View allAll Photos Tagged Subframing

An orange in an orange peel frame. Shot in macro.

#Subframing #HFF #Orange #OrangePeel #macro

The Tay Bridge and Fife framed by the angles of the V&A, Dundee

#FlickFriday juillet 2023

Had a very fun time creaitng a subframe for Flickr Friday using our tiger lilies that just bloomed today and the tiny, high in the sky, wild fire smoke inhibited sun.

FlickrFriday - Subframing

acrylic paints on canvas with subframe, dimensions 30/40cm

Thank you for taking time to comment, fave and look at my work. I really appreciate.

My attempt at the "Flickr Friday" theme "Subframing"

 

Shot with a Noritsu "38-60 mm F 4-4.8" (enlarging) lens on a Canon EOS R5.

 

#FlickrFriday

#Subframing

A bit of bollox, I accidentally cut the top. Bloody IPhone Inleft my real camera at home today

I set up a still life shot and then put a frame in front of the still life setup to see how this would work for Subframing.

On Eastbourne beach looking through the pier structures along the beach towards the Bandstand an the Big Wheel.

 

Stratford, Ontario Canada

#subframing

#flickrfriday

A great cloudy morning down the mountain in Roanoke, about 45 min drive downhill from me. A few floors up and its so much better. Subbed, "subframed" with a Nikon Nikkor-O 35 f2.

Old yellow metal stairs in the back of an abandoned house along Radford Rd, Christiansburg Va. Nikkor-O 35 f2

Burnham quay #FlickrFriday #Subframing

Ein #Stillleben#…in einer Unterrahmung.

 

Für:“Flickr Friday“ 542

 

Thema:“UNTERRAHMUNG“,Subframing,Sub - enquadramento.

 

😄Happy Flickr Friday😊

 

Thanks for views,faves and comments:-))

For this week’s Flickr Friday challenge: Subframing

 

"This is my favorite place — inside your hug."

~Bil Keane, Family Circus

Under the I-494 Wakota Bridge, South Saint Paul, MN, USA

Chosen for #Subframing through a panel of my kitchen window for the #FlickrFriday theme. A tufted titmouse facing down a chickadee who also wanted that perch.

08:30 CDT; 25 July 2023;

The weight of this scene is being carried by the light colored entrance to the subway while the garbage can and dark building on the left are balanced on that light pole.

 

The character, though a solid presence , being in motion acts as a pendulum existing outside of the integral structure of this street scene.

 

OLYMPUS DIGITAL CAMERA PEN Lite 6

Micro 4:3 night photography

Yes, at 1/20 sec the IBIS was holding tight.

The same photo as I uploaded on September 24, 2021 in RGB "true" colour mode. According to Photoshop measurement of my RGB subframes, the vast majority of H+ colour have RGB coordinates is approx 140/0/10. In this way I have processed this image.

 

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OBJECT: The Swan Constellation (Cyg), FOV 29°x19°.

  

GEAR: Nikon Z7 Kolari Full Spectrum + Nikkor Z 70-200/2,8 @ 70, Astronomic H+ 9nm Clip in filter, Dew heater strip, sensor pixel scale 12,46 arcsec/px, tracking mount iOptron CEM60EC - 3 star alignment, no auto guiding.

  

ACQUISITION: July 10, 2021, Struz, CZ, Subexposure 300s, f 2,8, ISO 1600, Interval 20 s, RAW-L, Light 14x, Dark 15x, Bias 20x, Flat 20x, DarkFlats 10x. Total exposure time 70 min. Astronomical twilight, no wind, 10° C, no Moon, Light pollution - Bortle 5.

  

STACKING AND POST PROCESSING: AstroPixelProcessor , Adobe Photoshop CC 2021 No cropped, image size 3840 x

Comet C-2022 E3 (ZTF) 22 Jan 2023

 

First attempt at capturing and editing a comet.

Lot's of new processes to learn and to experiment with.

 

This was a tricky one for me to process. I eventually ended up with creating a full integration of the star tracked sequence which after initial processing, I removed the stars for the starfield and discarded the residue comet.

I ran a batch Star Xterminate on all the calibrated, debayered and star aligned subframes. These starless subframes were then comet aligned in PixInsight and image integrated using the first frame as the reference frame.

The starless comet was processed separately from the star image and eventually recombined using a Pixelmath combine expression.

Looking forward to the next opportunity to capture more frames in a new position in the sky and hopefully a better result.

 

Location: Gergal, Spain - January 22 2023

 

Scope: William Optics GT81 385mm

Camera: ZWO ASI2600MC Pro

Mount: Celestron CGX

Filter: Baader Moon & Sky Glow

Subframes: 92x 120s

Integration: 3 hours

Taken over a couple of nights, located in Draco is the barred Magellanic galaxy NGC 4236. A member of the M81 group of galaxies, NGC 4236 is located at a distance of ~ 14 Mly.

 

️ Date of acquisition: March 14-19, 2026

️ Date Processed: April 1, 2026

📍 Location: Havant, UK

🔭 Target Object: NGC 4236

🎯 RA/DEC: [12h 16m 44.738s / +69° 27' 34.491"]

️ Field of View: 48.3 x 48.6 arcmin

📐 Image Scale: 2.02 arcsec/pixel

⏱️ Total Integration Time: 31h 31m

Subframes and Filters:

ZWO Luminescence - 140 x 300s

ZWO Red - 194 x 120s

ZWO Green - 194 x 120s

ZWO Blue - 194 x 120s

📷 Camera: ZWO ASI533MM Pro

🔧 Telescope/Optics: Skywatcher Evostar 120mm, Skywatcher 0.85x reducer flattener, f6.375, 768mm

🔧 Accessories: Primalucelab Eagle 5, Primalucelab ESSATO, Primalucelab ARCO 2”, Primalucelab GIOTTO + ALTO, Primalucelab ECCO2, Skywatcher x .85 Flattener and ZWO EFW 7 x 1.25

🌀 Mount: iOptron CEM40g

Guiding: iOptron iGuider f4 integrated to the mount

📚 Software & Processing Summary: Processed in PixInsight with scripts BlurXterminator and NoiseXterminator from RC Astro. Final balance adjusted in Photoshop 2026.

 

Output File Info:

- Final Image Name: NGC4236_Flicr

- Dimensions: [e.g., 1437x 1447px]

- Format: JPG

- File Size: 232 KB

Kasteel Bouvigne te Breda - estate Bouvigne Breda, The Netherlands

 

20160418.ND8_5646

A Ha-OIII-RGB composite of Messier 78 (NGC 2068) is my first attempt at this deep sky object and this type of post-processing. It was imaged in the northern hemisphere in my yard.

 

M78 is the brightest diffuse reflection nebula of a group of nebulae that includes NGC 2064, NGC 2067 and NGC 2071. This group belongs to the Orion B molecular cloud complex and is about 1,350 light-years distant from Earth.

 

Subframes

66 Light (RGB) x 300 sec

21 Ha x 300 sec

30 OIII x 300 sec

Flat x 44

Dark x 25

Bias x 78

Total time 9.75 hrs

The nebula off center left is SH2-102. There are a number of dark nebulae placed around the image.

  

Dwarf 3

530x45sec subframes, which is bit more than 6 and a half hours of exposure time.

I particularly like the subtle tonal and chromatic shift of the colors in this scene.

1995 Chrysler Atlantic Concept

 

The Chrysler Atlantic was a retro concept car created by Chrysler and fabricated by Gaffoglio Family Metalcrafters in California. It was first shown in 1995. The Atlantic was designed by Bob Hubbach and inspired by the Bugatti Atlantique. The idea for this car began out as a sketch on a napkin by Chrysler's president Bob Lutz in early 1993 and also involved the automaker's chief designer, Tom Gale.

 

The Atlantic has several similarities to the opulent vehicles of the 1930s such as the aforementioned Bugatti Type 57S Atlantique (or Atlantic). Its styling is also more than a little inspired by the Talbot-Lago T150 SS Coupe that was constructed in 1938, such as the shape of the side windows and the curved boot. Some of the retro details include a straight-8-engine that was actually constructed from two 4-cylinder Dodge Neon engines with an S configuration 4.0 L., which is rarely used in modern cars. Other retro touches to the car's look include the interior that is replete with Art Deco-style gauges. The Atlantic Concept has around 360 horsepower (268.5 kW) and uses Chrysler's 42LE transaxle transmission lifted from the Chrysler LHS mounted to the rear subframe. Power is sent from the engine to the transaxle through a long torque tube hidden under a large tunnel in the interior. Riding on a 128-inch (3,251 mm) wheelbase, its front wheels measure 21 inches and 22 inches in the rear — large at that time.

 

It was one of Chrysler's most popular concept vehicles and has proven popular enough to still make the occasional public appearance.

 

The Atlantic's popularity has also allowed its overall design and image to be associated as part of both advertising and labeling of packages associated with a variety of automotive car care products, accessories, and electronics.

The most famous location on the A&A is by far the reflection pond at Welch Road. Usually perfectly still, the pond provides a mirror reflection for photos and I had gotten a few there prior to this image. On this day, the pond was half frozen just like myself, so I went for a different angle than the usual. I walked back along the shore to get a snowy foreground (and apparently some unnecessary sticks) in the shot. The pair of glorified tractors soon showed up with the usual heavy train for Reisdorf Bros and sang the song of an M5 as they approached Welch Road. Fit with two separate crews in each unit, the A&A gave you a true doubleheader, and unfortunately that has gone by the wayside with the arrival of an Alco RS3.

 

While chasing this, I was driving a beige on beige 1997 Ford Taurus. The bubble years of the Taurus were my favorite, as the cars were so damn ugly they were almost cute, the same way that pugs are. The car had been beaten to death at that point by many ridiculous railroad trips in remote locations, and she was starting to feel it. On this day I was already down a muffler, it had rotted and finally fell free the day prior on my way home from work. During the chase she gave up the other one as well, and I have a photo of it sitting on my car as the train passed by to prove it. Not long after I would move to Maine with two new mufflers just to find out the subframe had rusted off and was hanging on by a thread the entire time I owned it. Oh well, I'll miss it.

Spiral galaxy NGC 6946 and open star cluster NGC 6939 are situated within 1 degree of each other in the constellation Cepheus. While the galaxy is much larger than the cluster, it is also roughly 10,000 times farther away, making them appear about the same size in the sky. This image is a 2 panel mosaic intentionally composed to provide a panoramic perspective.

 

Telescope: Celestron Edge HD 8 at f/7

Camera: QSI 683wsg

Mount: Astro-Physics Mach 1 GTO

Integration: Approx 40 mins each of RGB (~8 x 5 minute subframes) per panel

Processing Software: PixInsight, PaintShop Pro

 

Captured under dark skies near Goldendale, WA.

I believe that this is a 1935 Classic Red Morgan 3 Wheeler. This vintage vehicle was historically produced in Britain, often featuring a V-twin engine mounted at the front. Such models were popular in the 1930s because they were registered as motorcycles, providing tax advantages. The body typically consists of aluminum panels over a wooden subframe, often utilizing a barrel-back design at the rear. Definitely an eyecatcher.

I already have an image of this nebula using just the 656 nm red light from ionized hydrogen: flic.kr/p/2mcJ4iK

 

There's lots of detail there, but with such a rich starfield, I wanted to bring color into the image. I shot L, G, and B channel data on 2023-07-17, registered it with the original H-alpha data, and was able to cook up this version.

 

This was also shot with the Atik 414-EX on a Celestron Edge HD 925 at 1530 mm focal length.

 

L: 120 20 s frames

B: 60 30 s frames

G: 60 30 s frames

 

I also shot 20 2 min exposures with H-alpha, because, why not? These were combined with the previous data in this channel.

 

Subframes captured with N.I.N.A. Preprocessing in Nebulosity; registration, stacking, channel combination, and initial processing in PixInsight; a small touch up with Topaz Labs to finish.

 

I see a lot of renderings of this nebula where the stars are removed or greatly diminished. It lies right along the band of the Milky Way in the sky. I choose to include the stars that give context to how rich this part of the sky in Cygnus is.

Here's my final image of the dark nebulas located in Cepheus. The Garnet Star has some neat flares coming from it, most likely due to the optics in my Celestron EdgeHD8.

 

A total of 204 min of LRGB subframes were captured using a ZWO ASI2600 MM Pro connected to an EdgeHD8 with 0.62x reducer (approximately 1450 mm focal length at f/6.2).

 

Luminance: 23x3 min

R/G/B: 23x2 min each filter

 

Processed in Pixinsight and Photoshop.

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