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I found this wonderful yard full of old technology in Moab just by the main road. This was an example of green technology
Acrylic marker and ink on paper 21" x 18" January 16, 2023. www.saatchiart.com/art/Drawing-Captured-Technology-Arroma...
10 June 2011 - Vienna
Lucie Pautet debating the challanges and growth for NEPTUNE Canada during the Science and Technology conference 2011.
Copyright CTBTO Preparatory Commission
Photographer: Marianne Weiss
A school of robotics in Ukraine’s conflict- affected town.
Hanna teaches children science in a small town in Ukraine.
“We educate them with design engineering and robotic science, instilling in them knowledge and skills that they can draw on in the future, we also offer English-speaking clubs for children, as well as modern board games that foster logical and strategic thinking”. “My dream was always to open a centre for children.”
With the help of UNDP and the Government of Japan, Hanna opened “ Pozytyv” (‘Positive’) children’s centre. We work hand in hand with people who have ideas to generate a positive impact on society.
Read more: undpukraine.exposure.co/a-woman-entrepreneur-teaches-chil...
Photo: Galyna Balabanova./ UNDP Ukraine
The Processor Technology Sol, introduced in the mid 1970's, was one of the first microcomputers that actually looked vaguely like a desktop PC rather than an instrument panel full of toggle switches.
A twofer - Silver for the "365 Days in Colour group" and #38 Technology for the 115 in 2015 group. Albeit a bit of ancient technology.
yes, they do all work - even the 1st gen 10Gb scroll wheel one. Missing the iPod Touch (because I can't find it quickly enough to include) and a black 1st gen nano on permanent loan out.
love/hate relationship
i love technology. i love having this little phone to take pictures of flowers. to keep in touch with my loved ones. to make new friends. i really do.
but i hate the worrying about backups and where's my photostream and why won't this work or that work.
so today, after two completely unproductive days at work due to computer problems, i figured it was time to backup my iphone.
Current Makai/Diamond Head sides of the building as viewed from Watanabe Hall roof. photo by Larry Wiss
T is for Technology. With today's technology I feel the possibilities are endless. Ive met so many great people over the internet and I am so thankful for them.
Self Portrait from an installation my first year studio class art school - over 10 years ago now! Transparency, homemade light box (rope lighting and foamcore), and computer circuit boards.
Posted because I needed a "prayer" graphic on my blog, and as a proof that I once had hair.
Marjolein Helder, Chief Executive Officer, Plant-e, Netherlands at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China 2015. Copyright by World Economic Forum / Sikarin Fon Thanachaiary
Check it out my Portfolio: GETTY IMAGES
Information Technology Engineering is o professional engineering stream which mainly focuses on studying the utilization of computers and telecommunications. For more information visit: ekeeda.com/branch/information-technology-engineering
Street Talks
Varous Artists
Wednesday 6 - Friday 8 November, Check listing for times
Various Locations
Various Locations
Street Talks is a series of quickfire public talks, part of the Re@ct: Social Change Art Technology Symposium. Rather than your typical poster session, these talks will take place on the streets of Dundee in various locations. Free speech is essential to political and social change – these artists are quite literally taking it to the streets to share their creative practices.
Luisa Charles & Elke Reinhuber –Wednesday 6th November, 2pm, Slessor Gardens
Luisa Charles – discusses the intersections of disability and design, and how novel bespoke design practices could offer a solution to designing for all needs, where universal design could not. These design ideologies, that include co-design, individual centred design, mass customisation, and mass personalisation, are exemplified by case studies from pop culture design media, such as the Fixperts and BBC’s Big Life Fix. She analyses the social, technological, and economical shifts that are required for these practices to become mainstream, and the capability of bespoke design to cause enough disruption within the design economy to create a shift in capitalism.
Elke Reinhuber – The Urban Beautician moved recently from the speckless city state of Singapore, where she already developed her retirement plans, across the South China Sea, to protest-ridden Hong Kong. There, she observed how much effort the cleaners put up to keep these megapolises scrubbed and tidy. As they are frequently overlooked, the Urban Beautician captured some of them during their relentless daily routine. While they have adapted themselves to their particular duties, their skills are hardly ever honoured or even acknowledged. Paying homage to their Sisyphean challenge, they can be positioned now anywhere through Augmented Reality and venerated as perpetualised sculptures of our everyday heroes.The Urban Beautician tries to improve neglected details in our urban environment with interventions in public space and performances to camera. Since more than a decade she cares for things most people are oblivious to.
Ibarieze Abani and Daisy Abbott & Anders Zanichkowsky – Thursday 7th November, 1:30pm, Albert Square, by McManus Gallery Steps
Ibarieze Abani and Daisy Abbott – Transmedia storytelling uses multiple delivery channels to convey a narrative in order to provide a more immersive entertainment experience (Jenkins, 2009). Transmedia activism can be very broadly defined as using storytelling to “effect social change by engaging multiple stakeholders on multiple platforms to collaborate toward appropriate, community-led social action” (Srivastava, 2009). Activism depends on participation and collaboration within a community to avoid unsustainable or inappropriate top-down interventions. A similar concept, transmedia mobilization, uses transmedia storytelling to engage “the social base of a movement in participatory media making practices across multiple platforms” (Constanza-Chock, 2013) and also requires interaction from diverse voices from within the community.
Anders Zanichkowsky –“I Am in Your Hands: Smartphones and the erotics of the future”Social media artist and queer anarchist Anders Zanichkowsky will present excerpts and reflections from his current Grindr project, “Queen of Hearts,” as well as other recent projects reading Tarot cards on hookup apps and go-go dancing for a remote audience on Instagram. During this talk, Anders will use the same social media platforms that are the subject of his presentation, inviting you into the theory behind the work, and into the work itself. Equal parts cultural criticism, performance art, and experimental public speaking, this street talk will level the hierarchy of physical presence over virtual appearance, and scandalously suggest how thirst traps and sexting with strangers can indeed point us towards a radical future of queer intimacy and counterculture.
Mohammad Namazi & Matteo Preabianca – Friday 8th November, 1:30pm, Wellgate Centre, Victoria Road entrance
Mohammad Namazi – An Archive of Audio Disobedience, intervenes into the public realm, and collaborates with individuals, to construct a live-event. The event manifests through utilising a net-based sound archive, capable of involving participants in a collective form of sound-action, -publication, -demonstration, -performance, and -play.
The archive comprises various audio effects, sound segments, words, and computer-generated speeches – to stage a critical symphony, rooted in and derived from, socio-political concerns.
Matteo Preabianca – Mantra Marx is the eighth album for the NonMiPiaceIlCirco! Project. NonMiPiaceIlCirco! is a musical project that has been on since 2004, the year of the first album. Since then, the line-up has been in a constant change, with Matteo Preabianca the only member from the beginning. So they took The Capital from the shelf to read again. But who remembers it, especially young people? Let’s get rid of guitars and songs to give a didactic approach to the music. 25 tracks, one for each of the First Book’s 25 chapters. They use the lyrics as Hinduist mantras, where repetition is the key for a deep understanding of our life, and Marx as well. Its music, besides being lo-fi and badly made, is just an excuse. The lyrics are a summarized version of the aforementioned book, spoken by 25 different Mandarin native voices, completely unaware of the reason behind the recording. Still time to die as a Marxist(?). Developed and recorded in China.
About the Artists
Daisy Abbott is an interdisciplinary researcher and research developer based in the School of Simulation and Visualisation at The Glasgow School of Art. Daisy’s current research focusses on game-based learning, 3D visualisation, and issues surrounding digital interaction, documentation, preservation, and interpretation in the arts and humanities. She also collaborates with artists on works aiming to explore the nature of digital interactivity and digital art.
Luisa Charles is an interaction designer, multidisciplinary artist, and filmmaker. Having been exhibited in the Science Museum, Science Gallery London, London Design Festival, and various film festivals, amongst others, her work spans many themes across science and technology, social politics, and personal narratives. She specialises in installation design and physical computing, experience design, fabrication, and videography, and her work often comes under the umbrella of speculative and critical design. Her work focuses heavily on research processes, and forms itself organically through investigation and experimentation.
Ibarieze Abani is a recent Masters graduate in Serious Games and Virtual Reality at the Glasgow School of Art, where she has carried out projects about cultural heritage, gender inequality, transmedia storytelling and climate policy. She is an advocate of the capabilities of interactive digital media as a tool for opening up dialogues surrounding large scale themes such as climate justice, social justice and intersectionality. She has a keen interest in working with people using digital media to make meaningful and tangible differences on a societal scale.
Mohammad Namazi (b. 1981. Tehran) is an artist, educator and researcher based in London. Mohammad works through means of de-construction, collaboration, process, unlearning, and telematics systems within social and cultural realms. The studio operates as a research-lab for inter-disciplinary projects that can span video, sound, liveevents, graphics, photography, sculptural structures, and internet-based projects. He received his doctorate from UAL research in 2019, and currently teaches as visiting lecturer at Wimbledon, and Chelsea College of Arts. Mohammad is a member of research cluster Critical Practice.
Matteo Preabianca- Music and Languages…Music and Languages? How come? Matteo starts playing violin when he was a child, but he did not like it, especially when he tried to beat it on the table. It did not make any good sound. So, better drumming, right? Meanwhile playing and spending a lot his mum’s money to buy records he realised even speaking other languages was not so bad. Especially when he invented his own. Step by step, he turned into a music and languages teacher.
Elke Reinhuber is not your average artist, because she became a specialist on choice, decision making and counterfactual thoughts in media arts. Currently, Reinhuber teaches and researches at the School of Creative Media, CityU Hing Kong and is affiliated with the School of Art, Design and Media at NTU in Singapore. In her artistic practice, she investigates on the correlation between decisions and emotions and explores different strategies of visualisation and presentation, working with immersive environments, mixed reality, imaging technologies and performance. In addition, her alter ego, the ‘Urban Beautician’ is pursuing a life which Elke didn’t follow.
Anders Zanickowsky is an American artist and activist who uses platforms like Grindr and Instagram as actual sites for performances about desire, uncertainty, and vulnerability. He is committed to José Esteban Muñoz’s concept of queer futurity in which artists refuse the oppressive confines of the present and reach instead towards what can only be imagined. He has an MFA from the University of Wisconsin-Madison (2019) and was a resident with The Arctic Circle program in Svalbard (2016). Since 2008 he has worked in movements for housing justice, prison abolition, and HIV/AIDS.
Photography Kathryn Rattray
Sophie & I ran a 3-day wearable technology bootcamp using LilyPad Arduino for 11-13 year-olds at Aberystwyth for www.Technocamps.com - a project led by Swansea University in partnership with the Universities of Bangor, Aberystwyth and Glamorgan that inspires young people aged 11-19 to attend technology workshops on a range of computing-based topics.
ITS Academic Technologies staff members install hardware into the data cabinets of the second level Data Center. photo by Larry Wiss
art music technology theme EROTEC teledildonics
GOGBOT 2013 – Edition #10:
EROTEC —- teledildonics: sex + technology
future body-extensions, instant body-scans, strobo-sensoring, noisy-freakshows, twitter-controlled dildo’s, electronic masturbators, pole-dancing robots, giant-reptiles on acid, hactivism, moreeeeeeeeeeeee
For four days and nights the centre of Enschede will be transformed into an audiovisual playground with media art, installations, exhibitions, workshops, robotics, performances, lectures, parties and the world championship Powertool Racing. This jubilee edition’s theme is the relation between sex and technology: EROTEC
During GOGBOT international top-of-the-bill art and Dutch talent can be seen at the Oude Markt, in the Grote Kerk, TETEM art space and Atak – mostly free of charge. GOGBOT is a sexy cyberpunk fair, a unique festival full of surprises – an audiovisual adventure. In 2011 the festival was crowned most innovative event in the Netherlands. Wanna shock your senses? Go GOGBOT!