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Here's my collection of Spacesavers, to date:
Top down:
Embroidery
1.5 quart Pink Daisy
2 Qt Pink Daisy
1.5 Qt Blue Snowflake
2 Qt Blue Snowflake (reverse colours)
2 Qt Black Snowflake
They all spend a lot of endless hours, holding various foods in my fridge or sweating it out in my oven. They are my best friends in the kitchen and I love them all.
Time stacking sunset
27 shoots for the sky, 1 shoot for the background
Iso 50, f/2,8 , 1/500
#ILCA99m2 #SonyAlpha #Zeiss #Feisol #RRS
75% dark chocolate
organic dried cherries
chopped walnuts
coconut oil
browned organic cultured butter
cold soy milk
Modern stone stacks on the hill above Cuween Chambered Cairn, Mainland Orkney
Sigma 14mm f2.8 manual focus
This is a stack of 120 images (interval 5 sec; lapse time ~10 minutes), layers darkened and lightened then blended 50%-50% with Photoshop. Since the clouds remained nearly stationary, except for a drifting contrail at top, the image almost looks like a single frame image.
The phantom jeep was unavoidable.
I recently found out about a procedure for stacking multiple digital (astronomical) images together to enhance an image. By stacking several photos, the signal to noise ratio is increased and details lost in the noise of individual pictures become visible in the resulting stacked image. This is my first effort at stacking three images of the moon using a program called Lynkeos (lynkeos.sourceforge.net), although there are several other similar programs available.
To take the pictures I used a Sony α100 camera with a Tokina 170 to 500 mm lens using a fence as a monopod. :-) The image is highly cropped from the original full frame photos.
Stack of Windmills in harbour area renewable energy looks funny when they mills are aligned in one single line
164/365
No reproduction of this image is allowed without prior permission of the photographer. Ninguna reproducción de esta imagen está permitida sin el previo permiso del fotógrafo.
© PaolaSuárez
All rights reserved
Todos los derechos reservados
Panasonic FZ70 f6.3 1/100sec 112mm
stacked from 3 images and sharpened by wavelet filter in RegiStax V6.
NS 3674 leads intermodal train NS 259 westbound through Mexico, Pennsylvania, along the Middle Division of the NS Pittsburgh Line.
A toy model of a 2CV, given to the father of a friend when buying his second real 2CV, somewhere in the 60's.
This photo was a focus stack of 6 pictures.
Hesperia, CA - 03 JAN 2025
Five locomotives lead this eastbound stack train up the grade near Cajon Summit.
This was taken on 1st September 2013 when I had the opportunity to pop over to Anglesey, North Wales to a location called “South Stack”. It is a 7x HDR image that was processed using photomatix and lightroom.
For more information about South Stack see the Wiki site:
Stacking focus @ maginification 6x - 133 image
Gear: Mituyoto 5x + 160mm tube (FD Canon) 210 rodenstock f/9 + 7D Canon + Flash with diffuser DIY
Serropalpus barbatus, Melandryidae
Size: 15 mm
At first glance this beetle is almost dull looking but a closer inspection reveals a rather magnificent pair of palps.
This wood boring species is considered to be quite rare here in Sweden, but since it's nocturnal and shy it might be more common than we think.
28+1 exposures stacked in Zerene Stacker (last one stopped down). Mitutoyo M Plan Apo 5X 0.14 + Apo-Gerogon 210/9.
Please view larger here www.kieranoconnorphotography.com/Nature/Seascapes/1585664...
Golden afternoon light hits Stack Island off the coast at Minnamurra, NSW, Australia
The Stacks of Duncansby, Duncansby Head at dawn.
Copyright www.neilbarr.co.uk. Please don't repost, blog or pin without asking first. Thanks
Another Anemone picture taken at the CBG. I wanted sharpness all through this flower, but not in the background. So I decided to try focus stacking. Fortunately this was inside, so no problem with wind. This is just two pictures merged. One picture was taken focusing on the petals and the other on the stamen.
I then used PSE, layering the two images and selctively merged the layers. It seems like a valid technique. May have to try this again with something that has greater depth than this Anemone.
Another stacked image from the garden.
This one - 68 individual images stacked using Helicon Focus, taken with Nikon D850, Nikkor 105mm f2.8G Macro, @105mm, f3, 1/8s, ISO 64
A Marine stack takes cover behind a protective blanket during an explosion Aug. 28, 2013, while completing a demolitions training evolution at a demo range in the Central Training Area in Okinawa, Japan. The knowledge of the different types of explosives in urban mobility breaching is vital to combat engineers as they perform a key role in a war-time theater. The Marines are combat engineers with 9th Engineer Support Battalion, 3rd Marine Logistics Group, III Marine Expeditionary Force.
(U.S. Marine Corps photo by Lance Cpl. Jose Lujano/Released)
You might want to take a close-up photo of something, but if you focus the camera on the closest part of the subject, you’ll find that the background is out of focus. If you focus on the background, the foreground becomes blurred. You could stop down on the lens, which increases the depth of field, but even so the image might not be entirely sharp.
The solution to this problem is called focus stacking. It works by taking a series of images, each focused on a different part of the scene, and combining them using software that creates a final image using the in-focus parts of each image in the stack. To make the stack, one typically puts the camera on a tripod and focuses on the closest part and presses the shutter. Then one carefully focuses back a bit and takes another shot, continuing until the final shot has the farthest parts of the scene in focus.
This is tedious work, and one risks moving the camera a bit while focusing.
Some cameras are starting to have built-in focus stacking capability. You just set the camera on the tripod and focus on the front, then press the button and the camera takes as many images as necessary while shifting the focus back.
The Nikon Z7 has focus stacking capability, what Nikon calls “focus shift shooting”. You set a few parameters and start the process. After a few seconds you have a stack of images that you can process with third party software to make what hopefully will be a final image that is sharp everywhere. I tried it out using a vase of roses set on the counter. The camera made 26 images, which I imported into Photoshop layers and used auto-blending to compose the final image, which you see here. It’s mostly pretty good. If you blow it up, it looks like everything is sharp. But, on closer inspection, you can see that the area between the vase and flowers on the right, where a couple of stems and leaves are, is blurred.
So I tried a popular third-party app, Helicon Focus. But it also failed to render this part of the image sharply. Then I looked through the stack and found that there was indeed an image where the area was in focus. This area was the backsplash on the bar, which consists of random streaks in the granite with soft edges, like what you can see on the bar in the foreground. I guess that the software failed to find convincing edges in this area (and didn’t have much area to work with), so it didn’t fill in that part of the final image and used some other image for that part.
I tried filling it in by hand using the sharp image in the stack. Even an area this small takes a steady hand and several minutes, and even then I was not completely successful. I gained a lot of respect for the software while doing this.
This circular brick wall is the same size as the top of the Anaconda Stack. The walkway I'm on is the size of the base of the stack.