View allAll Photos Tagged StudioLighting
Andrea in the Office aka Barebone Studio. A hint of my lighting set up can be seen on the picture here: top left, main light a 60cm x 60cm softbox. on the edge of the frame: Rim light with a honeycombed light.
Camera used: Sony Alpha A700
Lens: Carl Zeiss Vario Sonnar 16-80mm
Lights: Bowens Esprit 500 and Bowens Esprit Gemini 500.
The Bowens is 5 years old and I need more studio lights, but such is the life of a Starving Artist, gotta put food on the table....
P.S. This is a work in progress, I might changed it into something 'magical' later :D
Anita
Hans van Eijsden Photography, The Netherlands
Lens: Canon EF 85mm f/1.2L II USM on full frame.
Light: Large clamshell setup with the Elinchrom ELC 1000 through a large beauty dish from the front-top-side, which creates the metallic contrast in her face. Elinchrom ELC 500 with small horizontal strip box from the front-bottom-side, to lower the density of some shadows. Elinchrom ELC 500 through a vertical Elinchrom Livemotiv large strip from the right-back and an Elinchrom ELB400 with action head, dish and grid from the left-back. I measured the light with the Sekonic L-758DR.
Postprocessing: Some local adjustment curves, some local cloning.
Portfolio: www.hansvaneijsden.com
Facebook Page: www.facebook.com/hansvaneijsdenphotography
With thanks to Syx Langemann for his help at Vancouver photography workshop
Syxlangemannphotography.com
Anita
Hans van Eijsden Photography, The Netherlands
Lens: Canon EF 70-200mm f/2.8L IS USM on full frame.
Light: Large clamshell setup with the Elinchrom ELC 1000 through a large beauty dish from the front-top-side, which creates the metallic contrast in her face. Elinchrom ELC 500 with small horizontal strip box from the front-bottom-side, to lower the density of some shadows. Elinchrom ELC 500 through a vertical Elinchrom Livemotiv large strip from the right-back and an Elinchrom ELB400 with action head, dish and grid from the left-back. I measured the light with the Sekonic L-758DR.
Postprocessing: Some local adjustment curves, some local cloning.
Portfolio: www.hansvaneijsden.com
Facebook Page: www.facebook.com/hansvaneijsdenphotography
Anita
Hans van Eijsden Photography, The Netherlands
Lens: Canon EF 70-200mm f/2.8L IS USM on full frame.
Light: Large clamshell setup with the Elinchrom ELC 1000 through a large beauty dish from the front-top-side, which creates the metallic contrast in her face. Elinchrom ELC 500 with small horizontal strip box from the front-bottom-side, to lower the density of some shadows. Elinchrom ELC 500 through a vertical Elinchrom Livemotiv large strip from the right-back and an Elinchrom ELB400 with action head, dish and grid from the left-back. I measured the light with the Sekonic L-758DR.
Postprocessing: Some local adjustment curves, some local cloning.
Portfolio: www.hansvaneijsden.com
Facebook Page: www.facebook.com/hansvaneijsdenphotography
Hans van Eijsden Photography, The Netherlands
Lens: Canon EF 70-200mm f/2.8L IS USM on Canon EOS 5D Mark IV.
Light: Large clamshell setup with the Elinchrom ELC 1000 through a large beauty dish from the front-top-side, which creates the metallic contrast in her face. One Elinchrom ELC 500 through a small horizontal strip light from the low-front, to fill in some shadows a little bit. Elinchrom ELB 400 with Action Head through a dish with grid from the top-back, as global rim light. One ELC 500 through a background shaper on the background. I measured the light with the Sekonic L-758DR.
Postprocessing: Some local adjustment curves, some local cloning.
Portfolio: www.hansvaneijsden.com
Facebook Page: www.facebook.com/hansvaneijsdenphotography
Another flashback. This one is from my first studio shoot a few years back.
#model #melbournemodel #female #portrait #studio #studioshoot #flashback #studiolighting #melbournephotographer #beautiful #nikon #d7000 #nikon d7000
A big thanks to @nickwaltersphotographer for his time to teach me some studio lighting techniques. Go check out his work its AWESOME! !!
17 Likes on Instagram
Boudoir workshop at DsmPhtotoCompany. www.dsmphotocompany.com/dsw/
First attempt at boudoir.
Cc welcome. I have my own likes and dislikes but would be interested in hearing yours.
Light setup - Einstein in a Larson stripbox above on camera axis. AB800 in a medium softbox below for fill. Gridded AB800 behind and above for rim.
Result from one of the workshops I gave, during Fotografie In Beeld 2016.
Model: Tamara Terzic
Makeup & Hair: Ayse Aslan
Hans van Eijsden Photography, The Netherlands
Lens: Canon EF 85mm f/1.2L II USM on Canon EOS 5D Mark IV.
Light: Simple setup with the Elinchrom ELC 1000 through a large 100cm Elinchrom Deep Octa from the front-top-side, which creates the higher contrast in her face. Elinchrom ELB 400 with standard dish from the front-bottom-side, to lower the density of some shadows. Elinchrom ELC 500 through a vertical Elinchrom Livemotiv large strip from the right-back and left-back. I measured the light with the Sekonic L-758DR.
Postprocessing: Some local adjustment curves, some local cloning.
Portfolio: www.hansvaneijsden.com
Facebook Page: www.facebook.com/hansvaneijsdenphotography
Hans van Eijsden Photography, The Netherlands
Focal Length: 115mm on the Canon EOS 5D Mark IV.
Light: the #Elinchrom ELC 1000 through the Elinchrom S35 with fresnel lens on flood, for hard deep contrasty shadows. I measured the light with the Sekonic L-858D.
Postprocessing: Some local adjustment curves, some local cloning.
Portfolio: www.hansvaneijsden.com
Facebook Page: www.facebook.com/hansvaneijsdenphotography
Model - Amber
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Anita
Hans van Eijsden Photography, The Netherlands
Lens: Canon EF 85mm f/1.2L II USM on full frame.
Light: Large clamshell setup with the Elinchrom ELC 1000 through a large beauty dish from the front-top-side, which creates the metallic contrast in her face. Elinchrom ELC 500 with small horizontal strip box from the front-bottom-side, to lower the density of some shadows. Elinchrom ELC 500 through a vertical Elinchrom Livemotiv large strip from the right-back and an Elinchrom ELB400 with action head, dish and grid from the left-back. I measured the light with the Sekonic L-758DR.
Postprocessing: Some local adjustment curves, some local cloning.
Portfolio: www.hansvaneijsden.com
Facebook Page: www.facebook.com/hansvaneijsdenphotography
Ever try to capture the subtle warm glow of a TUBE while capturing the subtle blacks of every surface in the studio. The art of photography is "seeing the light"
Victor Khomenko brings unique insight to the science of audio design. His academic preparation (a Master's degree in electronics and physics from the Leningrad Polytechnic Institute) strengthened his already wide knowledge of tube and solid state circuit theory. He further developed his talents in the United States by designing laboratory instrumentation, where preserving the most delicate signals is a way of life..The VK75 is a fully balanced, all-triode, bridged single-ended amplifier, employing 6SN7s at the front and two of the famous Russian 6C33B power tubes per channel to produce 75 watts. It is also Auto-Biasing, to keep those power tubes under control and provide balanced, satisfying sound. They are also known for their attractive and fabulous build quality.
Another test shot with my new studio lights and tent. One reflector on each side. Succeeded better this time, I think.
Any feedback welcome again!
While trying studiolights for the first time I thought this would do nice for a SP on Flickr, and look there is even a group for it (-;
For 365days, FGR, "Porn for Women"
With thanks to Syx Langemann for his help at Vancouver photography workshop
Syxlangemannphotography.com
With thanks to Syx Langemann for his help at Vancouver photography workshop
Syxlangemannphotography.com
lighting: 1 bare strobe, cam left, high behind model and 1 off a silver umbrella, cam right, low, front of the model
Shot for Competitive Cyclist.
Taken from the cutting room floor, here's some current work for my employer. This was from a set of photos from an upcoming promotion centered on various bike pedals.
This is a look I've worked on for a long time that I really like for some of these darker shots. Everything is based on a single light source; in this case an Einstein 640 in a 22" beauty dish (11.5 w/s). With the light behind the subject pointed toward the camera I get great edge definition on the product and some intentional light bleed (you could easily kill this with a flag or by slighting adjusting the light's position, but I like the look).
The rest of the magic comes in the form of bounces, aka beat-ass white foam core. I keep a large sheet positioned opposite the light source to bounce light on the camera facing side of the pedal. I then keep a smaller piece in my hand that I move around as I work to create additional accent bounces. In this case my handheld bounce is being used to put a touch of light on the front underside of the pedal.
The great thing about the bounce setup is that everything balances off the single light source. Since your bounce can never be brighter than your main light (because physics!), you get great hierarchy with minimal effort.