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Usage：This kind of sticker is widely used in cosmetic products,cooler drink,food indutry etc to play a role of illustration,protection,decoration etc
Grab a sticker directly from me, or order my book on amazon www.amazon.com/dp/1090645406/ref=sr_1_2?keywords=The+Unde...
These stickers appear in various places around the city centre, usually stuck on lamp-posts and similar bits of street furniture. I'm not sure what they represent, but they make for good photo opportunities.
Sticker art (also known as sticker bombing, sticker slapping, slap tagging, and sticker tagging) is a form of street art in which an image or message is publicly displayed using stickers. These stickers may promote a political agenda, comment on a policy or issue, or comprise a subcategory of graffiti.
Sticker artists use a variety of label types, including inexpensively purchased and free stickers, such as the United States Postal Service's Label 228 or name tags.
Even if there were various unknown pioneers before, the first officially recognized example of sticker art in the USA is André the giant has a posse by Shepard Fairey, created in 1989. The first European (and non-American) sticker art project is I Sauri, started in 1993. Since 2000, many graffiti artists and street artists, like Katsu or Barry McGee incorporated stickers in their production, using them as an alternative to tagging and bombing, or as autonomous art projects.
Label 228s are often used with hand-drawn art, and are quite hard to remove, leaving a white, sticky residue.
Sticker artists can design and print thousands of stickers at low cost using a commercial printing service or at home with a computer printer and self-adhesive labels.
Sticker artists also print their designs onto adhesive vinyl, which has a strong, permanent adhesive, is waterproof, and generally fade resistant. A variant type of adhesive vinyl, called "destructible", is used by some artists. Destructible vinyl decals are primarily used as tamper indicators on equipment and shipping containers. The difficult–to–remove nature of this material is attractive to sticker artists, including B.N.E. and Obey Giant.
Artist Cristina Vanko refers to her "I am Coal" project as "smart vandalism." Vanko uses stickers to identify objects that are coal powered, spreading awareness of global climate change.
The artist Cindy Hinant created a series of projects from 2006 to 2009 that combined the tradition of sticker collecting and sticker bombing in works that reflected on feminine representations in popular culture.
Sticker artists often trade their work with each other in order to expand distribution. An artist's stickers may be distributed worldwide and end up adhered in places they themselves have never been to. These trades are sometimes arranged personally or through social networking sites.
Get your free stickers at frostwire.com/stickers (you only cover shipping)
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Exposition WE LOVE STICKERS - La Guêpe Buissonnière - Canal Saint-Denis à la découverte de la Street Art Avenue. Saint-Denis, Aubervilliers, Paris
Avec Kay One, Done, Jace, Nasty, Tso, Dizer, Aos, Keny, Debry
Au micro depuis 2017 et intervenant avec la Street Art Avenue depuis la création du parcours, le cofondateur du MUR 93, Nicolas Obadia vous propose à l’occasion de cette croisière une exposition de stickers originaux rassemblés par Dominique Dasse et Roswitha Guillemin, deux photographes passionnées d’art urbain depuis 20 ans pour l’une et 40 ans pour l’autre.
Dominique, la parisienne, collectionneuse d’autocollants depuis l’enfance, se passionne par la suite pour l’art urbain. Engouffrant les kilomètres essentiellement à Paris et en région parisienne avec son appareil photo, elle part à la rencontre des artistes lors de festivals, de jams, d’expositions et de visite d’ateliers. Pour cette croisière, elle a rassemblé des stickers par thème et réalisé des compositions mettant à l’honneur les différents acteurs de ce mouvement.
Roswitha, la baroudeuse, ne sort jamais sans son appareil photo et son carnet ! Elle garde trace de ses découvertes dans la rue, de ses rencontres avec les graffeurs, pochoiristes, street-artistes, sculpteurs, plasticiens... Ses « Carnets urbains » ont voyagé de Paris à San Francisco, de Belleville à Kreuzberg, de Vitry à Brick Lane, de Mantes la Zermi à Völklingen… Ils sont riches de photos, textes, collages, articles de journaux, peintures, stickers, dédicaces et sont la mémoire de ce mouvement né il y a 60 ans.
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