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Source: livinghistories.newcastle.edu.au/nodes/view/53207
Function in the courtyard of the Shortland student union building in 1984.
This image was scanned from a photograph in the University's historical photographic collection held by Cultural Collections at the University of Newcastle, NSW, Australia.
If you have any information about this photograph, or would like a higher resolution copy, please contact us.
Abe BIRNBAUM •
* 18 November 1898 in New York City, NY.
✝︎ 19 June 1966 in Lenox Hospital, Manhattan, NY.
Cover design for The New Yorker.
October 28, 1967.
Issue 2228 — Volume 43 — Number 36.
About BIRNBAUM ↓
Abe Birnbaum painted nearly 200 covers for The New Yorker magazine.
Mr. Birnbaum's last New Yorker cover appeared on the issue of May 28. In the bold and simple lines that were the stamp of his style, he drew two white sails on blue-green water under a broad blue sky.
Mr. Birnbaum represented people and objects in their most uncomplicated terms. A Lincoln Day cover several years ago showed only the hint of a stovepipe hat and some red, white, and blue bunting.
He contributed more portraits and drawings to the magazine's Profile and Reporter at Large sections than any other artist. His portraits, done in pen and ink and brush, reduced the face in one or two lines to what it was supposed to be a profile.
▪️Versatile Illustrator
Mr. Birnbaum did portraits of Henry Moore, the sculptor, and Abe H. Feder, a theatrical lighting man. In addition, he drew hockey players, hurricanes and illustrations for articles on television, smoking and cricket.
The magazine also used thousands of Mr. Birnbaum's spot drawings on inside pages that punctuated and indented columns of type. For one long story on burglary, he drew a keyhole that was described as "the most intensely keyhole keyhole there has ever been."
Mr. Birnbaum was an exacting craftsman. In the studio of his home in Croton, N.Y. surrounded by most of his 15 cats, he would draw an object such as a chair 200 times or more to get it right.
"Nothing is ugly," he said often. "Everything is what it is."
Mr. Birnbaum also drew illustrations for Harper's Bazaar, Vogue and The New York Times Sunday drama section. He had illustrated several books, including "Green Eyes,” which a jury picked as the best-illustrated children's book of 1953. The most recent book he illustrated is another juvenile title, “Did a Bear Just Walk There,” by Ann Rand.
▪️ At Art Students League
Born in Manhattan, Mr. Birnbaum studied at the Art Students League under Boardman Robinson and Kenneth Hayes Miller.
Mr. Birnbaum had held exhibitions at the Carnegie Institute and the Philadelphia Museum of Art.
#Source: The New York Times obituary.
The view from outside the OpenPlans penthouse.
The first open(source).athon was held by Hacks/Hackers NYC and drew more than 40 attendees, with a couple out-of-towners from Chicago and Florida.
The day-long event, held at the OpenPlans penthouse and sponsored by the Google's Open Source Programs Office, involved gathering coders and writers to collaborate on open-sourcing code projects.
Read more:
Source: Digital image.
Date: 13/11/2010.
Copyright: SBC.
Repository: Local Studies, Swindon Central Library.
Source: Scan of original photograph.
Set: WIL03-2.
Photographer: John Wilson.
Additional information with permission of CWGC.
Local Studies at Swindon Central Library.
The headwaters of the Wainiha River as seen from the Waialeale Trail about a half mile from the famed raingage. In the distance, Puu Kamaha on Laau Ridge is scraping the clouds.
The original Haole trip followed the river to the summit. The USGS Waialeale follows the ridge just south of the Wainiha upper watershed.
Source: Scan of an OS RP Photograph.
Grid: SU1387.
Date: April 1953.
Copyright: Ordnance Survey.
Used by their very kind permission.
Repository: Local Studies at Swindon Central Library.
Heritage Hall Waiters, Valparaiso University
Date: 1909
Source Type: Postcard
Publisher, Printer, Photographer: Unknown
Postmark: March 4, 1909, Valparaiso, Indiana
Collection: Steven R. Shook
Remark: Originally named Flint Hall, this structure was built as a three story building in 1875 by John C. Flint and served as a boarding house for about eighty students, as well as Mr. Flint's residence. However, a fire on January 25, 1881, destroyed much of the third floor. Music Professor Richard A. Heritage then purchased the damaged structure in 1881. In remodeling the structure after the fire, the third floor was removed and a flat roof was placed over the second story. The hall was then renamed Heritage Hall. The structure served as the university library from 1925 to 1946. Professor Richard A. Heritage served as head of the Music Department at Valparaiso University from 1877 to 1894.
The writing on this postcard states, in part: "The picture is of the waiters. Say Clem come & see Kelley & stop and see me while you are here it will cost you nothing on me. I have a stand in with the cook. This is the waiters squad of Heritage Hall. It seats 125. We serve two sets of meals at 6, 13 & 6 & 6:35, 12:35, & 6:35. I wait first tables." This postcard is signed by George Kepler and was mailed to Clem Breckheisen of Sturgis, Michigan.
Copyright 2010. Some rights reserved. The associated text may not be reproduced or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without prior written permission of Steven R. Shook.
複数のスポットライト、スモーク、劇場を使用し定常光を組み、舞台のエモさを撮影しようと試みました。これは舞台写真ではなく自分で組んだ照明の写真になります。
格好付け、自信、自分を見て欲しいという気持ち、それらはとても尊く美しいものです。
I made a mood of a theater drama with multiple spotlights and smoke rather than a strobe.
"strutting" "full confidence" "see me" This is a beautiful, precious mood.
Source: Scan of an OS RP photograph.
Grid: SU1683.
Date: January 1953.
Copyright: Ordnance Survey.
Used here by their very kind permission.
Repository: Local Studies at Swindon Central Library.
#225/365
[strobist setup]
[430exII-snoot]-(105mm@1/4) at 12h
[camera]
Canon EOS 60d
[camera setup]
ISO100, 1/250, f5,6
[lens]
Sigma EX DC 10-20mm f3,5
[trigger]
Camera wireless
Twitter: @erkua
Jefferson Bible source books open to cut-up pages to show the missing pieces
Explore every page of the book and learn more on our website.
interior design, architectural stairs, architectural staircases, staircases design, stairs design
Source : Circle Redmont
#ds163
We get energy from a variety of sources. Make a photograph of the energy that's most important to you.
My wife's first thought was Niagara Falls, not me, I know where MY energy comes from.. and it isn't a wall socket.
Really upset that the steam doesn't show on the Flickr version, but that's life..
This would have benefited from a 3rd light source giving a bit more rim from back right, but it's not in the budget for now.
Source: www.autoworldmuseum.com/about.html
Why build an automotive museum? Because one way or another, our lives are touched by the automobile. We remember our parents’ cars, the ones we traveled in with family, the ones we borrowed for our first car date, the first ones we bought. The fast cars, the junkers, the modified ones and the ones we rebuilt—all of them are tied to us in memory. We even dream of cars.
William E. Backer, former owner of Backer Potato Chip Company in Fulton, Missouri, looked back in time and found that a vintage automobile was a thing of fascination. His memories were of old country roads and two lane highways. Bill Backer was an engineer and a builder who loved to tinker. Having built a successful potato chip company, he looked back at the cars that were part of his childhood. Shortly after, he owned a Canadian 1924 Dodge Touring. Dark blue with black fenders and a cloth top. Bill drove his family around the back country roads of Callaway County, Missouri and felt himself touching fading memories.
Not long after he collected the Dodge, Bill had a 1909 Ford Model T. Soon after that, a 1930 Model A. Then a 1929 Cord, a 1931 Rolls Royce Phantom II, a 1957 Chevy Bel Air, and so on. By the mid 1990’s, the number of classic autos in the collection neared 100. Bill found a home for many of his classic cars in an old retail building in Fulton. The Auto World Museum Foundation was formed and a classic car museum was opened to the public. Ten years later, in 2006, the automobile museum was moved to its current home at 200 Peacock Drive in Fulton. It is a building dedicated to the history of vintage and modern automobiles as well as the history of Callaway County and Fulton, Missouri.
After his passing in 2008, his daughter, Vicki McDaniel, assumed leadership of the museum and the collection of cars. Since then, the collection of vintage autos has changed a little. However, her primary passion is for the presentation of antique cars and modern ones in a place that everyone can visit.
The presentation of cars and staging of the museum is the vision of Tom K. Jones, Artistic Director of TKJ Designs in Fulton, Missouri. His concept for the museum was a movement through time and a portrayal of the history of Callaway County, Missouri. Auto World Museum is a stage—a movement through history. Its deep black curtains, scenes from back when, panels of advertising and memorabilia will take you through a history of motion in time. At first, you will visit a period not that long ago, although some say 100 years is a long time. As you move in a clockwise direction through the museum, you will find enticing displays. The simplicity of family drives in the convertible. The decadence of Hollywood and its fancy cars. The sights and sounds of the drive-in as you watched from the comfort of your Studebaker or Corvair. You will ponder when gas prices were really, really low. Finally, you will find yourself nearing the future, with displays of alternative fuel vehicles.
Auto World Museum will spark your curiosity. We hope that you will find that our collection of vintage and modern automobiles fascinates you the way that it did Bill Backer. We hope you will continue the journey with us as we add to the collection over time. We would like to thank William Harrison for his dedication to the research on the autos in the museum.
Would you buy a second hand car from those sources?
Something about how many cooks is ideal for making the broth, sauces or sources. Either way I'm not convinced.
Hello there. Relevant comments welcome but please do NOT post any link(s).
Source: livinghistories.newcastle.edu.au/nodes/view/4035
This image was scanned from a negative in the Bert Lovett collection. It is part of the Norm Barney Photographic Collection, held by Cultural Collections at the University of Newcastle, NSW, Australia.
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