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For Global Entrepreneurship Week, the U.S. Mission co-sponsored a town hall at the United Nations in Geneva "Women's Empowerment through Entrepreneurship". The event organized in conjunction with the United Nations Conference on Trade and Development (UNCTAD), WIPO, ILO, ITC, the Youth Employment Network, UNDP, UNITAR, and the Mexican Mission to the UN Offices in Geneva included entrepreneurs from the United States, Mexico and Colombia and from organizations that support entrepreneurs in Ethiopia and Switzerland. Ambassador Betty E. King remarked that entrepreneurship for women is a "vital source of growth. By increasing women's participation in the economy and enhancing their efficiency and productivity, we can dramatically enhance the competitiveness and growth of our economies."

 

U.S. Mission Photo by Eric Bridiers

Source: livinghistories.newcastle.edu.au/nodes/view/52906

 

This image was scanned from a photograph in the University's historical photographic collection held by Cultural Collections at the University of Newcastle, NSW, Australia.

 

If you have any information about this photograph, or would like a higher resolution copy, please contact us.

 

Source: Carleton College Archives

Lingon lingon, krösa krösa;

Från tallmon kan jag ur din rikedom ösa.

Ditt mos med mjölk och knäckebröd;

Livskälla för fattigt folk i nöd.

Source: livinghistories.newcastle.edu.au/nodes/view/14939

 

Old gas lamps and steam tram lines in front of the hall, on corner of High Street and Church Street, Maitland. Negative includes Wolstenhome monument, 1913 (now near Great Northern Hotel, 1983).

 

This image was scanned from a film negative in the Athel D'Ombrain collection [Box Folder B10398] held by Cultural Collections at the University of Newcastle, NSW, Australia.

 

This image can be used for study and personal research purposes. If you wish to reproduce this image for any other purpose you must obtain permission by contacting the University of Newcastle's Cultural Collections.

 

Please contact us if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.

 

If you have any information about this photograph, please contact us or leave a comment in the box below.

  

TitleSaltair Waiters

 

CollectionMss C 275; Shipler Commercial Photographers Collection

Photo NumberShipler #02297

PhotographerShipler Commercial Photographers; Shipler, Harry

PublisherUtah State Historical Society; Funded by a grant from the National Endowment for the Humanities

Date of photograph19 August 1906

 

Geopolitical placeUtah; Salt Lake County

Historic place nameGreat Salt LakeSaltair

DescriptionImage shows a group of waiters posing for a photograph in the Saltair dining room.

Rights ManagementDigital Image © 2001 Utah State Historical Society. All Rights Reserved.

Holding InstitutionUtah State Historical Society

RelationShipler Commercial Photographers, Series 1

 

Identifier39222000599014

Source formatGlass Plate Negative

Source size10 inches x 8 inches

Source physical descriptionGood condition.

Source donorsShipler, William H.

Source donation date1988

 

TypeImage

  

Date.Digital2001-11-05

Scanned byDigital Technologies, Marriott Library, University of Utah

Metadata catalogerHaley Q. Petersen

Collection Informationhttp://history.utah.gov/FindAids/C00275/

Source: livinghistories.newcastle.edu.au/nodes/view/18824

 

Rail viaduct located in Minmi.

 

This image was scanned from a photograph in the Newcastle and Hunter District Historical Society archives which are held by Cultural Collections at the University of Newcastle, Australia.

 

If you have any information about this photograph, please contact us.

 

Please contact us if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.

Source: livinghistories.newcastle.edu.au/nodes/view/3814

 

This image was scanned from a negative in the Bert Lovett collection. It is part of the Norm Barney Photographic Collection, held by Cultural Collections at the University of Newcastle, NSW, Australia.

 

This image can be used for study and personal research purposes. If you wish to reproduce this image for any other purpose you must obtain permission by contacting the University of Newcastle's Cultural Collections.

 

If you have any information about this photograph, please contact us or leave a comment in the box below.

 

Please contact us if you are the subject of an image, or know the subject of an image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.

Day 2 of Mozilla's View Source 2016 in Berlin

  

Photos by Veronica Jonsson

 

source: CD jun 24 2008 folder ann_morgan

Arthur Kimmig GETZ •

* 17 May 1913 in Passaic, New Jersey.

✝︎ 19 January 1996 in Litchfield, Connecticut.

 

m.facebook.com/story.php?story_fbid=pfbid0GTJKaYuJBaZM11L...

 

The New Yorker — November 17, 1956.

Issue 1657 — Volume 32 — Number 39.

 

About GETZ ↓

He was an American illustrator best known for his fifty-year career as a cover artist for The New Yorker magazine. Between 1938 and 1988, two hundred and thirteen Getz covers appeared on The New Yorker, making Getz the most prolific New Yorker cover artist of the twentieth century.

 

Getz was also a fine artist, painted murals for the Works Progress Administration Program, wrote and illustrated children's books, and taught at the School of Visual Arts in New York City, the University of Connecticut, and the Washington Art Association in Washington, Connecticut. In addition to his New Yorker covers and spot drawings, Getz's illustrations were published in American Childhood, Audubon, Collier's, Consumer Reports, Cue, Esquire, Fortune, The Nation, The National Guardian, The New Masses, The New Republic, PM, Reader's Digest, Saturday Review, Stage, and The Reporter.

 

Early years

Arthur Getz was born in Passaic, New Jersey, the son of Madeline Kimmig Getz and Anthony Getz. He attended Pratt Institute in Brooklyn, New York, on a full scholarship, and graduated with honors in 1934 from Pratt's School of Fine and Applied Art. His very first cover illustration for The New Yorker was printed on July 23, 1938.

 

Murals

In 1939, Philip Guston taught Getz how to mix casein tempera, a milk-based pigment utilized for mural painting, and suggested that Getz apply for a New Deal mural contract. Over the next four years, Getz won four mural contracts:

 

1939: Post Office, Lancaster, New York.

1939: Textile Building, 1939 New York World's Fair.

1941: Post Office, Bronson, Michigan.

1942: Post Office, Luverne, Alabama.

 

The New Yorker

After serving in the Philippines during World War II as a First Lieutenant of Field Artillery, Getz returned to New York City and resumed his work as an artist, soon becoming one of the more regular contributors to The New Yorker. During the 1950s and 1960s it was not unusual for more than one Getz cover to be printed on The New Yorker during a single month.

 

The writer John Updike, in his foreword to The Complete Book of Covers from The New Yorker, 1925 – 1989, wrote: "The artist who has contributed most covers is Arthur Getz, whose alert eye and confident brush find endless silent dramas of contrast and tone in the world around us; beginning in 1938 and still producing, he has thus far published two hundred and thirteen."

 

Lee Lorenz, the former Art Editor of The New Yorker, wrote of Getz: "[He] seems to have found his particular subject, the special light of Manhattan … Arthur's paintings are a chronicle of New York's moods to be set alongside Guardi's paintings of Venice." Lorenz also wrote of Getz, "He drew inspiration equally from the night clubs of Manhattan and the apple orchards of New England, but his covers, taken as a group, seem really to be about the joy of painting itself."

 

In addition to his work as an illustration artist, Getz continued to pursue fine art painting. In 1960 he was offered a one-man show at the Babcock Gallery in New York City. The gallery director requested that Getz, already well known for his covers, exhibit his fine art under a different name, concerned that Getz's association with "commercial" (illustration) art would hinder his recognition as a fine artist. Getz used his middle name, Kimmig, for his signature on his fine art work. Many paintings from this era are signed "Kimmig"; some Getz re-signed later and are signed both "Kimmig" and "Getz."

 

In 1963 Getz and his first wife, Margarita Gibbons, were divorced. Getz later married writer Anne Carriere, and shortly after relocated from New York City to Sharon, Connecticut in 1969, where Getz lived until his death in 1996. His move to Connecticut marked a shift in the mood of his New Yorker covers from the city-centered work of his past. He began to depict more rural scenes of the countryside, familiar to the growing commuter and weekender populations. During this time Getz also wrote and illustrated four children's books and illustrated numerous others, including Jennifer's Walk, authored by Anne Carriere (Getz and Carriere divorced in 1973).

 

On August 29, 1988, Getz's 213th and final New Yorker cover was printed. Though a stroke rendered Getz blind in one eye in 1994, he continued to paint and draw until his death on January 19, 1996, at the age of 83.

 

#Sources: Wikipedia

www.tfaoi.org/newsmu/nmus104b.html

At the top of Cuddington Recreation Ground

I bought an Illuminato and got this very nice certificate showing my contribution to the Open Source Hardware Reserve Bank

Download this wallpaper in most common resolutions (including for the iPhone / iPod Touch & iPad) here:

www.fudgegraphics.com/2011/04/source-free-april-2011-cale...

Also available featuring the April 2011 calendar.

Day 2 of Mozilla's View Source 2016 in Berlin

  

Photos by Veronica Jonsson

 

ⓒLoubR, All Rights Reserved Do not use without permission

 

www.facebook.com/LoubrPhotography

Hong Kong Transport - Trucks

 

The Hong Kong Truck Culture

 

The number of Trucks, Vans* and Special Purpose Vehicles (Light, Medium & Heavy) registered + licenced in Hong Kong seems to fluctuate between 120,000 - 125,000 vehicles and presumably new trucks registered are offset by old trucks being retired or sold over the border in China.

 

*Vans are classified as Light Goods Vehicles and are not shown in this album

 

In Hong Kong Trucks are classified as GOODS VEHICLES By the Transport Department - see below

 

☛Light Goods Vehicles - Goods vehicles of permitted gross vehicle weight not exceeding 5.5 tonnes.

 

☛Medium Goods Vehicles - Goods vehicles of permitted gross vehicle weight exceeding 5.5 tonnes but not exceeding 24 tonnes.

 

☛Heavy Goods Vehicles - Goods vehicles of permitted gross vehicle weight exceeding 24 tonnes but not exceeding 38 tonnes.

 

The major truck types you tend to see in urban areas are trucks carrying construction materials or waste, dump trucks, concrete mixers and all sizes of delivery trucks... outside of the urban areas it is container trucks and large trucks carrying construction materials.

 

The following brands of Trucks can be seen on the streets of Hong Kong and include:-

 

Beiben ✚ Bell ✚ CAMC ✚ CNHTC ✚ DAF ✚ Dennis ✚ Dong Feng ✚ FAW ✚ Fuso ✚ Foton ✚ Ford ✚ Hino ✚ Howo ✚ Hyundai ✚ Isuzu ✚ Iveco ✚ JAC ✚ Kato ✚ KIA ✚ Liebherr ✚ MAN ✚ Mercedes Benz ✚ Mitsubishi ✚ Nissan ✚ Renault ✚ Scania ✚ Shacman ✚ Sinotruk ✚ Suzuki ✚ Toyota ✚ UD ✚ Volvo ✚ Zoomlion

 

Hong Kong is a brand conscious place even for trucks (!) hence the popularity of the European brands, Scania and Man are very popular and even the older trucks look the business and they are utterly reliable.

 

Isuzu is the market leader in terms of sale volume for all types of trucks.

 

(Source - The Transport Department, Hong Kong Government)

 

☛.... and if you want to read about my views on Hong Kong, then go to my blog, link below

 

✚ www.j3consultantshongkong.com/j3c-blog

 

☛ Photography is simply a hobby for me, I do NOT sell my images and all of my images can be FREELY downloaded from this site in the original upload image size or 5 other sizes, please note that you DO NOT have to ask for permission to download and use any of my images!

In Explore: Feb 1, 2008 #271

 

Thanks everyone!

flood lights, sun and a decorative light in one view :)

Source: en.wikipedia.org/wiki/Gothenburg

 

Gothenburg (Swedish: Göteborg) is the second-largest city in Sweden, fifth-largest in the Nordic countries, and capital of the Västra Götaland County. It is situated by Kattegat, on the west coast of Sweden, and has a population of approximately 570,000 in the city proper and about 1 million inhabitants in the metropolitan area.

 

Gothenburg was founded as a heavily fortified, primarily Dutch, trading colony, by royal charter in 1621 by King Gustavus Adolphus. In addition to the generous privileges (e.g. tax relaxation) given to his Dutch allies from the then-ongoing Thirty Years' War, the king also attracted significant numbers of his German and Scottish allies to populate his only town on the western coast. At a key strategic location at the mouth of the Göta älv, where Scandinavia's largest drainage basin enters the sea, the Port of Gothenburg is now the largest port in the Nordic countries.

 

Gothenburg is home to many students, as the city includes the University of Gothenburg and Chalmers University of Technology. Volvo was founded in Gothenburg in 1927. The original parent Volvo Group and the now separate Volvo Car Corporation are still headquartered on the island of Hisingen in the city. Other key companies are SKF and Astra Zeneca.

 

Gothenburg is served by Göteborg Landvetter Airport 30 km (19 mi) southeast of the city center. The smaller Göteborg City Airport, 15 km (9.3 mi) from the city center, was closed to regular airline traffic in 2015.

 

The city hosts the Gothia Cup, the world's largest youth football tournament, and the Göteborg Basketball Festival, Europe's largest youth basketball tournament, alongside some of the largest annual events in Scandinavia. The Gothenburg Film Festival, held in January since 1979, is the leading Scandinavian film festival with over 155,000 visitors each year. In summer, a wide variety of music festivals are held in the city, including the popular Way Out West Festival.

 

Source: en.wikipedia.org/wiki/Evert_Taube

 

Axel Evert Taube (1890–1976) was a Swedish author, artist, composer and singer. He is widely regarded as one of Sweden's most respected musicians and the foremost troubadour of the Swedish ballad tradition in the 20th century.

 

Source: en.wikipedia.org/wiki/Lilla_Bommen

 

Lilla Bommen is a part of Gothenburg harbor used for visiting boats and also the name given to the land surrounding the harbor. The eponymous building along with The Göteborg Opera house and the barque Viking are all located at Lilla Bommen.

 

Source: en.wikipedia.org/wiki/Lilla_Bommen_(building)

 

Lilla Bommen, popularly referred to as The Lipstick, is an 86 m (282 ft) high post-modern high-rise with 22 floors in the Lilla Bommen district of central Gothenburg, Sweden. It is commonly referred to by people from Gothenburg as Läppstiftet (The Lipstick), Skanskaskrapan (The Skanska Skyscraper), Vattenståndet (a double-entendre: The Water Level, but also The Water Erection) or Legohuset (The Lego House), although the official name is simply Lilla Bommen after its location.

 

Skanskaskrapan was designed by Ralph Erskine in cooperation with White Architects and built by Skanska in the late 1980s, led by Gösta Backmark.

 

The building was completed in 1989, and has 27,596 m2 (297,040 sq ft) of office space, 2,501 m2 (26,920 sq ft) of shopping space and 1,528 m2 (16,450 sq ft) for other functions. Owned by the Vasakronan real estate company, it is possible to take an elevator to the top floor viewpoint GötheborgsUtkiken (The Gothenburg Lookout), which has a good view of the city.

The southern tip of the beautiful Anse Source D'Argent at La Digue island, Seychelles.

 

A video from Anse Source D'Argent:

youtu.be/fiKliHwGgZU

Location : Baie-Comeau, Québec, Canada

Exif : 10mm --- ISO 320 --- F11 --- 25 sec

Filter : ND500

Flash : ---

 

FR : Nouvelle découverte encore une fois que j’ai découvert quelque part en forêt !

 

Merci,

David Béland

 

©Tous droits réservés.

 

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S.V.P, ne laisser pas de bannières de groupe ou ajouter cette photo à vos favoris sans laisser un commentaire ou une suggestion. Ceux-ci sont toujours appréciés. Merci

 

PLEASE, don’t leave award, group banner or fave my shot without leaving a comment or a suggestion, even if it’s a small one. Those are always appreciated. Thanks

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UK : New place again that I found somewhere in the wood.

 

Thanks, David Béland

 

© All rights reserved.

 

 

CC0-Source-000001-002484(Kaleidoscope)

Taken during Wetlands Workshop: Looking to the Past

 

Taken at the Walthamstow Wetlands

 

Walthamstow Wetlands is a fully operational 211 hectare Thames Water reservoir site which is the main source of water supply for 3.5 million people...In October 2017, Walthamstow Wetlands opened to the wider public for the first time in 150 years...

In 1852, the East London Waterworks Company (ELWC) was granted permission to develop land at Walthamstow for reservoirs and by 1863, the first stage of the reservoirs development was completed with the construction of Reservoir Nos. 1, 2 and 3. Collectively they occupied just under 18 hectares of land and were all laboriously hand-dug by teams of ‘navvies’. In 1866, a drought in London and serious problems with water quality resulting in a cholera epidemic, drove the second phase of construction - Reservoir Nos. 4 and 5 were now added. With London’s fast growing populating, the High and Low Maynard Reservoirs were completed in 1870 for additional water storage whilst in 1887, a Davy compound engine (a new and powerful type of steam engine used widely for pumping at waterworks and mines during the late Victorian era) was installed at the Coppermill for use in the fast-expanding reservoirs system.

In 1894, the Engine House was built and remained in service until the 1980s - known initially as Ferry Lane Pumping Station, and later, the Marine Engine House, it was designed by ELWC’s architect H. Tooley under the watchful eye of Chief Engineer W. B. Bryan. Underneath the building was a network of underground reservoirs, chambers and pipes that linked the reservoirs and reached as far as Stoke Newington. In 1895, the East and West Warwick Reservoirs were completed and named after the Countess of Warwick, heiress of the local Maynard family, who sold the land to ELWC.

In 1897, Lockwood was the last reservoir to be created and also the largest – covering 30 hectares and excavated to a depth of around 8 metres. Named after one of the ELWC’s directors, it was a major engineering feat for its day - requiring a huge labour force of 1,250 men. Unlike the first reservoirs, which were dug mainly by hand, Lockwood was constructed with plenty of steam-powered pumps, engines and cranes - as well as a team of 50 horses!

In 1904, the Metropolitan Water Board became the new owner of Walthamstow Reservoirs following a series of mergers and nationalisation. In 1940, Walthamstow was hit by the first of many German bombs during the Blitz in World War II and several of the reservoirs were damaged whilst Lockwood’s water level was lowered to limit potential flooding during the war years. In 1951, the Ferry Boat Inn and Coppermill were designated Grade II Listed Buildings for their architectural features and unique place in local history.

In 1973, the Thames Water Authority became site manager following the creation of new regional water authorities, public bodies responsible for water supply, navigation, land drainage, sewage treatment and fisheries. A few years later in 1975, Walthamstow Reservoirs’ important status for London’s wildlife was officially recognised for the first time with its designation as a Site of Special Scientific Interest. In the 1980s, the Marine Engine House was decommissioned and as a result, was used mainly as a storage space until it was redeveloped as part of the new Walthamstow Wetlands over 30 years later.

In 1989, the water supply and sewage treatment aspects of the Thames Water Authority were privatised, leading to the company of today and in 2000, the site was designated part of the Lea Valley Special Protection Area for wildlife - also gaining international ‘Ramsar’ status as a major part of the valley’s internationally important wetland habitat.

[WalthamstowWetlands.com]

One of the world's largest natural springs, Fontaine-de-Vaucluse beautifully reflects the green flora turning the crystal clear water into a vibrant turquoise color.

Source: ParkBench.com, Photos (c) 2013 Zbigniew Skiba, Used with permission.

ANSE SOURCE D'ARGENT . La Digue

 

Watch the videos of this trip VIDEO OF MAHÉ and the VIDEO OF LA DIGUE

Source d'inspiration/Inspiration Source: Creep - Radiohead

 

© dIGI-lAB 2010 - Anthony Baker, Photographe à Soignies, Belgique - Contact: dIGI-lAB

©dIGI-lAB 2010 - Anthony Baker, Photographer in Soignies, Belgique - Website: www.digi-lab.be

 

--- Facebook --- Twitter --- dIGI-lAB ---

 

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Cette photo est beaucoup plus jolie avec un fond noir : ICI !

This pic is reaaly better on black : HERE !

 

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Source: livinghistories.newcastle.edu.au/nodes/view/9620

 

This photograph was taken by a member of the University of Newcastle's former Medical Communication Unit. The original slide is held in Cultural Collections, Auchmuty Library, the University of Newcastle, Australia.

 

This image can be used for study and personal research purposes. If you wish to reproduce this image for any other purpose you must obtain permission by contacting the University of Newcastle's Cultural Collections.

 

Please contact us if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.

 

If you have any information about this photograph, please contact us or leave a comment.

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