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Although all the rooms of the Rone - Empire installation exhibition are amazing for many different reasons, there are two major standouts. The Dining Room is one. As a well proportioned and elegant space, it runs over half of the original Burnham Beeches floor plan. It features two long tables covered in a Miss Havisham like feast of a trove of found dinner table objects from silverware and glassware to empty oyster shells and vases of grasses and feathers.
The Dining Room installation I personally found especially confronting. In 1982, I visited Burnham Beeches when it was a smart and select hotel and had Devonshire tea in the dining room at a table alongside the full length windows overlooking the terraces below. I was shocked to see a room I remember appointed with thick carpets and tables covered in gleaming silver and white napery, strewn with dust and leaves, and adorned with Miss Havisham's feast of found dining objects.
Melbourne based street artist Rone (Tyrone Wright) used the decaying glory of the 1933 Harry Norris designed Streamline Moderne mansion, Burnham Beeches in the Dandenong Ranges' Sherbrooke, between March the 6th and April 22nd to create an immersive hybrid art space for his latest installation exhibition; "Empire".
"Empire" combined a mixture of many different elements including art, sound, light, scent, found objects, botanic designs, objects from nature and music especially composed for the project by Nick Batterham. The Burnham Beeches project re-imagines and re-interprets the spirit of one of Victoria’s landmark mansions, seldom seen by the public and not accessed since the mid 1980s. According to Rone - Empire website; "viewers are invited to consider what remains - the unseen cultural, social, artistic and spiritual heritage which produces intangible meaning."
Rone was invited by the current owner of Burnham Beeches, restaurateur Shannon Bennett, to exhibit "Empire" during a six week interim period before renovations commence to convert the heritage listed mansion into a select six star hotel.
Rone initially imagined the mansion to be in a state of dereliction, but found instead that it was a stripped back blank canvas for him to create his own version of how he thought it should look. Therefore, almost all the decay is in fact of Rone's creation from grasses in the Games Room which 'grow' next to a rotting billiards table, to the damp patches, water staining and smoke damage on the ceilings. Nests of leaves fill some spaces, whilst tree branches and in one case an entire avenue of boughs sprout from walls and ceilings. Especially designed Art Deco wallpaper created in Rone's studio has been installed on the walls before being distressed and damaged. The rooms have been adorned with furnishings and objects that might once have graced the twelve original rooms of Burnham Beeches: bulbulous club sofas, half round Art Deco tables, tarnished silverware and their canteen, mirrored smoke stands of chrome and Bakelite, glass lamps, English dinner services, a glass drinks trolley, photos of people long forgotten in time, walnut veneer dressing tables reflecting the installation sometimes in triplicate, old wire beadsteads, luggage, shelves of books, an Underwood typewriter, a John Broadwood and Sons of London grand piano and even a Kriesler radiogramme. All these objects were then covered in a thick sheet or light sprinkling of 'dust' made of many different things including coffee grinds and talcum powder, creating a sensation for the senses. Burnham Beeches resonated with a ghostly sense of its former grandeur, with a whiff of bittersweet romance.
Throughout the twelve rooms, magnificent and beautifully haunting floor-to-ceiling and wall-to-wall portraits of Australian actress Lily Sullivan, star of the Foxtel re-make of Picnic at Hanging Rock, appear. Larger than life, each portrait is created in different colours, helping to create seasonal shifts as you move from room to room.
Although all the rooms are amazing for many different reasons, there are two major standouts. The Dining Room is one. The Study is the other. It features walls of books covered with a portrait of Lily Sullivan, and the entire room is partially submerged in a lake of black water with the occasional red oak leaf floating across its glassy surface.
I feel very honoured and privileged to be amongst the far too few people fortunate enough to have seen Rone's "Empire", as like the seasons, it is ephemeral, and it will already have been dismantled. Rone's idea is that, like his street art, things he creates don't last forever, and that made the project exciting. I hope that my photographs do justice to, and adequately share as much as is possible of this amazing installation with you.
Easily the standout moment from our trip to Kruger in October 2017. On an isolated dirt track in the south of the park, we saw these three White Rhino off in the scrub, and decided to sit around and watch them for a while. One or two cars came past, stopped for a photograph and headed off again. Slowly, the Rhino made their way towards the road and our car - and I guess eventually felt comfortable enough to collapse on the road and have a nap!
We had about ten minutes watching them like this before a guided tour vehicle stumbled upon us. The Rhinos didn't take too well to this, and were showing signs of unrest - so we headed on before they were disturbed too much. Unsurprisingly, we passed another 7 or 8 tour vehicles on the road!
From CP's mostly crusty GE fleet, rebuilt AC44 8007 stands out amongst the crowd as it leads CP 286-22 through Des Plaines.
Standout event of the August Bank Holiday Weekend was the use by Arriva-XC of a couple of LNER HST-Sets down to the West Country.This one being '1V50' the 06:06 from Edinburgh going to Plymouth.43290 'MTU Facination of Power' with 43367 on the back-end.The sets being shortened by one coach to meet Arriva's needs.Here seen speeding down through Standish Junction south of Gloucester.The line diverging to the HST's left goes down the Golden Valley to Swindon and Paddington.
---24 august 2019---
standout songs were kiss, dear mr man, and how come u don't call me anymore.
But I still prefer prince on guitar
Although all the rooms of the Rone - Empire installation exhibition are amazing for many different reasons, there are two major standouts. The Dining Room is one. As a well proportioned and elegant space, it runs over half of the original Burnham Beeches floor plan. It features two long tables covered in a Miss Havisham like feast of a trove of found dinner table objects from silverware and glassware to empty oyster shells and vases of grasses and feathers.
The Dining Room installation I personally found especially confronting. In 1982, I visited Burnham Beeches when it was a smart and select hotel and had Devonshire tea in the dining room at a table alongside the full length windows overlooking the terraces below. I was shocked to see a room I remember appointed with thick carpets and tables covered in gleaming silver and white napery, strewn with dust and leaves, and adorned with Miss Havisham's feast of found dining objects.
Melbourne based street artist Rone (Tyrone Wright) used the decaying glory of the 1933 Harry Norris designed Streamline Moderne mansion, Burnham Beeches in the Dandenong Ranges' Sherbrooke, between March the 6th and April 22nd to create an immersive hybrid art space for his latest installation exhibition; "Empire".
"Empire" combined a mixture of many different elements including art, sound, light, scent, found objects, botanic designs, objects from nature and music especially composed for the project by Nick Batterham. The Burnham Beeches project re-imagines and re-interprets the spirit of one of Victoria’s landmark mansions, seldom seen by the public and not accessed since the mid 1980s. According to Rone - Empire website; "viewers are invited to consider what remains - the unseen cultural, social, artistic and spiritual heritage which produces intangible meaning."
Rone was invited by the current owner of Burnham Beeches, restaurateur Shannon Bennett, to exhibit "Empire" during a six week interim period before renovations commence to convert the heritage listed mansion into a select six star hotel.
Rone initially imagined the mansion to be in a state of dereliction, but found instead that it was a stripped back blank canvas for him to create his own version of how he thought it should look. Therefore, almost all the decay is in fact of Rone's creation from grasses in the Games Room which 'grow' next to a rotting billiards table, to the damp patches, water staining and smoke damage on the ceilings. Nests of leaves fill some spaces, whilst tree branches and in one case an entire avenue of boughs sprout from walls and ceilings. Especially designed Art Deco wallpaper created in Rone's studio has been installed on the walls before being distressed and damaged. The rooms have been adorned with furnishings and objects that might once have graced the twelve original rooms of Burnham Beeches: bulbulous club sofas, half round Art Deco tables, tarnished silverware and their canteen, mirrored smoke stands of chrome and Bakelite, glass lamps, English dinner services, a glass drinks trolley, photos of people long forgotten in time, walnut veneer dressing tables reflecting the installation sometimes in triplicate, old wire beadsteads, luggage, shelves of books, an Underwood typewriter, a John Broadwood and Sons of London grand piano and even a Kriesler radiogramme. All these objects were then covered in a thick sheet or light sprinkling of 'dust' made of many different things including coffee grinds and talcum powder, creating a sensation for the senses. Burnham Beeches resonated with a ghostly sense of its former grandeur, with a whiff of bittersweet romance.
Throughout the twelve rooms, magnificent and beautifully haunting floor-to-ceiling and wall-to-wall portraits of Australian actress Lily Sullivan, star of the Foxtel re-make of Picnic at Hanging Rock, appear. Larger than life, each portrait is created in different colours, helping to create seasonal shifts as you move from room to room.
Although all the rooms are amazing for many different reasons, there are two major standouts. The Dining Room is one. The Study is the other. It features walls of books covered with a portrait of Lily Sullivan, and the entire room is partially submerged in a lake of black water with the occasional red oak leaf floating across its glassy surface.
I feel very honoured and privileged to be amongst the far too few people fortunate enough to have seen Rone's "Empire", as like the seasons, it is ephemeral, and it will already have been dismantled. Rone's idea is that, like his street art, things he creates don't last forever, and that made the project exciting. I hope that my photographs do justice to, and adequately share as much as is possible of this amazing installation with you.
Camera: Hasselblad 501C
Lens: Zeiss Planar CB 80mm f/2.8
Film: Ilford HP5+ @ 800
Developer: Kodak HC-110 (1+49, 11 mins)
Scanner: Epson V800
Cropping, levels and dust removal done in Darktable.
20301
Although all the rooms of the Rone - Empire installation exhibition are amazing for many different reasons, there are two major standouts. The Dining Room is one. As a well proportioned and elegant space, it runs over half of the original Burnham Beeches floor plan. It features two long tables covered in a Miss Havisham like feast of a trove of found dinner table objects from silverware and glassware to empty oyster shells and vases of grasses and feathers.
The Dining Room installation I personally found especially confronting. In 1982, I visited Burnham Beeches when it was a smart and select hotel and had Devonshire tea in the dining room at a table alongside the full length windows overlooking the terraces below. I was shocked to see a room I remember appointed with thick carpets and tables covered in gleaming silver and white napery, strewn with dust and leaves, and adorned with Miss Havisham's feast of found dining objects.
Melbourne based street artist Rone (Tyrone Wright) used the decaying glory of the 1933 Harry Norris designed Streamline Moderne mansion, Burnham Beeches in the Dandenong Ranges' Sherbrooke, between March the 6th and April 22nd to create an immersive hybrid art space for his latest installation exhibition; "Empire".
"Empire" combined a mixture of many different elements including art, sound, light, scent, found objects, botanic designs, objects from nature and music especially composed for the project by Nick Batterham. The Burnham Beeches project re-imagines and re-interprets the spirit of one of Victoria’s landmark mansions, seldom seen by the public and not accessed since the mid 1980s. According to Rone - Empire website; "viewers are invited to consider what remains - the unseen cultural, social, artistic and spiritual heritage which produces intangible meaning."
Rone was invited by the current owner of Burnham Beeches, restaurateur Shannon Bennett, to exhibit "Empire" during a six week interim period before renovations commence to convert the heritage listed mansion into a select six star hotel.
Rone initially imagined the mansion to be in a state of dereliction, but found instead that it was a stripped back blank canvas for him to create his own version of how he thought it should look. Therefore, almost all the decay is in fact of Rone's creation from grasses in the Games Room which 'grow' next to a rotting billiards table, to the damp patches, water staining and smoke damage on the ceilings. Nests of leaves fill some spaces, whilst tree branches and in one case an entire avenue of boughs sprout from walls and ceilings. Especially designed Art Deco wallpaper created in Rone's studio has been installed on the walls before being distressed and damaged. The rooms have been adorned with furnishings and objects that might once have graced the twelve original rooms of Burnham Beeches: bulbulous club sofas, half round Art Deco tables, tarnished silverware and their canteen, mirrored smoke stands of chrome and Bakelite, glass lamps, English dinner services, a glass drinks trolley, photos of people long forgotten in time, walnut veneer dressing tables reflecting the installation sometimes in triplicate, old wire beadsteads, luggage, shelves of books, an Underwood typewriter, a John Broadwood and Sons of London grand piano and even a Kriesler radiogramme. All these objects were then covered in a thick sheet or light sprinkling of 'dust' made of many different things including coffee grinds and talcum powder, creating a sensation for the senses. Burnham Beeches resonated with a ghostly sense of its former grandeur, with a whiff of bittersweet romance.
Throughout the twelve rooms, magnificent and beautifully haunting floor-to-ceiling and wall-to-wall portraits of Australian actress Lily Sullivan, star of the Foxtel re-make of Picnic at Hanging Rock, appear. Larger than life, each portrait is created in different colours, helping to create seasonal shifts as you move from room to room.
Although all the rooms are amazing for many different reasons, there are two major standouts. The Dining Room is one. The Study is the other. It features walls of books covered with a portrait of Lily Sullivan, and the entire room is partially submerged in a lake of black water with the occasional red oak leaf floating across its glassy surface.
I feel very honoured and privileged to be amongst the far too few people fortunate enough to have seen Rone's "Empire", as like the seasons, it is ephemeral, and it will already have been dismantled. Rone's idea is that, like his street art, things he creates don't last forever, and that made the project exciting. I hope that my photographs do justice to, and adequately share as much as is possible of this amazing installation with you.
I'm throwing up digital images this evening... a Postapalooza's worth. I don't use my digital very much (it mainly comes out for weddings and portraits), but I manage to accumulate a handful of digital photos every year that I do like.
I'm going to put it right out there at the start - I love the Lego Batman Movie.
I love the unevolved idiot that Lego Batman is, voiced by Will Arnett. I like the movie more than the Lego Movie film, as the story is generally more cohesive, and has more to engage with as an adult.
And whereas many of the vehicles in Lego Movie are the kind of multi-colour mis-mash that a kid might build (no offense), a lot of what you see in Lego Batman Movie is pretty cool, whether something from the Batcave, or something driven by a villain.
That takes me to this ride, the featured car of the Penguin, known as the Arctic Roller. One standout feature of the car was the 6-wheels. There aren't a whole lot of 6-wheeled vintage cars out there, so I reused a vehicle architecture from my back catalog to reimagine the Penguin's ride on the Ralston Rhino MkI. The Ralston Rhino was a Flickr LUGNuts challenge to design your own car using the name, with the addition of a styling feature with a visual representation of a 'X'. This is seen with two examples in the classic upright radiator cowl.
Rhino being an animal of great weight and power lest to a large Straight-8 engine, six wheels, and 6-wheel drive. The Lego Batman Movie car featured contrasting black and white paintwork with gold detailing, and obscue side-mounted fish, penguin hood ornament and opening rear escape hatch.
My Joker character is a miniland interpretation of the Penguin from 1992 'Batman Returns' played by Danny DeVito.
The Arctic Roller is presented here for Instagram #mocaroundgang #mocaround81 to the theme #herosandvillains hosted by @f1elevenbricks
MUST BE VIEWED IN STEREO TO FULLY APPRECIATE!
A 3D (stereo) crosseye view.
TO SEE THIS IN 3D, there's a tutorial here:
Adventure and extreme sports have apparently become very popular.
I suspect that some of this popularity is actually as a spectator, rather than as a partcipant.
Still, anything that gets people involved and not just sitting in the pub has to be a good thing
. . . . . . isn't it?
Cheese DOWN UNDER
Adventure Challenge
A mystery girl in the darkness that will lead you to the light.
First Blythe with a gothic theme.
"In the darkness of the night, a luring fragrance beckons us.
Look, it's Ambrosio, she's waiting over there...
She wants you to hold her.
Go, hold her hand, she will lead you to the light!"
Hair is platinum blond with hime cut.
Frontal special color is light purple.
Eyeshadow: grey
Cheeks and lips: pink
Face color: cream (white)
Stand: black with silver prop
Release date: March 2013
I just got her! pre-order at cctoys, missed out on otacute and HLJ. Cctoys calls her Ambrosial. I really hope she is RBL, don't know why this is not disclosed yet. If she turns out to be FBL she'll need to be customized ;)
Description on CCtoys:
"Illustration for Elegant & Gothic Neo Blythe “Ambrosial”
"The seductive scent that beckons to us in the dark of night,
Ambrosial is waiting for you.
She wants a hug.
Take her hand and she will lead you to the light."
We are happy to introduce you to the very first Gothic Blythe doll.
This special Blythe wears all black.
Her dress is a shiny black fabric trimmed with lovely lace.
There are two rows of tiny crocheted black lace down the front of the dress.
They meet at the ruffled hem of the dress with a line of black rose lace.
Around the bottom hem you will find more lovely lace.
The standout piece for this doll is the black felt, top hat. It bears a bold coat of arms with crown, wings, and fleur de lis.
The top hat ties with a blue bow.
She also wears sweet bow earrings and lovely red fingernail polish.
Her tall black boots are off set with her cheeky fishnet stockings.
She has long platinum blonde hair with blunt bangs.
She has a special light purple eye chip with a frontward gaze.
She has grey eyeshadow, pink lipstick and blush.
She has fair skin.
She comes with a black stand."
I saw and heard this eccentric looking busker in Docklands Plaza in Melbourne.
He sounde pretty good as he tinkled the ivories out in the open.
I have found out he calls himself Yepits A Busker. I know nothing more about him. He plays the oldest looking piano I have ever seen and has obviously done many miles.
As I tossed some coin in his hat in the ground and asked if I could take his photo, he didn;t miss a beat and kept playing, so I didn't disturb him.
He has a long plaited pony tail that you can't see here.
The world should be sprinkled with people like him.
He was playing an ancient Australian made Wertheim piano, and WIKIPEDIA has a story on them here.
Wertheim is an Australian brand of pianos, formerly produced in Richmond, a suburb of Melbourne, Australia. Around 18,000 upright pianos were made in Melbourne between 1908 and 1935, they were designed for the south-eastern Australian climate and were a popular all-purpose piano.
They were used in a range of settings such as schools and public halls, as they were reknowned for their ability to stay in tune for prolonged periods of time, requiring little maintenance. They were also used by piano teachers and for professional live performance, the most famous of which was for performances by Dame Nellie Melba, who frequently requested that Wertheim Pianos be used during her performances.
The business was very successful and the Wertheim family achieved celebrity status in Australia during the 1920s, however after the 1929 depression and with declining demand for pianos, the factory closed in 1935. Today, Wertheim is still an Australian owned company and the Wertheim brand name is used for a range of pianos that are produced overseas in China and South Korea. Original Wertheim pianos undamaged and fully restored can be potentially quite valuable.
Tinkling the IVORIES
The KOM Flash Report
for the Week of March 22, 2015
_________________________________
These stories cover some of the men who played in the league that is now in its 63rd year of extinction. As you will see in this report one has to dig deep to keep the tales flowing.
________________________________________________
This story goes back to May of 2013
www.omaha.com/news/world-war-ii-veteran-richard-lang-was-...
By Pat Waters WORLD-HERALD STAFF WRITER
Richard F. Lang was a standout high school athlete, a semi-pro baseball player, a firefighter, a husband and a father. But in his mind, he was always a Marine, said his son, Bill Lang.
Rich Lang, 87, died Saturday (May 4, 2013) at the Veterans Administration Hospital. He suffered from congestive heart failure and was hospitalized about a week ago.
“He was just worn out,” his son said.
Rich Lang had enough experiences for two or three lives.
He graduated from high school early so he could enlist in the Marine Corps. At St. Joseph High School he scored a city record 61 points in a basketball victory over Sacred Heart High, and was a star pitcher on the baseball team.
After basic training he shipped out to Guam, where he was shot and seriously injured. A mix-up in the War Department resulted in a letter being sent to his family in November 1944 notifying them that Pvt. Richard Lang had been killed in action. His family thought he was dead until he called home in December.
According to a World-Herald story published on Memorial Day 2011, Lang took two bullets as he tried to crawl to someone else who had been shot. One bullet went through his hip and out his back. The other hit his right knee.
He was hospitalized for more than a year and received a Purple Heart; but for Lang, the war was over.
After his recuperation, he signed with the Brooklyn Dodgers and briefly played minor-league baseball with Jackie Robinson. But his wartime wounds stole most of his athletic promise, World-Herald reporter Matthew Hansen wrote.
Lang served 28 years with the Omaha Fire Department and was credited with saving the lives of 40 people over the course of his career.
Bill Lang said his father rarely talked about his World War II service or his exploits as a firefighter, unless someone asked. He just considered it his job, his son said.
Rich Lang was a volunteer physical education teacher at St. Patrick Catholic School and coached his sons' baseball and basketball teams.
“He was a great dad. I have good memories growing up,” Bill Lang said.
He said his father “was a tough old guy” who lived independently, despite numerous back surgeries and having to use a wheelchair after the amputation of a leg.
Bill Williams, whose Patriotic Productions sponsors Heartland Honor Flights for WWII veterans to Washington, D.C., said Rich Lang was on the first trip, on May 21, 2008.
“He was one proud Marine,” said Williams, who remained close to Lang and will speak at his funeral.
He was a superb example of the “grit and determination of the Greatest Generation,” Williams said.
For example, he initially refused to be helped onto the plane for the trip to Washington, Williams said, saying that he hadn't been carried since Guam.
“I saw him recently,” Williams said. “He was ready to go.”
Besides son Bill, survivors include another son, Dr. Rick Lang of Omaha; daughters Laura Mauro, Peggy Reynolds and Mary Jo Lang of Omaha; sisters Frances Rieschl and Marian Pruch of Omaha; 19 grandchildren; and seven great-grandchildren.
A funeral Mass will begin at 10 a.m. Friday at St. Patrick's Catholic Church, 14th and Castelar Streets, with burial in St. Mary Magdalene Cemetery.
Ed note:
I spoke with Richard Frederick.Lang over a decade ago. He was signed by the Brooklyn Dodgers and sent to Ponca City, OK in the spring of 1947. However, there isn’t any record of him playing for Boyd Bartley’s crew. He was released by the Dodgers and went to Chanute, Kansas for a brief time. He was released by the Chanute A’s on June 9, 1947.
In 1949 Vernon Joseph Lang from Beaver, KS signed with Ponca City as a right handed pitcher. He made at least one appearance on the mound against Iola on May 18. Vernon J. Lang died in Derby, KS in 2005. I must admit those two names gave me a lot of confusion over the years of researching the old league.
________________________________________________________________________
Hillsdale, Mich.
HENRY FECKER JR. 1929-2015
HILLSDALE — Henry Fecker Jr., 85, of Hillsdale and formerly of Detroit passed away Saturday, March 7, 2015, at Borgess Medical Center in Kalamazoo. He was born December 18, 1929 in Detroit to Henry Fecker Sr. and Josephine Grebik. He married Alice "Pat" Kummer on January 19, 1952 and she survives.
Henry graduated from Chadsey High School in Detroit and went on to attend Wayne State University. He played professional baseball for the St. Louis Browns and for one year in Nova Scotia in the Canadian Professional League. He enjoyed deer hunting, coaching his sons and grandchildren in baseball as the assistant coach for three years at Hillsdale High School. Henry worked at Ford Motor Co. and also the waste water treatment plant in Hillsdale. He was a member of St. Anthony Catholic Church. Henry served his country in the U.S. Army during the Korean Conflict.
Surviving besides his wife, Pat are five children, Deb (Craig) Langs, Henry Fecker III, Pamela Susan Fecker, Joseph Henry Fecker and Timothy Paul Fecker; 10 grandchildren & 18 great-grandchildren; and sister, Martha Scarpace.
He was preceded in death by his parents and a sister, Henrietta Amico.
Funeral services for Henry Fecker Jr. will be Thursday, March 12, 2015 at 11:00 A.M., at St. Anthony Catholic Church with Fr. David Reamsnyder as celebrant. Visitation will be Wednesday from 5-8 P.M. at the VanHorn-Eagle Funeral Home in Hillsdale with a Rosary recited at 7:30 P.M
Memorial contributions are suggested to the family to later be distributed to various charities. Online condolences at www.eaglefuneralhomes.com.
Ed comment:
I recall in talking with Fecker that he mentioned being a Jr. without a middle name. I did some census checking back then and never found anything regarding a middle name for his father. The only other thing I knew about him was his SSN. That was how I originally discovered he was still alive when I located him in 2009.
On August 6, 1948 Robert Becker pitched and Hank Fecker played third base for Pittsburg, KS in a game at Miami, OK. On numerous occasions, those two fellows were confused especially when only the line scores were carried on the Associated Press files. If Pittsburg played an away game the writer for the paper in that town might spell the name incorrectly or having Fecker instead of Becker on the mound.
When any player passes away I look at the team(s) roster(s) where he performed. The remaining members of the 1948 Pittsburg Browns still emitting CO2 are:
Willis Shannon Deniston—Age 96 Lakeside, California
Gerald Otto Beaman—Age 90 Uniontown, KS
Lawrence R. Tarbell—Age 89 Brea, California
Robert Mardsen—Age 89 Philadelphia, PA
Nicholas James Samela Jr.—Age 88 New Rochelle, NY
John William Knoke—Age 88 Lutz, Florida
Robert B. Paulausky—Age 87 Farmington Hills, MI
John Vernon Waltman—Age 86 Bedford, PA
Hugh Edgar Craig—Age 86 in Colorado (He was born and raised in Joplin, MO)
Peter Joseph Schober—Age 84 Pinole, California.
If I had written this story a couple of days sooner, John William Manopoli would have been on the list of the living. But, to prove that he isn’t I supply this reference: www.findagrave.com/cgi-bin/fg.cgi?page=gr&GRid=102207789
Manopoli was a New York native who retired to Murrells Inlet, SC where he passed away. During the Korean War he had two pretty good assignments. He played for Ft. Myer, VA that represented the Military District of Washington, D. C., and won a National Baseball Congress title with the likes of basketball player Jack George and St. Louis Cardinal pitchers, Tom Poholsky as well as Johnny Antonelli of the Braves and Giants along with Bob Purkey who pitched for Pittsburgh and Cincinnati. Manopoli was also a member of President Truman’s Honor Guard and that is why he was on the Military District of Washington ball team. I have photos to back up all those claims. I’ll have to dig that photo out of my “Heap of Rubbish” and run it sometime as the lead photo for a Flash Report on Flickr. Another guy on that Ft. Myer team was Pittsburgh Pirate and infielder, Danny O’Connnell. He was the MVP of the 1952 championships held in Wichita, Kansas. After his Pittsburgh days he also played for the Braves, Giants and Senators.
Note: (Later: I found the photo in that “Heap of Rubbish.” )The team photo of the 1952 Ft. Myer team was taken 8/16/1952 in Wichita, Kansas. As National Baseball Congress Champions they toured Japan and were joined by Baseball Commissioner, A. B. Happy Chandler and his wife, according to a letter received from Manopoli. The team photo and complete identification of each player is on the Flickr page identified with this Flash Report. For those of you who will never go to that site or see the photo here is how the Ft. Myer team posed for that photo:
Front Row: Bill Newman, Jerry Morgan, Johnny Antonelli, Bob Taylor, Art Ferguson, John Dobias and Sam Calderone.
Back Row: Bob Purkey, Doug Caussey, Rod Graber, Chuck Fowler, Sam Scarpone, Danny O’Connell, John Manopoli, Tom Poholsky, Jack George and team manager, Ralph Link and team chaperone Major Coker.
The two batboys weren’t identified and the individual on the far far left in the back row were not identified. Many of the guys in that photo played professional baseball other than Antonelli, Calderone, Graber, O’Connell, Purkey and Poholsky who had big league careers Jerry Morgan, Sam Scarpone, John Manopoli, Chuck Fowler and John Dobias all played professionally. In fact, Fowler is on the e-mail distribution list for this publication. He had a 10-year career in the Giants organization and played up to the Triple A level. Graber played 14 years of minor league ball and his reward was four games with Cleveland in 1958. He spent many years at the Triple A level in the Pacific Coast league.
Update:
Charles Fowler is mentioned in the previous paragraph and I sent him that photo. I got back an immediate response. He was wondering where in the world had I obtained that photo. We then shared a couple of additional e-mails and I learned the identity of the fellow on the far right in the back row. Fowler said that he was a Major at Ft. Myer with the last name of Coker and he accompanied the team on all their road games. The fellow on the far left of the back row hasn’t been identified either. Of course, the two batboys didn’t get any mention as far as identification goes but that is par for the course for guys filling that position.
Postscript:
From my many communications with John Manopoli, during the 1990’s, I learned that you can go from “Great to Goat” in an instant. For a couple of years all I heard from him was what a wonderful job I was doing and that I should win some type of award. Then I learned that admiration can turn into consternation abruptly. The process of falling from sainthood to sinner started when I sent him a copy of my first book. He shot back a note stating that for my information there was more than one team in the KOM league other than Carthage, MO. That really didn’t come as a revelation to me and I wrote Manopoli telling him that I had to have a focal point to my book and being from Carthage that was my frame of reference. That explanation only incurred another rather blistering missive. At that point I figured it was time to terminate any further contact. I never heard from him again and only recently did I see the obituary where he passed away in 2011.
In all the years of writing about the KOM league and helping out with 12 reunions and scores of appearances at public forums and book signings regarding the old league I ran across less than a handful of the former players that would fall under the category of “Non-KOM.” In this case KOM stands for “Kind Old Men.” They have all passed away so I don’t think I have any of the former players who now despise me. If I’m wrong, don’t tell me.
Now, the bonus round.
How the Ft. Myer team made it to the National Baseball Congress Tournament as the representative from Virginia is contained in a Danville, VA Bee newspaper article of July 19, 1952. I think old baseball fans might not be as upset with me as Manopoli was if I share this information.
Beat Fort Eustis. Fort Myer Wins State Semi-Pro Title CHARLOTTESVILLE, Va. (AP)-For the second straight year, an Army baseball team has walked off with the Virginia state semipro baseball championship. In a drama-packed, all-Army final here last night for a crowd of 2,267 frenzied fans, Fort Myers' Colonials (MDW) successfully staved off a last-ditch rally by Fort Eustis to gain an 8-6 decision. But not before Eustis had scored three times in the bottom of the ninth and had the winning run at the plate. The hectic ninth inning saw Myers' Johnny Antonelli, former Boston Braves bonus beauty, come in with one out, a runner on second and two runs already in. The southpaw, who fanned 18 batters for a new tourney record in his only starting role, struck out pinch hitter Joe Questieh for the second out. But the crowd was brought to its feet when Joe Golvas singled to drive in the third run and Larry Dorton reached first on an error by Doug Caussey. The Eustis drive ended along with their title hopes when Ed Wopinek hit an easy ground ball to shortstop Danny O'Connell to end the fireworks. Four of the six big-leaguers to participate in the double elimination affair walked off with trophies presented by State Commissioner John W. Williams. Willie Mays, erstwhile New York Giant "rookie of the year," was named the player exhibiting the most sportsmanlike conduct in tourney. Another ex-Giant star, Sam Calderone of Ft. Myer, was named the most valuable player. The husky backstop managed the Colonials last night in the absence of Ralph Link who was suddenly called away by a death in his family. Two other Ft. Myer stars, Danny O'Connell of the Pittsburgh Pirates and Pitcher Tom Poholsky of the St. Louis Cardinals, also received awards. O'Connell, who played errorless ball throughout the tournament, was chosen as leading fielder. Poholsky, who received credit for last night's deciding victory, was named leading pitcher with a 2-0 mark. Both wins for Poholsky came at the expense of Ft. Eustis. Joe Lonnett, Ft. Eustis right fielder received the leading hitter’s trophy with an average of .500. The All-Tournament team, as announced by Williams: Catchers--Hal Naragon, Quantico Marines and Sam Calderone Ft. Myer. First Base--Vernon Morgan, Ft. Eustis. Second Base--Ed Wopinek, Ft Eustis. Shortstop--Danny O'Connell, Ft Myer. Third Base--Ray Wiethcha, Quantico. Outfielders--Willie Mays, Ft. Eustis; Sal Oliva, Quantico; Jay Roundy, Quantico; Joe Lonnett, Ft. Eustis; and Jack George, Ft. Myer. Utility Infielders--Jim Ludtka. Ft. Eustis, and Claude Siple, Clifton Forge. Pitchers--John Antonelli, Ft. Myer; Tom Poholsky, Ft. Myer; Rudy Minarcin, Ft. Eustis; Tex Tyler, Schuyler; and Red Norwood, Quantico.
And a bonus story from that same edition.
The Bee: Danville, Va., Saturday, July 19, 1952 Sports Roundup By GAYLE TALBOT New York (AP)--One-round Billy Martin says he's hanging up the bare knuckles. The New York Yankee second baseman, a, wiry 156-pounder, is retiring as the undefeated middleweight champion of the American League--unless somebody throws a punch at him. In a way it's a shame, this sudden ending of the fistic career of a ball player who really can fight. But then the acute shortage of ball players who can play ball makes It necessary to conserve the supply. "Casey (Stengel) told me If the Yankees wanted a fighter they would have hired Rocky Marciano," said Martin in the Yankee Stadium dugout. Casey wouldn't have gone too far wrong if he had signed Marciano, either. For the hard Rock from Brockton, Mass., was a pretty fair catcher who tried out with the Chicago Cubs' chain a few years ago. That was before he found out a guy could collect a fortune for exercising 30 minutes with boys like Harry Matthews. Martin takes little pride in his ball park fights with Jim Piersall and Clint Courtney. Long ago he decided he wanted to be a ball player--not a fighter. "Sure, I had lots of fights, street fights, when I was a kid in Berkeley (Calif.)," he said. 'Funny thing:. I never really wanted to fight. But if somebody does something to you, you've got to fight. I never was in any Golden Gloves or anything like that. "I hung around with fighters. But I never wanted to be one. I always wanted to be a ball player. "A long time ago I made up my mind that I'd fight only if I had to. If it was a real fight, all right. But no boxing." It may surprise you, as it did me, to learn that Martin had a few bouts in his minor league days. One, in particular, was a preview of his Yankee stadium scrap with Courtney. "I was playing with Phoenix in 1947," he said. "Courtney was playing with Bisbee, the Yankee farm in the league. This was before 1 belonged to the Yankees. "Courtney roughed up our manager, Arky Biggs, at second base. Spiked him and broke his arm. And we were fighting for the pennant. Clint and I tangled, but good. " I hated to fight him again, because we're friends. He's a good guy, always hustling. "But I've got no regrets about that other fellow--Piersall. He had it coming." In case the details slip your memory, Piersall and Martin engaged in a bench jockeying duel this spring at Fenway Park. They wound up under the stands with Martin's right hand punch prevailing, until they broke it up. Last Saturday, Courtney of the St. Louis Browns kicked a double play ball out of Martin's hand and spiked Yogi Berra. Later in the day, when Courtney attempted to steal second, Martin planted the ball In Clint's mouth. As Martin trotted toward the dugout, Courtney started after him. Martin wheeled and deposited two whistling rights on the Brownie catcher in full view of the customers who recently yawned through the Ray Robinson-Joey Maxim fight in the same park.
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Death of Al Rosen:
As you would probably know Al Rosen passed away on Friday. I contacted Al twice and he signed these three cards for me but never did answer a questionnaire.
Jim Dyck was a teammate of Rosen’s at Kansas City in 1948 and had kept in touch with him. Barry McMahon—Ladysmith, British Columbia
Ed reply:
Rosen's time at Kansas City in 1948 was a story never told in the things that happened to him. First off the Indians pulled some strings to allow him to play for a Yankee farm team. Most of the KC team despised him and they schemed to keep him from winning a batting title on the last day of the season. It is a very intricate story that Lee Dodson who pitched for KC told me. I wish was Dodson was still around to tell it.
But, Rosen goes way back to a shipyards team in Florida and a Lakeland professional team that were managed by Al Reitz, the former long time player/manager in the KOM, who was around in every year of the existence of the league except 1949-50.
Back to your note from yesterday. When I went to Mantle's house at Loma Linda, Mo. there was a large painting of him, Snider and Mays on the wall behind his divan in the living room. Johnny LaFalier was showing me all of Mick's stuff and he pointed that out as Mick’s favorite item. When I told him that it wasn't photographing too well he took it down and went out on the back deck with it. I still have that photo some place in my house that I'll probably never find again. Willie Mays was one of the ballplayers whose bandwagon I never jumped on. Of course, if a guy didn't play for the Cardinals I wasn't a fan of any of them. I was a true "homer”. Mays tore up the leg of Cardinal catcher Del Rice that didn’t sit well with me. (I had a reader the other day confess that he didn’t know Del Rice played professional basketball while a member of the St. Louis Cardinals.)
McMahon’s reply:
I didn’t realize until this morning that Rosen finished second in batting in the American Association with a .327 average. I also noticed Glenn McQuillen won the title batting .329.
The homerun champion was 1st baseman Mike Natisin who hit 30.
John you’ll probably be familiar with Mike Natisin with him being Cardinal property. It appears that the 1948 season was the best one Natisin had during his eleven seasons in the minor leagues.
Ed reply:
McQuillen the former big leaguer with the St. Louis Browns was with Toledo, On the last day of the season a KC player was on the telephone after each at bat with his counterpart in Toledo. They had it worked out that when it was obvious that Rosen couldn't catch McQuillen that the word would get to him, in Toledo, and he would ask the manager, George Detore, to be absent for the rest of the game. I think it had been agreed to by Detore that he’d do anything to make his player the batting champion of the American Association. Lee Dodson had this story down to every detail. He liked Rosen but the same didn't go for many of the young Yankees. Somehow Louisville is in the back of my mind. Thus, I wouldn’t be surprised if Kansas City played their final two games in 1948 in Kentucky or against them in Kansas City.
Ed reply:
I only knew about Natisin from what Lee Dodson told me. In 1948, and before, I didn't know what a baseball, bat or glove looked like. I didn't even know they had bases.
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Reports are sometimes interesting:
Another interesting set of stories. When I read your newsletters, I always wonder how you learned so much about these players. I wish I had started my baseball endeavors sooner so that I could have reached your level of depth and understanding. When I put together my Old Timers Celebration in 2012, it was also to enable some of the still living men who played in the North Atlantic League and Colonial League to have a few days to recall their baseball lives and possibly to reconnect with someone that they knew from that time.
I spent about nine months trying to locate as many players as I could, but as you can guess, I was unable to locate many, and many others were gone, or too ill to travel to NY. The dozen or so that made it (the batboy came in from Reno Nev.) had a great time and enjoyed being in the spotlight again, even if for a very short time. The ones that were on the player panel or interviewed by the broadcaster during the Peekskill Tides ballgame were especially pleased with the opportunity to answer questions about their time on the field. Even Marty Appel and Jim Bouton had a good time talking to the guys. An event I won't forget, but as the players were already in their late 80's and one early 90s, I didn't think an annual gathering would fly.
So this month I gave two talks on African American baseball history for Black History Month, and now am sitting here re-reading my "Baseball Card Flipping, Trading and Bubble Gum Book" signed by Fred Harris. I've no idea where I picked it up. Robert Mayer—Peekskill, NY
Ed note:
Most assuredly, I have spent way too much time reliving the memories of my childhood. Probably, could have done something far more productive with the last 20 years of my existence.
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Totally unrelated to baseball?
Beans, ham, and cornbread was our Monday washday meal too, sometimes with fried potatoes. YUUUUMMMM! One time my brother and I were both sick with pneumonia and our folks moved our beds into the living room so we could be warm from the stove. Nothing tasted good to me till she made the beans and cornbread and that was the only thing that I liked after the long illness so after that I told anyone who was sick that they needed cornbread and beans and then they would get well! It worked for me.
My mouth was watering reading your description. I think I have some beans in the pantry.....Joan (Joan’s last name is Speake and her husband’s first name is Robert.)
Ed comment:
It is doubtful if either Bob or Joan know of the existence of a “Top 100” list of all-time high school athletes from Southwest Missouri. That list represents both female and male stars in every conceivable athletic endeavor. Bob is on that list. To find out where he stands and the list of more guys on the list with baseball backgrounds, go right here: mosports.rivals.com/content.asp?CID=259223
Another former KOM leaguer, Bill Virdon, is also on that list. I noticed that Cletis Boyer is on the list with Cassville listed as his place of birth. Whoever put that list together doesn’t know the difference between an “A” and an “O.” Of course, they were using the “Official Record Books” which are flat wrong. Cletis was born, as I have stated and proven, many times, in Cossville in Jasper County, Missouri not Cassville in Barry County. I wonder if my great grandchildren will live long enough for the “experts” to get that error corrected? I have long wondered who the experts are and who ordains them to be so. Sometimes I get the feeling that the “experts” think Moses carved certain things about certain baseball players in stone and that is the final word and it would be blasphemy to change it, even if it meant getting it correct.
Of course, if you have read my Flash Reports over the years you’ll know that I take great exception to not only the birthplace of Cletis Boyer but also that of his older brother, Cloyd, and a guy born east of there, about 25 miles, by the name of Carl Hubbell. Right now, in the year of our Lord, 2015, two of those incorrect places of birth could be verified by Cloyd Boyer. But, it seems no one is willing to make that call or write the letter to someone who can do something about setting the record straight. Maybe baseball records books are Holy Writ in the minds of a few old men, or possibly young ones. If so, all I can say is that isn’t the book I accept as Gospel. Do I hear an Amen? Hallelujah and pass the offering plate.
That felt good to say those things. At my advanced age no one cares to hear an old man rant. Fortunately, the readers can hit delete when they tire of the rants. Oh, back to the top 100 list. I think that the sponsor of that selection group is now down to the top two. I haven’t seen Kenny Boyer’s name as yet. So, if he isn’t either 1 or 2 on that list something is terribly wrong. Kenny was by far the better of the two third basemen in the family. According to Cloyd, Kenny was the second best baseball player in the family right behind their oldest sister, Juanita. I’m not making this up. That is another question the “experts” can raise when they get hold of Cloyd to verify where he and Cletis were born. Pansy Boyer, the youngest sister, was born in 1939 and she married Russell Schell. My high school buddies will recall Russell going to school in Carthage for a couple of years before going back to Alba. He was also a good athlete. Russell and Cletis Boyer played on the same high school basketball team and they would play the Carthage B team in games at the Memorial Hall. Carthage had no solution at stopping Cletis from scoring. All of the Boyer boys were very good basketball players. I once witnessed a grade school game at Eugene Field School in Carthage. I was in the fourth grade and Lynn Boyer was a much older 8th grader. I recall him being a left-handed shooter. In our little bandbox gymnasium, Lynn would dribble the ball to half court and shoot. Most of the time he’d make the basket.
But, for those who really are “hungering and thirsting” after truth I refer you to the 1940 Census that shows where the Boyer family lived. search.ancestry.com/cgi-bin/sse.dll?rank=1&new=1&...
If you don’t have Ancestry.com you will have to look up the family in some other Census record. There were eight children listed in the Census of 1940 but one had passed away by then. There were three, possibly four, more born afterward. In the 1940 Census on Ancestry.com there is a ten year old son listed as Mayne. That is Wayne, a left-hander who pitched in the KOM league for Carthage in 1947. He gave up baseball for the dental profession and practiced his craft in Kokomo, Indiana until his retirement. He still lives there.
Vern Boyer, the patriarch of the family, never left the Duval, Cossville and Alba areas in his life except for a time in the late 1920’s and early 1930’s when he sought work during the Great Depression in Liberty, Missouri. Both Wayne and Kenton were born in Liberty and/or Washington Township in Clay County, MO. For those not familiar with Missouri that is in the Kansas City area.
Another of the Boyer brothers was a left-handed first baseman by the name of Lynn. In the 1957-58 term at Joplin Junior College I had a number of classes with him and I learned a lot of “inside the St. Louis Cardinals” from our conversations. He had hung out at Sportman’s Park in St. Louis when his big brother, Cloyd, was pitching for the team with the birds on the front of their jerseys. From Lynn I learned that major league baseball wasn’t always like I had been led to believe during my formative years listening to Harry Caray and his many sidekicks on the Cardinal baseball network.
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One reader believes the Flash Reports are okay.
This was quite a Flash Report John. It shows you still have it! I enjoyed it very much.
Wolfe PC '51—That is code for Jack Wolfe of the 1951 Ponca City Dodgers who lives in Fullerton, CA.
Hold the phone—another reader liked the previous Flash Report
They are all good, but this one about lost youth and love, particularly so. Thanks. Bruce May.—Ohio
Ed comment:
What Bruce had no way of knowing that his father, Wilbert Roy May, could well have pitched against the unnamed player, in the last report, who lost his first love and only contacted her many years later to let him know of his mistake.
How about a “three-peat?”
This is a copier for Rich - the entire letter. Am again reading much of this with 'Dad looking over my shoulder'. Must be one heck of a get together when those baseball guys are meeting in the big stadium in the sky. Barbara-- in St. Louis
Comment:
Barbara’s dad played in the Nebraska State league in the early 1930’s and a couple of decades later her husband, Rich, played professional ball in St. Louis. No, it wasn’t the Browns, Cardinals in baseball or football but rather the St. Louis Hawks. If you don’t know what sport that was the team is now based in Atlanta and are still the Hawks.
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Suggestion for the Clark collections:
Does the MU Library have a Special Collections Department that might want Mr. Clark's collection of KOM League Flash Reports? Maybe the Boone County Historical Society (I'm assuming there is one)? Although I seem to remember you telling me one time that those entities weren't much interested in old baseball.
I'm getting ready to donate 7 or 8 of Jake Drake's old scrapbooks (on behalf of his stepson, a childhood friend of mine) to the Univ. of Ark. Special Collections. That's what made me think of how Mr. Clark might save all the KOM Flash Reports.
I particularly liked the story of the player in the SE Kansas town and his former lady love who met at the airport some 52 years after their near miss love story.
Thanks, Jerry Hogan—Fayetteville, Ark.
Ed note:
There was a much longer response to that note but my short answer was “No.” In short no one wants to collect and store paper in this electronic age of computers which are down as much as they are up.
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Comment regarding “Appy" league from previous Flash Report.
John, From my brief (25 game +/-) stint there in 1950, your ‘borrowed’ description of the Appy (Appalachian) League as being the ‘armpit’ because the crazy winding roads, would have been true for my Bluefield team, except for the fact our bus(es) were two 9 passenger Chryslers. So, for us, instead of being the armpit, the Appy League was only the ‘elbow’. And of course, there were those hot hillbilly babes. Bob S (That is Bob Schwarz of Clifton Park, NY).
Ed comment:
Bob Schwarz played first base and caught many balls thrown his way from the left side of an infield position during his month at Iola in 1950. One of the guys throwing the ball across the diamond was the young man who gave the young lady an engagement ring during that season and got it back in the mail during the Christmas holidays of that same year.
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Note about the late Don Bruss—Iola 1948
John: I don't know if you knew this but Don ( Smoky) Bruss lived on the same street and we were on two State (Illinois) Championship teams. We were both on the high school basketball team. Smoky was a good quarterback on the football team. He broke his ankle and was leading the Three I league in hitting. He never went back.
He married Mary Ann Ahman whose father had a big farm so Smoky became a farmer. He could bunt .300. Charles Fowler—Dallas, Texas and long time pitcher in the New York Giants organization.
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A note from Commerce, OK--Brian Waybright
If you are in Southeast Kansas, Northwest Arkansas, Southwest Missouri or Northeast Arkansas in early April here is something to do. I can attest that Brian Waybright has done more and worked harder at keeping the “real” memory of Mickey Mantle alive as much, or more, than anyone, And, he does so without seeking any praise.
The Mickey Mantle Classic has teamed with the Joplin Sports Authority to bring a new division to the already unprecedented wooden bat tournament. The “Miner” Division will consist of 6 teams with two pools of three. Pool games will be played at newly renovated historic Joe Becker stadium in Joplin Missouri (the same field Mickey Mantle played on with the Joplin Miners) with the championship game played at Mickey Mantle Field in Commerce Oklahoma. Teams are guaranteed 3 games.
Teams and fans will then be invited and encouraged to attend the Mickey Mantle Classic awards banquet held on Saturday evening in Miami Oklahoma with our special guest to recognize champions, an All Tournament Team, and other award winners. The banquet includes a catered meal along with auctions and other activities.
Teams in the Miner division will compete at the 5A 6A level. Spots are being filled now so if you are interested in getting a team involved contact us at the below information.
The Miner division will be played in conjunction with the Comet and Triple Crown divisions at Mickey Mantle Field and all three divisions will be represented at the awards banquet.
Tournament Director
Brian Waybright
Off: 918.675.4101
Cell: 918.961.6508
bwaybright@micketmantleclassic.com
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.That is about it for this time. Work if you get right or is that “Write if you get work?”
This car sits outside the fence at the junkyard, away from the parts cars inside the fence. There are about a half dozen "special" cars lined up outside waiting for a greater pupose than just going to the shredder.
#327 explore
BEYONCÉ, GREEN DAY & LADY GAGA LEAD THE WAY WITH THREE MOONMEN AT THE “2009 VIDEO MUSIC AWARDS”, JANET JACKSON & MADONNA CELEBRATE MICHAEL JACKSON
Taylor Swift Wins “Best Female Video”
While Eminem Grabs “Best Hip Hop Video”
New York, NY (September 13, 2009) –– MTV turned New York City inside out for the “ 2009 Video Music Awards ” as the network celebrated a legend and brought together the biggest names in music, TV, film and sports. Live from Radio City Music Hall, VMA icon Madonna opened the show and introduced the emotional and heartfelt tribute to Michael Jackson. Janet Jackson was joined onstage by the most renowned choreographers in the world and Michael’s tour dancers, all of whom were influenced by the “King of Pop,” for a memorable and high energy performance. To honor her brother and his illustrious career, the dancers recreated some of his most memorable music videos including “Thriller,” “Bad,” “Smooth Criminal” and “Scream.” The celebration received a standing ovation and set the tone for the most important evening in music and pop culture.
Always controversial, British comedian Russell Brand pushed the envelope as he had fun with a slew of new stars and charmed the ladies. Aerosmith’s Joe Perry and popstar Katy Perry helped Russell kick-off his hosting duties in a big way with a light infused performance of the classic rock anthem by Queen, “We Will Rock You.”
Young country-pop superstar Taylor Swift earned “Best Female Video” for “You Belong With Me” in one of the most competitive categories of the evening, causing Kanye West to storm the stage in protest of Beyoncé not winning. In a gracious act, Beyoncé later called Taylor back on stage to rightfully accept her award. Beyoncé did win an outstanding three moonmen including the coveted “Video of the Year” award for her viral video sensation “Single Ladies (Put A Ring On It).” Also landing three statues was Lady Gaga including “Best New Artist ” for her hit single “Poker Face.” Green Day made a triumphant return to the VMAs by claiming three awards including “Best Rock Video ” for “21 Guns.” Eminem walked away victorious in an extremely heated race for “Best Hip Hop Video” with “We Made You.”
Adding to her collection of moonmen and accepting her award via satellite while on tour, Britney Spears won “Best Pop Video” for “Womanizer.” After officially premiering at last year’s show, T.I. and Rihanna won “Best Male Video” for their multi-platinum song “Live Your Life.”
Eminem once again showcased his comedic chops teaming up with Tracy Morgan and featuring a cameo by Cyndi Lauper to present the “Best New Artist” nominees throughout the show.
Drawing on the musical energy and passion of New York City, MTV used the city as a backdrop to showcase the unprecedented and groundbreaking performances from today’s most popular artists. Making her first VMA performance a standout, Taylor Swift sang a never-before-heard version of her single “You Belong With Me.” Taylor fully incorporated all NYC has to offer by transitioning from a subway car to 6th Avenue surrounded by fans and ending her performance on top of a taxi cab.
Known for her over the top live performances and fashion forward style, Lady Gaga turned a childhood dream into a reality as she made her grand entrance into VMA history. During her unforgettable performance of “Paparazzi,” the international superstar gives her own interpretation on the price of fame which culminates with her levitating into the air.
Surrounded by pyro and using every corner of the VMA stage, fan favorite Green Day made an explosive return to the VMA stage by giving a high energy rock performance of their single “East Jesus Nowhere.”
Beyoncé had all of Radio City dancing to “Single Ladies (Put A Ring On It)” with her call and response to the audience as she translated her music video phenomenon to the live stage. The pop diva was backed by an army of dancers as they displayed their incomparable dance moves during her performance.
Already a household name across the pond, British rockers Muse gave a breakthrough performance expanding their fan base worldwide. The band performed their latest single “Uprising” from a live remote at the Walter Kerr Theater in the Broadway district of Manhattan in front of hundreds of screaming fans.
Determined to top herself and once again raise the bar for live performances, P!nk mastered a jaw-dropping aerial act 30 feet above the stage while performing her single “Sober.” And yes, she sang every single word of it.
Bringing the show to a climactic end, JAY-Z and Alicia Keys honored their hometown of New York as they gave a powerful performance of “Empire State of Mind.”
As the official VMA house band, hip-hop’s newest challenger Wale and the legendary go go band UCB hyped up the audience as they put their own unique spin on some of the biggest songs of the year, his own material and a few classic covers. They collaborated with a number of artists including Kid Cudi with “Day And Night,” The All-American Rejects with “Gives You Hell, ” Pitbull with “You Know You Want Me” and 3OH!3 with “Don’t Trust Me”. Kid Cudi honored DJ AM during his performance of “Make Her Say.”
The star studded show also included appearances by Megan Fox, Jimmy Fallon, Jennifer Lopez, Shakira, Jack Black, Andy Samberg, Kristin Cavallari, Pete Wentz, Gerard Butler, Diddy, Tracy Morgan, Adam Brody, Jamie-Lynn Sigler, Alexa Chung, Gabe Saporta of Cobra Starship and Justin Bieber, Ne-Yo , Nelly Furtado , Robert Pattinson , Kristen Stewart , Taylor Lautner , Chace Crawford , Leighton Meester , Miranda Cosgrove and Serena Williams.
The MTV audience was treated to exclusive first looks at fall’s most anticipated films and soundtracks including Michael Jackson's THIS IS IT and The Twilight Saga: New Moon trailers during the show. Viewers were also given a sneak peek at the latest trailer from the upcoming movie Fame during MTV News’ “2009 VMA Preshow.”
2009 MTV VIDEO MUSIC AWARDS WINNERS
GENERAL CATEGORIES:
VIDEO OF THE YEAR
Beyoncé
Title: Single Ladies (Put A Ring On It)
Album: I AM…SASHA FIERCE
Director: Jake Nava
Label: Music World Music/Columbia
Production Company: Anonymous Content
Producer: John Winter
BEST NEW ARTIST
Lady Gaga
Title: Poker Face
Album: The Fame
Director: Ray Kay
Label: Streamline/KonLive/Cherrytree/Interscope
Production Company: Rockhard Films
Producer: Jil Hardin/ Nicole Ehrich
BEST MALE VIDEO
T.I. featuring Rihanna
Title: Live Your Life
Album: Paper Trail
Director: Anthony Mandler
Label: Atlantic Reords
Production Company: Les Enfants Terribles
Producer: Gina Leonard
BEST FEMALE VIDEO
Taylor Swift
Title: You Belong With Me
Album: Fearless
Director: Roman White
Label: Big Machine Records
Production Company: Revolution Pictures
Producer: Randy Brewer
BEST HIP HOP VIDEO
Eminem
Title: We Made You
Album: Relapse
Director: Joseph Kahn
Label: Aftermath/Interscope
Production Company: HSI Productions
Producer: Mary Ann Tanedo
BEST POP VIDEO
Britney Spears
Title: Womanizer
Album: Circus
Director: Joseph Kahn
Label: Jive/Zomba Label Group
Production Company: HSI Productions
Producer: Mary Ann Tanedo
BEST ROCK VIDEO
Green Day
Title: 21 Guns
Album: 21st Century Breakdown
Director: Marc Webb
Label: Reprise Records
Production Company: DNA Inc
Producer: Michael Angelos
PROFESSIONAL CATEGORIES:
BEST CHOREOGRAPHY
Beyoncé
Title: Single Ladies (Put A Ring On It)
Album: I AM…SASHA FIERCE
Director: Jake Nava
Label: Music World Music/Columbia
Production Company: Anonymous Content
Producer: John Winter
Choreographer: Jaquel Knight & Frank Gatson Jr.
BEST DIRECTION
Green Day
Title: 21 Guns
Album: 21st Century Breakdown
Director: Marc Webb
Label: Reprise Records
Production Company: DNA Inc
Producer: Michael Angelos
BEST EDITING
Beyoncé
Title: Single Ladies (Put A Ring On It)
Album I AM…SASHA FIERCE
Director: Jake Nava
Label: Music World Music/Columbia
Production Company: Anonymous Content
Producer: John Winter
Editor: Jarrett Fijal
BEST SPECIAL EFFECTS
Lady Gaga
Title: Paparazzi
Album: The Fame
Director: Jonas Akerlund
Label: Streamline/KonLive/Cherrytree/Interscope
Production Company: Factory Films Ltd.
Producer: Steven Johnson/Nicole Ehrich
BEST CINEMATOGRAPHY
Green Day
Title: 21 Guns
Album: 21st Century Breakdown
Director: Marc Webb
Label: Reprise Records
Production Company: DNA Inc
Producer: Michael Angelos
Cinematographer: Jonathan Sela
BEST ART DIRECTION
Lady Gaga
Title: Paparazzi
Album: The Fame
Director: Jonas Akerlund
Label: Streamline/KonLive/Cherrytree/Interscope
Production Company: Factory Features
Producer: Steven Johnson/Nicole Ehrich
Art Director: Jason Hamilton
ONLINE CATEGORIES:
BREAKTHROUGH VIDEO
Matt & Kim
Title: Lessons Learned
Album: Grand
Director: Taylor Cohen & Otto Arsenault
Label: Fader
Production Company: FVNMO
Producer: Taylor Cohen, Otto Arsenault
BEST VIDEO (THAT SHOULD HAVE WON A MOONMAN)
Beastie Boys
Title: Sabotage
Album: III Communication
Director: Spike Jonze
Label: Grand Royal/Capitol Records
Shugoll Research and Telescope are the Official Business Advisors of the “2009 MTV Video Music Awards” Nominee and Winner Voting periods.
Jesse Ignjatovic/Den of Thieves is the Executive Producer for the “2009 MTV Video Music Awards.” Dave Sirulnick is Executive Producer. Garrett English is co-Executive Producer/Executive in Charge of Production. Amy Doyle is co-Executive Producer. Joanna Bomberg is Executive in Charge of Music and Talent. Jen Jones is Producer. Hamish Hamilton is Director. Robin Reinhardt-Locke is Celebrity Talent Executive.
Official sponsors of the “2009 MTV Video Music Awards” are 5 ® Gum, Febreze, Pepsi, Rhapsody ®, Sears, Taco Bell ®, U.S. Army and Verizon Wireless.
The “2009 MTV Video Music Awards” will be available to a potential viewing audience of more than 1.2 billion people via MTV’s global network of 68 channels reaching 577 million households around the world as well as through syndication. In addition, its convergent programming & content will reach the entire interactive community, via MTV’s more than 200 digital media properties around the world.
BEYONCÉ, GREEN DAY & LADY GAGA LEAD THE WAY WITH THREE MOONMEN AT THE “2009 VIDEO MUSIC AWARDS”, JANET JACKSON & MADONNA CELEBRATE MICHAEL JACKSON
Taylor Swift Wins “Best Female Video”
While Eminem Grabs “Best Hip Hop Video”
New York, NY (September 13, 2009) –– MTV turned New York City inside out for the “ 2009 Video Music Awards ” as the network celebrated a legend and brought together the biggest names in music, TV, film and sports. Live from Radio City Music Hall, VMA icon Madonna opened the show and introduced the emotional and heartfelt tribute to Michael Jackson. Janet Jackson was joined onstage by the most renowned choreographers in the world and Michael’s tour dancers, all of whom were influenced by the “King of Pop,” for a memorable and high energy performance. To honor her brother and his illustrious career, the dancers recreated some of his most memorable music videos including “Thriller,” “Bad,” “Smooth Criminal” and “Scream.” The celebration received a standing ovation and set the tone for the most important evening in music and pop culture.
Always controversial, British comedian Russell Brand pushed the envelope as he had fun with a slew of new stars and charmed the ladies. Aerosmith’s Joe Perry and popstar Katy Perry helped Russell kick-off his hosting duties in a big way with a light infused performance of the classic rock anthem by Queen, “We Will Rock You.”
Young country-pop superstar Taylor Swift earned “Best Female Video” for “You Belong With Me” in one of the most competitive categories of the evening, causing Kanye West to storm the stage in protest of Beyoncé not winning. In a gracious act, Beyoncé later called Taylor back on stage to rightfully accept her award. Beyoncé did win an outstanding three moonmen including the coveted “Video of the Year” award for her viral video sensation “Single Ladies (Put A Ring On It).” Also landing three statues was Lady Gaga including “Best New Artist ” for her hit single “Poker Face.” Green Day made a triumphant return to the VMAs by claiming three awards including “Best Rock Video ” for “21 Guns.” Eminem walked away victorious in an extremely heated race for “Best Hip Hop Video” with “We Made You.”
Adding to her collection of moonmen and accepting her award via satellite while on tour, Britney Spears won “Best Pop Video” for “Womanizer.” After officially premiering at last year’s show, T.I. and Rihanna won “Best Male Video” for their multi-platinum song “Live Your Life.”
Eminem once again showcased his comedic chops teaming up with Tracy Morgan and featuring a cameo by Cyndi Lauper to present the “Best New Artist” nominees throughout the show.
Drawing on the musical energy and passion of New York City, MTV used the city as a backdrop to showcase the unprecedented and groundbreaking performances from today’s most popular artists. Making her first VMA performance a standout, Taylor Swift sang a never-before-heard version of her single “You Belong With Me.” Taylor fully incorporated all NYC has to offer by transitioning from a subway car to 6th Avenue surrounded by fans and ending her performance on top of a taxi cab.
Known for her over the top live performances and fashion forward style, Lady Gaga turned a childhood dream into a reality as she made her grand entrance into VMA history. During her unforgettable performance of “Paparazzi,” the international superstar gives her own interpretation on the price of fame which culminates with her levitating into the air.
Surrounded by pyro and using every corner of the VMA stage, fan favorite Green Day made an explosive return to the VMA stage by giving a high energy rock performance of their single “East Jesus Nowhere.”
Beyoncé had all of Radio City dancing to “Single Ladies (Put A Ring On It)” with her call and response to the audience as she translated her music video phenomenon to the live stage. The pop diva was backed by an army of dancers as they displayed their incomparable dance moves during her performance.
Already a household name across the pond, British rockers Muse gave a breakthrough performance expanding their fan base worldwide. The band performed their latest single “Uprising” from a live remote at the Walter Kerr Theater in the Broadway district of Manhattan in front of hundreds of screaming fans.
Determined to top herself and once again raise the bar for live performances, P!nk mastered a jaw-dropping aerial act 30 feet above the stage while performing her single “Sober.” And yes, she sang every single word of it.
Bringing the show to a climactic end, JAY-Z and Alicia Keys honored their hometown of New York as they gave a powerful performance of “Empire State of Mind.”
As the official VMA house band, hip-hop’s newest challenger Wale and the legendary go go band UCB hyped up the audience as they put their own unique spin on some of the biggest songs of the year, his own material and a few classic covers. They collaborated with a number of artists including Kid Cudi with “Day And Night,” The All-American Rejects with “Gives You Hell, ” Pitbull with “You Know You Want Me” and 3OH!3 with “Don’t Trust Me”. Kid Cudi honored DJ AM during his performance of “Make Her Say.”
The star studded show also included appearances by Megan Fox, Jimmy Fallon, Jennifer Lopez, Shakira, Jack Black, Andy Samberg, Kristin Cavallari, Pete Wentz, Gerard Butler, Diddy, Tracy Morgan, Adam Brody, Jamie-Lynn Sigler, Alexa Chung, Gabe Saporta of Cobra Starship and Justin Bieber, Ne-Yo , Nelly Furtado , Robert Pattinson , Kristen Stewart , Taylor Lautner , Chace Crawford , Leighton Meester , Miranda Cosgrove and Serena Williams.
The MTV audience was treated to exclusive first looks at fall’s most anticipated films and soundtracks including Michael Jackson's THIS IS IT and The Twilight Saga: New Moon trailers during the show. Viewers were also given a sneak peek at the latest trailer from the upcoming movie Fame during MTV News’ “2009 VMA Preshow.”
2009 MTV VIDEO MUSIC AWARDS WINNERS
GENERAL CATEGORIES:
VIDEO OF THE YEAR
Beyoncé
Title: Single Ladies (Put A Ring On It)
Album: I AM…SASHA FIERCE
Director: Jake Nava
Label: Music World Music/Columbia
Production Company: Anonymous Content
Producer: John Winter
BEST NEW ARTIST
Lady Gaga
Title: Poker Face
Album: The Fame
Director: Ray Kay
Label: Streamline/KonLive/Cherrytree/Interscope
Production Company: Rockhard Films
Producer: Jil Hardin/ Nicole Ehrich
BEST MALE VIDEO
T.I. featuring Rihanna
Title: Live Your Life
Album: Paper Trail
Director: Anthony Mandler
Label: Atlantic Reords
Production Company: Les Enfants Terribles
Producer: Gina Leonard
BEST FEMALE VIDEO
Taylor Swift
Title: You Belong With Me
Album: Fearless
Director: Roman White
Label: Big Machine Records
Production Company: Revolution Pictures
Producer: Randy Brewer
BEST HIP HOP VIDEO
Eminem
Title: We Made You
Album: Relapse
Director: Joseph Kahn
Label: Aftermath/Interscope
Production Company: HSI Productions
Producer: Mary Ann Tanedo
BEST POP VIDEO
Britney Spears
Title: Womanizer
Album: Circus
Director: Joseph Kahn
Label: Jive/Zomba Label Group
Production Company: HSI Productions
Producer: Mary Ann Tanedo
BEST ROCK VIDEO
Green Day
Title: 21 Guns
Album: 21st Century Breakdown
Director: Marc Webb
Label: Reprise Records
Production Company: DNA Inc
Producer: Michael Angelos
PROFESSIONAL CATEGORIES:
BEST CHOREOGRAPHY
Beyoncé
Title: Single Ladies (Put A Ring On It)
Album: I AM…SASHA FIERCE
Director: Jake Nava
Label: Music World Music/Columbia
Production Company: Anonymous Content
Producer: John Winter
Choreographer: Jaquel Knight & Frank Gatson Jr.
BEST DIRECTION
Green Day
Title: 21 Guns
Album: 21st Century Breakdown
Director: Marc Webb
Label: Reprise Records
Production Company: DNA Inc
Producer: Michael Angelos
BEST EDITING
Beyoncé
Title: Single Ladies (Put A Ring On It)
Album I AM…SASHA FIERCE
Director: Jake Nava
Label: Music World Music/Columbia
Production Company: Anonymous Content
Producer: John Winter
Editor: Jarrett Fijal
BEST SPECIAL EFFECTS
Lady Gaga
Title: Paparazzi
Album: The Fame
Director: Jonas Akerlund
Label: Streamline/KonLive/Cherrytree/Interscope
Production Company: Factory Films Ltd.
Producer: Steven Johnson/Nicole Ehrich
BEST CINEMATOGRAPHY
Green Day
Title: 21 Guns
Album: 21st Century Breakdown
Director: Marc Webb
Label: Reprise Records
Production Company: DNA Inc
Producer: Michael Angelos
Cinematographer: Jonathan Sela
BEST ART DIRECTION
Lady Gaga
Title: Paparazzi
Album: The Fame
Director: Jonas Akerlund
Label: Streamline/KonLive/Cherrytree/Interscope
Production Company: Factory Features
Producer: Steven Johnson/Nicole Ehrich
Art Director: Jason Hamilton
ONLINE CATEGORIES:
BREAKTHROUGH VIDEO
Matt & Kim
Title: Lessons Learned
Album: Grand
Director: Taylor Cohen & Otto Arsenault
Label: Fader
Production Company: FVNMO
Producer: Taylor Cohen, Otto Arsenault
BEST VIDEO (THAT SHOULD HAVE WON A MOONMAN)
Beastie Boys
Title: Sabotage
Album: III Communication
Director: Spike Jonze
Label: Grand Royal/Capitol Records
Shugoll Research and Telescope are the Official Business Advisors of the “2009 MTV Video Music Awards” Nominee and Winner Voting periods.
Jesse Ignjatovic/Den of Thieves is the Executive Producer for the “2009 MTV Video Music Awards.” Dave Sirulnick is Executive Producer. Garrett English is co-Executive Producer/Executive in Charge of Production. Amy Doyle is co-Executive Producer. Joanna Bomberg is Executive in Charge of Music and Talent. Jen Jones is Producer. Hamish Hamilton is Director. Robin Reinhardt-Locke is Celebrity Talent Executive.
Official sponsors of the “2009 MTV Video Music Awards” are 5 ® Gum, Febreze, Pepsi, Rhapsody ®, Sears, Taco Bell ®, U.S. Army and Verizon Wireless.
The “2009 MTV Video Music Awards” will be available to a potential viewing audience of more than 1.2 billion people via MTV’s global network of 68 channels reaching 577 million households around the world as well as through syndication. In addition, its convergent programming & content will reach the entire interactive community, via MTV’s more than 200 digital media properties around the world.
BEYONCÉ, GREEN DAY & LADY GAGA LEAD THE WAY WITH THREE MOONMEN AT THE “2009 VIDEO MUSIC AWARDS”, JANET JACKSON & MADONNA CELEBRATE MICHAEL JACKSON
Taylor Swift Wins “Best Female Video”
While Eminem Grabs “Best Hip Hop Video”
New York, NY (September 13, 2009) –– MTV turned New York City inside out for the “ 2009 Video Music Awards ” as the network celebrated a legend and brought together the biggest names in music, TV, film and sports. Live from Radio City Music Hall, VMA icon Madonna opened the show and introduced the emotional and heartfelt tribute to Michael Jackson. Janet Jackson was joined onstage by the most renowned choreographers in the world and Michael’s tour dancers, all of whom were influenced by the “King of Pop,” for a memorable and high energy performance. To honor her brother and his illustrious career, the dancers recreated some of his most memorable music videos including “Thriller,” “Bad,” “Smooth Criminal” and “Scream.” The celebration received a standing ovation and set the tone for the most important evening in music and pop culture.
Always controversial, British comedian Russell Brand pushed the envelope as he had fun with a slew of new stars and charmed the ladies. Aerosmith’s Joe Perry and popstar Katy Perry helped Russell kick-off his hosting duties in a big way with a light infused performance of the classic rock anthem by Queen, “We Will Rock You.”
Young country-pop superstar Taylor Swift earned “Best Female Video” for “You Belong With Me” in one of the most competitive categories of the evening, causing Kanye West to storm the stage in protest of Beyoncé not winning. In a gracious act, Beyoncé later called Taylor back on stage to rightfully accept her award. Beyoncé did win an outstanding three moonmen including the coveted “Video of the Year” award for her viral video sensation “Single Ladies (Put A Ring On It).” Also landing three statues was Lady Gaga including “Best New Artist ” for her hit single “Poker Face.” Green Day made a triumphant return to the VMAs by claiming three awards including “Best Rock Video ” for “21 Guns.” Eminem walked away victorious in an extremely heated race for “Best Hip Hop Video” with “We Made You.”
Adding to her collection of moonmen and accepting her award via satellite while on tour, Britney Spears won “Best Pop Video” for “Womanizer.” After officially premiering at last year’s show, T.I. and Rihanna won “Best Male Video” for their multi-platinum song “Live Your Life.”
Eminem once again showcased his comedic chops teaming up with Tracy Morgan and featuring a cameo by Cyndi Lauper to present the “Best New Artist” nominees throughout the show.
Drawing on the musical energy and passion of New York City, MTV used the city as a backdrop to showcase the unprecedented and groundbreaking performances from today’s most popular artists. Making her first VMA performance a standout, Taylor Swift sang a never-before-heard version of her single “You Belong With Me.” Taylor fully incorporated all NYC has to offer by transitioning from a subway car to 6th Avenue surrounded by fans and ending her performance on top of a taxi cab.
Known for her over the top live performances and fashion forward style, Lady Gaga turned a childhood dream into a reality as she made her grand entrance into VMA history. During her unforgettable performance of “Paparazzi,” the international superstar gives her own interpretation on the price of fame which culminates with her levitating into the air.
Surrounded by pyro and using every corner of the VMA stage, fan favorite Green Day made an explosive return to the VMA stage by giving a high energy rock performance of their single “East Jesus Nowhere.”
Beyoncé had all of Radio City dancing to “Single Ladies (Put A Ring On It)” with her call and response to the audience as she translated her music video phenomenon to the live stage. The pop diva was backed by an army of dancers as they displayed their incomparable dance moves during her performance.
Already a household name across the pond, British rockers Muse gave a breakthrough performance expanding their fan base worldwide. The band performed their latest single “Uprising” from a live remote at the Walter Kerr Theater in the Broadway district of Manhattan in front of hundreds of screaming fans.
Determined to top herself and once again raise the bar for live performances, P!nk mastered a jaw-dropping aerial act 30 feet above the stage while performing her single “Sober.” And yes, she sang every single word of it.
Bringing the show to a climactic end, JAY-Z and Alicia Keys honored their hometown of New York as they gave a powerful performance of “Empire State of Mind.”
As the official VMA house band, hip-hop’s newest challenger Wale and the legendary go go band UCB hyped up the audience as they put their own unique spin on some of the biggest songs of the year, his own material and a few classic covers. They collaborated with a number of artists including Kid Cudi with “Day And Night,” The All-American Rejects with “Gives You Hell, ” Pitbull with “You Know You Want Me” and 3OH!3 with “Don’t Trust Me”. Kid Cudi honored DJ AM during his performance of “Make Her Say.”
The star studded show also included appearances by Megan Fox, Jimmy Fallon, Jennifer Lopez, Shakira, Jack Black, Andy Samberg, Kristin Cavallari, Pete Wentz, Gerard Butler, Diddy, Tracy Morgan, Adam Brody, Jamie-Lynn Sigler, Alexa Chung, Gabe Saporta of Cobra Starship and Justin Bieber, Ne-Yo , Nelly Furtado , Robert Pattinson , Kristen Stewart , Taylor Lautner , Chace Crawford , Leighton Meester , Miranda Cosgrove and Serena Williams.
The MTV audience was treated to exclusive first looks at fall’s most anticipated films and soundtracks including Michael Jackson's THIS IS IT and The Twilight Saga: New Moon trailers during the show. Viewers were also given a sneak peek at the latest trailer from the upcoming movie Fame during MTV News’ “2009 VMA Preshow.”
2009 MTV VIDEO MUSIC AWARDS WINNERS
GENERAL CATEGORIES:
VIDEO OF THE YEAR
Beyoncé
Title: Single Ladies (Put A Ring On It)
Album: I AM…SASHA FIERCE
Director: Jake Nava
Label: Music World Music/Columbia
Production Company: Anonymous Content
Producer: John Winter
BEST NEW ARTIST
Lady Gaga
Title: Poker Face
Album: The Fame
Director: Ray Kay
Label: Streamline/KonLive/Cherrytree/Interscope
Production Company: Rockhard Films
Producer: Jil Hardin/ Nicole Ehrich
BEST MALE VIDEO
T.I. featuring Rihanna
Title: Live Your Life
Album: Paper Trail
Director: Anthony Mandler
Label: Atlantic Reords
Production Company: Les Enfants Terribles
Producer: Gina Leonard
BEST FEMALE VIDEO
Taylor Swift
Title: You Belong With Me
Album: Fearless
Director: Roman White
Label: Big Machine Records
Production Company: Revolution Pictures
Producer: Randy Brewer
BEST HIP HOP VIDEO
Eminem
Title: We Made You
Album: Relapse
Director: Joseph Kahn
Label: Aftermath/Interscope
Production Company: HSI Productions
Producer: Mary Ann Tanedo
BEST POP VIDEO
Britney Spears
Title: Womanizer
Album: Circus
Director: Joseph Kahn
Label: Jive/Zomba Label Group
Production Company: HSI Productions
Producer: Mary Ann Tanedo
BEST ROCK VIDEO
Green Day
Title: 21 Guns
Album: 21st Century Breakdown
Director: Marc Webb
Label: Reprise Records
Production Company: DNA Inc
Producer: Michael Angelos
PROFESSIONAL CATEGORIES:
BEST CHOREOGRAPHY
Beyoncé
Title: Single Ladies (Put A Ring On It)
Album: I AM…SASHA FIERCE
Director: Jake Nava
Label: Music World Music/Columbia
Production Company: Anonymous Content
Producer: John Winter
Choreographer: Jaquel Knight & Frank Gatson Jr.
BEST DIRECTION
Green Day
Title: 21 Guns
Album: 21st Century Breakdown
Director: Marc Webb
Label: Reprise Records
Production Company: DNA Inc
Producer: Michael Angelos
BEST EDITING
Beyoncé
Title: Single Ladies (Put A Ring On It)
Album I AM…SASHA FIERCE
Director: Jake Nava
Label: Music World Music/Columbia
Production Company: Anonymous Content
Producer: John Winter
Editor: Jarrett Fijal
BEST SPECIAL EFFECTS
Lady Gaga
Title: Paparazzi
Album: The Fame
Director: Jonas Akerlund
Label: Streamline/KonLive/Cherrytree/Interscope
Production Company: Factory Films Ltd.
Producer: Steven Johnson/Nicole Ehrich
BEST CINEMATOGRAPHY
Green Day
Title: 21 Guns
Album: 21st Century Breakdown
Director: Marc Webb
Label: Reprise Records
Production Company: DNA Inc
Producer: Michael Angelos
Cinematographer: Jonathan Sela
BEST ART DIRECTION
Lady Gaga
Title: Paparazzi
Album: The Fame
Director: Jonas Akerlund
Label: Streamline/KonLive/Cherrytree/Interscope
Production Company: Factory Features
Producer: Steven Johnson/Nicole Ehrich
Art Director: Jason Hamilton
ONLINE CATEGORIES:
BREAKTHROUGH VIDEO
Matt & Kim
Title: Lessons Learned
Album: Grand
Director: Taylor Cohen & Otto Arsenault
Label: Fader
Production Company: FVNMO
Producer: Taylor Cohen, Otto Arsenault
BEST VIDEO (THAT SHOULD HAVE WON A MOONMAN)
Beastie Boys
Title: Sabotage
Album: III Communication
Director: Spike Jonze
Label: Grand Royal/Capitol Records
Shugoll Research and Telescope are the Official Business Advisors of the “2009 MTV Video Music Awards” Nominee and Winner Voting periods.
Jesse Ignjatovic/Den of Thieves is the Executive Producer for the “2009 MTV Video Music Awards.” Dave Sirulnick is Executive Producer. Garrett English is co-Executive Producer/Executive in Charge of Production. Amy Doyle is co-Executive Producer. Joanna Bomberg is Executive in Charge of Music and Talent. Jen Jones is Producer. Hamish Hamilton is Director. Robin Reinhardt-Locke is Celebrity Talent Executive.
Official sponsors of the “2009 MTV Video Music Awards” are 5 ® Gum, Febreze, Pepsi, Rhapsody ®, Sears, Taco Bell ®, U.S. Army and Verizon Wireless.
The “2009 MTV Video Music Awards” will be available to a potential viewing audience of more than 1.2 billion people via MTV’s global network of 68 channels reaching 577 million households around the world as well as through syndication. In addition, its convergent programming & content will reach the entire interactive community, via MTV’s more than 200 digital media properties around the world.
BEYONCÉ, GREEN DAY & LADY GAGA LEAD THE WAY WITH THREE MOONMEN AT THE “2009 VIDEO MUSIC AWARDS”, JANET JACKSON & MADONNA CELEBRATE MICHAEL JACKSON
Taylor Swift Wins “Best Female Video”
While Eminem Grabs “Best Hip Hop Video”
New York, NY (September 13, 2009) –– MTV turned New York City inside out for the “ 2009 Video Music Awards ” as the network celebrated a legend and brought together the biggest names in music, TV, film and sports. Live from Radio City Music Hall, VMA icon Madonna opened the show and introduced the emotional and heartfelt tribute to Michael Jackson. Janet Jackson was joined onstage by the most renowned choreographers in the world and Michael’s tour dancers, all of whom were influenced by the “King of Pop,” for a memorable and high energy performance. To honor her brother and his illustrious career, the dancers recreated some of his most memorable music videos including “Thriller,” “Bad,” “Smooth Criminal” and “Scream.” The celebration received a standing ovation and set the tone for the most important evening in music and pop culture.
Always controversial, British comedian Russell Brand pushed the envelope as he had fun with a slew of new stars and charmed the ladies. Aerosmith’s Joe Perry and popstar Katy Perry helped Russell kick-off his hosting duties in a big way with a light infused performance of the classic rock anthem by Queen, “We Will Rock You.”
Young country-pop superstar Taylor Swift earned “Best Female Video” for “You Belong With Me” in one of the most competitive categories of the evening, causing Kanye West to storm the stage in protest of Beyoncé not winning. In a gracious act, Beyoncé later called Taylor back on stage to rightfully accept her award. Beyoncé did win an outstanding three moonmen including the coveted “Video of the Year” award for her viral video sensation “Single Ladies (Put A Ring On It).” Also landing three statues was Lady Gaga including “Best New Artist ” for her hit single “Poker Face.” Green Day made a triumphant return to the VMAs by claiming three awards including “Best Rock Video ” for “21 Guns.” Eminem walked away victorious in an extremely heated race for “Best Hip Hop Video” with “We Made You.”
Adding to her collection of moonmen and accepting her award via satellite while on tour, Britney Spears won “Best Pop Video” for “Womanizer.” After officially premiering at last year’s show, T.I. and Rihanna won “Best Male Video” for their multi-platinum song “Live Your Life.”
Eminem once again showcased his comedic chops teaming up with Tracy Morgan and featuring a cameo by Cyndi Lauper to present the “Best New Artist” nominees throughout the show.
Drawing on the musical energy and passion of New York City, MTV used the city as a backdrop to showcase the unprecedented and groundbreaking performances from today’s most popular artists. Making her first VMA performance a standout, Taylor Swift sang a never-before-heard version of her single “You Belong With Me.” Taylor fully incorporated all NYC has to offer by transitioning from a subway car to 6th Avenue surrounded by fans and ending her performance on top of a taxi cab.
Known for her over the top live performances and fashion forward style, Lady Gaga turned a childhood dream into a reality as she made her grand entrance into VMA history. During her unforgettable performance of “Paparazzi,” the international superstar gives her own interpretation on the price of fame which culminates with her levitating into the air.
Surrounded by pyro and using every corner of the VMA stage, fan favorite Green Day made an explosive return to the VMA stage by giving a high energy rock performance of their single “East Jesus Nowhere.”
Beyoncé had all of Radio City dancing to “Single Ladies (Put A Ring On It)” with her call and response to the audience as she translated her music video phenomenon to the live stage. The pop diva was backed by an army of dancers as they displayed their incomparable dance moves during her performance.
Already a household name across the pond, British rockers Muse gave a breakthrough performance expanding their fan base worldwide. The band performed their latest single “Uprising” from a live remote at the Walter Kerr Theater in the Broadway district of Manhattan in front of hundreds of screaming fans.
Determined to top herself and once again raise the bar for live performances, P!nk mastered a jaw-dropping aerial act 30 feet above the stage while performing her single “Sober.” And yes, she sang every single word of it.
Bringing the show to a climactic end, JAY-Z and Alicia Keys honored their hometown of New York as they gave a powerful performance of “Empire State of Mind.”
As the official VMA house band, hip-hop’s newest challenger Wale and the legendary go go band UCB hyped up the audience as they put their own unique spin on some of the biggest songs of the year, his own material and a few classic covers. They collaborated with a number of artists including Kid Cudi with “Day And Night,” The All-American Rejects with “Gives You Hell, ” Pitbull with “You Know You Want Me” and 3OH!3 with “Don’t Trust Me”. Kid Cudi honored DJ AM during his performance of “Make Her Say.”
The star studded show also included appearances by Megan Fox, Jimmy Fallon, Jennifer Lopez, Shakira, Jack Black, Andy Samberg, Kristin Cavallari, Pete Wentz, Gerard Butler, Diddy, Tracy Morgan, Adam Brody, Jamie-Lynn Sigler, Alexa Chung, Gabe Saporta of Cobra Starship and Justin Bieber, Ne-Yo , Nelly Furtado , Robert Pattinson , Kristen Stewart , Taylor Lautner , Chace Crawford , Leighton Meester , Miranda Cosgrove and Serena Williams.
The MTV audience was treated to exclusive first looks at fall’s most anticipated films and soundtracks including Michael Jackson's THIS IS IT and The Twilight Saga: New Moon trailers during the show. Viewers were also given a sneak peek at the latest trailer from the upcoming movie Fame during MTV News’ “2009 VMA Preshow.”
2009 MTV VIDEO MUSIC AWARDS WINNERS
GENERAL CATEGORIES:
VIDEO OF THE YEAR
Beyoncé
Title: Single Ladies (Put A Ring On It)
Album: I AM…SASHA FIERCE
Director: Jake Nava
Label: Music World Music/Columbia
Production Company: Anonymous Content
Producer: John Winter
BEST NEW ARTIST
Lady Gaga
Title: Poker Face
Album: The Fame
Director: Ray Kay
Label: Streamline/KonLive/Cherrytree/Interscope
Production Company: Rockhard Films
Producer: Jil Hardin/ Nicole Ehrich
BEST MALE VIDEO
T.I. featuring Rihanna
Title: Live Your Life
Album: Paper Trail
Director: Anthony Mandler
Label: Atlantic Reords
Production Company: Les Enfants Terribles
Producer: Gina Leonard
BEST FEMALE VIDEO
Taylor Swift
Title: You Belong With Me
Album: Fearless
Director: Roman White
Label: Big Machine Records
Production Company: Revolution Pictures
Producer: Randy Brewer
BEST HIP HOP VIDEO
Eminem
Title: We Made You
Album: Relapse
Director: Joseph Kahn
Label: Aftermath/Interscope
Production Company: HSI Productions
Producer: Mary Ann Tanedo
BEST POP VIDEO
Britney Spears
Title: Womanizer
Album: Circus
Director: Joseph Kahn
Label: Jive/Zomba Label Group
Production Company: HSI Productions
Producer: Mary Ann Tanedo
BEST ROCK VIDEO
Green Day
Title: 21 Guns
Album: 21st Century Breakdown
Director: Marc Webb
Label: Reprise Records
Production Company: DNA Inc
Producer: Michael Angelos
PROFESSIONAL CATEGORIES:
BEST CHOREOGRAPHY
Beyoncé
Title: Single Ladies (Put A Ring On It)
Album: I AM…SASHA FIERCE
Director: Jake Nava
Label: Music World Music/Columbia
Production Company: Anonymous Content
Producer: John Winter
Choreographer: Jaquel Knight & Frank Gatson Jr.
BEST DIRECTION
Green Day
Title: 21 Guns
Album: 21st Century Breakdown
Director: Marc Webb
Label: Reprise Records
Production Company: DNA Inc
Producer: Michael Angelos
BEST EDITING
Beyoncé
Title: Single Ladies (Put A Ring On It)
Album I AM…SASHA FIERCE
Director: Jake Nava
Label: Music World Music/Columbia
Production Company: Anonymous Content
Producer: John Winter
Editor: Jarrett Fijal
BEST SPECIAL EFFECTS
Lady Gaga
Title: Paparazzi
Album: The Fame
Director: Jonas Akerlund
Label: Streamline/KonLive/Cherrytree/Interscope
Production Company: Factory Films Ltd.
Producer: Steven Johnson/Nicole Ehrich
BEST CINEMATOGRAPHY
Green Day
Title: 21 Guns
Album: 21st Century Breakdown
Director: Marc Webb
Label: Reprise Records
Production Company: DNA Inc
Producer: Michael Angelos
Cinematographer: Jonathan Sela
BEST ART DIRECTION
Lady Gaga
Title: Paparazzi
Album: The Fame
Director: Jonas Akerlund
Label: Streamline/KonLive/Cherrytree/Interscope
Production Company: Factory Features
Producer: Steven Johnson/Nicole Ehrich
Art Director: Jason Hamilton
ONLINE CATEGORIES:
BREAKTHROUGH VIDEO
Matt & Kim
Title: Lessons Learned
Album: Grand
Director: Taylor Cohen & Otto Arsenault
Label: Fader
Production Company: FVNMO
Producer: Taylor Cohen, Otto Arsenault
BEST VIDEO (THAT SHOULD HAVE WON A MOONMAN)
Beastie Boys
Title: Sabotage
Album: III Communication
Director: Spike Jonze
Label: Grand Royal/Capitol Records
Shugoll Research and Telescope are the Official Business Advisors of the “2009 MTV Video Music Awards” Nominee and Winner Voting periods.
Jesse Ignjatovic/Den of Thieves is the Executive Producer for the “2009 MTV Video Music Awards.” Dave Sirulnick is Executive Producer. Garrett English is co-Executive Producer/Executive in Charge of Production. Amy Doyle is co-Executive Producer. Joanna Bomberg is Executive in Charge of Music and Talent. Jen Jones is Producer. Hamish Hamilton is Director. Robin Reinhardt-Locke is Celebrity Talent Executive.
Official sponsors of the “2009 MTV Video Music Awards” are 5 ® Gum, Febreze, Pepsi, Rhapsody ®, Sears, Taco Bell ®, U.S. Army and Verizon Wireless.
The “2009 MTV Video Music Awards” will be available to a potential viewing audience of more than 1.2 billion people via MTV’s global network of 68 channels reaching 577 million households around the world as well as through syndication. In addition, its convergent programming & content will reach the entire interactive community, via MTV’s more than 200 digital media properties around the world.
BEYONCÉ, GREEN DAY & LADY GAGA LEAD THE WAY WITH THREE MOONMEN AT THE “2009 VIDEO MUSIC AWARDS”, JANET JACKSON & MADONNA CELEBRATE MICHAEL JACKSON
Taylor Swift Wins “Best Female Video”
While Eminem Grabs “Best Hip Hop Video”
New York, NY (September 13, 2009) –– MTV turned New York City inside out for the “ 2009 Video Music Awards ” as the network celebrated a legend and brought together the biggest names in music, TV, film and sports. Live from Radio City Music Hall, VMA icon Madonna opened the show and introduced the emotional and heartfelt tribute to Michael Jackson. Janet Jackson was joined onstage by the most renowned choreographers in the world and Michael’s tour dancers, all of whom were influenced by the “King of Pop,” for a memorable and high energy performance. To honor her brother and his illustrious career, the dancers recreated some of his most memorable music videos including “Thriller,” “Bad,” “Smooth Criminal” and “Scream.” The celebration received a standing ovation and set the tone for the most important evening in music and pop culture.
Always controversial, British comedian Russell Brand pushed the envelope as he had fun with a slew of new stars and charmed the ladies. Aerosmith’s Joe Perry and popstar Katy Perry helped Russell kick-off his hosting duties in a big way with a light infused performance of the classic rock anthem by Queen, “We Will Rock You.”
Young country-pop superstar Taylor Swift earned “Best Female Video” for “You Belong With Me” in one of the most competitive categories of the evening, causing Kanye West to storm the stage in protest of Beyoncé not winning. In a gracious act, Beyoncé later called Taylor back on stage to rightfully accept her award. Beyoncé did win an outstanding three moonmen including the coveted “Video of the Year” award for her viral video sensation “Single Ladies (Put A Ring On It).” Also landing three statues was Lady Gaga including “Best New Artist ” for her hit single “Poker Face.” Green Day made a triumphant return to the VMAs by claiming three awards including “Best Rock Video ” for “21 Guns.” Eminem walked away victorious in an extremely heated race for “Best Hip Hop Video” with “We Made You.”
Adding to her collection of moonmen and accepting her award via satellite while on tour, Britney Spears won “Best Pop Video” for “Womanizer.” After officially premiering at last year’s show, T.I. and Rihanna won “Best Male Video” for their multi-platinum song “Live Your Life.”
Eminem once again showcased his comedic chops teaming up with Tracy Morgan and featuring a cameo by Cyndi Lauper to present the “Best New Artist” nominees throughout the show.
Drawing on the musical energy and passion of New York City, MTV used the city as a backdrop to showcase the unprecedented and groundbreaking performances from today’s most popular artists. Making her first VMA performance a standout, Taylor Swift sang a never-before-heard version of her single “You Belong With Me.” Taylor fully incorporated all NYC has to offer by transitioning from a subway car to 6th Avenue surrounded by fans and ending her performance on top of a taxi cab.
Known for her over the top live performances and fashion forward style, Lady Gaga turned a childhood dream into a reality as she made her grand entrance into VMA history. During her unforgettable performance of “Paparazzi,” the international superstar gives her own interpretation on the price of fame which culminates with her levitating into the air.
Surrounded by pyro and using every corner of the VMA stage, fan favorite Green Day made an explosive return to the VMA stage by giving a high energy rock performance of their single “East Jesus Nowhere.”
Beyoncé had all of Radio City dancing to “Single Ladies (Put A Ring On It)” with her call and response to the audience as she translated her music video phenomenon to the live stage. The pop diva was backed by an army of dancers as they displayed their incomparable dance moves during her performance.
Already a household name across the pond, British rockers Muse gave a breakthrough performance expanding their fan base worldwide. The band performed their latest single “Uprising” from a live remote at the Walter Kerr Theater in the Broadway district of Manhattan in front of hundreds of screaming fans.
Determined to top herself and once again raise the bar for live performances, P!nk mastered a jaw-dropping aerial act 30 feet above the stage while performing her single “Sober.” And yes, she sang every single word of it.
Bringing the show to a climactic end, JAY-Z and Alicia Keys honored their hometown of New York as they gave a powerful performance of “Empire State of Mind.”
As the official VMA house band, hip-hop’s newest challenger Wale and the legendary go go band UCB hyped up the audience as they put their own unique spin on some of the biggest songs of the year, his own material and a few classic covers. They collaborated with a number of artists including Kid Cudi with “Day And Night,” The All-American Rejects with “Gives You Hell, ” Pitbull with “You Know You Want Me” and 3OH!3 with “Don’t Trust Me”. Kid Cudi honored DJ AM during his performance of “Make Her Say.”
The star studded show also included appearances by Megan Fox, Jimmy Fallon, Jennifer Lopez, Shakira, Jack Black, Andy Samberg, Kristin Cavallari, Pete Wentz, Gerard Butler, Diddy, Tracy Morgan, Adam Brody, Jamie-Lynn Sigler, Alexa Chung, Gabe Saporta of Cobra Starship and Justin Bieber, Ne-Yo , Nelly Furtado , Robert Pattinson , Kristen Stewart , Taylor Lautner , Chace Crawford , Leighton Meester , Miranda Cosgrove and Serena Williams.
The MTV audience was treated to exclusive first looks at fall’s most anticipated films and soundtracks including Michael Jackson's THIS IS IT and The Twilight Saga: New Moon trailers during the show. Viewers were also given a sneak peek at the latest trailer from the upcoming movie Fame during MTV News’ “2009 VMA Preshow.”
2009 MTV VIDEO MUSIC AWARDS WINNERS
GENERAL CATEGORIES:
VIDEO OF THE YEAR
Beyoncé
Title: Single Ladies (Put A Ring On It)
Album: I AM…SASHA FIERCE
Director: Jake Nava
Label: Music World Music/Columbia
Production Company: Anonymous Content
Producer: John Winter
BEST NEW ARTIST
Lady Gaga
Title: Poker Face
Album: The Fame
Director: Ray Kay
Label: Streamline/KonLive/Cherrytree/Interscope
Production Company: Rockhard Films
Producer: Jil Hardin/ Nicole Ehrich
BEST MALE VIDEO
T.I. featuring Rihanna
Title: Live Your Life
Album: Paper Trail
Director: Anthony Mandler
Label: Atlantic Reords
Production Company: Les Enfants Terribles
Producer: Gina Leonard
BEST FEMALE VIDEO
Taylor Swift
Title: You Belong With Me
Album: Fearless
Director: Roman White
Label: Big Machine Records
Production Company: Revolution Pictures
Producer: Randy Brewer
BEST HIP HOP VIDEO
Eminem
Title: We Made You
Album: Relapse
Director: Joseph Kahn
Label: Aftermath/Interscope
Production Company: HSI Productions
Producer: Mary Ann Tanedo
BEST POP VIDEO
Britney Spears
Title: Womanizer
Album: Circus
Director: Joseph Kahn
Label: Jive/Zomba Label Group
Production Company: HSI Productions
Producer: Mary Ann Tanedo
BEST ROCK VIDEO
Green Day
Title: 21 Guns
Album: 21st Century Breakdown
Director: Marc Webb
Label: Reprise Records
Production Company: DNA Inc
Producer: Michael Angelos
PROFESSIONAL CATEGORIES:
BEST CHOREOGRAPHY
Beyoncé
Title: Single Ladies (Put A Ring On It)
Album: I AM…SASHA FIERCE
Director: Jake Nava
Label: Music World Music/Columbia
Production Company: Anonymous Content
Producer: John Winter
Choreographer: Jaquel Knight & Frank Gatson Jr.
BEST DIRECTION
Green Day
Title: 21 Guns
Album: 21st Century Breakdown
Director: Marc Webb
Label: Reprise Records
Production Company: DNA Inc
Producer: Michael Angelos
BEST EDITING
Beyoncé
Title: Single Ladies (Put A Ring On It)
Album I AM…SASHA FIERCE
Director: Jake Nava
Label: Music World Music/Columbia
Production Company: Anonymous Content
Producer: John Winter
Editor: Jarrett Fijal
BEST SPECIAL EFFECTS
Lady Gaga
Title: Paparazzi
Album: The Fame
Director: Jonas Akerlund
Label: Streamline/KonLive/Cherrytree/Interscope
Production Company: Factory Films Ltd.
Producer: Steven Johnson/Nicole Ehrich
BEST CINEMATOGRAPHY
Green Day
Title: 21 Guns
Album: 21st Century Breakdown
Director: Marc Webb
Label: Reprise Records
Production Company: DNA Inc
Producer: Michael Angelos
Cinematographer: Jonathan Sela
BEST ART DIRECTION
Lady Gaga
Title: Paparazzi
Album: The Fame
Director: Jonas Akerlund
Label: Streamline/KonLive/Cherrytree/Interscope
Production Company: Factory Features
Producer: Steven Johnson/Nicole Ehrich
Art Director: Jason Hamilton
ONLINE CATEGORIES:
BREAKTHROUGH VIDEO
Matt & Kim
Title: Lessons Learned
Album: Grand
Director: Taylor Cohen & Otto Arsenault
Label: Fader
Production Company: FVNMO
Producer: Taylor Cohen, Otto Arsenault
BEST VIDEO (THAT SHOULD HAVE WON A MOONMAN)
Beastie Boys
Title: Sabotage
Album: III Communication
Director: Spike Jonze
Label: Grand Royal/Capitol Records
Shugoll Research and Telescope are the Official Business Advisors of the “2009 MTV Video Music Awards” Nominee and Winner Voting periods.
Jesse Ignjatovic/Den of Thieves is the Executive Producer for the “2009 MTV Video Music Awards.” Dave Sirulnick is Executive Producer. Garrett English is co-Executive Producer/Executive in Charge of Production. Amy Doyle is co-Executive Producer. Joanna Bomberg is Executive in Charge of Music and Talent. Jen Jones is Producer. Hamish Hamilton is Director. Robin Reinhardt-Locke is Celebrity Talent Executive.
Official sponsors of the “2009 MTV Video Music Awards” are 5 ® Gum, Febreze, Pepsi, Rhapsody ®, Sears, Taco Bell ®, U.S. Army and Verizon Wireless.
The “2009 MTV Video Music Awards” will be available to a potential viewing audience of more than 1.2 billion people via MTV’s global network of 68 channels reaching 577 million households around the world as well as through syndication. In addition, its convergent programming & content will reach the entire interactive community, via MTV’s more than 200 digital media properties around the world.
Fo shizzle, Dunbizzle. Measurements 38 inches long x 18 deep x 30 inches tall. 72.5 inches long fully extended.
Interactive digital sign, self-service terminal, retail kiosk and trade show display for banks, shops, museums, art galleries and the corporate/ hotel lobby. Full HD multi-touch display, multimedia - design by www.brand-touch.eu
As you may have noticed, since my son was born, I've been pretty irregular with posting here on Flickr. It complicates things to add a baby into the mix and, for me, family time isn't what I'm going to sacrifice when things get busy, Flickr is.
I want to post more here. I want to take more time to be creative for myself. In this past year, I've done a lot of client work (all things considered). Maybe a bit too much. My goal for 2014 is to further tweak this balancing act of a life. Creativity is therapy and creativity on my own terms is rejuvenating.
Thanks for your support!
This 9-image panorama was taken from the tallest point in the Smoky Mountains.
The KOM League
Flash Report
April 25, 2022
To access the most recent Flash Report click here: www.flickr.com/photos/60428361@N07/52030138476/
This link provides the name of every player to have appeared in a KOM league game and their current status.
komleaguebaseball.blogspot.com/2008/01/names.html
The previous link is part of a much larger blog carrying more information about the history of the KOM League that has been continually updated since 2008. Keep that in mind as you proceed to read this report. When that site is accessed there are more choices on the right side of the screen.
What is contained in the aforementioned blog represents a 26 year effort. Sure I’m slow but such is the nature of things. For those who might have an interest in following the scenario of the lives of former KOM leaguers to the last man, the information is the best source I can produce to help in that undertaking. That could well be my legacy
As with any project there are things that are not verifiable but it is my belief that searching for and reporting on former KOM leaguers has been about as thorough as any effort in documenting the history of any minor league. Major league history has been researched to the limit, or as close to the limit as can possibly be attained.
In recent days three words were inserted on the Internet KOM League Obituaries and the following was found. KOM league obituaries - Search (bing.com) Most of these only appear in that forum due to my going to the condolence site and paying my respects. There are many more obituaries of guys who played in the KOM league that you won’t find in that listing. There are names of guys on that list who claimed to have played in the old league but didn’t. One name you may run across made claim to have played in the league in 1949. However, the season opener was May 5 and he was released on May 3. At least he made it until the end of spring training.
While it has been a “couple of days” since a Flash Report was attempted a few more deaths of former players have been verified and even a former player who was finally found mused that he shouldn’t be alive. His story will be shared and if the reader makes it to the end of this report it may prove to be an interesting, information and humorous tale. No promise can be made for it isn’t written yet.
Last remaining member of the 1947 Carthage Cardinals
Harold Edwin Rose, Sr., 95, of Shiloh, Ga formerly of Columbus, GA passed early Tuesday, March 1, 2022, at Piedmont Northside Hospital in Columbus, GA.
Mr. Rose was born November 23, 1926 in Columbus, GA the son of Forest Byrd Rose and Rotchie Deford Head Rose. He was a graduate of Jordan High School. Mr. Rose was a U. S. Army veteran of WWII. Later he played professional baseball in the St Louis Cardinals organization for several years before returning home to a business career and family. He was an account Manager and Comptroller at Blue Cross and Blue Shield in Columbus and later was an owner of H&M Auto Care and then an owner of North Columbus Collision Center, LLC. In 1980 he and his wife moved to Shiloh and enjoyed his farm and home. Mr. Rose was an ordained deacon and member of the First Baptist Church, Shiloh, GA. He was preceded in death by his parents and five siblings, Julia, Eloise, Byron, Annie Merle and Donald.
He is survived by his wife of 75 years, Bettie Livingston Rose of Shiloh, GA, sons; H. Edwin (Regina) Rose, Jr of Cataula, GA, Grady L. (Mary Beth) Rose of Columbus, GA and Kevin Stuart Rose of Suwanee, GA; grandchildren; Kim Cantrell (Mac), Kennon Rose (Christi) and Andy Rose, great-grandchildren; Alec Cantrell (Madelyn), Emily Wilson (Jack), Lily Rose, Alexis Rose and Philip Rose, one great-great grandson Leo Cantrell and several nieces and nephews.
Funeral services for Mr. Rose will be held 1:00 pm Saturday, March 5, 2022 at the First Baptist Church, Shiloh with Rev. Don Voyles officiating the service. A private burial will be at the Ft. Mitchell National Cemetery in Ft. Mitchell, AL. The family will receive friends at the church at 12:30 prior to the service.
In lieu of flowers, contributions may be given in memory of Harold Edwin Rose, Sr. to the Annadale Village, 3500 Annadale Lane Suwanee, GA 30024.
The Rose family is being assisted by Cox Funeral Home, 93 Prather Barnes Road Manchester, GA 31816. The family requests that you please sign the online registry and leave condolences on the Tribute Wall Page.
_____________________________________________________________________________
Richard Allen Hibbeler
Many years ago contact was made with Richard Hibbeler who played second base for the 1948 Chanute, Kansas Giants, the only year of their six in the KOM league, when they were affiliated with a major league team. He was with the team for half of the games that season and he was the top statistical fielding second baseman for the 42 games he held down that position.
In a recent trip through the KOM league database it was discovered that contact had not been made in recent times with Mr. Hibbeler. That “trip” was made on the morning of April 15, 2022. In checking his current status it was found that he passed away on April 15, 2017. I often wonder how coincidences like that occur. While I ponder that, the reader can read his obituary.
Obituary--Richard A. (Dick) Hibbeler, of Florissant, Missouri, fortified with the Sacraments of Holy Mother Church, Saturday, April 15, 2017
Beloved husband of Frances M. Hibbeler; dear father and father-in-law of Rick (Valerie) Hibbeler, James (Dorothy) Hibbeler, Steve (Margaret) Hibbeler and Gregg (Carrie) Hibbeler; dear grandfather of Ryan (Holly, Kelly (Tanner) Julie (Chris), Jim, Susan (Jonathan), Michael, Christine (Jon), Andrea (Steve), Eric (Rachel), Leah, Peter, Emily, Katherine, Nicholas and Sarah; great-grandfather of 11; dear brother of Mary Jane (Tim) Sandt, and the late Donald, Charles and Kenneth Hibbeler; dear brother-in-law, uncle and friend.
Richard was a former standout amateur athlete who played football and basketball at North side Catholic/De Andreis High School in the 1940's. He also played professional baseball in the old New York Giants minor league system. He signed his first professional contract at the age of sixteen and was inducted into the St. Louis Amateur Baseball Hall of Fame in 1991.
Richard retired from Southwestern Bell Telephone Company after 37 1/2 years, where he held a number of craft and supervisory positions. He was also active in the Fraternal Order of Eagles Alton Aerie #254 and participated in local community development affairs.
Memorials to St. Jude Children's Research Hospital, 262 Danny Thomas Place Memphis, TN, 38105.
Services will be private with his family.
______________________________________________________________________________
Luther John Burleson—Ponca City Dodgers 1950
HOUSTON - Luther John “Burt” Burleson, 93, passed away peacefully in Houston, Texas on March 27, 2022.
Luther was born in Vera, Texas on January 27,1929 to Emma and Jules Burleson and lived most of his life in Fort Worth, Texas. He graduated from Tech High School where he was captain of the baseball team. After High School he went on to play baseball at TCU and was drafted by the Los Angeles Dodgers Baseball Team to play in the minor league system in Hazard, North Carolina. Long bus rides and little pay were not suitable to his ambition, so he returned to Fort Worth and enrolled in Texas Wesleyan University where he met Jane Trout, the love of his life.
He and Jane went on to complete their master’s degree in education. After a brief career as a safety engineer for Commercial Standard Insurance Company, Luther got his first teaching job at Haltom High School as a Distributive Education Teacher. Although his career would advance considerably over the years, his time teaching and helping kids learn job skills was the happiest part of his long career in education.
Over the years, Luther advanced through increasing levels of responsibility and ultimately became the Director of Vocational Education in the Birdville Independent School District in Fort Worth. His passion for helping people learn skills and get jobs extended far beyond his work in the schools. He was instrumental in helping countless friends and family find a job.
Luther was a born leader and passionate about serving his community. He was National President of The Traveler’s Protective Association “TPA”, President of the Lions Club and NE Kiwanis Club. He coached all three of his sons in their sports activities and was a Deacon in the Baptist Church.
Luther loved to travel with his family and every summer took the family on long driving vacations to destinations from Los Angeles to New York City. Most of the travel was combined with his duties in TPA, which helped underwrite the travel expenses. Sports and country music were a constant source of conversation and enjoyment even into his final days. He loved the Longhorns but had a special place in his heart for the Horned Frogs.
Over the years, Luther overcame much adversity including prostate cancer, quadruple bypass heart surgery, loss of his right leg, breakthrough Delta Variant Covid and Omicron Covid. Through it all, he maintained his bright optimism, grateful spirit and love of God. After losing Jane in 2012, Luther moved to Houston to be closer to his sons, Rick and Mark.
Luther was preceded in death by his parents, Emma and Jules Burleson; older brother, Charlie Burleson; younger sister, Katherine Burleson Graves; his son, John Ross Burleson; daughter-in-law, Kimberly Yates Burleson; cousin, Clyde Sellers, and Jane, his beloved wife of 60 years.
He is survived by his sons, Rick Burleson and wife, Cecily, Mark Burleson and wife, Blake; grandchildren, Richard Lynn Burleson Jr., Justin Edward Burleson and wife, Callie, John Samuel Burleson, Madeline Burleson, Davis Burleson; brother-in-law David, Richeson and wife, Sally and a large extended family who loved and respected him.
The family wishes to thank the team at The Farrington at Tanglewood including Glenda Clerc, and the caring team at Altus Hospice, including Idy Akazue.
______________________________________________________________________________
Burl Moffitt
www.cctimesdemocrat.com/story/2929341.html
Burl Moffitt, 94, of Fagus, Mo., passed away Wednesday, January 12, 2022, in Aurora, Mo.
He was born on December 13, 1927, in Pollard, Ark., and was the son of the late Oscar and Maggie (Matchett) Moffitt.
Burl was united in marriage to Wanda Lucille Potter on August 8, 1952, and to this union four children were born. Wanda preceded him in death on November 9, 2002. He was also preceded in death by his parents; son, Bob Moffitt; grandson, Nicholas Killbreath; brothers, Doyle Moffitt, Charlie Moffitt, Jimmie Moffitt, Dalton "Red" Moffitt, and Dalph Moffitt; and sisters, Vera, Thelma, and Ella Mae.
Burl played AAA baseball (actually Class D) as a pitcher with the Independence Yankees in the KOM league and with the Belleville Stags and the Paducah Chiefs in the Mississippi-Ohio league in 1949 and 1950. He also served in the United State Navy where he was honorably discharged for his service.
Burl is survived by his children: Don Moffitt and wife Debbie, Keith Moffitt and wife Kathy and Melinda Moffitt and significant other, Mike Hodges of Aurora, Mo.; grandchildren: Donnie Moffitt, Amanda Moffitt, Zachary Moffitt, Ethan Moffitt, and Evan Moffitt; great-grandchildren: Izaeah, Izabel, and Lincoln; and many other relatives and friends.
Graveside services will be held at 11 a.m., Monday, January 24, 2022, at the New Hope Cemetery in Pollard, with Bro. Charles Richardson officiating. Burial is in New Hope Cemetery in Pollard. Hoggard & Sons Funeral Home of Piggott is in charge of the arrangements.
This note was shared with Jack Morris, baseball necrologist.
This will come as a surprise to you as it did to me. The KOM was a triple A league. I got to know Burl pretty well. He was a short term, early season pitcher for the Independence club. He came to all the KOM reunions and always went home with a dozen or more baseball caps.
He lived in the small town of Fagus in the Missouri boot heel. He was a member of a billiards team that traveled all over the United States and won many tournaments. They all wore a KOM league cap to those events.
I lost track of Burl in the past few years and assumed he was in a nursing home. He moved to Aurora, Mo. where his son lived. That is the same town where I was a pastor in 1960.
__________________________________________________________________
Salvatore John Campagna 1950 Bartlesville Pirates
Seldom does the occasion arise anymore that a former KOM leaguer is found and who can still recall his playing days.
For over a quarter century the search for Sal Campagna, a third baseman for the 1950 Bartlesville Pirates, was undertaken. From the research it was easy to document his place of birth and where he had been living since his earliest days on planet earth. As our discussion progressed he admitted hearing from this old batboy some two decades earlier but had somehow “misplaced” the letter of inquiry.
As it turns out that may have been a blessing in disguise for he told me some stories in our first conversation that he might not have revealed 25 years ago.
Note: At the conclusion the last sentence the door bell rang and a man cleaning gutters was here to do mine. Well, it turned out to be much more of a task than expected. Six hours later my train of thought was lost in about the same proportion as my energy had level diminished. Thus, the story that was to be about the life and times of Sal Campagna will have to be put on hold for the next Flash Report. It is really good and it will be shared with those who write and tell me they’d like to see it. Here is a teaser for the next report. During high school the young Campagna had a special liking for his English class. In that class were two closely related females he dated. They weren’t sister’s nor were they cousins. So you guess the relationship of the two he dated.
Tune in next time for the history of a man who was born to parents from Northern and Southern Italy who moved to Nebraska. His father was injured when a horse fell on him during WWI while serving in the U. S. Calvary and drew a disability that provided enough money to move to California and set up a business. That is where the story will pick up next time.
That is it for now.