View allAll Photos Tagged Structural
This is a 7-story, 3-bay domestic building in the Art Deco style built in 1937. The structural system is fireproof. The foundation is reinforced concrete. The exterior walls are stucco. The building has a flat parapet roof. Windows are replacement aluminum casements. Unique octagonal porthole windows just above "Park Central Hotel" signage on the central bay of east elevation and at the same height on the easternmost part of the south elevation; Continuous band of windows rounded at corners wraps around northeast and southeast corners of building There is a single-story, full-span open porch characterized by an integrated (under the main) roof. Simple full-span porch with aluminum railings; Multi-colored terrazzo floor design; Extends slightly out from building set back Primary entryway is centered on east elevation; Glass double-door framed by dark wood; Terrazzo floor design on the porch points directly towards the primary door, which is also ornamented on the interior by different multi-colored terrazzo floor designs.
Symmetrical tripartite design on the primary facade; Round masonry porthole design at cornice; Octagonal porthole windows directly above first-floor level; Horizontal banding at building's corners; Multi-colored terrazzo floor designs; Neon "Park Central Hotel" signage centered directly above the porch on the east elevation; "Park Central Hotel" signage painted vertically on the east corner of the south elevation; Stepped ziggurat parapet roofline on east elevation; Streamlined vertical design with a recessed central section; Rounded corner windows on northeast and southeast corners just above porch level; Lightly ribbed vertical pilasters ornamented with spandrels; on either side of central bay form an inverted "L" design; Aluminum railings.
Credit for the data above is given to the following website:
www.ruskinarc.com/mdpl/all/4630-640%20Ocean%20Dr/view
© All Rights Reserved - you may not use this image in any form without my prior permission.
Looking up at one of the high-rise buildings in Bellevue, Washington.
My wife and I wanted to hang on our walls some large and modern-looking prints. This is one of my favorite images that came out of that project. The reflections of clouds on the windows are real. I simulated the cloud movement in the sky using a Path Blur filter in Photoshop – which yielded the sky appearance I desired much faster than the many days needed to find properly-moving clouds in Bellevue...
The Milwaukee Art Center (now the Milwaukee Art Museum) was formed when the Milwaukee Art Institute and Layton Art Gallery merged their collections in 1957 and moved into the newly built Eero Saarinen-designed Milwaukee County War Memorial. The 341,000-square-foot (31,700 m2) Museum includes the War Memorial Center (1957) designed by Finnish-American architect Eero Saarinen, the Kahler Building (1975) designed by David Kahler, and the Quadracci Pavilion (2001) created by Spanish architect Santiago Calatrava. The Quadracci Pavilion contains a movable, wing-like brise soleil that opens up for a wingspan of 217 feet (66 m) during the day, folding over the tall, arched structure at night or during inclement weather. The pavilion received the 2004 Outstanding Structure Award from the International Association for Bridge and Structural Engineering.
Structural ...
in my Architectural Series 3 ... Pic # 34 ...
Taken Dec 14, 2019
Thanks for your visits, faves, invites and comments ... (c)rebfoto
Description of Buildings:
Gesu Church is a rectangular structure of structural steel, reinforced-concrete construction and features exterior walls covered with stucco.
An arcaded portico projects from the west façade of the church and is divided by four massive piers into three bays.
The piers and pilasters on the opposite wall rest
on cubical pedestals approximately nine feet high. A chamfered molding serves as a capital for each pier and is repeated, at the same level as a belt course
running completely around the building.
The central bay of the portico projects slightly, and its arch springs from two semi-engaged Doric columns, thus framing
the main entrance of the church.
Articulation of the west wall echoes the tripartite divisions of the portico with semicircular arched portals at each bay. Double doors of wood and glass are recessed within the portal and have dentilled transoms and cartouches above.
The north façade of the church features an elevated basement from which piers rise to the architrave above. Indented panels between the piers contain tall, semi-circular arched stained glass windows.
A tripartite tower complex embellishes the roof. The central tower which is square in plan, rises in a series of steps and contains a belfry with arched windows. Two hipped roof towers flank the central tower.
Gesu Rectory is located directly east of the church and is connected to it. This four story rectangular structure is of structural steel, reinforced concrete construction, and its exterior walls are covered with stucco. Its pedimented gable
roof is covered with Spanish tile.
The main entrance is located in the center bay of the north façade and features a double door with large lights. The majority of windows are three over one double
hung sash. Round arch windows grace the fourth floor.
Gesu School is located east of the rectory. The building is a five story rectangular structure of reinforced concrete construction covered with stucco. A flat roof with parapet tops the building and features a pediment above the main entrance.
The focal point of the building is a grand, three story portico on the north façade. Ionic columns support the portico and are repeated in pilasters separating each bay. The main entrance features a colossal semi-circular arch with double doors.
The Fathers of the Society of Jesus have been instrumental in the establishment of Gesù Catholic Church from its inception. Gesù Parish was established as a result of the large Catholic community present in Miami. The original wooden church was built on land donated by Henry Flagler, and as Miami began to grow the need for a larger Church became a necessity. In 1921, the first cornerstone of this concrete and steel structure was laid to suit the needs of the growing Catholic community in Miami
Through the years, Gesù has been a spiritual ambassador to Catholics living in South Florida. It has taken on many roles aside from being a Church. For more than 75 years, Gesù Church started Gesù School which provided elementary and high school education. The school was run by the Sisters of St. Joseph
In addition, the Centro Hispano Católico at Gesù assisted Cuban refugees and refugees from other Central American countries with basic needs and helped with assimilation into a foreign country. From 1959-1982, the Centro Hispano Católico provided refugees with food, clothes, medical care, jobs, housing, daycare, school tuition, English classes, and immigration assistance. In 1962, Gesù served as headquarters to the Pedro Pan operation which bought more than 14,000 unaccompanied children from Communist Cuba
In September 1961, Gesù housed Belén Jesuit Preparatory School for a year and a half. After being exiled from Cuba, Jesuit Priests opened a school for refugee students who were living in Miami. This was the beginning of Belén Jesuit in South Florida.
Today, Gesù Catholic Church remains the spiritual center of downtown Miami. As the oldest church in South Florida, Gesù invites all to visit this historic landmark that has been serving South Florida’s Catholic community for nearly 120 years.
Credit for the data above is given to the following websites:
www.halsema.org/places/miami/GesuChurchandRectory.pdf
© All Rights Reserved - you may not use this image in any form without my prior permission.
Oculus (detail) - Greenwich Street - Manhattan - New York City
WTC Transportation Hub
Architect : Santiago Calatrava
Another detail shot of One Port Street, Manchester, a residential tower block in the city's Northern Quarter.
Architect: SimpsonHaugh.
Built: 2025
Photo taken: October 2025.
Der 102,5 ha große Neue Garten liegt im Norden Potsdams am Jungfernsee. Über das Wasser hinweg bestehen gestalterische Verbindungen zu den Gärten von Sacrow, Pfaueninsel, Glienicke und Babelsberg, wodurch er eine zentrale Rolle in der Gartenlandschaft erhält. Trotz Überformung durch Lenné hat er noch sentimentale Einzelpartien aus der Entstehungsphase vor 1800 bewahrt. Seine Geschichte fängt mit dem Ankauf eines zentralen Grundstückes durch den Kronprinzen Friedrich Wilhelm (II.) an. Im Jahre 1787, ein Jahr nach dem Regierungsantritt, begann die Anlage des Neuen Gartens, der seinen Namen programmatisch in der Abkehr vom alten Barockpark Sanssouci erhielt. Als Gestalter wurde der Wörlitzer Gärtner Johann August Eyserbeck verpflichtet, was die Umsetzung der an englischen Gärten orientierten Idealvorstellung Friedrich Wilhelms garantierte. Ungünstig für den einheitlichen Charakter des Gartens war der sich über mehrere Jahre hinziehende Grundstücksankauf. Neben einbezogenen ehemaligen Wohnhäusern entstanden zwischen 1787 und 1792 wichtige neue Bauten im Garten, von denen heute noch viele bestehen: Marmorpalais, Küche in Form einer römischen Tempelruine, Gotische Bibliothek, Schindelhaus, Orangerie, Grotte, Meierei, Pyramide (Eiskeller) und das holländische Etablissement. Vor letzterem verläuft, begleitet von Pyramidenpappeln (seit 1864 Pyramideneichen), ein Musterstück für den preußischen Chausseebau. In der Gartenanlage entstand eine Fülle von Partien unterschiedlicher sentimentaler Prägung, die von den jeweiligen Bauten oder Pflanzungen in ihrem Charakter bestimmt werden. 1816 überarbeitete Peter Joseph Lenné im Auftrag des Thronfolgers den zugewachsenen und unmodern gewordenen Garten. Unter Erhalt vieler Bereiche und Entfernung zu dichter Gehölze bekam der Neue Garten große Sichten und Wiesenräume, gefälligere Wegeführung und vor allem die Blickverbindungen zu den Nachbargärten (Sacrow, Pfaueninsel, Glienicke, Babelsberg, Potsdam, Pfingstberg). Trotz kleinerer Veränderungen zur Kaiserzeit und durch Rücknahme von Einbauten aus der Zeit der russischen Nutzung (1945–1954) hat sich noch immer die von Lenné geplante Grundstruktur bewahrt. Das Schloss Cecilienhof, 1913–1917 für den Kronprinzen erbaut, fügt sich sehr harmonisch ein. Eine 13 ha große Fläche, die 1960-1990 als Grenzgebiet zerstört war, ist inzwischen wieder hergestellt worden.
www.spsg.de/schloesser-gaerten/objekt/neuer-garten
The New Garden, which covers 102.5 hectares, lies at Jungfernsee Lake in the northern part of Potsdam. Creative viewing connections extend across the water to the gardens of Sacrow, Peacock Island, Glienicke and Babelsberg, evidencing the park’s central role in this overall garden landscape. Despite its having been reshaped by Lenné, the garden has nevertheless preserved individual, emotive areas that date from the phase of its creation before 1800. The garden’s history begins with the purchase of a central piece of land by Crown Prince Frederick William (II). In 1787, a year after his ascension to the throne, the laying out of the grounds commenced at the New Garden, the name being programmatic for the abandonment of the old baroque park at Sanssouci. Wörlitz gardener Johann August Eyserbeck was charged with its creation, a decision that ensured a transformation in alignment with Frederick William’s ideals oriented towards English gardens.
What undermined the uniform character of the garden was the fact that it had taken several years to purchase the land. In addition to the former private houses that were included, important new buildings were constructed in the garden between 1787 and 1792, many of which still exist today: the Marble House, the kitchen in the shape of a Roman temple ruins, the Gothic Library, Shingle House, orangery, grotto, dairy, pyramid (ice house) and the Dutch houses. In front of the latter, we find a prime example of Prussian country road construction lined with pyramid-shaped cottonwood poplars (now, since 1864, pyramid-shaped oaks). On the garden grounds, a number of areas were created, whose characters were emotively shaped by the respective buildings or plantings to varying degrees.
In 1816, Peter Joseph Lenné was commissioned by the successor to the throne to rework the overgrown garden, which no longer conformed with the contemporary taste. By preserving many areas while removing copses that had become too dense, the New Garden was provided with new perspectives and meadow spaces, more pleasing pathways and above all, with viewing connections to the neighboring gardens (Sacrow, Peacock Island, Glienicke, Babelsberg, Potsdam, Pfingstberg Hill). Despite the smaller changes made during Imperial times and owing to the removal of installations dating from the time the garden was used by the Russians (1945 –1954), Lenné’s basic structural design has been retained up to this day. Cecilienhof Country House, built for the Crown Prince from 1913 to 1917, harmonizes in this setting. In the meantime, an area of 13 hectares has been restored, which had been destroyed during its use as part of the border zone from 1960 to 1990.
Concrete leg ('piloti') at the base of Fellows Court, an 18-storey block of flats in Hackney. Built in 1967.
Coleyville country. ...from an Easter Monday drive with Ernie to Rosevale, via Coleyville, and up the Kerwitz Road. Ernie is 91 and retired from his diary farm in the area about 34 years ago. There are changes in farmers' approaches in the area as the diary industry structurally adjusts to a modern economy. There are very few diary farms left. Most of the land has been given over to beef cattle (as with this one), horse studs and hobby farms. Whether or not this is a good thing remains to be seen...
__________________________________________
© All rights reserved.
This image may not be copied, reproduced, distributed, republished, downloaded,
displayed, posted or transmitted in any form or by any means, including electronic,
mechanical, photocopying & recording without my written consent.
This footbridge is a Grade II* listed... er, building? Beautiful it is not. Structural concerns means the original bridge is masked by a girder and scaffold contraption - which has removed all the fun as you used to be able to shake the bridge by jumping on it (in hindsight, probably a bad move).
en.wikipedia.org/wiki/Victoria_Bridge,_Bath
This is three handheld shots merged in Photomatix and then tuned up in Lightroom. A the début of a new watermark. Bit more crisp, bit less prominent. Why do I do it? Because so many sites strip out EXIF data and copyright laws are beginning to favour orphaned works.
USAR East Ham - London Fire Brigade MAN TGA Urban Search and Rescue Prime Mover - PM109
Carrying Module 1, primary Structural Collapse Module
While photographing this mornings sunrise downtown Portland, I was drawn to the evolutionary structural trifecta presented with the Cherry Blossom Tree, Steel Bridge, and the Oregon Convention Centre. The sunlight was nice and warm, but my fingers were freezing!
D800
1/40 sec
f/16.0
22 mm
ISO 100
-1 EV
Single image converted to TIFF in NX2, Adjusted levels in CC, and sharpened/resized in LR5.
© 2014 Chris Ross Photography. Do not copy, share, link, or use this image in any way without my explicit permission.
day two of using the 40mm voight' enjoying it more and finally getting used to it.
leica m9
voigtlander 40mm nokton classic s.c. f1.4
Otis in fhe Technik Museum Speyer. It sort of looks like he is inside a large machine. Fitting with the theme. I tried to frame it as if it were a large machine. Imperial walker anyone?
No adjustments other than Sharpening
Wratten 22 Filter
Pentax LX
SMC PENTAX-M 1:1.7 50mm
JCH Street Pan 400
Eco Pro 1:1
01/11/2022
A view of the El Puente de l'Assut de l'Or bridge which is found in the City of Arts and Sciences in Valencia.
This fabulous complex was designed by the brilliant architect, Santiago Calatrava.
You can see more shots of this amazing complex in my Valencia set.
Looking down into Pulpit falls. I'm not sure it works, but I liked the view of the rounded bowl shape the water carved in millennia past. Had the tripod right on the edge.