View allAll Photos Tagged TRAP
.
Photo No# 2 of 2.
Well here we are trying to get out of
the mud cobra field and Mr Murphy
has set a nasty gorilla glue clay
trap for us... Now don't worry
this may be the same same
but this time it's different.
Yes the bike is sunk up an over the
rear axel and yes it is raining but
remember I now have fixed the
cum-along and have an extra
strap or two. So it's just a
matter of getting the
equipment out an
getting 2 work.
Ha Ha on Mr Murphy cuz 23 minutes
later and the bike is un-stuck and
we are loading up an heading
back home where every
bike/sidecar part an
dog part is hosed
down real good.
In due time 2 more tow straps
will be added to the equipment.
They cost $4 USD each and are
3.5 meters long. I have a feeling
in the very near future they will be
real handy to have on board. ;-)-----
To the left and up-front of the bike
is The Monkey and Pumpkin Pie.
They are knee deep in mud ;-(-
Do I want this stuff to end you ask ?
Sure, but will it end, probably not.
We've been coming here for many years
when the palm oil trees were real small.
It's a good place 4 the dogs to play ;-)-
Thank You.
Jon&Crew.
Please help with your temple dog donations here.
www.gofundme.com/saving-thai-temple-dogs.
Please,
No Political Statements, Awards, Invites,
Large Logos or Copy/Pastes.
© All rights reserved.
.
copyright: © R-Pe 1764.org All rights reserved. Please do not use this image, or any images from my flickr photostream, fb account or g+, without my permission.
Please join The Rave and be The Rave of Flickr !
Please Invite other Photos too !
Remember post one and comment three
-----------------------------------
Fantastic! Its awarded by JOPICX.
JOPICX(invite your contact)
Please join us on FB at JOPICX
Do not forget like us on FB
Shot with the help and keen creative eye of Sardor. Sardor stood behind a heavy black steel gate in a very dark basement. I wanted a strong low key lighting effect to emphasise the mood I was trying to get across. Black and white was an obvious choice and a favourite style of mine but I felt the colour image just made it more real. I used 1 SB900 through a grid to camera left. This was the only illuminating light in the scene.
Trapped in a web is one thing but this seed was then caught in the morning dew as well. It is a simple macro that I feel works well.
Looks better in 'large' format.
Active Assignment Weekly March 4 - 11: Imprisonment
WIT: I thought I would like to create a feeling of being imprisoned with a kind of primitive feel. So pulled out my creepers of leaves, dirtied my hands and face a little, and took the pic with camera on tripod and remote. In post, faded the colours, sharpened, and put in a slight vignette. Cropped to 8 by 10 size.
Your time is limited, so don't waste it living someone else's life. Don't be trapped by dogma - which is living with the results of other people's thinking. Don't let the noise of others' opinions drown out your own inner voice. And most important, have the courage to follow your heart and intuition.
Steve Jobs
[sold]
Model: Trap'eure Drop point
Edge Grind: Flat
Steel: O2 toolsteel
Blade Length: 4.5 inches (11cm)
Overall Length: 9 inches (23cm)
Steel Thickness: 5/32 inch (4mm)
Handle Material: Black Locust Burl
Handle Liners: Black
Hardware: Loveless bolt /brass tubing
Matching Firesteel
Leather Sheaths (premium veg tan-Thickness 3.8 mm)
Hand stitching
Russian postcard by 'Goznak', Moscow, series 2, no. A 1725, 1927. The card was issued in an edition of 15.000 copies.
Danish silent film actress Asta Nielsen (1881-1972), was one of the most popular leading ladies of the 1910s and one of the first international film stars. Of her 74 films between 1910 and 1932, seventy were made in Germany where she was known simply as 'Die Asta'. Noted for her large dark eyes, mask-like face, and boyish figure, Nielsen most often portrayed strong-willed passionate women trapped by tragic consequences.
Asta Sofie Amalie Nielsen was born in the Copenhagen suburb of Vesterbro, Denmark, in 1881. She was the daughter of an often unemployed blacksmith and a washerwoman. Nielsen's family moved several times during her childhood while her father sought employment. When she was fourteen years old, her father died. Asta's stage debut came as a child in the chorus of the Kongelige Teater's production of Boito's opera 'Mephistopheles'. At the age of eighteen, Nielsen was accepted into the drama school of the Royal Danish Theatre. During her time there, she studied with the Royal Danish actor Peter Jerndorff. In 1901, twenty years old, she became pregnant and gave birth to her daughter, Jesta. Nielsen never revealed the identity of the father, and chose to raise her child alone with the help of her mother and older sister. In 1902, she graduated from drama school. For the next three years, she worked at the Dagmar Theatre, then toured in Norway and Sweden from 1905 to 1907 with De Otte and the Peter Fjelstrup companies. Returning to Denmark, she was employed at Det Ny Theater (The New Theatre) from 1907 to 1910. Although she worked steadily as a stage actress, her performances remained unremarkable. Danish historian Robert Neiiedam wrote that Nielsen's unique physical attraction, which was of great value on the screen, was limited on stage by her deep and uneven speaking voice.
In 1909, set designer and director Urban Gad encouraged Asta Nielsen to become a film actress and she starred in his Danish silent film Afgrunden/The Abyss (Urban Gad, 1910). Gary Morris observes in Bright Lights Film Journal: "this film established from the beginning key components of her legend: scandalous eroticism and a uniquely minimalist acting style." Asta plays a music teacher lured away from her stolid fiancee (Robert Dinesen) by a sexy but faithless circus cowboy (Poul Reumert). In a startling sequence of sexual intensity, she lassos her boyfriend and does a lewd dance, bumping and grinding against him. Morris: "This vulgar ‘gaucho-dance’ was what most viewers remembered, but critics of the time also applauded Asta's naturalistic acting." The film was a huge success so she was encouraged to continue. The following year Balletdanserinden/The Ballet Dancer (August Blom, 1911) proved to be another success. Nielsen and Gad soon married. A German distributor, Paul Davidson, invited Nielsen to Germany, where he was building a new studio. Eventually, this would become Europe's largest film studio - the Universum Film Union A.-G. (or Ufa). Asta signed a contract for $80,000 a year, then the highest salary for a film actress. In 1911, she moved to Berlin with Urban Gad. In a Russian popularity poll of that year, she was voted world's top female film star, behind French comedian Max Linder and ahead of her Danish compatriot Valdemar Psilander.
In the next six years, Asta Nielsen played every conceivable kind of character in both tragedies and comedies. In Die Suffragette/The Militant Suffragette (Urban Gad, 1913), she is an English female liberationist whose beliefs force her to become violent, placing a bomb in Parliament. In Zapatas Bande/Zapata's Gang (Urban Gad, 1916), she plays a highway robber. In the comedy Das Liebes-ABC/The ABCs of Love (Magnus Stifter, 1916), she pretends to be a man and takes her wimpy boyfriend out on the town in order to "bring out the man in him." Nielsen was so famous that the name Asta became a trademark for cigarettes and perfumes. In the Dutch city The Hague, a cinema was named after her. Her beauty was praised by the poet Guillaume Apollinaire as "the drunkard's vision and the lonely man's dream". One of Asta's most interesting productions was Hamlet (Sven Gade, Heinz Schall, 1921). Gary Morris: "Asta brings a subtle twist to her version not by playing a man, but by playing a woman disguised as a man, adding another level of gender complexity. Hamlet was based less on William Shakespeare than on a popular book of the time that said Hamlet was actually a girl forcibly raised as a boy in order to provide an heir to the Danish throne. At first, the effect is more puzzling than effective, but the actress's strategy becomes evident in sexually charged scenes between Asta/Hamlet and Horatio, who caress and coddle each other in what surely appeared to viewers of the time (as it does to modern audiences) as a gay tryst. Asta brilliantly imparts the gender-unstable nature of the character in these scenes with Horatio and others with Fortinbras, whose encounters with Hamlet are also clearly coded as gay. The actress's effortless creation of these subtle, sympathetic homosexual tableaux gives a tremendous vitality to this production. The fact that the film was truly hers — being the first film she made with her own production company — shows just how daring and modern she was."
Nowadays Asta Nielsen is best known for Die Freudlose Gasse/The Joyless Street (G.W. Pabst, 1925). Asta plays in this film an impoverished woman who resorts to prostitution and murder. In the original prints there were two equal-time female leads: Nielsen and a young actress from Sweden, Greta Garbo. Ruthlessly cut for American release, the film suddenly became a Garbo vehicle. Fortunately, the print has been restored recently and Asta triumphs in it as the increasingly unbalanced Marie. Nielsen continued to be a screen legend in Germany, and appeared in films like Dirnentragödie/Tragedy of the Street (Bruno Rahn, 1927) and in her only sound film Unmögliche Liebe/Crown of Thorns (Erich Waschneck, 1932). After the Nazis came to power she was rumoured to be offered her own studio by propaganda minister Joseph Goebbels. Understanding the implications well, she left Germany for good in 1936, settling in Denmark where she returned to stage acting and became a private figure. In her later years, Asta Nielsen wrote articles on art and politics and a two-volume autobiography, 'Den tiende Muse' (The Silent Muse) in 1946. She also became an acclaimed collage artist. In 1964, Nielsen had to come to terms with the most severe blow of her life: her daughter Jesta committed suicide following the death of her husband. At 86, Asta directed her first film. Luise F. Pusch writes in FemBio: "After a film about her life did not meet with her approval, she set to work on the project herself. The result was a work of art." At 88, Asta Nielsen married her third husband, Christian Theede, an art dealer 18 years her junior and the great love of her life. The two enjoyed their travels together so much that they decided to leave their fortune to a foundation to fund trips for the elderly. In 1972, Asta Nielsen died in Copenhagen after a leg fracture. She was 90.
Sources: Gary Morris (Bright Lights Film Journal), Luise F. Pusch (FemBio), Jim Beaver (IMDb), Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards.
Taken over a waterfall in yellowstone. I like the steam behind the fence which is in fact spray from the waterfall.
Sorry for being a rubbish contact, Haven't been on flickr in weeks since i was in america!
Created for the Make It Interesting challenge #2 - Red Lantern.
Starter image, and background from my private stock.
Thanks to Clairity for the squirrel and to SkeletalMess for the beautiful texture.
~ Edited 10-10-09 ~