time, they use cheaper fabrics and simpler production techniques which can easily be done by machine. The end product can therefore be sold much more cheaply.[4][5][6]
There is a type of design called "kutch" design originated from the German word "kitschig" meaning "ugly" or "not aesthetically pleasing." Kitsch can also refer to "wearing or displaying something that is therefore no longer in fashion."[7] Often, high-waisted trousers, associated with the 1980s, are considered a "kitsch" fashion statement.[8]
Income[edit]
Globe icon.
The examples and perspective in this section may not represent a worldwide view of the subject. Please improve this article and discuss the issue on the talk page. (December 2010)
Median annual wages for salaried fashion designers were $61,160 in May 2008. The middle 50 percent earned between $42,150 and $87,120.[9] The lowest 10 percent earned less than $32,150, and the highest 10 percent earned more than $124,780. Median annual earnings were $52,860 (£28,340) in apparel, piece goods, and notions - the industry employing the largest numbers of fashion designers.[10]
Testing av fendersystem for redningsskøyter i laboratoriet til Det Norske Veritas på Høvik.
Med på testingen var Arne Bardalen og Webjørn Knutsen fra NSSR og Stein Fredheim og Knut Hansen (blå kjeledress) fra DNV.
22-2-2018 - Ricardo Barral Torres presenta su libro “Test Drivers 2. El Desafío” en la librería Paulinas.
Official testing for Petronas Asia Road Racing Championship 2013 at Sepang International Circuit. Top racers : Katsuaki Fujiwara, Azlan Shah Kamaruzaman, Zamri Baba, Ahmad Fuad Baharudin, M. Fadli, M. Zaqhwan.
This is a new "film d'essai" (test film) of my FOCA PF2B, a French range-finder 35mm camera manufactured in 1948, in order to test an optically clean Oplar 1:2.8 f=5cm normal lens (the lens of my Foca PF3L) compared to the Oplar 1:3.5 f=5cm that came with this early PF2B camera.
I noticed on the first trial film that the lens gave quite diffuse images resulting likely from a front lens surface with a lot a tiny cleaning marks. To see the difference with a late-period normal lens (60's) in perfect condition, the first 16 frames are done with the clean lens and the rest on the same scenes with the older one.
The camera was equipped was previously with the FOCA Universel finder and distance measured with a hand Laser telemeter.
The camera was loaded with an Folmapan Creative 200 36-exposure film. It was exposed for 160 ISO using an Autometer III Minolta lightmeter fitted with a 10° finder for selective measurements privileging the shadow areas. The Oplar lenses were equipped with either a generic 1A push-on 36mm protective filter or a Foca AUV 42mm filter with generic cylindrical shade hoods.
Images with the older Oplar Lens 1:3.5 f=5cm with front-lens cleaning marks
Place Colbert, May 19, 2023
69001 Lyon
France
After exposure, the film was revealed using Adox Adonal (Agfa Rodinal) developper at dilution 1+25 and 20°C for 5min. The film was then digitalized using a Sony A7 body fitted to a Minolta Slide Duplicator installed on a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5. I used here for the first time a new light LED source (NEEWER RGB61 Mini portable LED light). The RAW files obtained were processed without intermediate files in LR and edited to the final jpeg pictures.
All views of the film are presented in the dedicated album either in the printed framed versions and unframed full-size jpeg accompanied by some documentary smartphone Vivio Y76 color pictures.
About the camera :
This Foca PF2B is an early series (circa 1948) of the Foca PF2B 35mm range-finder camera appeared in 1947. The PF2B model of Foca has the 36mm screw mount of other Foca PF (PF standing for "Petit Format"). Foca camera's were constructed in France by the company "Optique & Precision de Levallois" (OPL) in the OPL factory of Chateaudun (Eure) starting from 1946. This factory still exists under the name of SAFRAN a French company producing aerospace devices and systems.
The camera came with a collapsible OPLAR lens 1:3.5 f=5cm and an ever-ready leather bag.
A product of the MIT glass lab poses for a test of my 200mm F-mount lens mounted on Nikon V1 camera.
test your color vision! according to this test, i have perfect color vision: www.xrite.com/online-color-test-challenge
then they shame me to inputting my age range. so old.