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من از چشم تو نوشيدم شرابی
شرابی ساغری عيشی گلابی
شرابی ساغری عيشم چه باشد؟
غزلهای سرودی شعر نابی
by syed ibrahim balkhi khoda beyamorz
خيالت مي وزد ، آيينه مي تابد گلســــــــتان را
به جشن روشنايي ميکشــــــد دست شبستان را
طلوع بي نيازي و شگفـــــــــــتن از حريم مه
شهاب و شعــــــله ميکارد تن سرد زمستان را
حضـــــــور آرزو بود لحظه ي باريدن عشقت
کمــــــي رويا ، کمي پرواز پهن روشنستان را
هـــــــــــواي نرم دريا ها براي شانه هاي باغ
و تفسير نــــــــوازش ناز صبح دل پرستان را
اي محرمان جان دل از خــــــــــويش بيرون گشته ام
بيرون زقــيد آب و گل آنســــوي گـردون گشتـــــه ام
آيينه ها بشکسته ام با اصـــل خود پيـــــــــــوستـــه ام
ازدام و صــورت رسته ام از لفظ افــزون گشتــــه ام
مستـــــي صهـباي دلــــم معنــــــــــاي معـــناي دلـــم
ديوانه گـي هاي دلـــــم مجـــنون مجــنون گشــــته ام
در دره هـاي سينـــه ام دريــــــــــاي عشـــق جاودان
جاريست اي ماهي و شان سيحون و جيـهون گشته ام
جانم نمي گنجد به تن مانــند معنــــــــــي در سخــــن
چون عطر گلـــهاي چمن از رنگ بيرون گشتــــه ام
تاجــــان جانت ديــــده ام آن تــــــرا بگـــــزيــــده ام
بربيش و کم خنديـــده ام يکدم دگرگــــون گشتــــه ام
Fatehpur Sikri is a city and a municipal board in Agra district in the state of Uttar Pradesh, India. The city was founded in 1569 by the Mughal emperor Akbar, and served as the capital of the Mughal Empire from 1571 to 1585. After his military victories over Chittor and Ranthambore, Akbar decided to shift his capital from Agra to a new location 37 km W.S.W on the Sikri ridge, to honor the Sufi saint Salim Chishti. Here he commenced the construction of a planned walled city which took the next fifteen years in planning and construction of a series of royal palaces, harem, courts, a mosque, private quarters and other utility buildings. He named the city, Fatehabad, with Fateh, a word of Arabic origin in Persian, meaning "victorious." it was later called Fatehpur Sikri. It is at Fatehpur Sikri that the legends of Akbar and his famed courtiers, the nine jewels or Navaratnas, were born.[citation needed] Fatehpur Sikri is one of the best preserved collections of Indian Mughal architecture in India.
According to contemporary historians, Akbar took a great interest in the building of Fatehpur Sikri and probably also dictated its architectural style. Seeking to revive the splendours of Persian court ceremonial made famous by his ancestor Timur, Akbar planned the complex on Persian principles. But the influences of his adopted land came through in the typically Indian embellishments. The easy availability of sandstone in the neighbouring areas of Fatehpur Sikri, also meant that all the buildings here were made of the red stone. The imperial Palace complex consists of a number of independent pavilions arranged in formal geometry on a piece of level ground, a pattern derived from Arab and central Asian tent encampments. In its entirety, the monuments at Fatehpur Sikri thus reflect the genius of Akbar in assimilating diverse regional architectural influences within a holistic style that was uniquely his own.
The Imperial complex was abandoned in 1585, shortly after its completion, due to paucity of water and its proximity with the Rajputana areas in the North-West, which were increasingly in turmoil. Thus the capital was shifted to Lahore so that Akbar could have a base in the less stable part of the empire, before moving back Agra in 1598, where he had begun his reign as he shifted his focus to Deccan. In fact, he never returned to the city except for a brief period in 1601. In later Mughal history it was occupied for a short while by Mughal emperor, Muhammad Shah (r. 1719 -1748), and his regent, Sayyid Hussain Ali Khan Barha, one of the Syed Brothers, was murdered here in 1720. Today much of the imperial complex which spread over nearly two mile long and one mile wide area is largely intact and resembles a ghost town. It is still surrounded by a five mile long wall built during its original construction, on three sides. However apart from the imperial buildings complex few other buildings stand in the area, which is mostly barren, except of ruins of the bazaars of the old city near the Naubat Khana, the 'drum-house' entrance at Agra Road. The modern town lies at the western end of the complex, which was a municipality from 1865 to 1904, and later made a "notified area", and in 1901 had a population of 7,147. For a long time it was still known for its masons and stone carvers, though in Akbar time it was known and 'fabrics of hair' and 'silk-spinning'. The village of Sikri still exists nearby.
ARCHITECTURE OF FATHEPUR SIKRI
Fatehpur Sikri sits on rocky ridge, 3 kilometres in length and 1 km wide, and palace city is surrounded by a 6 km wall on three side with the fourth being a lake at the time. Its architect was Tuhir Das and was constructed using Indian principles. The buildings of Fatehpur Sikri show a synthesis of various regional schools of architectural craftsmanship such as Gujarat and Bengal. This was because indigenous craftsmen used for the construction of the buildings. Influences from Hindu and Jain architecture are seen hand in hand with Islamic elements. The building material used in all the buildings at Fatehpur Sikri, palace-city complex, is the locally quarried red sandstone, known as 'Sikri sandstone'. It is accessed through gates along the five-mile long fort wall, namely, Delhi Gate, the Lal Gate, the Agra Gate, Birbal's Gate, Chandanpal Gate, The Gwalior Gate, the Tehra Gate, the Chor Gate and the Ajmere Gate.
Some of the important buildings in this city, both religious and secular are:
- Buland Darwaza: Set into the south wall of congregational mosque, the Jama Masjid at Fatehpur Sikri, this stupendous piece of architecture is 55 metre high, from the outside, gradually making a transition to a human scale in the inside. The gate was added some five years later after the completion of the mosque ca. 1576-1577 as an 'victory arch', to commemorate the Akbar's successful Gujarat campaign. It carries two inscriptions in the archway, one of which reads: "Isa, Son of Mariam said: The world is a bridge, pass over it, but build no houses on it. He who hopes for an hour may hope for eternity. The world endures but an hour. Spend it in prayer, for the rest is unseen".
- The central portico comprises three arched entrances, with the largest one, in the centre, is known locally as the Horseshoe Gate, after the custom of nailing horseshoes to its large wooden doors for luck. Outside the giant steps of the Buland Darwaza to left is deep well.
- Jama Masjid: It is a Jama Mosque meaning the congregational mosque, and was perhaps one of the first buildings to come up in the complex, as its epigraph gives AH 979 (A.D. 1571-72) as the date of its completion, with a massive entrance to the courtyard, the Buland-Darwaza added some five years later. It was built in the manner of Indian mosques, with iwans around a central courtyard. A distinguishing feature is the row of chhatri over the sanctuary. There are three mihrabs in each of the seven bays, while the large central mihrab is covered by a dome, it is decorated with white marble inlay, in geometric patterns.
- Tomb of Salim Chishti: A white marble encased tomb of the Sufi saint, Salim Chisti (1478–1572), within the Jama Masjid's sahn, courtyard. The single-storey structure is built around a central square chamber, within which is the grave of the saint, under an ornate wooden canopy encrusted with mother-of-pearl mosaic. Surrounding it is a covered passageway for circumambulation, with carved Jalis, stone pierced screens all around with intricate geometric design, and an entrance to the south. The tomb is influenced by earlier mausolea of the early 15th century Gujarat Sultanate period. Other striking features of the tomb are white marble serpentine brackets, which support sloping eaves around the parapet.
- On the left of the tomb, to the east, stands a red sandstone tomb of Islam Khan I, son of Shaikh Badruddin Chisti and grandson of Shaikh Salim Chishti, who became a general in the Mughal army in the reign of Jahangir. The tomb is topped by a dome and thirty-six small domed chattris, and contains a number of graves, some unnamed, all male descendants of Shaikh Salim Chisti.
- Diwan-i-Aam : Diwan-i-Am or Hall of Public Audience, is a building typology found in many cities where the ruler meets the general public. In this case, it is a pavilion-like multi-bayed rectangular structure fronting a large open space. South west of the Diwan-i-Am and next to the Turkic Sultana's House stand Turkic Baths.
- Diwan-i-Khas: the Diwan-i-Khas, or Hall of Private Audience, is a plain square building with four chhatris on the roof. However it is famous for its central pillar, which has a square base and an octagonal shaft, both carved with bands of geometric and floral designs, further its thirty-six serpentine brackets support a circular platform for Akbar, which is connected to each corner of the building on the first floor, by four stone walkways. It is here that Akbar had representatives of different religions discuss their faiths and gave private audience.
- Ibadat Khana: (House of Worship) was a meeting house built in 1575 CE by the Mughal Emperor Akbar, where the foundations of a new Syncretistic faith, Din-e-Ilahi were laid by Akbar.
- Anup Talao: A ornamental pool with a central platform and four bridges leading up to it. Some of the important buildings of the royal enclave are surround by it including, Khwabgah (House of Dreams) Akbar's residence, Panch Mahal, a five-storey palace, Diwan-i-Khas (Hall of Private Audience), Ankh Michauli and the Astrologer's Seat, in the south-west corner of the Pachisi Court.
- Hujra-i-Anup Talao: Said to be the residence of Akbar's Muslim wife, although this is disputed due to its small size.
- Mariam-uz-Zamani's Palace: The building of Akbar's Rajput wives, including Mariam-uz-Zamani, shows Gujarati influence and is built around a courtyard, with special care being taken to ensure privacy.
- Naubat Khana: Also known as Naqqar Khana meaning a drum house, where musician used drums to announce the arrival of the Emperor. It is situated ahead of the Hathi Pol Gate or the Elephant Gate, the south entrance to the complex, suggesting that it was the imperial entrance.
- Pachisi Court: A square marked out as a large board game, the precursor to modern day Ludo game where people served as the playing pieces.
- Panch Mahal: A five-storied palatial structure, with the tiers gradually diminishing in size, till the final one, which is a single large-domed chhatri. Originally pierced stone screens faced the façade, and probably sub-divided the interior as well, suggesting it was built for the ladies of the court. The floors are supported by intricately carved columns on each level, totalling to 176 columns in all.
- Birbal's House: The house of Akbar's favorite minister, who was a Hindu. Notable features of the building are the horizontal sloping sunshades or chajjas and the brackets which support them.
Recent excavation done by ASI in 2000 led to unearthing of an ancient jain city very near to the fort coimplex.
Other buildings included Taksal (mint), 'Daftar Khana (Records Office), Karkhanas (royal workshop), Khazana (treasury), Turkic styled Baths, Darogha's Quarters, stables, Caravan sarai, Hakim's quarters etc.
this time i am standing near the Garden of Aga Khan Hospital for Women & Children Kharadar, I am working here in the capicity of Purchase Officer,
Female Adult Literacy program was initiated in 2016. At present PEP is running 26 Female Adult Literacy (FAL) Centers with 316 Female Adult Literacy members (Adult Students) in different areas of rural Sindh as follows,
Khipro48
Mirpurkhas47
Khawaja Goth7
Tando Allahyar80
Tando Ghulam Ali134
There are 6 area officers and 1 WEP coordinator for the implementing and monitoring of the adult literacy program.
As a gesture of appreciation Pervaiz Lodhie President and founder LEDtronics Inc. offered a special gift of a Solar Powered LED Solar Light to the 316 student and 7 program officers.
Funding for the solar lights was provided by one of gentleman from USA. His name is not mentioned here on his advice.
First distribution ceremony was held on Thursday October 12, 2017 in Shaleemabad, Achaar Khaskeli & Shanti Nagar ALCs located in Tando Allahyar districts.
Lt. Gen (Retd.) Syed Perwaiz Shahid a renowned educationist was chief guest for the event.
Ms. Lillian Charles Program Manager PEP and other team members from PEP were present in the event.
During the ceremony 72 female students received solar lanterns. PEP will organize another event in Hyderabad for the distribution of remaining solar lights in November 2017.
Hope you are well , I am fine too. We are thankful for all your support through lights that you have provided to Women who are part of Adult literacy classes. As I have received a call from Mr Shahid i am sharing the following information with you.
Women Empowerment groups were started in 2013 in all the PEP schools. The ideas was to provide awareness to women regarding their rights, responsibilities, savings, and issues such as early marriage. These women were provided training on building low cost washroom and they were also provided training on how to save their families during severe floods. At present PEP has 67 groups in total. Each group has a group of 10 females.
In 2016 , on the request of women, adult literacy course is introduced to the women. Project aimed at 5 centres in 2016 but 27 centre were started in 2016. they women were provide free books and no fee was charged from them. A mobilizer from the same village taught these classes.. They course is designed for one year as it is a weekly class.
In 2017 , PEP introduced a centre where women can learn from android tablets. PEP has designed three grade applications in Sindhi on tablets which are useful for these women. They can use those applications and hear sounds and can read the sentences and stories.
Now women are able to read and write sentences. Instead of thumb print they can write their names. They developed their confidence and able to perform theater on sensitive issues. Some of the theatre performances are uploaded on PEP website.
PEP is reaching out to the marginalized communities with a hope of educating them and making them effective citizen of our country.
PEP requested you to distribute these light as a token of thanks and as a resource for them so they can use it in the night too. They are thankful for all the encouragement that you have provided to them.
Please feel free to ask further information.
چشم تا کردیم وا، دیدیم دنیا، آتش است
شش جهت از فتنهء ما، تا ثریا، آتش است
از شرار عشق،طور دل ، زبان گیرد بکام
در لباس ما و من بودن، سراپا آتش است
مشربی ازعشق خواهی،قطره شو دربحر عشق
چون صدف بشکن کلاه خویش دریا آتش است
از رموز سر منصوری،سخن در پرده نیست
همچوعنقا گم زعا لم با ش،دنیا،آتش است
بر دماغ هیچکس جز سوختن، اسباب نیست
گرچه ما،سرگرم سوداییم،سودا آتش است
مشرب دیوانگان، آگاهی سودای ما ست
خامشان را یک قلم حرف وسخنها،آتش است
هر طرف موج خیا ل است،دامن حیرت بگیر
شعلهء اندیشه ها پیچید، دل ها ،آتش است
Chantek - a book produced for Kementerian Pembangunan Wanita, Keluarga Dan Masyarakat.
Writer: Asrul Muzzafar Mohammed
Photographer: Ted Adnan Asmadi
Photography Assistants:
Syed Azehedi
Abdul Razak Abdul Hamid
Muhamad Fadhli Che Hassan (1979-2007)
HAZRAT MEHBOOB-E-ZAAT SYED AHMAD HUSSAIN AL-JILANI AL-QADIRI (1898-1961)
Sarkar-e-Aali,
Aqdus Aali Sarkar
Darbar-e-Aliya Mundair Sharif Syedan, Sialkot, Pakistan.
Sohney Mehraban ,Suchey Mehraban
About Fatehpur Sikri
'Fatehpur Sikri' is a city and a municipal board in Agra district in the state of Uttar Pradesh, India. Built near the much older Sikri, the historical city of BHARAT, as it was first named Sikrigarh, was constructed by Sikriwal Rajput Rajas Last Emperor Maharana Sangram Singh beginning in 1500. At Seventh attack of Akbar Sikriwal Rajput left Palace after that Sikrigarh was named Fateh(victory)pur Sikri.There was a temple of Sikriwal Rajputs Kuldevi(Named Chamad Devi)In front of Lal Darwaja of Sikrigarh(at present Fatehpur Sikri).After victory on sikrigarh Akber served as the capital from 1571 to 1585. He was named Salim to honour the saint and would later rule the empire as Emperor Jahangir. Here after the second birthday of Jahangir in 1571, Akbar then 28 years old, decided to shift his capital from Agra to the Sikri ridge, to honor Salim Chishti, and commenced the construction of a planned walled city which took the next fifteen years in planning and construction of a series royal palaces, harem, courts, a mosque, private quarters and other utility buildings. He named the city, Fatehabad, with Fateh, a word of Arabic origin in Persian, meaning "victory", it was later called Fatehpur Sikri. It is at Fatehpur Sikri that the legends of Akbar and his famed courtiers, the nine jewels or Navaratnas, were born . One of them, musician and singer Tansen is said to have performed on an island in the middle of the pool Anup Talao.
According to contemporary historians, Akbar took a great interest in the building of Fatehpur Sikri and probably also dictated its architectural style. Seeking to revive the splendours of Persian court ceremonial made famous by his ancestor Timur, Akbar planned the complex on Persian principles. But the influences of his adopted land came through in the typically Indian embellishments. The Easy availability of sandstone in the neighbouring areas of Fatehpur Sikri, also meant that all the buildings here were made of the red stone. The imperial Palace complex consists of a number of independent pavilions arranged in formal geometry on a piece of level ground, a pattern derived from Arab and central Asian tent encampments. In its entirety, the monuments at Fatehpur Sikri thus reflect the genius of Akbar in assimilating diverse regional architectural influences within a holistic style that was uniquely his own.
The Imperial complex was abandoned in 1585, shortly after its completion, due to paucity of water and its proximity with the Rajputana areas in the North-West, which were increasingly in turmoil. Thus the capital was shifted to Lahore so that Akbar could have a base in the less stable part of the empire, before moving back Agra in 1598, where he had begun his reign as he shifted his focus to Deccan. In fact, he never returned to the city except for a brief period in 1601. In later Mughal history it was occupied for a short while by Mughal emperor, Muhammad Shah (r. 1719 -1748), and his regent, Sayyid Hussain Ali Khan Barha, one of the Syed Brothers, was murdered here in 1720. Today much of the imperial complex which spread over nearly two mile long and one mile wide area is largely intact and resembles a ghost town. It is still surrounded by a five mile long wall built during its original construction, on three sides. However apart from the imperial buildings complex few other buildings stand in the area, which is mostly barren, except of ruins of the bazaars of the old city near the Naubat Khana, the 'drum-house' entrance at Agra Road. The modern town lies at the western end of the complex, which was a municipality from 1865 to 1904, and later made a "notified area", and in 1901 had a population of 7,147. For a long time it was still known for its masons and stone carvers, though in Akbar time it was known and 'fabrics of hair' and 'silk-spinning'. The village of Sikri still exists nearby.
Water Pumps Quench Village Thirst
10 Red Hand Pumps gifted and installed in various villages of Sehwan Sharif, Dadu District, Sindh Province, Pakistan.
Project installation started from early 2011 and completed 2013.
Logistics, cost of installations, program implementation and oversight by Dr Syed Raza Mehdi Shah Subzwari of Sehwan Sharif.
Red Hand Pumps gifted by Lodhie Foundation under Pervaiz Lodhie Global Citizenship initiative for human development and poverty alleviation in under privileged rural areas of Pakistan
Title of Work: Alphabets
Size of Artwork: 22.5 x 27 inches
Medium: Gouache, Tape Nibs, Roma Paper
Not for Sale
Two Bedroom Ocean Facing Suite - Living Area
Guest Room
The Westin Langkawi Resort & Spa
Jalan Pantai Dato Syed Omar
Kedah
Langkawi, 07000
Malaysia
www.starwoodhotels.com/westin/property/overview/index.htm...
4-9608888