View allAll Photos Tagged StainedGlass

North Chapel, east window, by O'Connor, 1871 - St Paul, Jesus, and St John. In memory of John Proctor Luce, d1871

South clerestory window, probably Clayton and Bell, 1924 (moved here from east window) - St Michael flanked by Sir William Laxton (London grocer and school founder in 1556) and St Anthony (patron saint of the Grocers' Company)

1 of 36 windows by Mark Angus in collaboration with Katharina Eisch to mark the Millennium, 2002-05. West porch window - St Anthony : detail

Nave, south aisle window, by Morris and Co, 1901, with designs by Burne-Jones - 'Faith, Courage and Devotion'

Same design as Wedding Hearts

Not as good I fear!

Idylls of the King, Lavers and Barraud, 1863, designed by John Milner Allen

112 Pictures in 2012, #87 Stained glass

 

Cathedral Square, Grand Rapids, MI

 

10.2.2012

Chancel,east window, by Morris and Co, designed by Burne Jones, 1876 (3 main panels, only use) - Last Judgement : detail

Retrochoir south window, by Clayton and Bell, c1885 - detail

West Window designed in 1903 by Henry Holiday. depicts Six Days of the Creation and other subjects - God the reator of the World

Lady Chapel, south window, by Christopher Whall, 1901-2 - The Salutation. Bottom tier of lights - Scenes from the lives of Saints Etheldreda, Swithun, Edward, Oswald and Frideswide : detail - St Frideswide hiding in a pigsty

Mighty Eighth Air Force Museum

 

The chapel was built in 2002 to reflect a Gothic English chapel and was funded through individual and group donations. The design is that of Ken Spriggs. Like all Gothic English chapels, our chapel has an east-west orientation with the front door facing west and the centerpiece window facing east.

 

The sanctuary has fourteen pews that came from Jones County, Pennsylvania and were crafted in the late nineteenth century. The railings, lectern and choir stalls are also vintage pieces found in antique shops in Tennessee and Georgia and were donated to the Museum.

 

The most impressive features of the Chapel are the stained glass windows. All the windows have been provided by Eighth Air Force veteran groups or family members. Jon Erickson is the artist and creator of the windows from the concepts presented to him by these groups. Aurora Glass studios of Savannah created all the windows.

Chapel, 1 of 8 side windows by Bernard van Linge, 1629-30. South side, Apostles - Saints John, Philip and Bartholomew : detail - Philip

Chapel - east window by Bernard van Linge, 1622 : detail - Kiss of Judas

Nave, north aisle, window, by Cox and Sons, c1860s? : detail - Lion of St Mark

Nave, north aisle, 3rd of 7 windows by Burlison and Grylls, 1879-81 - Enoch and Noah : detail

South aisle window, by Shrigley and Hunt, c1898

Stephen's Defence, by Kempe, 1895 - detail

Saint Georges Cathedral Perth WA

Wednesday craft for the Tweens was to make stained glass windows!

Quick Chek NJ Festival of Ballooning

June 25, 2014

Solberg Airport, NJ

Chapel, east Millennium window, by Nicola Hopwood, 2000 : detail - Goodrich Church

Chapel, north window, containing figures and some heraldic shields dated 1518. Surrounding glass is later. Saints Aldhelm, Osmund and Lawrence beneath the Annuncation with a Crucifix on the lily.

Anglican cathedral. Liverpool.

Chapel - side windows ascribed to Robert Rudland of Oxford. One dated 1616.

St Nicholas, Castle Hedingham, Essex

Stambourne, Essex

 

The most striking sight in the whole church is the East Window, which is justly famed for its magnificent 16th century glass. The window has been restored at least twice, rather inexpenly in the late 18th century and very carefully in 1986. The heraldic detail in the window allows us to date it with a fair degree of precision: it must have been installed before 1532, but not long before. It was presumably the gift of the first Henry Mackwilliam (c1475-1539).

 

The kneeling figure of a woman, on the north side of the window, is decorated with arms of the Hartishorn family on her dress, and the quarterly coat of Mackwilliam on her mantle. These details identify her as Christian Mackwilliam nee Hartishorn, mother of Henry and wife of Edward. Edward is presumably the kneeling figure in armour in the opposite comer of the window, though it is difficult to be sure as this pan of the window has been damaged.

 

There were originally two other figures at the base of the window, representing Henry himself and his first wife, Anne, but these have disappeared (unless the hand in the trefoil of the south window is a remnant of one of them).

 

The glass in the upper lights contains an armorial pedigree of the Mackwilliam family. The shields in the two central lights being held by two male figures represent members of the Mackwilliam family. In the remaining eight lights the shields are hanging from trees, which grow beside a brook with golden stones (for Stamboume) and reeds (for Redeswell).

Cute stained glass balloon suncatcher.

North transept, north window, by Shrigley and Hunt, 1898 - Saints of Northern Britain : Columba, Aidan, Bede and Wilfrid

This is the peninsular cabinet between kitchen and dining room. I wanted to keep it simple so light would go through for the other side. It's hard to take photos of glass! Original design.

Lady Chapel, by Wailes - detail

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