View allAll Photos Tagged StudioLighting
DaoLite 360° tube lights are bi-color adjustable from 2800K to 6500K, giving you color options beyond daylight and tungsten. Match the light in your location or use multiple lights and color temperatures to add shape to your subject. Click here to learn more: bit.ly/330Ai34
Model: Cole - www.instagram.com/laceworklook
Strobist:
I used a large softbox (beauty dish) on camera right and a small softbox on the left. The large softbox was used to light the right side of the face and a smallish triangle on the left. Alone it was too harsh so I added the small softbox and turned it enough so I had some (very little) light on the left side of the face. You can see there's no catchlight from the small softbox on the left and that shows how indirect the light was. Didn't meter for the small softbox either- not scientific- just went with what looked okay. I don't think it was critical to meter for the little softbox, as it wasn't adding any light to the bright side of the face so I wasn't going to burn out the highlights.
General
A friend of mine (MUA) and I went for a vampire-look following a make-up tutorial Michelle Phan did on YouTube. The tutorial's called "Seductive Vampire". I might enter this into the next camera club competition and would really appreciate your views on this (I've still time to make modifications to the original before the entry date). Comments on the crop and what you think you're looking at would be really appreciated. This is the same model as in: www.flickr.com/photos/7863284@N08/4357474582/
Niece
My four year old niece saw this picture and now refuses to sleep in the spare room where my computer is. "Vampire" has recently entered her vocabulary. Her dad is using "irresponsible" and a number of synonyms to describe me...
Playing with beautiful fresnel light.
MUAH: Martina Kató
Hans van Eijsden Photography, The Netherlands
Lens: Canon EF 85mm f/1.2L II USM on Canon EOS 5D Mark IV. Black tights in front of the lens to archive the soft focus effect in-camera.
Light: the #Elinchrom ELC 1000 through the Elinchrom S35 with fresnel lens on spot, for middle-hard deep contrasty shadows. I measured the light with the Sekonic L-858D.
Postprocessing: Some local adjustment curves, some local cloning, greyscale conversion.
Portfolio: www.hansvaneijsden.com
Facebook Page: www.facebook.com/hansvaneijsdenphotography
Bratty tease!
Great photography requires dedication, time and effort.
But above all there are costs involved as well.
Equipment, props and model fees, not to mention time,
are all "out-of-pocket" expenses for the artist.
If you enjoy my photographic art, you might like to help to support it.
To see behind-the-scenes videos and get a glimpse of my process, please follow the links below.
My documentary Sol Lang on Naked Files Episode 11
More one-on-one Behind the scenes with photographer Sol Lang.
Please note: Mature content
Thanks for the support!
What happens when you strap a GoPro, WonderPana GO filter mount and macro filter onto a retro Lionel train? We wondered if we could replicate the Ant-Man macro train scene with a GoPro, so we set to work. After only a few minutes of setup, we were able to clearly capture our toy train in motion from only a couple of inches away. Check out our Fotodiox YouTube channel for the video.
- Photo by Sean Anderson
Add any color you can dream of to your photo or video shoot with FACTOR Prizmo RGB+W lights! Click here to learn more: bit.ly/2QKU8gp
Model: Meghan www.instagram.com/siren0293/
Here's DJ MS Porter! Beautiful facial features again!
Hans van Eijsden Photography, The Netherlands
Lens: Canon EF 70-200mm f/2.8L IS USM at 120mm on Canon EOS 5D Mark IV.
Light: More advanced setup with the Elinchrom ELC 1000 through the beautiful Elinchrom S35 Fresnel Flooder as key light from the front-top-side, which creates the high contrast in her face. One Elinchrom ELC 500 through a small horizontal strip light from the low-front, to fill in some shadows a little bit. Elinchrom ELB 400 with Action Head through a dish with grid from the top-back, as global rim light. One ELC 500 through a background shaper on the background. I measured the light with the Sekonic L-758DR.
Postprocessing: Some local adjustment curves, some local cloning.
Portfolio: www.hansvaneijsden.com
Facebook Page: www.facebook.com/hansvaneijsdenphotography
Had a studio shoot a while back for a model / casting bureau.
Model: Elsemieke Ardon
MUA: Herself
Camera: Nikon D300S
Lens: Nikkor AF-S 24-70 f2.8 @ f10
Studio: Rijswijk
Light setup: 3 Elinchrom D-Lite4 IT to Go, 1 camera left with small softbox as fill, 1 camera right with large softbox as main light and at the back as rimlight with reflector.
All triggered by Elinchrom EL Skyport.
Post LR4 & CS6
Why use gels when you can change the color of your studio light with the turn of a knob? FACTOR Prizmo RGB+W Lights give you all this power and more in an affordable package, perfect for both studio photographers and filmmakers.
Click here to learn more about FACTOR Prizmo lights: bit.ly/2QKU8gp
Model: Cole - www.instagram.com/laceworklook
Connect with me at:
Facebook: [www.facebook.com/blakefergusonphotog]
Instagram: [instagram.com/b.fphotography]
Twitter: [twitter.com/bf_images]
500px: [500px.com/bf_images]
All content provided are under rights of copy. No image is to be alter-edited, cropped or enhanced in anyway unless admitted to do so.
Content is available for repost or personal use.
This is for you, wizardjks, for saying that calling my images awesome would be a euphemism. You're the best!
An update: After Machel has commented that "awesome" isn't bad, I need to say that Jakes blessed me for knowing that maybe "awesome" is sometimes overused and was looking for some other description of my work in his testimonial for me.
Result from one of the workshops I gave, during Fotografie In Beeld 2016.
Model: Tamara Terzic
Makeup & Hair: Ayse Aslan
Hans van Eijsden Photography, The Netherlands
Lens: Canon EF 85mm f/1.2L II USM on Canon EOS 5D Mark IV.
Light: Simple setup with the Elinchrom ELC 1000 through a large 100cm Elinchrom Deep Octa from the front-top-side, which creates the higher contrast in her face. Elinchrom ELB 400 with standard dish from the front-bottom-side, to lower the density of some shadows. Elinchrom ELC 500 through a vertical Elinchrom Livemotiv large strip from the right-back and left-back. I measured the light with the Sekonic L-758DR.
Postprocessing: Some local adjustment curves, some local cloning.
Portfolio: www.hansvaneijsden.com
Facebook Page: www.facebook.com/hansvaneijsdenphotography
Anita
Hans van Eijsden Photography, The Netherlands
Lens: Canon EF 70-200mm f/2.8L IS USM on full frame.
Light: Large clamshell setup with the Elinchrom ELC 1000 through a large beauty dish from the front-top-side, which creates the metallic contrast in her face. Elinchrom ELC 500 with small horizontal strip box from the front-bottom-side, to lower the density of some shadows. Elinchrom ELC 500 through a vertical Elinchrom Livemotiv large strip from the right-back and an Elinchrom ELB400 with action head, dish and grid from the left-back. I measured the light with the Sekonic L-758DR.
Postprocessing: Some local adjustment curves, some local cloning.
Portfolio: www.hansvaneijsden.com
Facebook Page: www.facebook.com/hansvaneijsdenphotography
Test run a Sony Alpha 100 in the studio. That's Fara amongst the forest of lightstands and the glare of the modelling lamp.
So okay, I triggered the lights with a 56 Sony flash on board the camera to get the pic.
A Note for Strobist folks:
Yesh, it's not exactly strobist gear, in fact, they're studio strobes which cost quite a few plates of rice (imported stuff from Europe are expensive in Malaysia due to the currency conversion) .
Can folks with portable strobes produce a similar type of lighting as per this set?
YES you can! Substitute the studio strobes with your portable one and..... (you know already you could, dont you? *grins*)
Connect with me at:
Facebook: [www.facebook.com/blakefergusonphotog]
Instagram: [instagram.com/b.fphotography]
Twitter: [twitter.com/bf_images]
500px: [500px.com/bf_images]
All content provided are under rights of copy. No image is to be alter-edited, cropped or enhanced in anyway unless admitted to do so.
Content is available for repost or personal use.
Result from one of the workshops I gave, during Fotografie In Beeld 2016.
Model: Tamara Terzic
Makeup & Hair: Ayse Aslan
Hans van Eijsden Photography, The Netherlands
Lens: Canon EF 85mm f/1.2L II USM on Canon EOS 5D Mark IV.
Light: Simple setup with the Elinchrom ELC 1000 through a large 100cm Elinchrom Deep Octa from the front-top-side, which creates the higher contrast in her face. Elinchrom ELB 400 with standard dish from the front-bottom-side, to lower the density of some shadows. Elinchrom ELC 500 through a vertical Elinchrom Livemotiv large strip from the right-back and left-back. I measured the light with the Sekonic L-758DR.
Postprocessing: Some local adjustment curves, some local cloning.
Portfolio: www.hansvaneijsden.com
Facebook Page: www.facebook.com/hansvaneijsdenphotography