View allAll Photos Tagged Structuralism
A small milestone of reaching 1,000 pictures posted here. This "oldie" is a favorite of the famous maple in Portland. Stripped of its leaves its structural beauty is clear.
in my Industrial Series ...; Structural Detail Pic # 6 ....
Taken Jun 22, 2017
Thanks for your visits, faves, invites and comments ... (c)rebfoto
The Cattedrale di Santa Maria del Fiore (Italian pronunciation: [katteˈdraːle di ˈsanta maˈriːa del ˈfjoːre]; in English "Cathedral of Saint Mary of the Flowers") is the main church of Florence, Italy. Il Duomo di Firenze, as it is ordinarily called, was begun in 1296 in the Gothic style with the design of Arnolfo di Cambio and completed structurally in 1436 with the dome engineered by Filippo Brunelleschi. The exterior of the basilica is faced with polychrome marble panels in various shades of green and pink bordered by white and has an elaborate 19th-century Gothic Revival façade by Emilio De Fabris.
The cathedral complex, located in Piazza del Duomo, includes the Baptistery and Giotto's Campanile. These three buildings are part of the UNESCO World Heritage Site covering the historic centre of Florence and are a major attraction to tourists visiting Tuscany. The basilica is one of Italy's largest churches, and until development of new structural materials in the modern era, the dome was the largest in the world. It remains the largest brick dome ever constructed.
The cathedral is the mother church of the Roman Catholic Archdiocese of Florence, whose archbishop is currently Giuseppe Betori.
Santa Maria del Fiore was built on the site of an earlier cathedral dedicated to Saint Reparata. The ancient structure, founded in the early 5th century and having undergone many repairs, was crumbling with age, according to the 14th-century Nuova Cronica of Giovanni Villani, and was no longer large enough to serve the growing population of the city. Other major Tuscan cities had undertaken ambitious reconstructions of their cathedrals during the Late Medieval period, such as Pisa and particularly Siena where the enormous proposed extensions were never completed.
Giotto's bell tower (campanile)
The new church was designed by Arnolfo di Cambio and approved by city council in 1294. Di Cambio was also architect of the church of Santa Croce and the Palazzo Vecchio. He designed three wide naves ending under the octagonal dome, with the middle nave covering the area of Santa Reparata. The first stone was laid on September 9, 1296, by Cardinal Valeriana, the first papal legate ever sent to Florence. The building of this vast project was to last 140 years; Arnolfo's plan for the eastern end, although maintained in concept, was greatly expanded in size.
After Arnolfo died in 1310, work on the cathedral slowed for thirty years. When the relics of Saint Zenobius were discovered in 1330 in Santa Reparata, the project gained a new impetus. In 1331, the Arte della Lana, the guild of wool merchants, took over patronage for the construction of the cathedral and in 1334 appointed Giotto to oversee the work. Assisted by Andrea Pisano, Giotto continued di Cambio's design. His major accomplishment was the building of the campanile. When Giotto died in 1337, Andrea Pisano continued the building until work was halted due to the Black Death in 1348.
In 1349, work resumed on the cathedral under a series of architects, starting with Francesco Talenti, who finished the campanile and enlarged the overall project to include the apse and the side chapels. In 1359, Talenti was succeeded by Giovanni di Lapo Ghini (1360–1369) who divided the center nave in four square bays. Other architects were Alberto Arnoldi, Giovanni d'Ambrogio, Neri di Fioravante and Andrea Orcagna. By 1375, the old church Santa Reparata was pulled down. The nave was finished by 1380, and by 1418, only the dome remained incomplete.
On 18 August 1418, the Arte della Lana announced an architectural design competition for erecting Neri's dome. The two main competitors were two master goldsmiths, Lorenzo Ghiberti and Filippo Brunelleschi, the latter of whom was supported by Cosimo de Medici. Ghiberti had been the winner of a competition for a pair of bronze doors for the Baptistery in 1401 and lifelong competition between the two remained sharp. Brunelleschi won and received the commission.
Ghiberti, appointed coadjutator, drew a salary equal to Brunelleschi's and, though neither was awarded the announced prize of 200 florins, was promised equal credit, although he spent most of his time on other projects. When Brunelleschi became ill, or feigned illness, the project was briefly in the hands of Ghiberti. But Ghiberti soon had to admit that the whole project was beyond him. In 1423, Brunelleschi was back in charge and took over sole responsibility.
Work started on the dome in 1420 and was completed in 1436. The cathedral was consecrated by Pope Eugene IV on March 25, 1436, (the first day of the year according to the Florentine calendar). It was the first 'octagonal' dome in history to be built without a temporary wooden supporting frame. It was one of the most impressive projects of the Renaissance. During the consecration in 1436, Guillaume Dufay's motet Nuper rosarum flores was performed. The structure of this motet was strongly influenced by the structure of the dome.
The decoration of the exterior of the cathedral, begun in the 14th century, was not completed until 1887, when the polychrome marble façade was completed with the design of Emilio De Fabris. The floor of the church was relaid in marble tiles in the 16th century.
The exterior walls are faced in alternate vertical and horizontal bands of polychrome marble from Carrara (white), Prato (green), Siena (red), Lavenza and a few other places. These marble bands had to repeat the already existing bands on the walls of the earlier adjacent baptistery the Battistero di San Giovanni and Giotto's Bell Tower. There are two side doors: the Doors of the Canonici (south side) and the Door of the Mandorla (north side) with sculptures by Nanni di Banco, Donatello, and Jacopo della Quercia. The six side windows, notable for their delicate tracery and ornaments, are separated by pilasters. Only the four windows closest to the transept admit light; the other two are merely ornamental. The clerestory windows are round, a common feature in Italian Gothic.
During its long history, this cathedral has been the seat of the Council of Florence (1439), heard the preachings of Girolamo Savonarola and witnessed the murder of Giuliano di Piero de' Medici on Sunday, 26 April 1478 (with Lorenzo Il Magnifico barely escaping death), in the Pazzi conspiracy.
For further information please visit en.wikipedia.org/wiki/Piazza_del_Duomo,_Florence
Florence (/ˈflɒrəns/ FLOR-əns; Italian: Firenze [fiˈrɛntse] ( listen)) is the capital city of the Italian region of Tuscany and of the Metropolitan City of Florence. It is the most populous city in Tuscany, with approximately 382,000 inhabitants, expanding to over 1,520,000 in the metropolitan area.
Florence was a centre of medieval European trade and finance and one of the wealthiest cities of the time, is considered the birthplace of the Renaissance, and has been called "the Athens of the Middle Ages". A turbulent political history includes periods of rule by the powerful Medici family, and numerous religious and republican revolutions. From 1865 to 1871 the city was the capital of the recently established Kingdom of Italy.
The Historic Centre of Florence attracts 13 millions of tourists each year, and Euromonitor International ranked the city as the world's 89th most visited in 2012, with 1.8 million visitors. It was declared a World Heritage Site by UNESCO in 1982. The city is noted for its culture, Renaissance art and architecture and monuments. The city also contains numerous museums and art galleries, such as the Uffizi Gallery and the Palazzo Pitti, and still exerts an influence in the fields of art, culture and politics. Due to Florence's artistic and architectural heritage, it has been ranked by Forbes as one of the most beautiful cities in the world.
Florence is an important city in Italian fashion, being ranked in the top 51 fashion capitals of the world; furthermore, it is a major national economic centre, as well as a tourist and industrial hub. In 2008, the city had the 17th highest average income in Italy.
For further information please visit en.wikipedia.org/wiki/Florence
A bird's eye view of the former Rockingham (Anglican) Church (1875-1941) in Rockingham, Ontario, Canada.
The Rockingham Church, formerly known as St. Leonard's Anglican Church, was built by Reverend John S. J. Watson and others around 1875 when the hamlet of Rockingham was a thriving community. Essentially abandoned in the 1940s, closed in 1941, and by the mid-1990s the building had deteriorated significantly. Watson was the founder of Rockingham, at the time known as Watson's Mill.
In 1995, the Friends of the Rockingham Church formed to save the building from destruction. Major structural repairs were carried out in 1999 and 2000.
A post and beam structure, the building is a unique survivor of its kind in Renfrew County, Ontario, Canada, and one of the oldest remaining buildings in the area.
In 1999, the Townships of Brudenell, Lyndoch & Raglan designated the church a heritage site under the Ontario Heritage Act.
Here's a history of the Rockingham Church: rockinghamchurch.org/a-little-history/
As well as this one, with podcasts regarding John Watson: As well as this one: rockinghamchurch.org/
Dartford Warbler - Sylvia Undata
Suffolk
The Dartford warbler (Sylvia undata) is a typical warbler from the warmer parts of western Europe and northwestern Africa. It is a small warbler with a long thin tail and a thin pointed bill. The adult male has grey-brown upperparts and is dull reddish-brown below except for the centre of the belly which has a dirty white patch. It has light speckles on the throat and a red eye-ring. The sexes are similar but the adult female is usually less grey above and paler below.
Its breeding range lies west of a line from southern England to the heel of Italy (southern Apulia). The Dartford warbler is usually resident all year in its breeding range, but there is some limited migration.
The Dartford warbler was first described by the Welsh naturalist Thomas Pennant from two specimens that were shot in April 1773 on Bexley Heath near Dartford in Kent.
The species is naturally rare. The largest European populations of Sylvia undata are in the Iberian peninsula, others in much of France, in Italy and southern England and south Wales. In Africa it can be found only in small areas in the north, wintering in northern Morocco and northern Algeria.
In southern England the birds breed on heathlands, sometimes near the coast, and nest in either common gorse (Ulex europaeus) or common heather (Calluna
Dartford warblers are named for Dartford Heath in north west Kent, where the population became extinct in the early twentieth century. They almost died out in the United Kingdom in the severe winter of 1962/1963 when the national population dropped to just ten pairs. Sylvia undata is also sensitive to drought affecting breeding success or producing heath fires, as occurred during 1975 and 1976 in England when virtually all juveniles failed to survive their first year.
However, this species can recover well in good quality habitat with favourable temperatures and rainfall, thanks to repeated nesting and a high survival rate for the young. Indeed, they recovered in some areas of the UK, but numbers are once again on the decline in other regions of their natural range.
The range of the Dartford warbler is restricted to western and southern Europe. The total population in 2012 was estimated at 1.1–2.5 million breeding pairs. The largest numbers occur in Spain where there were believed to be 983,000–1,750,000 pairs. For reasons that probably include loss of suitable habitat, the Spanish population appears to be declining. The species is therefore classed by the International Union for Conservation of Nature as being Near threatened.
A period of climatic warming since 1963 has seen the UK population increase to "more than 2,500 pairs in 2006 (Wotton et al. 2009). Expansion into patches of structurally suitable habitat (up to an altitude of 400m), more northerly areas and away from the core of the range, from Dorset and Hampshire to Derbyshire and Suffolk, is likely to have been facilitated by milder winter weather (Wotton et al. 2009, Bradbury et al. 2011)... The Dartford warbler population in the UK is expected to continue to increase. However, future climate-based projections for the European range indicate that by 2080, more than 60% of the current European range may no longer be suitable (Huntley et al 2007). There is evidence that this is happening already, with severe declines in Spain and France (Green 2017). For this reason, the species is classified as Near Threatened on the IUCN Global Red List. If the declines in southern Europe continue, the UK will become increasingly important for global conservation of this species".
Population:
UK breeding:
3,200 pairs
Peculiar to see long term owner Minis in this sort of state now. I can't remember seeing one with structural tape for a little while!
Taken with the Olympus E-5, Olympus Zuiko 14-35 f2 lens in North Adams, Massachusetts. With the exception of the border this shot is straight out of the camera.
This photo has been in Explore. Highest position = #41.
© All Rights Reserved. Please do not use this image on websites, blogs or other media without my prior permission.
Standing on Slackers Hill with zero visibility and from one moment to another see the tip of the bridge rising out of the fog, side lit by some golden morning light. That was the moment I woke up for, drove half an hour through Berkeley and hiked up the hill with the headlamp on.
September 2018 | San Francisco Bay Area
© Max Angelsburger Photography
Please, like and share this photograph to support my work:
www.flickr.com/photos/153534027@N06/
© All Rights Reserved. Please do not use this image on websites, blogs or other media without my prior permission.
It's been a while, and it doesn't look that different from my last update, but behold: it is supporting its own weight. Much of my recent progress has been structural.
UPDATE: This model is now complete.
Kremsmünster monastery . Upper Austria . Austria . Europe
The Baroque observatory is considered the structural symbol of the monastery of Kremsmünster, and at the time of its construction was known as the "mathematical tower". In art history it is described not only as one of the historical beginnings of modern highrise building architecture but also as the first preserved independent museum edifice. At first the monastery authorities had contemplated erecting the observatory above the bridge gate. Fr. Anselm Desing had already completed plans and a wooden model, which has been preserved. This project was abandoned and in 1748 the decision was made to erect a fully free-standing building in the garden. Once again, the designs were drawn up by Desing, and construction was completed within ten years. This nine-storey structure was meant to house a universal museum in which the visitor would be led from inanimate nature (minerals and fossils on the second floor) over to lower living nature (plants and animals), on to the human sciences and arts (art chamber and picture gallery on the third and fourth floors), then on to the cosmos (the observatory on the sixth floor) and finally to the reflection of God (the chapel on the seventh floor).
Sagrada Família, Barcelona, España.
El Templo Expiatorio de la Sagrada Familia, conocido simplemente como la Sagrada Familia, es una basílica católica de Barcelona (España), diseñada por el arquitecto Antoni Gaudí. Iniciada en 1882, todavía está en construcción (noviembre de 2016). Es la obra maestra de Gaudí, y el máximo exponente de la arquitectura modernista catalana.
La Sagrada Familia es un reflejo de la plenitud artística de Gaudí: trabajó en ella durante la mayor parte de su carrera profesional, pero especialmente en los últimos años de su carrera, donde llegó a la culminación de su estilo naturalista, haciendo una síntesis de todas las soluciones y estilos probados hasta aquel entonces. Gaudí logró una perfecta armonía en la interrelación entre los elementos estructurales y los ornamentales, entre plástica y estética, entre función y forma, entre contenido y continente, logrando la integración de todas las artes en un todo estructurado y lógico.
La Sagrada Familia tiene planta de cruz latina, de cinco naves centrales y transepto de tres naves, y ábside con siete capillas. Ostenta tres fachadas dedicadas al Nacimiento, Pasión y Gloria de Jesús y, cuando esté concluida, tendrá 18 torres: cuatro en cada portal haciendo un total de doce por los apóstoles, cuatro sobre el crucero invocando a los evangelistas, una sobre el ábside dedicada a la Virgen y la torre-cimborio central en honor a Jesús, que alcanzará los 172,5 metros de altura. El templo dispondrá de dos sacristías junto al ábside, y de tres grandes capillas: la de la Asunción en el ábside y las del Bautismo y la Penitencia junto a la fachada principal; asimismo, estará rodeado de un claustro pensado para las procesiones y para aislar el templo del exterior. Gaudí aplicó a la Sagrada Familia un alto contenido simbólico, tanto en arquitectura como en escultura, dedicando a cada parte del templo un significado religioso.
The Expiatory Church of the Sagrada Familia, known simply as the Sagrada Familia, is a Roman Catholic basilica in Barcelona, Spain, designed by architect Antoni Gaudí. Begun in 1882, it is still under construction (November 2016). It is Gaudí's masterpiece and the greatest exponent of Catalan modernist architecture.
The Sagrada Familia is a reflection of Gaudí's artistic plenitude: he worked on it for most of his professional career, but especially in his later years, where he reached the culmination of his naturalistic style, synthesizing all the solutions and styles he had tried up to that point. Gaudí achieved perfect harmony in the interrelationship between structural and ornamental elements, between plasticity and aesthetics, between function and form, between content and container, achieving the integration of all the arts into a structured and logical whole. The Sagrada Familia has a Latin cross plan, five central naves, a three-aisled transept, and an apse with seven chapels. It boasts three façades dedicated to the Birth, Passion, and Glory of Jesus. When completed, it will have 18 towers: four at each portal, making a total of twelve for the apostles, four over the transept invoking the evangelists, one over the apse dedicated to the Virgin, and the central dome tower in honor of Jesus, which will reach 172.5 meters in height. The temple will have two sacristies next to the apse and three large chapels: the Assumption Chapel in the apse and the Baptism and Penance Chapels next to the main façade. It will also be surrounded by a cloister designed for processions and to isolate the temple from the exterior. Gaudí applied a highly symbolic content to the Sagrada Familia, both in architecture and sculpture, dedicating each part of the temple to a religious significance.
早安~!就在傾盆大雨中，迎接藍色禮拜一的到來，就讓這川流不息的米蘭火車站，來給大家催一下油門嚕~!加油捏!
米蘭是個時尚的城市，就連車站裡面的主體架構，甚或是標示、廣告等，顏色與設計都很繽紛。這是米蘭火車站的大廳，其實這只是其中的ㄧ小部份，經過了歷代的設計與改變，已經變成了有內外迴廊，地上地下多層結構，還有超過200公尺寬月台結構，每天有大約32萬名旅客，到發500輛列車,每年約有1.2億乘客使用的歐陸大型火車站。
車站如此龐大而漂亮，據說最初是仿造美國華盛頓車站建造的，買車票的地方在地下室B1還B2，很好找，但在這邊要小心裝好心的壞人跟扒手，還會假裝幫您買票但實際上是要K您一把$$的~
Milano Centrale, Piazza Duca d'Aosta, Milan, Italy~
米蘭的主要火車站是米蘭中央火車站(Milano Centrale)，由意大利國鐵Trenitalia運營。從這裡有開往意大利主要城市（都靈，威尼斯，羅馬，那不勒斯，佛羅倫薩等）和一些歐洲城市（巴塞羅那，蘇黎世，日內瓦，慕尼黑，巴黎，斯圖加特，薩格勒布，維也納等）的城際和國際快速列車。