Structuralism
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(full colour mix) Coleyville country. ...from an Easter Monday drive with Ernie to Rosevale, via Coleyville, and up the Kerwitz Road. Ernie is 91 and retired from his diary farm in the area about 34 years ago. There are changes in farmers' approaches in the area as the diary industry structurally adjusts to a modern economy. There are very few diary farms left. Most of the land has been given over to beef cattle (as with this one), horse studs and hobby farms. Whether or not this is a good thing remains to be seen...
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P1280401 - Red-billed Blue Magpie - Size - 65–68 cm
# 356 - 22 Mar '2019 - 20:55 (15:25 GMT)
The Red-billed Blue Magpie (Urocissa erythroryncha) is a species of bird in the crow family, Corvidae. is about the same size as the Eurasian Magpie - but has a much longer tail, one of the longest tails of any corvid.
is 65–68 cm (25.5–27 in) long and weigh 196–232g
At - Tons River - Sundra - Uttarakhand - Western Himalayas.
WONDERFUL FACTS - Which is the smartest animal ...
Dolphins are well-documented as intelligent animals ... As Discovery News reports, the dolphin's large brain is structured for awareness and emotion. In fact, dolphinbrains are more structurally complex than humans. (Jul 15, 2016) 🐬
Happy birding 🐾
This is a landscape version of my square photo called 'Simple Abstract 75'.
This image is looking up at balconies of Wardian London, one of two similar towers in Canary Wharf, East London, using intentional camera movement. The architects are Glenn Howells.
I like to think this photo has the feel of a scientific abstract image taken by the great photographer Berenice Abbott (1898 to 1991).
UK architecture in the twenty first century. This is 'Canopy Hotel by Hilton' in Aldgate, London, which opened in November 2021. Architects: ACME.
See a square version of this photograph at flic.kr/p/2mYsQMj.
Looking up at a recently built structure, St James's Market, Central London. Architects: Make Architects. This development was RIBA London Award winner in 2018.
A magnificently curved building in Manchester, England.
This is Gateway House, completed in 1969. Architect: Richard Seifert.
According to local legend, Helfštýn is named after the robber Helfried of Linva, who founded it. The castle was probably built in the last quarter of the 13th century. Around 1320 Vok of Kravař, a member of a prominent Moravian noble family, became the owner of the castle. Helfštýn remained in the possession of the Kravař family for more than a hundred years and underwent far-reaching structural changes during this period. Construction work began on a larger scale in the first half of the 14th century, but the main reconstruction of the castle into a Gothic fortress did not take place until the end of the 14th and the beginning of the 15th century. The Kravařs mainly improved the fortifications of Helfštýn. They replaced the makeshift fortification of the old parkland with a thick stone wall with four bastions, built a prismatic tower over the entrance to the castle itself and secured it with a drawbridge, built a fortified forecourt on the south side and cut the ridge of the hill with a moat carved into the rock.
The era of the Pernštejn family
In 1474, William of Pernštejn took over the castle estate and proceeded to its further reconstruction. In the last quarter of the 15th century,
Helfštýn Castle was enlarged with a thoroughly fortified, extensive farm forecourt (completed in 1480) and another forecourt, which formed a new outpost defending the entire enlarged building. At the same time, the fortifications of the old Kravaře castle were improved with bastions and a new system of towers and gates. The castle's ground plan was definitively given an elongated shape, and in its external form the perfect fortification system significantly overlapped all the other architectural elements.
Renaissance reconstruction
At the turn of the 16th and 17th centuries, the inner core of the castle was rebuilt into a Renaissance residence. The old castle palace was demolished, along with part of its original Gothic fortifications, and a magnificent Renaissance palace was built on the vacant space, in sharp contrast to the extensive system of late Gothic fortifications that surrounded it.
The destruction of the castle
In 1656, quite extensive demolition work was carried out, which, although it did not damage the fortifications of Helfštýn too much, definitively deprived it of the character of a manor house. And thus began the long-term destruction of the castle. The destruction was accelerated in the second half of the 18th century by the Ditrichstein family with demolition works. These attempts culminated in 1817, when part of the inner castle was destroyed by artillery fire.
Present day
The present-day character of the castle is that of a fortress with six gates and a series of 18th-century buildings and ramparts. Since the 19th century, the castle has been presented as a tourist and heritage site. Nowadays it has become a natural cultural centre of the region, with various cultural events taking place here throughout the season
The new Design Museum in Kensington opened in November 2016. The building was formerly the home of the Commonwealth Institute and it was opened in 1962. The architects were RMJM (Robert Matthew Johnson Marshall). This photo shows a section of the original roof structure.
Another landscape version of the ‘Cheesegrater’, a car park in Sheffield, South Yorkshire, England. It was designed by architects Allies and Morrison.
In 2009 it won a RIBA (Royal Institute of British Architects) Regional Award. These awards are given to UK buildings for their regional architectural importance. In 2013 it gained third place in the 'World’s Coolest Car Park' awards.
Photo taken in June 2025.
Here is another photo of mine showing a building in London by the same architects: flic.kr/p/Ts4f8Y
Sometimes you think nothing is a coincidence. Moments after finishing this GIMPed abstract of "The Wave", I saw a photograph that had many similarities. So I copied the very suitable title of that photo.
The Wave, Almere, Flevoland, The Netherlands.
Design: René van Zuuk (2004)
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A view up into the canopy on a misty morning in Little Wittenham Wood, South Oxfordshire. I was taken by the snaking structure of the branches as the reach up into the sky.
A section of the Walbrook Building roofline, photo taken from the inner courtyard behind Cannon Street in the City of London. Architect: Foster & Partners - Built 2010.
Also PRESS HERE for my other photo.
A larger format photograph of an image in my recent, square, 'Forlorn Windows, Birmingham' series.
Also see flic.kr/p/2rKBMH2.
Photo taken in October 2025.
Abstract shot of the Brooklyn Bridge in New York, USA. It opened in 1883. Designed by John Augustus Roebling.
Photo taken in May 2024.
A close-up photo of the florets on a Cordyline fruiticosa plant photographed at the Des Moines Botanical Gardens.
Developed with Darktable 3.6.0.
New building currently under construction, with slanted window lines, in the City of London. Architects: Flanagan Lawrence.
A larger format photograph of an image in my recent, square, 'Forlorn Windows, Birmingham' series.
Also see flic.kr/p/2rKCGN7.
Photo taken in October 2025.
OBSERVE Collective
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A 'straight out of camera' photo from my recent walk around central London. The skies were that blue, the plane was that high, and the 'M' hotel by Montcalm (London EC1), on the right, was that angular.
The building was originally a metal works shop, built in 1916. Today, it’s a wine storage facility in a trendy part of Portland.
According to local legend, Helfštýn is named after the robber Helfried of Linva, who founded it. The castle was probably built in the last quarter of the 13th century. Around 1320 Vok of Kravař, a member of a prominent Moravian noble family, became the owner of the castle. Helfštýn remained in the possession of the Kravař family for more than a hundred years and underwent far-reaching structural changes during this period. Construction work began on a larger scale in the first half of the 14th century, but the main reconstruction of the castle into a Gothic fortress did not take place until the end of the 14th and the beginning of the 15th century. The Kravařs mainly improved the fortifications of Helfštýn. They replaced the makeshift fortification of the old parkland with a thick stone wall with four bastions, built a prismatic tower over the entrance to the castle itself and secured it with a drawbridge, built a fortified forecourt on the south side and cut the ridge of the hill with a moat carved into the rock.
The era of the Pernštejn family
In 1474, William of Pernštejn took over the castle estate and proceeded to its further reconstruction. In the last quarter of the 15th century,
Helfštýn Castle was enlarged with a thoroughly fortified, extensive farm forecourt (completed in 1480) and another forecourt, which formed a new outpost defending the entire enlarged building. At the same time, the fortifications of the old Kravaře castle were improved with bastions and a new system of towers and gates. The castle's ground plan was definitively given an elongated shape, and in its external form the perfect fortification system significantly overlapped all the other architectural elements.
Renaissance reconstruction
At the turn of the 16th and 17th centuries, the inner core of the castle was rebuilt into a Renaissance residence. The old castle palace was demolished, along with part of its original Gothic fortifications, and a magnificent Renaissance palace was built on the vacant space, in sharp contrast to the extensive system of late Gothic fortifications that surrounded it.
The destruction of the castle
In 1656, quite extensive demolition work was carried out, which, although it did not damage the fortifications of Helfštýn too much, definitively deprived it of the character of a manor house. And thus began the long-term destruction of the castle. The destruction was accelerated in the second half of the 18th century by the Ditrichstein family with demolition works. These attempts culminated in 1817, when part of the inner castle was destroyed by artillery fire.
Present day
The present-day character of the castle is that of a fortress with six gates and a series of 18th-century buildings and ramparts. Since the 19th century, the castle has been presented as a tourist and heritage site. Nowadays it has become a natural cultural centre of the region, with various cultural events taking place here throughout the season