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Close-up. From the exhibit BELIEF+DOUBT=SANITY by artist Barbara Kruger at the Hirshhorn Museum in Washington, DC. Huge typography on the floors and walls. Stunning statement.
www.hirshhorn.si.edu/collection/current-exhibitions/#coll...
Old mould casts at Ri Xing Typography, which houses the world's last complete set of traditional Chinese character molds for lead-type casting.
Having fun with typography. For more info, check out my short blog at www.digitalladysyd.com/?p=5070.
3rd round of exploration geared towards developing in-camera techniques for animating motion graphics to arrive at a less mechanical, more organic and optical feel, but with a process that provides flexibility for content control. No compositing is used here, no photoshop manipulation. My constraints are exposures no longer than 30 seconds, all typography and imagery is composed and exposed during that duration.
The next round will deal with registration issues, color and further exploration of foreground / middleground / background shifting of elements.
From the exhibit BELIEF+DOUBT=SANITY by artist Barbara Kruger at the Hirshhorn Museum in Washington, DC. Huge typography on the floors and walls. Stunning statement.
www.hirshhorn.si.edu/collection/current-exhibitions/#coll...
Pin&Thread Typography made by our A2 Applied Art and Design Students who are currently developing experimental typography for their Good Luck Card Project
2012-10-25 Halloween Typography Exhibition, Vulcan Gallery, Cal U. Funded by SAI & Associated Artists. Photo by: Jeff Helsel
A small collection of handpainted boat-names, something I feel takes skill and experience to get looking nice.
2012-10-25 Halloween Typography Exhibition, Vulcan Gallery, Cal U. Funded by SAI & Associated Artists. Photo by: Jeff Helsel
Bree Serif, Gerard Unger's Alverata and Ermin Međedović's Lipa Agate featured in the Japanese magazine Typography 06.
Typography 2 assignment. compiling a book of reading recommendations from my classmates. I created the layouts based on a grid I made, the grid was included in the book, so the reader could see how I constructed each layout.