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Day 3/3 in Qatar ..
This picture was taken in 9-1-2011
Location: Qatar - AlDouha : The Islamic Museum ..
Orixe (source): gl.wikipedia.org/wiki/Ficheiro:Miri%c3%a1podo_en_Santiago...
Autor: Luis Miguel Bugallo Sánchez
Source: Digital image.
Album: WIL04.
Date: c. 1910.
Photographer: William Hooper.
HOOPER COLLECTION COPYRIGHT P.A. Williams.
Repository: From the collection of Mr P. Williams.
Local Studies at Swindon Central Library.
Source reference: Marko Toomast, Visit Pärnu
Author: Marko Toomast
For details on using this image, please see the ABOUT page.
For more information, please contact info@visitparnu.com
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Allikaviide: Marko Toomast, Visit Pärnu
Autor: Marko Toomast
Loe täpsemalt, kuidas seda pilti kasutada ABOUT lehelt.
Vajadusel küsi lisainfot aadressil info@visitparnu.com
source : bazarclub.free.fr
The pictures are set to offer a virtual tour from the banks of river Seine to top, ie, Grande Arche and Valmy
Source: Bambergische peinliche Halszgerichtszordnung (Bamberg: Johann Wagner, 1580); 31 cm. Hicks classification: AL 141 H7 B22 1580 tall. Call # Rare36 00-0014.
Pairi Daiza - September 2020
Pairi Daiza (formerly Paradisio) is a privately owned zoo and botanical garden located in Brugelette in the province of Hainaut, Belgium. The 65-hectare (160-acre) large animal theme park is located on the site of the former Cistercian Cambron Abbey, and is home to over 4,000 animals.[1] The name is taken from the Avestan word pairi daeza, which is the source of the English word paradise.
Source: Digital image.
Set: SHE01.
Date: 1989/90.
Photographer: © Mr D. Sheppard.
Local Studies at Swindon Central Library.
Speed Source Mazda Prototype, driven by Sylvain Tremblay, Tom Long, and Ben Devlin. Sahlen 6 Hours at the Glen, Watkins Glen International. IMSA Turdor Unites Sports Car Series, Thursday thru Sunday June 26th thru 29th.
Creator: Lindsley, Lawrence Denny, 1879-1974.
Description: Caption on image: Christmas 1907, at Maryvale. 25 Mile Creek, Lake Chelan. #673, L.D. Lindsley foto. Handwritten on verso: Beginning at upper left hand corner, the first is Kenith Parker then comes myself (C.E. Obre) and Forman (?) Ayers. Between and in front of Ken and I are first from left Irene Lindsley then the girl whose face is partly hidden is Edith Williams who is the daughter of the man in the lower left hand corner. Sitting just above and to the left of him is his daughter Mrs. Chestnut and child. All the Williams are from St. Louis and have been here about 2 yrs. The girl directly in front of me is Mable Lindsley. The girl along side of Forman is the daughter of the little man who is smiling just to her right. The man with the spectacles is Mr. Russel, and the little woman with the glasses is his wife, and the little boy at the bottom of the picture is Mr. Tompkins and Mrs. Tompkins' son. The little man above mentioned is Mr. Thompkins and the woman in front of him is his wife. The man with beard and lady beside him are Mr. and Mrs. Lindsley. The man and woman next to Mr. Lindsley are Mr. and Mrs. Darby. Stamped on negative jacket: Lake Chelan Series Handwritten on negative jacket: Dec. 25 1904. A Christmas Party. Mr. & Mrs. E.A. Smith's home, 25 Mile Creek.
More information on the commercial rights for this photo..
Part of Olympic Peninsula Community Museum
University of Washington Libraries.
Brought to you by IMLS Digital Collections and Content.
Unrestricted access; use with attribution.
Source: Vol. 1, TRACTATUS UNIVERSI IURIS (22 vols.; Venice: Franciscus Zilettus, 1584-86); call no. CL 46 ++T67 v.1
Source: Digital image.
Album: WIL04.
Date: c1910.
Photographer: William Hooper.
HOOPER COLLECTION COPYRIGHT P.A. Williams.
Repository: From the collection of Mr P. Williams.
Local Studies at Swindon Central Library.
Source: livinghistories.newcastle.edu.au/nodes/view/15960
This image was scanned from a film negative in the Athel D'Ombrain collection [Box Folder B10397] held by Cultural Collections at the University of Newcastle, NSW, Australia.
This image can be used for study and personal research purposes. If you wish to reproduce this image for any other purpose you must obtain permission by contacting the University of Newcastle's Cultural Collections.
Please contact us if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
If you have any information about this photograph, please contact us or leave a comment in the box below.
My primary sources are based on the theme of water, earth, fire and air. i have investigated these elements fairly simply to start with.
When i look at my work I think about how much it fits in with the genre of wildlife and nature. Each of the elements seem to be very nature related. I have also based my work on some previous primary sources that I have taken and I wanted to develop further.
i used a digital SLR camera with a tripod to take these images. i used the macro and landscape setting however occasionally i also used the manual focus setting.
When photographing the water used a fast shutter speed so that every drop and aspect is clear in detail. i would like to investigate what would happen if I used a slow shutter speed. I also used a fast shutter speed to capture my image of smoke.
I have learnt about what setting I may have to use for different photos that are taken at different distances from the subjects.
In my work I have shown that i can use basic elements such as tone, colour, texture, space and line. these help my photographs to become more interesting and intriguing.
I used some rules of composition such as lining thing so that they were not centred to ensure that my images were not too basic or straight forward. I have learnt that the colours in an image really determine how the final piece will turn out.
When i look at my work it makes me feel like I am in the countryside and admiring the beautiful nature and wildlife.
I would describe my work as adventurous as it really explores the aspects of the fire, earth, air and water, relating it to the photographing genre of nature and wildlife. The four elements are natural therefore I think that this genre is a good area to explore and link in with my work.
Bamboo's one of the world's most useful plants. Here it's used to hold boom in place. These booms aren't keeping the oil from the marsh.
Title / Titre :
Rt. Honourable Richard Bennett - Prime Minister of Canada (1930-1935) /
Le très honorable Richard Bennett, premier ministre du Canada de 1930 à 1935
Creator(s) / Créateur(s) : Unknown / Inconnu
Date(s) : circa / vers 1930-1935
Reference No. / Numéro de référence : MIKAN 3191866, 3623347
collectionscanada.gc.ca/ourl/res.php?url_ver=Z39.88-2004&...
collectionscanada.gc.ca/ourl/res.php?url_ver=Z39.88-2004&...
Location / Lieu : Ottawa, Ontario, Canada
Credit / Mention de source :
Library and Archives Canada, C-000687 /
Bibliothèque et Archives Canada, C-000687
Rea IRVIN • American
* 26 August 1881 in San Francisco, California.
✝︎ 28 May 1972 in Frederiksted, U.S. Virgin Islands.
The New Yorker — December 31, 1938.
Issue 724 — Volume 14 — Number 46.
www.facebook.com/media/set/?set=a.122102313020613045&...
About Irvin ↓
Few artists have had as enduring an influence on one magazine as cartoonist Rea Irvin has had on The New Yorker. As the magazine's first art editor, Irvin created a style that continues to define the publication to this day, witty, urbane, and socially and culturally aware. He is known for his distinctive thin and trembly line, poached eyes, and almost oriental splendor of his drawings.
Born in San Francisco on August 28, 1881, Irvin started his career in illustration as an unpaid cartoonist for The San Francisco Examiner. His only former training consisted of six months' study at the Hopkins Art Institute. At the age of 25, he moved to the East Coast and was soon a regular contributor to Life and Cosmopolitan magazines.
In 1924, Irvin joined an advisory board to help launch The New Yorker. For the cover of the magazine's debut issue the next year, Irvin created Eustice Tilley, a smartly attired dandy with a monocle and top hat. This amusing and worldly, yet somewhat detached, character embodied the spirit of the new publication. Tilley quickly became Irvin's signature piece and has reappeared on the magazine's cover every year since, with one exception — 1994.
Irvin, as a veteran editor of Life magazine, served for twenty-one years as the art director of The New Yorker. It was said that the first issues of the brash, new magazine were so top heavy with art that one observer dubbed it, 'The best magazine in the world for people who can't read.'
Between 1925 and 1958, Irvin's work appeared on 169 covers of The New Yorker. Hundreds of other illustrations by Irvin were also published inside the magazine. In addition to his illustrations, Irvin contributed significantly to The New Yorker's layout and design. He created the magazine's sharp and casually elegant type style, which is still known as "Irvin type," and he added the squiggly column rules that provide a distinct delineation between text and illustrations.
In 1967, Irvin gave his personal collection of 412 works on paper to the Museum of the City of New York. In March 2000, an exhibition of his work, "The Talk of the Town; Rea Irvin of The New Yorker", was shown at the Brandywine River Museum. It presented 83 original illustrations from the Museum of the City of New York's extensive collection of Irvin's original covers, drawings and cartoons. The exhibition featured many of these works, including caricatures of contemporary figures such as Diego Rivera and Pablo Picasso, and parodies of social issues. One example, The Unity of the Allied Nations which appeared on The New Yorker's July 1, 1944 cover, depicts the American Eagle, the Chinese Dragon, the Russian Bear and the British Lion clearly united in the pursuit of victory during World War II. The exhibit introduced visitors to the broad range of Irvin's talent and explored his enduring influence on The New Yorker magazine and American illustration.
Rea Irvin died on May 28, 1972, in Fredericksted, Virgin Islands, at the age of 90.
#Source: Brandywine Museum of Art.
Mr. Nado of Shimane University, and Vice President of the Open Source Software Society Shimane, introduces the Open Source Lab facility located in downtown Matsue adjacent to the convention center and train station.Export.
Title: Mayor Raymond L. Flynn and Chicago Mayor Harold Washington
Creator: Mayor's Office - City Photographer
Date: 1985 March
Source: Mayor Raymond L. Flynn records, Collection #0246.001
File name: RF_043
Rights: Copyright City of Boston
Citation: Mayor Raymond L. Flynn records, Collection #0246.001, City of Boston Archives, Boston
Fermilab Antiproton Source
The antiproton is the antiparticle of the proton. Antiprotons are stable, but they are typically short-lived since any collision with a proton will cause both particles to be annihilated in a burst of energy.
The existence of the antiproton with −1 electric charge, opposite to the +1 electric charge of the proton, was predicted by Paul Dirac in his 1933 Nobel Prize lecture. Dirac received the Nobel Prize for his previous 1928 publication of his Dirac Equation that predicted the existence of positive and negative solutions to the Energy Equation (E = mc^2) of Einstein and the existence of the positron, the antimatter analog to the electron, with positive charge and opposite spin.
The antiproton was experimentally confirmed in 1955 by University of California, Berkeley physicists Emilio Segrè and Owen Chamberlain, for which they were awarded the 1959 Nobel Prize in Physics. An antiproton consists of two up antiquark and one down antiquark (uud). The properties of the antiproton that have been measured all match the corresponding properties of the proton, with the exception that the antiproton has opposite electric charge and magnetic moment than the proton. The question of how matter is different from antimatter remains an open problem, in order to explain how our universe survived the Big Bang and why so little antimatter exists today.
en.wikipedia.org/wiki/Antiproton
Fermilab Antiproton Source Department
Picture taken by Michael Kappel at Fermilab
View the high resolution image on my photo website
Source: livinghistories.newcastle.edu.au/nodes/view/39066
This image was scanned from a photographic proof in the University's historical photographic collection held by Cultural Collections at the University of Newcastle, NSW, Australia.
If you have any information about this photograph, please contact us.