View allAll Photos Tagged Structural
An attempt at different and more dynamic image of the much photographed, greatly loved, but soon to be demolished, iconic Welbeck Street Car Park in London.
Architect: Michael R Blampied & Partners - 1971
Update April 2019: This building has now been demolished.
Excerpt from Wikipedia:
The Peace Bridge is an international bridge between Canada and the United States at the east end of Lake Erie at the source of the Niagara River, about 20 kilometres (12.4 mi) upriver of Niagara Falls. It connects Buffalo, New York, in the United States to Fort Erie, Ontario, in Canada. It is operated and maintained by the binational Buffalo and Fort Erie Public Bridge Authority.
The Peace Bridge consists of five arched spans over the Niagara River and a Parker deck type truss span over the Black Rock Canal on the American side of the river. The length is 5,800 feet (1.77 km). Material used in the construction included 3,500 feet (1.07 km) of steelwork, 9,000 tons of structural steel and 800 tons of reinforcing steel in the concrete abutments. The Peace Bridge was named to commemorate 100 years of peace between the United States and Canada. It was constructed as a highway bridge to address pedestrian and motor vehicle traffic which could not be accommodated on the International Railway Bridge, built in 1873.
© All Rights Reserved. Please do not use this image on websites, blogs or other media without my prior permission.
Standing on Slackers Hill with zero visibility and from one moment to another see the tip of the bridge rising out of the fog, side lit by some golden morning light. That was the moment I woke up for, drove half an hour through Berkeley and hiked up the hill with the headlamp on.
September 2018 | San Francisco Bay Area
© Max Angelsburger Photography
Please, like and share this photograph to support my work:
www.flickr.com/photos/153534027@N06/
© All Rights Reserved. Please do not use this image on websites, blogs or other media without my prior permission.
Der 102,5 ha große Neue Garten liegt im Norden Potsdams am Jungfernsee. Über das Wasser hinweg bestehen gestalterische Verbindungen zu den Gärten von Sacrow, Pfaueninsel, Glienicke und Babelsberg, wodurch er eine zentrale Rolle in der Gartenlandschaft erhält. Trotz Überformung durch Lenné hat er noch sentimentale Einzelpartien aus der Entstehungsphase vor 1800 bewahrt.
Seine Geschichte fängt mit dem Ankauf eines zentralen Grundstückes durch den Kronprinzen Friedrich Wilhelm (II.) an. Im Jahre 1787, ein Jahr nach dem Regierungsantritt, begann die Anlage des Neuen Gartens, der seinen Namen programmatisch in der Abkehr vom alten Barockpark Sanssouci erhielt. Als Gestalter wurde der Wörlitzer Gärtner Johann August Eyserbeck verpflichtet, was die Umsetzung der an englischen Gärten orientierten Idealvorstellung Friedrich Wilhelms garantierte.
Ungünstig für den einheitlichen Charakter des Gartens war der sich über mehrere Jahre hinziehende Grundstücksankauf. Neben einbezogenen ehemaligen Wohnhäusern entstanden zwischen 1787 und 1792 wichtige neue Bauten im Garten, von denen heute noch viele bestehen: Marmorpalais, Küche in Form einer römischen Tempelruine, Gotische Bibliothek, Schindelhaus, Orangerie, Grotte, Meierei, Pyramide (Eiskeller) und das holländische Etablissement. Vor letzterem verläuft, begleitet von Pyramidenpappeln (seit 1864 Pyramideneichen), ein Musterstück für den preußischen Chausseebau. In der Gartenanlage entstand eine Fülle von Partien unterschiedlicher sentimentaler Prägung, die von den jeweiligen Bauten oder Pflanzungen in ihrem Charakter bestimmt werden. 1816 überarbeitete Peter Joseph Lenné im Auftrag des Thronfolgers den zugewachsenen und unmodern gewordenen Garten. Unter Erhalt vieler Bereiche und Entfernung zu dichter Gehölze bekam der Neue Garten große Sichten und Wiesenräume, gefälligere Wegeführung und vor allem die Blickverbindungen zu den Nachbargärten (Sacrow, Pfaueninsel, Glienicke, Babelsberg, Potsdam, Pfingstberg). Trotz kleinerer Veränderungen zur Kaiserzeit und durch Rücknahme von Einbauten aus der Zeit der russischen Nutzung (1945–1954) hat sich noch immer die von Lenné geplante Grundstruktur bewahrt.
Das Schloss Cecilienhof, 1913–1917 für den Kronprinzen erbaut, fügt sich sehr harmonisch ein. Eine 13 ha große Fläche, die 1960-1990 als Grenzgebiet zerstört war, ist inzwischen wieder hergestellt worden.
www.spsg.de/schloesser-gaerten/objekt/neuer-garten
The New Garden, which covers 102.5 hectares, lies at Jungfernsee Lake in the northern part of Potsdam. Creative viewing connections extend across the water to the gardens of Sacrow, Peacock Island, Glienicke and Babelsberg, evidencing the park’s central role in this overall garden landscape. Despite its having been reshaped by Lenné, the garden has nevertheless preserved individual, emotive areas that date from the phase of its creation before 1800. The garden’s history begins with the purchase of a central piece of land by Crown Prince Frederick William (II). In 1787, a year after his ascension to the throne, the laying out of the grounds commenced at the New Garden, the name being programmatic for the abandonment of the old baroque park at Sanssouci. Wörlitz gardener Johann August Eyserbeck was charged with its creation, a decision that ensured a transformation in alignment with Frederick William’s ideals oriented towards English gardens.
What undermined the uniform character of the garden was the fact that it had taken several years to purchase the land. In addition to the former private houses that were included, important new buildings were constructed in the garden between 1787 and 1792, many of which still exist today: the Marble House, the kitchen in the shape of a Roman temple ruins, the Gothic Library, Shingle House, orangery, grotto, dairy, pyramid (ice house) and the Dutch houses. In front of the latter, we find a prime example of Prussian country road construction lined with pyramid-shaped cottonwood poplars (now, since 1864, pyramid-shaped oaks). On the garden grounds, a number of areas were created, whose characters were emotively shaped by the respective buildings or plantings to varying degrees.
In 1816, Peter Joseph Lenné was commissioned by the successor to the throne to rework the overgrown garden, which no longer conformed with the contemporary taste. By preserving many areas while removing copses that had become too dense, the New Garden was provided with new perspectives and meadow spaces, more pleasing pathways and above all, with viewing connections to the neighboring gardens (Sacrow, Peacock Island, Glienicke, Babelsberg, Potsdam, Pfingstberg Hill). Despite the smaller changes made during Imperial times and owing to the removal of installations dating from the time the garden was used by the Russians (1945 –1954), Lenné’s basic structural design has been retained up to this day. Cecilienhof Country House, built for the Crown Prince from 1913 to 1917, harmonizes in this setting. In the meantime, an area of 13 hectares has been restored, which had been destroyed during its use as part of the border zone from 1960 to 1990.
Pastel on newsprint
I made this shortly after I started doing art at age 56. There was no preconceived idea. I just picked up a piece of pastel and started moving my hand and arm on the paper. This is the image that resulted. When I showed it to the teacher of an art class I had just started, he said "What were you on when you did THAT?", lol! The answer: nothing. I was just following the impulses as they popped up within. I made this in the horizontal orientation. It was only after it was done and I turned it to this vertical orientation that I saw that it resembled a serpent.
At the time, and for years prior, I spent many hours each day in mantra meditation, pranayama breathing, and yoga asanas, and had experienced many moments of expanded awareness and bliss. But I knew almost nothing about kundalini or its awakening.
I now know that the Sanskrit word "kundalini" means "coiled one". In the Dharma religions, it is a primal energy, or shakti, located at the base of the spine. Different spiritual traditions teach methods of "awakening" kundalini for the purpose of reaching spiritual enlightenment. Kundalini is described as lying "coiled" at the base of the spine, represented as either a goddess or sleeping serpent waiting to be awakened. ... To me, this image reflects the creative phase of the creation/maintenance/destruction cycle.
Kundalini awakening is said to result in deep meditation, enlightenment and bliss. This awakening involves the Kundalini physically moving up the central channel to reach within the Sahasrara Chakra at the top of the head. Many systems of yoga focus on the awakening of Kundalini through meditation, pranayama breathing, the practice of asana and chanting of mantras. In physical terms, many report the Kundalini experience to be a feeling of electric current running along the spine.
—Adapted from Wikipedia en.wikipedia.org/wiki/Kundalini
Also, " ... The Supreme Brahman is described as the swallower, devourer (attā = soul) of the universe; for just as he creates and maintains it, he destroys it also. But where does it go when it is destroyed? One answer may be that it simply vanishes. But the Upanishads are opposed to such an idea of destruction. Only the forms and shapes of the world are gone, but not the being of the world, which is the Being of the Brahman. Then what happens to the world? It is absorbed, assimilated to the Brahman. The Brahman swallows, absorbs, assimilates the world to itself."
—P.T. Raju, Structural Depths of Indian Thought, p. 420
Der 102,5 ha große Neue Garten liegt im Norden Potsdams am Jungfernsee. Über das Wasser hinweg bestehen gestalterische Verbindungen zu den Gärten von Sacrow, Pfaueninsel, Glienicke und Babelsberg, wodurch er eine zentrale Rolle in der Gartenlandschaft erhält. Trotz Überformung durch Lenné hat er noch sentimentale Einzelpartien aus der Entstehungsphase vor 1800 bewahrt. Seine Geschichte fängt mit dem Ankauf eines zentralen Grundstückes durch den Kronprinzen Friedrich Wilhelm (II.) an. Im Jahre 1787, ein Jahr nach dem Regierungsantritt, begann die Anlage des Neuen Gartens, der seinen Namen programmatisch in der Abkehr vom alten Barockpark Sanssouci erhielt. Als Gestalter wurde der Wörlitzer Gärtner Johann August Eyserbeck verpflichtet, was die Umsetzung der an englischen Gärten orientierten Idealvorstellung Friedrich Wilhelms garantierte. Ungünstig für den einheitlichen Charakter des Gartens war der sich über mehrere Jahre hinziehende Grundstücksankauf. Neben einbezogenen ehemaligen Wohnhäusern entstanden zwischen 1787 und 1792 wichtige neue Bauten im Garten, von denen heute noch viele bestehen: Marmorpalais, Küche in Form einer römischen Tempelruine, Gotische Bibliothek, Schindelhaus, Orangerie, Grotte, Meierei, Pyramide (Eiskeller) und das holländische Etablissement. Vor letzterem verläuft, begleitet von Pyramidenpappeln (seit 1864 Pyramideneichen), ein Musterstück für den preußischen Chausseebau. In der Gartenanlage entstand eine Fülle von Partien unterschiedlicher sentimentaler Prägung, die von den jeweiligen Bauten oder Pflanzungen in ihrem Charakter bestimmt werden. 1816 überarbeitete Peter Joseph Lenné im Auftrag des Thronfolgers den zugewachsenen und unmodern gewordenen Garten. Unter Erhalt vieler Bereiche und Entfernung zu dichter Gehölze bekam der Neue Garten große Sichten und Wiesenräume, gefälligere Wegeführung und vor allem die Blickverbindungen zu den Nachbargärten (Sacrow, Pfaueninsel, Glienicke, Babelsberg, Potsdam, Pfingstberg). Trotz kleinerer Veränderungen zur Kaiserzeit und durch Rücknahme von Einbauten aus der Zeit der russischen Nutzung (1945–1954) hat sich noch immer die von Lenné geplante Grundstruktur bewahrt. Das Schloss Cecilienhof, 1913–1917 für den Kronprinzen erbaut, fügt sich sehr harmonisch ein. Eine 13 ha große Fläche, die 1960-1990 als Grenzgebiet zerstört war, ist inzwischen wieder hergestellt worden.
www.spsg.de/schloesser-gaerten/objekt/neuer-garten
The New Garden, which covers 102.5 hectares, lies at Jungfernsee Lake in the northern part of Potsdam. Creative viewing connections extend across the water to the gardens of Sacrow, Peacock Island, Glienicke and Babelsberg, evidencing the park’s central role in this overall garden landscape. Despite its having been reshaped by Lenné, the garden has nevertheless preserved individual, emotive areas that date from the phase of its creation before 1800. The garden’s history begins with the purchase of a central piece of land by Crown Prince Frederick William (II). In 1787, a year after his ascension to the throne, the laying out of the grounds commenced at the New Garden, the name being programmatic for the abandonment of the old baroque park at Sanssouci. Wörlitz gardener Johann August Eyserbeck was charged with its creation, a decision that ensured a transformation in alignment with Frederick William’s ideals oriented towards English gardens.
What undermined the uniform character of the garden was the fact that it had taken several years to purchase the land. In addition to the former private houses that were included, important new buildings were constructed in the garden between 1787 and 1792, many of which still exist today: the Marble House, the kitchen in the shape of a Roman temple ruins, the Gothic Library, Shingle House, orangery, grotto, dairy, pyramid (ice house) and the Dutch houses. In front of the latter, we find a prime example of Prussian country road construction lined with pyramid-shaped cottonwood poplars (now, since 1864, pyramid-shaped oaks). On the garden grounds, a number of areas were created, whose characters were emotively shaped by the respective buildings or plantings to varying degrees.
In 1816, Peter Joseph Lenné was commissioned by the successor to the throne to rework the overgrown garden, which no longer conformed with the contemporary taste. By preserving many areas while removing copses that had become too dense, the New Garden was provided with new perspectives and meadow spaces, more pleasing pathways and above all, with viewing connections to the neighboring gardens (Sacrow, Peacock Island, Glienicke, Babelsberg, Potsdam, Pfingstberg Hill). Despite the smaller changes made during Imperial times and owing to the removal of installations dating from the time the garden was used by the Russians (1945 –1954), Lenné’s basic structural design has been retained up to this day. Cecilienhof Country House, built for the Crown Prince from 1913 to 1917, harmonizes in this setting. In the meantime, an area of 13 hectares has been restored, which had been destroyed during its use as part of the border zone from 1960 to 1990.
Follow me on Pinterest | Instagram
Proudly presenting my latest Lego MOC.
In these pictures ...
You can see the 3rd version of my latest Lego Star Wars MOC; the NU Republic Attack Shuttle in flight mode and without the container.
I had the CustomBricks instructions lying around for some years now, and I thought I would 'simply' build this one, as I had just finished the Imperial Nebulon before.
This version has 4’400 parts including stand.
Modifications to original design:
- 501st color scheme
- Structural strengthening
- Wing stability improved
- Front turrets / guns
- Updated engines section
- Changed rear tail section
- Brickstuff LEDs
- BAD MOTHER decals
Hope you like it!
Sunrise over a collapsed pier.
All of my images are Copyrighted and All Rights Reserved by me period. They may not be used or reproduced in any way without my explicit written permission.
Contact me if you are interested in a license or print.
“The shell of a fighter
The shell of a man
The weight of a lifetime
Waiting for your healing hands”
—No-Man, “Shell of a Fighter”
elements ...
in my Structural Details Series ...
Taken Jul 16, 2019
Thanks for your visits, faves, invites and comments ... (c)rebfoto
steel joint ...
in my Structural Detail Series ...
Taken Feb 14, 2018
Thanks for your visits, faves, invites and comments ... (c)rebfoto
This is a historic house, from what I understand its over a century old. The stone appears to b e local. After seeing so many structures fall to ruin in rural Missouri its a pleasure to see one being maintained. Taken on the outskirts of Owensville Missouri.
Camera: Minolta X-300
Lens: Vivitar 28mm F2
Filter: Hoya Red(25A)
Film: Ilford HP5+
Processing and Scanning: Gulabi Photo Lab, Glasgow
Post Processing: Photoscape X
More from an afternoon walk around Mugdock Park can be found here youtu.be/HRWCEASfu5g.
Drawn with a Platinum Preppy EF02 fountain pen with Iroshizuku Take Sumi ink on Strathmore 9” x 12” mixed media 75lb paper
A landscape version of a square format image (flic.kr/p/2q9Qqit) that I posted on here earlier this year.
Colt House, Shoreditch, East London, Photo taken in April 2018
The Michigan Theater housed inside the Michigan Building was slatted for demolition years ago, but it was determined that the office building would be structurally compromised. When the few remaining tenants of the Michigan Building threatened to relocate due to lack of available parking, the owners came up with the concept of converting the theater into a parking structure.
This view is from the second level of the parking structure. You can see what remains of the upper balcony and the ceiling area of the lower main lobby. Stairs and elevator area to the right.