View allAll Photos Tagged Structured
This Victorian Eclectic courthouse features Second Empire elements. It was designed by the architectural firm T.J. Tolan and Son and was built in 1882 by Hiram Iddings. The intricate stonework was crafted by stonecutter T. McIntosh. The structure was placed on the National Register of Historic Places in 1993 with the Warsaw Courthouse Square Historic District.
Kosciusko County, Indiana is pronounced kaw-zee-AWS-koh.
Warsaw is a lovely town with some real salt-of-the-earth people. I thank the people of Warsaw for the kindness I received while I was here.
The port wing on this restored Avro Anson II at the Hangar Flight Museum in Calgary, Alberta, Canada has been left skinless to reveal the internal structure.
Inscription on the nearby historical marker for this bridge:
This bridge over Doe River was built early in 1882 at a cost to the county of $3000 for the bridge and $300 for the approaches. The site was chosen by J.J. McCorkle, Wiley Christian and H.M. Rentfro. The committee were Thomas E. Matson, Engineer, W.M. Folsom, J.C. Folson, J.C. Smith, Dr. James M. Cameron and J.M. Simmerly. Dr. E.E. Hunter was contractor and George Lindamood supervisor.
And, information included in the paperwork submitted to the National Register of Historic Places for inclusion of the Elizabethton Historic District stated:
At the intersection of S Riverside Drive and Hattie Avenue, runs into the Covered Bridge, a white clapboard structure built in 1882 and spanning 134 feet across the Doe River. The bridge, which has recently been restored, is wide enough to accommodate one car and a walkway. The river bank immediately surrounding the Covered Bridge is grassland with some picnic areas.
Image was taken during my trek to photograph all 95 county courthouses across my home state of Tennessee...now revisiting in order that the courthouses were photographed!
Three bracketed photos were taken with a handheld Nikon D7200 and combined with Photomatix Pro to create this HDR image. Additional adjustments were made in Photoshop CS6.
"For I know the plans I have for you", declares the LORD, "plans to prosper you and not to harm you, plans to give you hope and a future." ~Jeremiah 29:11
The best way to view my photostream is through Flickriver with the link below:
This Romanticist conglomerate of architectural styles is a UNESCO World Heritage site. The structure has been built and rebuilt in this place on the Sintra Mountains since the Middle Ages when an apparition of The Virgin Mary was reported. The Pena Palace is visible from Lisbon and is one of Portugal's best known buildings.
Niagara Escarpment UNESCO World Biosphere Reserve
en.unesco.org/biosphere/eu-na/niagara-escarpment
----
Sigma 12-24mm 1:4.5-5.6 DG HSM EX
_DSC2887 Anx2 1200h Q90 f25
This macro shot was taken with a Nikkor 18-200mm VR lens coupled with a Quantaray + 3 magnifying filter. I obtained the magnifying filter from the Ritz/Wolf camera website for around $25.
The vibration reduction (VR) eliminates most of the shake during a handheld shot and the magnifying filter gives a much closer view of the cell structure.....
One caveat - the magnifying filter has a very limited depth of field and can be tricky when trying to get the correct focal point. I had to take a half dozen shots to get one that worked.
© All Rights Reserved - No usage allowed in any form without the written consent of
Jeff R. Clow
Hotel Añaza is the abandoned structure of a hotel or apartment block near Santa Cruz de Tenerife, in the Canary Islands. Construction was started by a German company in 1973, but was abandoned two years later, before the building was finished. As of 2025 the structure still exists, but it is pending demolition.(Wikipedia)
EMR 908 rolls across the Penobscot River into Mattawamkeag, Maine, through some decent snowfall. This bridge structure is quite unique due to its round topped design.
The monochrome perspective of a bridge connecting two urban buildings emphasizes the harmonious connection between nature and architecture.
Basílica de la Virgen de la Peña, Graus, La Ribagorza, Huesca, Aragón, España.
La antigua basílica de la Virgen de la Peña se levanta en la villa española de Graus (Ribagorza, provincia de Huesca, Aragón). El actual templo se levantó a mediados del siglo XVI sobre un edificio románico anterior. Consta de iglesia, patio y hospital de peregrinos con un bello claustro-mirador.
Proponemos a los visitantes que comiencen la visita desde el interior de la iglesia. Allí quedan restos del edificio románico, en concreto en la parte inferior del muro del evangelio, donde hay una pequeña puerta en alto y sillares más pequeños. El edificio actual presenta, una nave única de dos tramos, cubiertos con bóvedas de terceletes (la de los pies era originalmente estrellada) y una cabecera plana sobre la que se levanta una torre poligonal rematada en chapitel. LLama la atención el achaflanamiento de los ángulos de los pies de la nave.
La puerta de entrada tiene arco de medio punto y abundante decoración: (candelieri, casetones, angelotes, escudos y guirnaldas) y se enmarca por columnas unidas por un entablamento. Frente a ella, el pórtico imita sus formas corintias. En su friso se encuentra la firma de Joan Tellet en dos cartelas junto a una pequeña ménsula que llama la atención del observador. Allí está también la puerta de la capilla de San Juan de Letrán y una escalinata que une el pórtico con el patio. la esquina de la iglesia nos hace comprender el achaflanamiento interior, ya que si no se hubiera adoptado esta solución los contrafuertes exteriores ocuparían el solar de esta escalinata.
La arquería del hospital se abre al patio. Allí vemos cómo la estructura de este edificio apoya sobre la de la iglesia. Otra arcada sobre columnas torsas nos ofrece una espléndida vista de Graus y de la confluencia de los ríos Ésera e Isábena. Al salir, bajando por la rampa, veremos la otra esquina de la iglesia y de nuevo entendemos el achaflanamiento interior la nave, pues otro contrafuerte exterior hubiera impedido el camino de acceso al conjunto.
Desde el exterior se observan diferencias en los dos tramos de la iglesia:
la primera fase de las obras articula sus paños con molduras y contrafuertes
la segunda, obra de Tellet, que presenta paños y esquinas lisos.
En el conjunto del hospital también se ven dos fases:
un modesto edificio de cuatro plantas (apoyado sobre la iglesia y sobre la entrada al conjunto) fue seguramente el primero en construirse y debía servir de residencia del clero
una ampliación, mucho más ambiciosa, de tres plantas: la primera, con la arcada de arcos de medio punto que cobija la rampa de acceso; la segunda, con el mirador de columnas torsas; y la última, de ladrillo y totalmente reconstruida, donde se hallaban habitaciones destinadas a hospital de peregrinos y donde se ubica actualmente un museo de iconos.
The ancient basilica of the Virgen de la Peña stands in the Spanish town of Graus (Ribagorza, province of Huesca, Aragon). The current temple was built in the mid-16th century on a previous Romanesque building. It consists of a church, patio and pilgrim hospital with a beautiful cloister-viewpoint.
We suggest visitors begin their visit from inside the church. There are remains of the Romanesque building, specifically in the lower part of the gospel wall, where there is a small high door and smaller ashlars. The current building has a single nave with two sections, covered with triplet vaults (the one at the foot was originally star-shaped) and a flat head on which rises a polygonal tower topped with a spire. The chamfering of the angles of the feet of the nave is striking.
The entrance door has a semicircular arch and abundant decoration: (candelieri, coffers, angels, shields and garlands) and is framed by columns joined by an entablature. In front of it, the porch imitates its Corinthian forms. On its frieze there is the signature of Joan Tellet in two cartouches along with a small corbel that draws the observer's attention. There is also the door to the chapel of San Juan de Letrán and a staircase that connects the portico with the patio. The corner of the church makes us understand the interior chamfering, since if this solution had not been adopted the exterior buttresses would occupy the site of this staircase.
The hospital archway opens to the patio. There we see how the structure of this building supports that of the church. Another archway on twisted columns offers us a splendid view of Graus and the confluence of the Ésera and Isábena rivers. As we leave, going down the ramp, we will see the other corner of the church and once again we understand the interior chamfering of the nave, since another exterior buttress would have prevented the access path to the complex.
From the outside, differences are observed in the two sections of the church:
The first phase of the works articulates its panels with moldings and buttresses
the second, a work by Tellet, which presents smooth panels and corners.
In the hospital as a whole there are also two phases:
a modest four-story building (leaning on the church and on the entrance to the complex) was surely the first to be built and was to serve as the residence of the clergy.
a much more ambitious extension, with three floors: the first, with the archway of semicircular arches that shelters the access ramp; the second, with the viewpoint of twisted columns; and the last one, made of brick and completely rebuilt, where there were rooms used as a pilgrim hospital and where a museum of icons is currently located.